53 Best Social Issue Dramas Movies to Watch On Cineplex Canada (Page 3)

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This slow Italian drama tells the true story of Mafia boss Tommaso Buscetta, who became the highest-profile Mafia informant at the time of his arrest in the 1980s.

Tommaso, while supervising a criminal network in Sicily, moved to Rio de Janeiro in Brazil to attempt a more legal and quieter life. His role catches up with him and he is quickly arrested.

As a biopic, it rarely depicts violence or glorifies organized crime. Instead, it attempts to document the life of a Mafia boss more realistically: a life of always looking over one's shoulder and of constant loss. Eventually, the movie focuses on what it would take for a man like Tommaso to flip, and what that would cost him.

The Mafia topic might feel overdone, but watching this, it's startling to realize how few thorough character studies have come out in film.

Genre: Crime, Drama, Thriller

Actor: Alessio Praticò, André Lamoglia, Antonio Orlando, Aurora Peres, Bebo Storti, Bruno Cariello, Cinzia Susino, Claudio Collovà, Dino Santoro, Domenico Gennaro, Edoardo Strano, Elia Schilton, Fabrizio Ferracane, Fabrizio Romano, Fausto Russo Alesi, Francesco Emanuele Chinnici, Gabriele Arena, Giovanni Calcagno, Giovanni Vettorazzo, Goffredo Maria Bruno, Jonas Bloch, Leo Wainer, Luciano Quirino, Ludovico Caldarera, Luigi Lo Cascio, Marco Gambino, Maria Amato, Maria Fernanda Cândido, Maria Fernanda Cândido, Michelangelo Cicirello, Nicola Calí​, Nicola Calì, Nicola Siri, Nunzia Lo Presti, Pier Giorgio Bellocchio, Pierfrancesco Favino, Pietro Pace, Raffaella D'Avella, Raffaella Lebboroni, Rainer Cadete, Sergio Pierattini, Simona Distefano, Tommaso Buscetta, Vincenzo Ferrera, Vincenzo Pirrotta

Director: Marco Bellocchio

Rating: R

A sleek revision of the classic Charlotte Brontë novel, the 2011 version of Jane Eyre features Mia Wasikowska as the titular governess and Michael Fassbender as her employer-and-lover-with-a-secret, Rochester — both lending stunningly aggrieved performances to the tale of their burgeoning love affair. The film is somber yet wonderfully polished as it plays out their individual complexities and growing passions. This film is also notable as the sophomore directorial effort of Cary Fukunaga, who would go on to great acclaim for his work on the first season of True Detective as well as Beasts of No Nation. Fans of Fukunaga’s work are just a likely to enjoy this one as are devotees of well-crated adaptations of classic literature.

Genre: Drama, Romance

Actor: Amelia Clarkson, Angela Curran, Ben Roberts, Cary Joji Fukunaga, Craig Roberts, Edwina Elek, Eglantine Rembauville-Nicolle, Emily Haigh, Ewart James Walters, Freya Parks, Freya Wilson, Georgia Bourke, Harry Lloyd, Holliday Grainger, Imogen Poots, Jamie Bell, Jayne Wisener, Joe Van Moyland, Joseph Kloska, Judi Dench, Lizzie Hopley, Mia Wasikowska, Michael Fassbender, Ned Dennehy, Romy Settbon Moore, Rosie Cavaliero, Sally Hawkins, Sally Reeve, Sandy McDade, Simon McBurney, Sophie Ward, Su Eliott, Su Elliot, Su Elliott, Tamzin Merchant, Valentina Cervi

Director: Cary Fukunaga, Cary Joji Fukunaga

Rating: PG-13

Huesera: The Bone Woman might not be the scariest film horror fans would see, but it does strike at the heart of the scary experience of motherhood. Through eerie sounds of breaking bones and weirdly contorted hands at the edge of beds, the film depicts new mother Valeria being haunted by the titular spirit, despite her prayer to the Virgin Mary. Valeria pleads for her husband and family to listen, though each time she does becomes proof of her faults as a mother. The terror in newcomer Natalia Solián’s face makes it all feel believable, but it’s the folk-inspired imagery of first-time feature director Michelle Garza Cervera that turns this film into a feminist masterpiece.

Genre: Drama, Horror, Mystery

Actor: Aida López, Alfonso Dosal, Emilram Cossío, Enoc Leaño, Gina Morett, Martha Claudia Moreno, Mayra Batalla, Mercedes Hernández, Natalia Solián, Pablo Guisa Koestinger, Samantha Castillo, Sonia Couoh

Director: Michelle Garza Cervera

Rating: NR

, 2022

Till is a very political film. It’s charged with the kind of rage and electricity that enables thousands to mobilize for a cause. But before it explodes into something grand, it begins with the small details of everyday life. A mother admires her son as he dances to his favorite song. She buys him a new wallet and goes over the things they’ll do over the summer. These things seem trivial, but they reveal the humanity that sometimes goes overlooked in telling epic stories such as these.

To be sure, Till is a necessarily brutal film about grief and justice, but it’s also about how political movements are borne out of small and personal devastation. This nuance, along with a jaw-dropping performance by Danielle Deadwyler, makes Till a standout: a powerful entry in a long line of social-issue dramas.

Genre: Drama, History

Actor: Al Mitchell, Bradley King, Brandon P. Bell, Brendan Patrick Connor, Carol J. Mckenith, Danielle Deadwyler, David Caprita, Ed Amatrudo, Elizabeth Youman, Eric Whitten, Euseph Messiah, Frankie Faison, Haley Bennett, J.P. Edwards, Jackson Beals, Jalyn Hall, Jamie Renell, Jaylin Webb, Jayme Lawson, John Douglas Thompson, Jonathan D. Williams, Josh Ventura, Keisha Tillis, Kevin Carroll, Lee Spencer, Maurice Johnson, Mike Dolphy, Njema Williams, Phil Biedron, Princess Elmore, Richard Nash, Roger Guenveur Smith, Sean Michael Weber, Sean Patrick Thomas, Summer Rain Menkee, Tim Ware, Torey Adkins, Tosin Cole, Whoopi Goldberg

Director: Chinonye Chukwu

Rating: PG-13

Surreal, off-putting, and extremely disturbing, Infinity Pool plays with the concepts of cloning and the death penalty to craft an examination on colonial tourism. It’s a thematically rich horror film, with hazy neon-lit sex scenes and absolutely terrible behavior, enabled by their wealth and advanced technology that could have been put to better use. Mia Goth, in particular, is strikingly unhinged, as Gabi taunts and lures James into bigger and more terrible crimes, crimes that he can only pay off with the wealth of his father-in-law. And Alexander Skarsgård as James believably gets sucked into this extremely libertine lifestyle, fuelled by the nepotistic anxiety of not living up to his own potential. The film presents a scary notion that pushed by wealth and playground tactics, one will willingly kill their own conscience, again and again, to belong to their cohort.

Genre: Horror, Science Fiction, Thriller

Actor: Alexander Skarsgård, Amanda Brugel, Amar Bukvić, Caroline Boulton, Cleopatra Coleman, Géza Kovács, Jalil Lespert, Jeff Ricketts, John Ralston, Mia Goth, Roderick Hill, Romina Tonković, Thomas Kretschmann

Director: Brandon Cronenberg

Rating: R

Education isn’t always a guarantee, especially in less privileged areas that are underfunded, overlooked, and underprioritized, in the belief that these kids wouldn’t amount to much in the end. That being said, sometimes, what changes that fate is having a teacher that believed in his students and encouraged them to learn more than what they were expected. Stand and Deliver is a dramatization of the real life Jaime Escalante, who transformed a math program in an east LA high school to the point where his entire class ace California’s calculus test. The film definitely takes some dramatic liberties, but it does capture a sense of his quiet determination, the personality that pushed him to believe in and connect with students differently. While Escalante’s program eventually ended due to admin changes and staff in-fighting, Stand and Deliver is a reminder of the importance of nurturing ganas, or desire, in the classroom.

Genre: Drama

Actor: Andy Garcia, Betty Carvalho, Bodie Olmos, Carmen Argenziano, Edward James Olmos, Estelle Harris, Ingrid Oliu, Irene Olga López, Karla Montana, Lou Diamond Phillips, Manuel Benitez, Mark Phelan, Rosanna DeSoto, Vanessa Marquez, Virginia Paris

Director: Ramón Menéndez

Rating: PG

When Mikey Saber’s porn career takes a dip in California, he returns to an estranged wife in Texas, where he meets new and old friends alike and attempts to rebuild his life through a couple of odd jobs. Though Mikey eventually earns his keep, his vanity and eagerness to succeed at all costs threaten to get the best of him.

All this happens against a vibrant backdrop of local sights, beautifully lit and framed by director Sean Baker (The Florida Project, Tangerine). Quaint, naturalistic, and ever-so-subtly political, Red Rocket is another great entry into Baker’s impressions of the vexed American Dream.

Genre: Comedy, Drama

Actor: Bree Elrod, Ethan Darbone, Karren Karagulian, Shih-Ching Tsou, Simon Rex, Suzanna Son

Director: Sean Baker

At first, Marmalade just seemed like a good ol’ fashioned Bonnie and Clyde story being told by one inmate to another. As Baron tells Otis about his titular Bonnie in Joe Keery’s Southern drawl, there’s a charming bittersweet romance about a man pushed into crime because of healthcare costs and a compelling Camila Marrone as a manic pixie dream girl-flavored femme fatale. By its own, it’s already an intriguing twist to the film noir plot. But the second half turns this romance into something completely unexpected, pulling an insane set of interconnected plot twists that’s just fun to experience. There are certain moments that could have been tighter, but the performances were great, the images were stunning, and the plot was surprising. It’s such a daring move for first time writer-director Keir O'Donnell.

Genre: Crime, Drama, Romance

Actor: Aldis Hodge, Camila Morrone, Hans Christopher, Joe Keery, Ozioma Akagha, Susan Brava, Wayne Duvall

Director: Keir O'Donnell

John Boyega, Algee Smith, and John Krasinski star in this difficult portrayal of the Detroit 1967 riots, the biggest civil unrest in American history before the 92 L.A. protests. A murderous cop, a band on the verge of breaking big, and a hard-working security guard find their fates intertwined by the events that took place that summer. Detroit blends real-life images with its storytelling. It would be a perfect movie if it wasn't for a scene in which the police brutalize young Black men for finding them in a hotel with two White girls. This scene, while a necessary part of the story, is overstretched and feels almost sadistic, more so because the film was made by a White director, Kathryn Bigelow.

Genre: Crime, Drama, History, Thriller

Actor: Alexander Cook, Algee Smith, Andrea Eversley, Anthony Mackie, Ato Blankson-Wood, Austin Hebert, Ben O'Toole, Bennett Deady, Chris Chalk, Chris Coy, Darren Goldstein, Dennis Staroselsky, Ephraim Sykes, Frank Wood, Gary Wilmes, Gbenga Akinnagbe, Glenn Fitzgerald, Hannah Murray, Henry Frost III, Jack Reynor, Jacob Latimore, Jason Mitchell, Jennifer Ehle, Jeremy Strong, John Boyega, John Krasinski, Joseph David-Jones, Kaitlyn Dever, Karen Pittman, Khris Davis, Laz Alonso, Leon G. Thomas III, Lizan Mitchell, Malcolm David Kelley, Mason Alban, Michael Jibrin, Miguel, Nathan Davis Jr., Peyton Alex Smith, Ricardo Pitts-Wiley, Samira Wiley, Timothy John Smith, Tokunbo Joshua Olumide, Tyler James Williams, Will Bouvier, Will Poulter, Zurin Villanueva

Director: Kathryn Bigelow

Rating: R

War Pony is not easy to get through. The film, helmed by first-time directors Riley Kough and Gina Gammell, is slow to move and tackles weighty subjects like poverty, child abuse, and cultural appropriation. You’d be forgiven for asking if it was all too much, especially as the film makes its 12-year-old lead (a stellar LaDainian Crazy Thunder, who plays Matho) perform appalling things children are usually protected from. But ultimately, it also feels necessary. Kough and Gammell co-wrote the script with real-life Rez residents Franklin Sioux Bob and Bill Reddy, whose personal experiences inform much of the film’s story. Additionally, indigenous actors inhabit most of the screen and turn in naturalistic performances, adding to the film’s sense of urgency. And War Pony also weaves traces of magic into its realistic tale, making it an awe-inspiring and beautiful (albeit heavy) watch. 

Genre: Drama

Actor: Anjeliq Aurora, Ashley Shelton, Jordan Robinson

Director: Gina Gammell, Riley Keough

Rating: R

As southern movies go, Fried Green Tomatoes is inoffensively sweet and realistic—it’s not afraid to touch on the genuine issues that plagued America in the 1930s while also cushioning some blows, as feel-good movies are wont to do. But the film seems less interested in presenting a clear picture of the past than it is in telling a specific tale: that of outsiders forming bonds and making it together in an unforgiving society. 

The main narrator is Ninny, an 83-year-old woman seemingly forgotten by everyone except Evelyn, an unhappy housewife who is “too young to be old and too old to be young.” Ninny recalls the stories of Sipsey and Big George, Black laborers who dared to succeed in their deeply racist community; of Smokey, the town outcast, who still helped people even if he was denied it himself; of Ruth, the domestic abuse victim; and of Idgie, the tomboy who spat on the face of all decorum. Then, of course, there’s the unspoken relationship between Ruth and Idgie, which hint at something quite radical for its time. 

These are all the people conventionally denied happy endings, and in period films, you’d expect to be abandoned in tragedy. But here they sing; they win and lose in equal measure, and even though it might seem like light and familiar fare to some, it still goes down heartily and unforgettably—funnily enough, like a plate of fried green tomatoes.

Genre: Comedy, Drama

Actor: Afton Smith, Bob Hannah, Carol Mitchell-Leon, Chris O'Donnell, Chris O'Donnell, Cicely Tyson, Constance Shulman, Danny Nelson, David Dwyer, Evan Lockwood, Fannie Flagg, Gailard Sartain, Gary Basaraba, Grace Zabriskie, Grayson Fricke, Haynes Brooke, Jessica Tandy, Jo Harvey Allen, Kathy Bates, Kathy Larson, LaTanya Richardson Jackson, Lois Smith, Macon McCalman, Mary Stuart Masterson, Mary-Louise Parker, Nancy Moore Atchison, Nick Searcy, Raynor Scheine, Reid Binion, Richard Riehle, Stan Shaw, Suzi Bass, Ted Manson, Tim Scott, Timothy Scott, Tom Even, Wallace Merck

Director: Jon Avnet

Rating: PG-13

, 2013

When it comes to British period dramas, aristocrats are rarely portrayed as Black until relatively recently, with colorblind casting tending to focus more on acting talent rather than how race would affect and shape a character. That being said, while rarely acknowledged, Black descendants of British aristocracy actually did exist, and one of whom has been depicted in Belle. With the excellent Gugu Mbatha-Raw making her film breakthrough here, Belle reckons with the difficult questions of race and sex in 18th century Britain, contemplating the real woman’s options in a world determined entirely by blood and inheritance, a discussion brushed aside in other period dramas, but one that should be examined. While director Amma Asante does take plenty of liberties in the actual facts, she also excellently balances both the fictional romance and the historical realities Dido Elizabeth Belle had faced, making both parts as compelling and as essential as each other.

Genre: Drama

Actor: Alan McKenna, Alex Jennings, Andrew Woodall, Daniel Wilde, Emily Watson, Gugu Mbatha-Raw, James Northcote, James Norton, Matthew Goode, Miranda Richardson, Natasha Williams, Penelope Wilton, Sam Reid, Sarah Gadon, Tom Felton, Tom Wilkinson

Director: Amma Asante

Rating: PG

From The Babadook director Jennifer Kent comes another horror, although this one is more about the horrors of humanity. Set in 1825 Tasmania, The Nightingale follows Irish settler Clare as she seeks bloody revenge on the monsters who wronged her and her family. She teams up with an Aboriginal guide named Billy to accomplish her goal.

Because of its often violent and disturbing tone (the film is rated R for its potentially triggering scenes), The Nightingale understandably polarized audiences upon its release. But it's also an excellent conversation piece, best watched with friends or anyone up for a discussion-filled movie night.

Genre: Adventure, Drama, History, Thriller

Actor: Aisling Franciosi, Alan Faulkner, Anthony Phelan, Baykali Ganambarr, Ben McIvor, Charlie Jampijinpa Brown, Charlie Shotwell, Christopher Stollery, Damon Herriman, Eloise Winestock, Ewen Leslie, Harry Greenwood, Huw Higginson, James O'Connell, Luke Carroll, Maggie Blinco, Magnolia Maymuru, Matthew Sunderland, Michael Sheasby, Nathaniel Dean, Sam Claflin, Sam Smith

Director: Jennifer Kent

Rating: R

Survivors are often painted in a brave light; they’re applauded for their resilience and toughness, and in the case of school shootings, many of them are also expected to take up arms and fight the good fight. While this is of course laudable, many survivors are simply trying to get by. Unable to process trauma and inexplicable loss, they become withdrawn, depressed, and reckless—not exactly noteworthy traits, but understandable and equally deserving of empathy.

The Fallout shifts the focus on this side of survival by following Vada in the aftermath of a school shooting. Unlike her peers, she fails to cope positively and becomes increasingly self-destructive. But it's through this unsentimental portrayal that The Fallout achieves a frankness and rawness that few films like it have. 

Genre: Drama

Actor: Austin Zajur, Christine Horn, Elliott Roca, Jenna Ortega, John Ortiz, Julie Bowen, Lumi Pollack, Maddie Ziegler, Niles Fitch, Shailene Woodley, Will Ropp, Yindra Zayas

Director: Megan Park

Rating: R

, 2016

Arch-provocateur Paul Verhoeven received widespread acclaim for his assured and darkly funny adaptation of Philippe Dijan’s award-winning novel, his first film in the French language. 

It’s a controversial revenge thriller about a domineering businesswoman who is raped in her home by a masked man. Refusing to let the attack affect her life, she refuses to report the incident and tracks down the assailant herself.

Verhoeven directs the material with confidence and a troubling lightness of touch, while fearless Isabelle Huppert gives one of the best performances of her long and illustrious career. Some people found Elle empowering while others felt it perpetuated misogynistic attitudes. Either way, it makes for a passionate post-viewing discussion.

Genre: Crime, Drama, Thriller

Actor: Alice Isaaz, Anne Consigny, Anne Loiret, Arthur Mazet, Caroline Breton, Charles Berling, Christian Berkel, David Léotard, Eric Savin, Fleur Geffrier, François Nambot, Hugo Conzelmann, Hugues Martel, Isabelle Huppert, Jean Douchet, Jean-Noël Martin, Jean-Yves Freyburger, Jina Djemba, Jonas Bloquet, Judith Magre, Laurent Lafitte, Laurent Orry, Loïc Legendre, Lucas Prisor, Marie Berto, Nicolas Beaucaire, Nicolas Ullmann, Oury Milshtein, Raphaël Kahn, Raphaël Lenglet, Stéphane Bak, Vimala Pons, Virginie Efira, Zohar Wexler

Director: Paul Verhoeven

Rating: R