137 Best Social & Cultural Documentaries Movies to Watch (Page 4)

Staff & contributors

, 2017

With its detailed portraits of seven of Istanbul’s most adored felines, Kedi affirms what anyone who’s spent some time with a cat will know: they really do all have fully-fledged, complex personalities of their own. More than just a celebration of some supremely cute kitties, though, this documentary about the city’s teeming street cat population also presents a moving example of a way of living that embraces — rather than tramples over — our animal neighbors.

Immersive cinematography from the cats’ eye levels is weaved with interviews with the people who care for them, whether voluntarily or because the cats simply demand it. That independence emerges as a much-admired characteristic in the documentary; as one interviewee puts it, “Dogs think people are God, but cats don’t. They’re not ungrateful, they just know better.” It’s impossible not to read a wistful note in the interviewees’ odes — indeed, for many of the people featured here, cats are a point of spiritual and personal reconnection, a reminder of what life is really about underneath all the mind-numbing dross we’ve made up. The magic of Kedi is that it not only perceptively recognizes the healing effect that cats have on humans, but recreates it so that these 70-something minutes feel like therapy.

Genre: Documentary

Actor: Bülent Üstün

Director: Ceyda Torun

Rating: NR

It's impossible not to be moved by this passionate love letter to the medium of film and its singular abilities to witness, commemorate, connect, educate, and, yes, entertain. The Living Record is more than that, though: it’s also an urgent clarion call for better support of the infrastructure and people who preserve and restore the celluloid reels that contain so much of our history.

In two hours, it packs in a lot — perhaps even too much, because there is so much fascinating material here that it’s almost overwhelming to take it in all at once. The doc draws on a sweeping line-up of contributors who collectively illuminate every facet of the need for preservation and restoration, from archivists to filmmakers like Jonas Mekas, Ken Loach, and Costa-Gavras. Its scope is just as commendably exhaustive, featuring nuanced discussions of the dangers politics poses to preservation efforts, as well as the particular need for archives in formerly colonized countries to prevent “cultural amnesia.” Despite all the challenges it highlights, its tone isn’t hopeless, as the film draws strength from the tireless efforts of archivists and cinematic saviors like Martin Scorsese. It’s impossible to watch this and not come away affirmed or converted into similarly passionate champions of preservation.

Genre: Documentary, Drama, History

Actor: Ben Mankiewicz, Costa-Gavras, Fernando Trueba, Jonas Mekas, Ken Loach, Laure Adler, Margaret Bodde, Martin Scorsese, Patricio Guzman, Ridley Scott, Serge Bromberg, Vittorio Storaro, Wim Wenders

Director: Inés Toharia Terán

Watch this documentary and find yourself amazed at how much of Hollywood history was determined by one woman: legendary casting director Marion Dougherty. At a time when studios were casting actors based on “type,” Dougherty revolutionized the process with her preternatural ability to see the potential in budding actors like Al Pacino, Dustin Hoffman, Robert Redford, and Glenn Close. Her work in introducing NYC’s theater actors to the silver screen launched countless careers and indelibly shaped iconic films like Midnight Cowboy and Lethal Weapon.

And yet, Dougherty’s work — and that of those who followed in her steps — is criminally underappreciated, as this doc both lays bare and seeks to redress. A largely female profession, casting was long devalued by a casually misogynistic industry, the persistent legacy of which is subtly highlighted in some interviews here. Among the talking heads sharing appreciation and anecdotes are many of the actors and casting directors whose careers Dougherty launched, as well as filmmakers (including Martin Scorsese) testifying to the pivotal role casting has played in their work. Playing the villain is Ray director Taylor Hackford, who believes casting directors add little to the filmmaking process — an argument that the doc wryly disproves with the sheer weight of refuting evidence it offers up.

Genre: Documentary

Actor: Al Pacino, Amanda Mackey, Bette Midler, Buck Henry, Burt Young, Clint Eastwood, Cybill Shepherd, Danny Glover, David Rubin, Deborah Aquila, Diane Lane, Don Phillips, Dustin Hoffman, Ed Asner, Ed Lauter, Ellen Chenoweth, Ellen Lewis, Fred Roos, Glenn Close, Gretchen Rennell, Jeanine Basinger, Jeff Bridges, John Lithgow, John Papsidera, John Sayles, John Travolta, Jon Voight, Juliet Taylor, Linda Lowy, Lora Kennedy, Lynn Stalmaster, Marion Dougherty, Martin Scorsese, Mel Gibson, Mike Fenton, Nancy Klopper, Ned Beatty, Nessa Hyams, Norman Lear, Oliver Stone, Paul Haggis, Paul Mazursky, Paul Rudd, Peter Bogdanovich, Richard Donner, Richard Dreyfuss, Risa Bramon Garcia, Rita Hayworth, Robert De Niro, Robert Duvall, Robert Redford, Ronna Kress, Ronny Cox, Taylor Hackford, Tony Bill, Wallis Nicita, Woody Allen

Director: Tom Donahue

Even when it necessarily tackles the difficulties that are part and parcel of same-sex love in the 20th century, there’s something pleasant about the way A Secret Love is told. The documentary puts Terry and Pat’s love above all else, so even though we hear about how they had to tear the bottom pages of their letters to avoid getting caught, or how they had to split from close family members after coming out, things never feel too heavy or dire because at the end of the day, they’re still together, their decades-old companionship a beautiful example of how love wins. And aside from giving us an intimate look at this rare win for elderly closeted couples, A Secret Love serves as an insightful portrait of elderly life. Terry and Pat, with their perseverance and unyielding support, make aging look beautiful rather than scary. 

Genre: Documentary

Actor: Chris Bolan, Diana Bolan, Jack Xagas, John Byrd, Kim Donahue, Marge Summit, Pat Henschel, Tammy Donahue, Terry Donahue, Yvonne Zipter

Director: Chris Bolan

Rating: N/A

Teenagers forced to grow up quickly and spend their prime years wiling away at garment factories sounds like a grim reality, and it is, but in Youth (Spring), Chinese documentarist Wang Bing captures more than just the inherent tragedy of young labor. Here, they build friendships, find love, discover an affinity for their craft, stand up for themselves against exploitative bosses, and look for ways to have fun. Even if it’s just as simple as eating street food, spending the night at an internet cafe, or finding nice clothes, we’re with them in every way. Though it’s never explicitly political, the documentary makes you think about the conditions that put the kids there in the first place, such as our insatiable need for cheap and trendy clothes, governments turning a blind eye to child labor, and a skewed system that favors these above people’s—especially young people’s—well-being and welfare.

Genre: Documentary

Director: Wang Bing

Over 100 hours of footage were shot for this documentary chronicling the fraught journey that thousands make to reach the US-Mexico border — but, watching the 93 minutes that made the cut, you get a sense that this is the story that was meant to be told. Editor Sofia Machado whittled down reams of footage into this gently conveyed single account of one woman’s journey. Twenty-nine at the time of filming, Lilian and her four children fled a violent husband and bleak prospects in Guatemala, setting out as part of a migrants’ caravan undertaking the 4000km-long journey separating them from the brighter future they hope is waiting for them in the US.

She meets exploitation, xenophobia, and other perils on the route (not least The Beast, the dangerous freight train she and her kids must hop to reach safety). Remarkably, though, there’s much solidarity and generosity to be found on the way, too, as Lilian and her kids forge moving family-like bonds with fellow migrants. What’s more, as the documentary unfolds, quiet revelations emerge, making it clear that Lilian is also looking for a type of liberation that many on the road already have — a dream that this documentary suggests might blessedly be closer than she originally envisioned.

Genre: Documentary

Director: Danilo Do Carmo, Jakob Krese

In this documentary about John Allen Chau — the American Christian missionary reportedly killed when he tried to preach the Gospel to one of the last uncontacted groups in the world — a participant muses about the “fine line between faith and madness.” The hazy border where one ends and the other begins is the focus of this doc, and it makes for a fascinating challenge of audience’s open-mindedness.

The film presents Chau’s perspective through scattered interviews with friends and readings of the diary he left behind, but it also features interviews with surviving, persistent adherents of the same radical evangelicalism that inspired Chau to preach the Gospel to the North Sentinelese people (something he believed was a prerequisite for the Second Coming of Jesus). The filmmakers treat these highly controversial perspectives with a light touch, never explicitly challenging Chau’s peers, but strong balance is provided via the voices of vehement opponents of this ideology. Providing equal weighting to both sides is an unusually hands-off approach, one that might easily be misread as tacit approval from the filmmakers. Ultimately, though, anyone watching this with an open mind will still come to the same moral conclusion — you’ll just be better informed about it.

Genre: Documentary

Actor: Dan Davis, Daniel Everett, David Shih, Lawrence Kao, Levi Davis, Pam Arlund

Director: Amanda McBaine, Jesse Moss

Rating: PG-13

Nakedness has been demonized or at least, has been considered inappropriate outside of certain situations. One such situation is the sauna, as the steam and high heat is considered therapeutic, especially in colder regions. In her directorial debut, Anna Hints documents the Estonian smoke sauna, not just as a cultural tradition, but as a sanctuary for women to bare their bodies and their troubles. The women are, of course, naked, but the sauna’s smoke and darkness obscures and keeps identities hidden, focusing on their stories and allowing a glimpse of women’s bodies at their most natural, without the sexualization often placed with the male gaze. Smoke Sauna Sisterhood is a refreshing take, one where plenty of women can finally see themselves in.

Genre: Documentary

Actor: Eda Veeroja, Elsa Saks, Eva Kübar, Kadi Kivilo, Maria Meresaar, Marianne Liiv, Merit Kask

Director: Anna Hints

Hilarious and sweet, Meet the Patels is a charming collaboration between siblings Geeta and Ravi Patel. While the film is a documentary, it feels more like a real-time romantic comedy - which makes sense, given that it’s about Ravi’s quest for the perfect wife. Standard tropes, such as parental disapproval, are present here, but the film keeps it fresh as it focuses on the intricacies of Indian dating, specifically with traditional matchmaking and modern internet dating. However, like some of the best romcoms, the real heart of the story lies outside of Ravi’s love life. What drives the story is the dynamic between Ravi and his family. Balancing parental expectations with personal hopes is a struggle anyone can relate to, though this film presents this through comedic debates about marriage. At the same time, these debates end up insightful and oftentimes reveal fundamental principles the family believes in. It’s only through resolving familial issues that Ravi finally figures out his love life.

Genre: Comedy, Documentary, Drama, Romance

Actor: Audrey Wauchope, Geeta Patel, Ravi Patel

Director: Geeta Patel, Ravi Patel

Rating: PG

From countries like Finland to North Korea, this amazing documentary explores the most fascinating active volcanoes on our planet. But as it unfolds you realize that Into the Inferno is a movie as much about volcanoes as it is about the people obsessed with them. And who can be called obsessive more than the film’s own director, Werner Herzog, who, with such an explosive career had to eventually make a film about volcanos (bad pun intended). Beautiful scenery, interesting interviews, and Werner’s majestic delivery all make Into the Inferno both an interesting and satisfying documentary.

Genre: Documentary

Actor: Clive Oppenheimer, Kampiro Kayrento, Katia Krafft, Mael Moses, Maurice Krafft, Werner Herzog

Director: Werner Herzog

Rating: N/A, Not Rated

This fascinating documentary traces the roots of freestyling back to the rhythmic sermons of Baptist preachers, the improvisational energy of jazz music, and the spoken word artistry of the civil rights era’s Last Poets — but, like the form of rap it chronicles, it largely exists in the moment. The ephemeral nature of freestyling makes it a tricky thing to bottle, but The Art of Rhyme does so by mimicking the freewheeling energy of the MCs onscreen. And there are many legends of the medium featured here: from underground titans like Supernatural and Craig G (whose epic battles are shown here) to big names who crossed over into recording success like Talib Kweli, Mos Def, and even precious footage of a 17-year-old Notorious BIG. It’s as enlightening as you’d hope, but what makes this documentary such an impressive portrait of freestyle are all the ways it mirrors the impulsive, quick-thinking philosophy of the form in little over an hour.

Genre: Documentary, Music

Actor: Akim Funk Buddah, Bahamadia, Bobbito Garcia, Boots Riley, Debi Mazar, DJ Kool Herc, Eluard Burt, John Coltrane, Muhammad Ali, Planet Asia, The Notorious B.I.G., Tupac Shakur, Yasiin Bey

Director: Kevin Fitzgerald

For the longest time, American media coverage was skewed to justify the presence of US forces in Arab states. Control Room unveils that bias by following Al Jazeera at the start of the Iraq War in 2003. One of the biggest Arab media outlets at the time, Al Jazeera dared to cover both sides of the war, but by doing so put a target on its back. It was vilified by both the US government, which called it an Osama mouthpiece and the Arab world, which called it a Bush ally. 

Control Room shows the difficulty (if not sheer impossibility) of achieving journalistic balance, objectivity, and integrity. Through interviews with Al Jazeera reporters and US military officers, we witness how lines are blurred, loyalties are tested, and purpose is shifted in a state of war. A seminal work on media bias and press control, Control Room is vital and enlightening, a must-watch to understand the inner workings of the fourth estate. 

Genre: Documentary, War

Actor: Abdul Jabbar Al-Kubeisi, Donald Rumsfeld, George W. Bush, Hassan Ibrahim, Josh Rushing, Muafak Tawfik, Nabeel Khoury, Omar Al-Issawi, Samir Khader, Tom Mintier

Director: Jehane Noujaim

Bad Axe is an intimate documentary that follows the Sievs, a tight-knit family that runs a restaurant in the city of Bad Axe, Michigan. When the rise of COVID restrictions and racist hate groups put their business at risk, the Sievs try to hold on to each other while also carefully, in their own way, fighting back.

Mostly shot in the unforgettable year that is 2020, Bad Axe captures the fraught intensity and existential panic we all spiraled into during the global pandemic. It’s a charged film, but underneath all that buzz is a story about a family with its own tensions and histories and contradictions to deal with. Bad Axe is at once simple and complex, and like family, you just kind of love it, flaws and all.

Genre: Documentary, Drama

Actor: Austin Turmell

Director: David Siev

Somewhere near the border between Russia and Ukraine lies a shelter for kids coming from unstable homes. Their parents, either alcoholics or abusers, have nine months to prove that they’re fit to look after their children; otherwise, the kids are sent straight to the orphanage, with no chance of a goodbye. A House Made of Splinters is a documentary that quietly and closely follows the shelter’s occupants amid growing joys and pains, not to mention the ever-present danger of war.

Perhaps one of the most striking things about A House Made of Splinters is how attuned it is to the kids. It serves as a reminder of their immense sensitivity and observational skills (more than once, you’ll hear a child assess their home situation in the calmest of manners), as well as their clever ingenuity (there’s a lot of playing going on despite everything, which is heartwarming to watch.

Genre: Documentary, Drama

Director: Simon Lereng Wilmont