22 Best Romantic Movies Movies to Watch On Netflix (Page 2)

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Frankly, it’s a bad idea to rush into a marriage for a financial incentive, but there’s something sweet about A Soweto Love Story with the way the plot plays out. As the brothers race to win the family home, there’s the standard romcom shenanigans where secrets are revealed and sabotage happens, but the brothers never go too far, and the way they play out is just the right amount of playful and serious. And as they do so, it’s sweet to see the three relationships bloom without the problematic, not well-thought-out issues that plague these kinds of ensemble romance films. That being said, it would have been even better if they established a close, familial chemistry between the brothers, but the way it plays out isn’t too bad. A Soweto Love Story isn’t particularly unique or deep, but if you’re looking for a simple, lighthearted romcom to watch, this isn’t a terrible choice.

Genre: Comedy, Romance

Actor: Duduzile Ngcobo, Lunga Shabalala, Motsoaledi Setumo, Ray Neo Buso, Sparky Xulu

Director: Rolie Nikiwe

With their personal life offered for consumption, carefully curated for viewers and sponsors, the social media influencer has become a fascinating character to study, especially with the job becoming Gen Z’s top career aspiration. As If It’s True examines this character through Gemma Stone, using the fake relationship trope to examine the lengths to which she would cling to her clout. John Roger’s debut feature blurs the line between real and the fake, not just for Gemma and James but also for the viewers, and it brings up much to say about how this aspiration can ruin people. However, the lines are blurred too much, as the ideas don’t mesh cohesively as it could. As If It’s True is an interesting character study, but the film hasn’t allowed itself to see the human side of the people highly incentivized to be fake for views.

Genre: Drama, Romance

Actor: Adrianna So, Ashley Ortega, Jan Silverio, Khalil Ramos, Marnie Lapus, Rachel Coates

Director: John Rogers

Like its governor having many wives, The Last Wife has too many elements left unsatisfied. To its credit, it has lovely scenery, costumes, and set design that matches the era. With Linh forced into a marriage to pay off her father’s debts, reuniting with a childhood love, the film also had the erotic potential of Lady Chatterley’s Lover, with a thrilling second act twist that occurs when they get discovered. However, the film gets dragged down by the slow pace and random comedic scenes that don’t add to the thematic stakes, sometimes even distracting the viewer from the dismal conditions the titular wife is forced into.

Genre: Drama, Romance

Actor: De Ly Luu, Kaity Nguyễn, Ngọc Diệp, Quốc Huy, Thuan Nguyen

Director: Victor Vũ

With a lack of films on female sexuality, Thank You for Coming feels refreshing. Kanika Kapoor seeks out sexual fulfillment as much as she seeks an emotional connection, due to the fairytale promises given to many women from girlhood. She hopes for both, knowing that if she doesn’t go through it the right way, she’ll be looked down upon the same way her single mother was. The sex comedy is reminiscent of Mamma Mia, but instead of a child figuring out who of her potential three dads is hers through ABBA songs, it’s Kanika figuring out who from her past and present lovers gave her an orgasm, with excellent, though slightly disconnected tracks. The playful approach is fun and exciting, but this approach stops halfway through, and certain plot aspects and the choice of a male director detracts from the feminist, sex-positive message it wants to portray.

Genre: Comedy, Drama

Actor: Anil Kapoor, Ayesha Raza Mishra, Bhumi Pednekar, Dolly Ahluwalia, Dolly Singh, Karan Kundra, Kusha Kapila, Natasha Rastogi, Pradhuman Singh, Shehnaaz Gill, Shibani Bedi, Sushant Divgikar

Director: Karan Boolani

In Love and Deep Water is torn between multiple concepts. There’s a murder, sure, and a butler trying to figure out who’s the killer, but there also happens to be a romance plot where the same butler falls in love with the passenger that informs him of their partners’ infidelity. The film also tries to squeeze in comedy with the way the killers try to hide the dead body, the ridiculousness of some passengers, and cheeky but contextless commentary. While the romance is lovely, In Love and Deep Water isn’t the fun and chaotic murder mystery promised, as it drowns itself with interesting ideas that never really fully pans out.

Genre: Comedy, Mystery, Romance, Thriller

Actor: Airi Matsui, Aju Makita, Amane Okayama, Aoi Miyazaki, Hatsunori Hasegawa, Hidekazu Mashima, Ken Mitsuishi, Ken Yasuda, Kento Nagayama, Nahana, Rinko Kikuchi, Ryo Yoshizawa, Saki Takaoka, Takashi Okabe, Tomu Miyazaki, Yoh Yoshida, Yoshimasa Kondô, Yuki Izumisawa

Director: Yusuke Taki

Rating: R, TV-MA

Starting out with an ad for the protagonist’s practice, Irugapatru clearly advocates for couples therapy and marriage counseling. Dr. Mitra even recommends it as a preventative measure, not just as a cure. However, this well-meaning objective doesn’t feel like it’s been met. The film showcases common fights and situations that any couple might be familiar with, but these instances come and go without seeing any development within each marriage. It dumps a set of psychology theories and therapeutic strategies that might be useful, but it seems to come out of nowhere. But most of all, these relationships don’t feel real, because the characters themselves don’t feel like people, they feel like examples. Because of this, Irugapatru doesn’t really explore couples therapy, it only prescribes it without recognizing the love that was lost.

Genre: Drama, Family, Romance

Actor: Abarnathi, Manobala, Saniya Iyyappan, Shraddha Srinath, Sri, Vidharth, Vikram Prabhu

Director: Yuvaraj Dhayalan

Set in the capital of Peru, How to Deal with a Heartbreak is a follow-up to the mildly successful romantic comedy How to Get Over a Breakup. The titles are pretty self-explanatory, but where the first film is strictly about romance, the sequel experiments with more tender themes like family and friendship. It features everyday characters meant to seem relatable and endearing, but halfway through watching, one can’t help but wonder why any of this matters. The stakes are so low and the premise so ordinary, it feels like a huge effort to simply care about the movie. Some rom-coms are saved by a funny script or a charming cast, but this has none of that. The most rousing part of the film is when one character (I won’t divulge who) dies, and so Maria Fe is forced to grapple with the heaviness of death. It’s the one moment in the movie that feels real, but sadly it’s tossed aside to make way for more generic fare.

Genre: Comedy

Actor: Ana María Orozco, Carlos Carlín, Christopher Von Uckermann, Gisela Ponce de León, Jason Day, Jely Reategui, Karina Jordán, Norma Martínez, Salvador del Solar

Director: Joanna Lombardi

Rating: R