358 Best Movies to Watch In Spanish (Page 13)

When Castro took over Cuba in the 1950s, Havana’s nightlife shifted as clubs and casinos were closed down, leading to certain traditional step-based genres like son, bolero, and danzón to decline. A few decades later, prominent American musician Ry Cooder travelled to Cuba with his friend documentarian Wim Wenders, to pay homage to traditional Cuban music in an album and its respective documentary. Wenders weaves in illuminating interviews and shots of Cuba today in between the band’s Amsterdam and Carnegie Hall performances, with a certain intuition that makes each song feel like a triumph. While the documentary does focus more on Cooder, Buena Vista Social Club is a delight to watch, even with its 90s digital grain.

Genre: Documentary, Music

Actor: Compay Segundo, Eliades Ochoa, Ibrahim Ferrer, Joachim Cooder, Omara Portuondo, Ry Cooder

Director: Wim Wenders

Rating: G

In the Mexican film A Cop Movie, director Alonso Ruizpalacios mixes fact and fiction, documentary and narrative, to tell the tale of Teresa and Montoya, two police officers whose dreams are dashed by the corruption of their trade and who, eventually, find love and comfort in each other.

Ruizpalacios takes thrilling risks in structuring this genre-bending story—cutting stories into parts, jumping back and forth between the harrowingly real and captivatingly non-real. For all the experimental maneuvers he makes, however, the through-line is always Teresa and Montoya: particularly, their love for each other and for an institution that should have, in an ideal world, supported them and the people they vowed to protect. 

To its credit, instead of merely humanizing the controversial police force, A Cop Movie adds some much-needed nuance to the big picture. At the end of the day, they’re no different than any other underpaid laborers working desperately to make end meets. A Cop Movie doesn’t gloss over the fact that the police, like so many other workers, are stuck in a rotten system that’s long overdue for a major overhauling. 

Genre: Action, Crime, Documentary, Drama, Thriller

Actor: Carlos Corona, Juan Carlos Medellin, Leonardo Alonso, Mónica Del Carmen, Olivia Lagunas, Raúl Briones, Yoshira Escárrega

Director: Alonso Ruizpalacios

Rating: R

"Imagine a nightmare when you had to relive your adolescence," says Cecilia Aldarondo at the beginning of her third film, You Were My First Boyfriend. Indeed, the scene recalls a teen prom that could easily be yours (if you were one of the unpopular girls): neon lights, prettier dresses that are never yours, disapproving looks, and the impression that everyone around you is having the time of their lives, while you sit awkwardly in a corner. This image sets the tone for a self-exploration in documentary form that relies on a simple, yet imaginative premise, what if you could re-enact the formative events from back then, but do so today, by directing actors to step in for your past selves. Aldarondo approaches the topic sincerely and with curiosity. Not a pang of nostalgia there, but the heartfelt doc manages to reflect on the pasts that shape us in a witty way to promote self-acceptance and, ultimately, healing.

Genre: Documentary, Drama

Actor: Cecilia Aldarondo, Gabriel Kristal, Laura Gallegos, Melissa Baker, Sarah Baker Butterfield

Director: Cecilia Aldarondo

Rating: PG

Whores’ Glory leads us through the hidden world of prostitution in three different countries. The lack of narration is an excellent choice here—all too often, it’s easy to accept preconceived notions about this type of work. Instead, what leads us through the film are words from the sex workers themselves and their clientele. In some ways, these words reveal their differences. The workers pray, worry about money, and share their troubles with each other, but it’s their employers and clientele who reveal their misogyny. Overall, while the Western soundtrack and glamorizing shots can be distracting, it’s clear that the film gives respect to sex workers and prioritizes their perspective.

Genre: Documentary, Drama

Director: Michael Glawogger

Rating: Not Rated

Based on the short story “God Sees the Truth, But Waits” by Leo Tolstoy, The Woman Who Left is a film about people with nowhere to go. Set in 1990s Philippines, the film follows Horacia, an ex-convict seeking revenge on her former lover who masterminded her unjust 30-year imprisonment. Along the way, she meets various people—a hunchback balut vendor, vagabonds, and an epileptic trans woman, among others—all downtrodden in their own unique ways and united only by their nightly wanderings, with whom Horacia’s true nature is revealed and reconfigured with every encounter.

Lav Diaz’s signature slow cinema minimalism and sharp chiaroscuro lighting allow for a meditative experience, further enhancing the film’s immersive quality. Despite its bleak atmosphere, The Woman Who Left remains hopeful amidst moral quandaries, where things eventually fall into their rightful place, albeit in unexpected ways.

Genre: Drama

Actor: Charo Santos-Concio, John Lloyd Cruz, Kakai Bautista, Lao Rodriguez, Mae Paner, Michael De Mesa, Nonie Buencamino, Shamaine Buencamino

Director: Lav Diaz

The poetic title of this debut feature from Chilean filmmaker Francisca Alegría does not tell a lie: a cow does indeed sing. More than one, in fact, because the film uses an entire herd — plus a flock of birds and a school of fish — as a kind of Greek chorus to comment on human mistreatment of animals and the wider environment. The Cow Who Sang never approaches sanctimonious territory, gently weaving from these ideas an expansive and evenly empathetic worldview. The magical realism that allows the animals to speak is the same device that brings the long-dead Magdalena (Mia Maestro) back to life — and, as her family’s fraught history is gradually revealed, it’s movingly suggested that the objectification that the cows and the local polluted river are subjected to is part of the same culture of devaluation that marred the lives of Magdalena and her female descendants. If there’s one complaint to be had, it’s that the relatively short runtime limits the film's ability to really expound on its many threads — the bond Magdalena instinctively forges with her trans granddaughter, for example. Ultimately, though, its symbolic storytelling and emotionally articulate cast allow The Cow Who Sang to communicate much of its sweeping philosophy to profound effect.

Genre: Drama

Actor: Alfredo Castro, Camilo Arancibia, Enzo Ferrada, Fernanda Urrejola, Leonor Varela, Luis Dubó, Marcial Tagle, Mía Maestro

Director: Francisca Alegría

Education isn’t always a guarantee, especially in less privileged areas that are underfunded, overlooked, and underprioritized, in the belief that these kids wouldn’t amount to much in the end. That being said, sometimes, what changes that fate is having a teacher that believed in his students and encouraged them to learn more than what they were expected. Stand and Deliver is a dramatization of the real life Jaime Escalante, who transformed a math program in an east LA high school to the point where his entire class ace California’s calculus test. The film definitely takes some dramatic liberties, but it does capture a sense of his quiet determination, the personality that pushed him to believe in and connect with students differently. While Escalante’s program eventually ended due to admin changes and staff in-fighting, Stand and Deliver is a reminder of the importance of nurturing ganas, or desire, in the classroom.

Genre: Drama

Actor: Andy Garcia, Betty Carvalho, Bodie Olmos, Carmen Argenziano, Edward James Olmos, Eliot, Estelle Harris, Graham Galloway, Ingrid Oliu, Irene Olga López, Karla Montana, Lou Diamond Phillips, Lydia Nicole, Manuel Benitez, Mark Phelan, Rosanna DeSoto, Vanessa Marquez, Virginia Paris, Will Gotay

Director: Ramón Menéndez

Rating: PG