54 Best Social Issue Dramas Movies to Watch On Cineplex Canada (Page 4)

Staff & contributors

, 2016

Arch-provocateur Paul Verhoeven received widespread acclaim for his assured and darkly funny adaptation of Philippe Dijan’s award-winning novel, his first film in the French language. 

It’s a controversial revenge thriller about a domineering businesswoman who is raped in her home by a masked man. Refusing to let the attack affect her life, she refuses to report the incident and tracks down the assailant herself.

Verhoeven directs the material with confidence and a troubling lightness of touch, while fearless Isabelle Huppert gives one of the best performances of her long and illustrious career. Some people found Elle empowering while others felt it perpetuated misogynistic attitudes. Either way, it makes for a passionate post-viewing discussion.

Genre: Crime, Drama, Thriller

Actor: Alice Isaaz, Anne Consigny, Anne Loiret, Arthur Mazet, Caroline Breton, Charles Berling, Christian Berkel, David Léotard, Eric Savin, Fleur Geffrier, François Nambot, Hugo Conzelmann, Hugues Martel, Isabelle Huppert, Jean Douchet, Jean-Noël Martin, Jean-Yves Freyburger, Jina Djemba, Jonas Bloquet, Judith Magre, Laurent Lafitte, Laurent Orry, Loïc Legendre, Lucas Prisor, Marie Berto, Nicolas Beaucaire, Nicolas Ullmann, Oury Milshtein, Raphaël Kahn, Raphaël Lenglet, Stéphane Bak, Vimala Pons, Virginie Efira, Zohar Wexler

Director: Paul Verhoeven

Rating: R

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

Genre: Drama

Actor: Abdullrahman Al Gohani, Ahd, Ahd Kamel, Alanoud Sajini, Dana Abdullilah, Haifaa Al-Mansour, Rafa Al Sanea, Reem Abdullah, Sultan Al Assaf, Waad Mohammed

Director: Haifaa al-Mansour

Rating: PG

When David and his sister Jennifer fight over the TV remote, they are suddenly transported to David’s favorite sitcom, Pleasantville. They’re told by a spirit guide that their best bet at getting out is fitting in, but their modern sensibilities prove to be too much for the genteel ‘50s town. Soon, the residents learn about sex, art, criticism, and politics, and it’s up to the twins to control the ensuing mayhem and guide them to the right path. 

In hindsight, Pleasantville seems ahead of its time, preceding Marvel’s WandaVision as the ultimate, deconstructed homage to 20th-century television. But unlike the series, Pleasantville dives deep into personal and social politics, all while maintaining an impressive balance of wisdom and humor. Equally notable is the film’s transformation from black and white to Technicolor, which, aside from being a symbolic and technical feat, is also a piece of pure, mesmerizing cinema.

Genre: Comedy, Drama, Family, Fantasy

Actor: Andrea Baker, Charles C. Stevenson Jr., Danny Strong, David Tom, Dawn Cody, Denise Dowse, Don Knotts, Erik MacArthur, Gerald Emerick, Giuseppe Andrews, J. Patrick Lawlor, J.T. Walsh, James Keane, Jane Kaczmarek, Jason Behr, Jason Maves, Jeanine Jackson, Jeff Daniels, Jenny Lewis, Jim Antonio, Joan Allen, John Ganun, Johnny Moran, Justin Nimmo, Kai Lennox, Kevin Connors, Kristin Rudrüd, Laura Carney, Lela Ivey, Maggie Lawson, Marc Blucas, Marissa Ribisi, Marley Shelton, McNally Sagal, Nancy Lenehan, Natalie Ramsey, Patrick Thomas O'Brien, Paul Morgan Stetler, Paul Walker, Reese Witherspoon, Robin Bissell, Stanton Rutledge, Tobey Maguire, Weston Blakesley, William H. Macy

Director: Gary Ross

Rating: PG-13

An uplifting and inspiring movie with Felicity Jones and Armie Hammer. Jones stars as Supreme Court Justice Associate Ruth Bader Ginsburg in this biopic centered around her hallmark case against sex-based discrimination. While it doesn't feel like it truly conveys the power of Ginsburg's story, her determination, or all the odds that were stacked against her, it serves as a mellowed-down preview of her remarkable story. Watch this if you're in need of a good dose of inspiration.

Genre: Drama, History

Actor: Amanda MacDonald, Angela Galuppo, Armie Hammer, Arthur Holden, Ben Carlson, Cailee Spaeny, Callum Shoniker, Chris Mulkey, Dawn Ford, Felicity Jones, Francis X. McCarthy, Gabrielle Graham, Gary Werntz, Holly Gauthier-Frankel, Jack Reynor, Jeff Lillico, Joe Cobden, Justin Theroux, Karl Graboshas, Kathy Bates, Michael Dickson, Ronald Guttman, Ruth Bader Ginsburg, Sam Waterston, Stephen Root, Wendy Crewson

Director: Mimi Leder

Rating: PG-13

In Fatih Akin’s In the Fade, Katja is seeking justice after the killings of her Turkish husband and their young son in a terrorist bomb attack. Diane Kruger in the role of Katja delivers a powerful and rather grueling performance, for which she was awarded Best Actress at Cannes Film Festival. Her grief is vivid and forces viewers to bear witness to her inescapable pain. In the Fade also won the Golden Globe Award for Best Foreign Language Film, beating astonishing films such as Andrey Zvyagintsev’s Loveless. This moving story about a fearless woman determined to take justice into her own hands to fight the cruelty of others delivers a message that needs to be heard.

Genre: Crime, Drama, Thriller

Actor: Adam Bousdoukos, Aysel Iscan, Denis Moschitto, Diane Kruger, Edgar Selge, Hanna Hilsdorf, Henning Peker, Johannes Krisch, Karin Neuhäuser, Laurens Walter, Numan Acar, Samia Chancrin, Şiir Eloğlu, Ulrich Brandhoff, Ulrich Tukur, Uwe Rohde, Yannis Economides

Director: Fatih Akin

Rating: R

Finding Forrester is the rainy afternoon type, or a summer night film -- it's a traditional American movie so to speak, with all the components to make your traditional need for a traditional movie more than satisfied. It tells the story of two writers, a young black kid living in a ghetto and struggling to admit his passion for writing over his passion for Basketball (played by Rob Brown), and a Pulitzer Prize winning writer who has renounced his success for unknown reasons (played by Sean Connery). The plot is predictable, and in that traditional sense, very enjoyable. Directed by Gus Van Sant, it will feel almost as a sequel to Good Will Hunting but trust me, this ends up being a great thing too.

Genre: Drama

Actor: Alex Trebek, Alison Folland, Anna Paquin, April Grace, Busta Rhymes, F. Murray Abraham, Fly Williams III, Gerry Rosenthal, Glenn Fitzgerald, Gus Van Sant, Jim Titus, Lil' Zane, Matt Damon, Matt Malloy, Michael Nouri, Michael Pitt, Richard Easton, Rob Brown, Sean Connery, Stephanie Berry, Vince Giordano

Director: Gus Van Sant

Rating: PG-13

, 2013

Chadwick Boseman who you might now know as the Black Panther had his break out role in 42, the true story of the first Black major league player Jackie Robinson. A story of expected struggle but also a humbling and humane account that is full of warmth. Jackie Robinson's coach is played by Dustin Hoffman, adding to the caliber of amazing performances in this movie, all put together by Oscar-winning writer/director Brian Helgeland (Mystic River, L.A. Confidential). From the baseball sequences to the personal life of Jackie Robinson, and of course his confrontation with racism, this is a powerful and uplifting movie.

Genre: Drama

Actor: Aaron Farb, Alan Tudyk, André Holland, Andre Holland, Andrew C. Mullins, Anthony S. Goolsby, Ari Blinder, Barry Suttle, Brad Beyer, Brett Cullen, Chadwick Boseman, Cherise Boothe, Christopher Meloni, Colman Domingo, Danny Vinson, Dax Griffin, Derek Phillips, Dusan Brown, Gino Anthony Pesi, Hamish Linklater, Harrison Ford, Hunter Clowdus, Jackson Walker, James Pickens Jr., James Rackley, Jamie Ruehling, Jayson Warner Smith, Jeremy Ray Taylor, Jesse Luken, Joe Inscoe, Joe Knezevich, John C. McGinley, Jon Kohler, Jud Tylor, Karole Foreman, Kelley Jakle, Kenny Cook, Linc Hand, Lou Criscuolo, Lucas Black, Marc Gowan, Mark Harelik, Matt Clark, Maury Covington, Max Gail, Michael H. Cole, Monnae Michaell, Nicole Beharie, Peter Jurasik, Peter MacKenzie, Rhoda Griffis, Ryan Merriman, T.R. Knight, Tobias Michael Finn, Toby Huss, William Flaman

Director: Brian Helgeland

Rating: PG-13

With a great cast, a relevant story, and a stirring romance, The Boxer is all set to be a great film, but the resulting feature feels like a letdown. Irish director Jim Sheridan has teamed up with English actor Daniel Day Lewis for a feature depicting the Troubles in Northern Ireland, and for the most part, it’s decently made, but the film struggles to balance the romance and the politics of its story, with Day Lewis’ boxing lagging behind. There are plenty of interesting threads here– the right to self-determination, on both the individual and national level, the loss of youth, and the way war makes cities turn on themselves– which are all emotionally carried by the performances, but the structure fails to organize these ideas into a daring and cohesive statement. The Boxer isn’t a terrible watch, but it just feels like it could have delved more deeply into the conflict, or better yet, could have been at least two separate movies.

Genre: Drama, Romance

Actor: Brian Cox, Brian Milligan, Britta Smith, Ciarán Fitzgerald, Daniel Day-Lewis, David Hayman, Des Braiden, Don Foley, Eleanor Methven, Emily Watson, Frances Tomelty, Gerard McSorley, Ian McElhinney, Jer O'Leary, Joan Sheehy, John Cowley, John Wall, Ken Stott, Kenneth Cranham, Liam Carney, Lorraine Pilkington, Maria McDermottroe, Mark Mulholland, Mick Tohill, Niall Shanahan, Nye Heron, Paul Ronan, Peter Sheridan, Tom Bell, Tom Maguire, Veronica Duffy, Vinny Murphy

Director: Jim Sheridan

Rating: R

Yu Katayama lives in a remote village with a garbage disposal business that's slowly turning into a landfill. When his childhood friend Misaki Nakai returns to the village, she encourages Yu to make a better life for himself despite his mother's gambling and the village ostracizing him. The Village is a slow-burning film interested in Yu's struggles as an outcast and in discussing the takeover of small villages for capitalistic industrial motives. The film is shot beautifully with dark, brooding visuals and lingering shots of Yu's quiet intensity throughout the film. Unfortunately, secondary characters are not fully developed outside of their interactions with Yu, causing the film to feel flat outside of pivotal moments. An evocative idea with parts more memorable than the whole.

Genre: Drama

Actor: Arata Furuta, Daiken Okudaira, Hana Kino, Haru Kuroki, Naomi Nishida, Ryusei Yokohama, Sakuma Ryuto, Shidô Nakamura, Tetta Sugimoto, Wataru Ichinose

Director: Michihito Fujii

Rating: R, TV-MA