114 Best International Movies Movies to Watch On Netflix (Page 5)

On his first day of class in the remote village of Lunana, the city teacher Ugyen asks his students what they want to be when they grow up. One of the children, a young boy named Sangay, answers that he aspires to be a teacher “because a teacher touches the future.” Lunana: A Yak in the Classroom, however, subverts this thematic by spending most of its runtime showing how the villagers touch Ugyen’s heart through genuine acts of kindness, forcing him to rethink his long-term dream of becoming a singer in Australia.

Not only does Lunana: A Yak in the Classroom succeed in its heartfelt dramatization of a Gen Z finding his place in the highlands, it also serves as a propagandistic validation of Bhutan’s “happiest country in the world” epithet. In doing so, the film presents the Bhutanese mountains in as breathtakingly picturesque a manner as possible, limning a paradise through the grassy meadows and children’s faces.

Genre: Drama, Family

Actor: Kelden Lhamo Gurung, Kunzang Wangdi, Sherab Dorji, Ugyen Norbu Lhendup

Director: Pawo Choyning Dorji

Rating: Not Rated

This Danish thriller is about a man who gets into a car accident with a woman and, upon visiting her at the hospital, gets mistaken for her boyfriend by her wealthy family.

The man in question is Jonas, a family guy with two cheerful children who is also going through a text-book case of mid-life crisis. So when he realizes that Julia lost her memory and that she shows interest in him, he steps into the role of her boyfriend.

Things escalate very quickly, both as Julia starts to get some of her memory back and her actual boyfriend arrives. If you like Scandinavian noirs like Headhunters, you will love this.

Genre: Crime, Drama, Thriller

Actor: Anders W. Berthelsen, Bent Mejding, Charlotte Fich, Dejan Cukic, Ditte Hansen, Ewa Fröling, Fanny Leander Bornedal, Flemming Enevold, Jannie Faurschou, Josephine Raahauge, Karin Jagd, Karsten Jansfort, Lin Kun Wu, Niels Anders Thorn, Nikolaj Lie Kaas, Rebecka Hemse, Rune Klan, Thomas Chaanhing, Timm Vladimir

Director: Ole Bornedal

Rating: Not Rated

Based on the novel of the same name, The Guernsey Literary and Potato Peel Pie Society is as comforting as the title suggests. It's a pleasure to meet the society—getting to know each character feels like getting to know some welcoming neighbors. Despite their trauma from the German occupation of the British island, these club members remain their bookish albeit secretive selves. Lily James is just doe-eyed and charming enough to make us care about the book club, the same way her character Juliet does. The streamlined plot still keeps the intrigue and comfort of the original novel. And while its romance doesn’t quite take off, the real gem of the film is the earnest assertion that family can be best found in terrible times.

Genre: Drama, History, Romance

Actor: Alexa Povah, Andy Gathergood, Bernice Stegers, Bronagh Gallagher, Clive Merrison, Dilyana Bouklieva, Florence Keen, Glen Powell, Gregory Mann, Jack Morris, Jessica Brown Findlay, Joanna Hole, Katherine Parkinson, Kit Connor, Lily James, Marek Oravec, Matthew Goode, Michiel Huisman, Mike Newell, Nicolo Pasetti, Penelope Wilton, Richard Derrington, Tom Courtenay, Tom Owen

Director: Mike Newell

Rating: TV-14

When the system messes with you personally, it’s such a powerful fantasy to be able to settle things with your own hands. To be strong enough to retaliate, and once things are settled, to be strong enough to be left alone, not to be messed with. The Black Book depicts this revenge fantasy, reminiscent of Liam Neeson’s Taken, albeit with corrupt police. The Nigerian action thriller isn’t afraid to go hard, with threats of splitting a person in half by a table saw, dramatic shoot-outs, and fight sequences. However, what makes the thriller work is that all these action sequences are intended to be the reckoning of corrupt institutions. There are some messy parts, certain shots that included some bad takes. Despite this, The Black Book still proves to be entertaining enough to forgive these mishaps.

Genre: Action, Mystery, Thriller

Actor: Ade Laoye, Alex Usifo Omiagbo, Bimbo Akintola, Bimbo Manuel, Femi Branch, Iretiola Doyle, Richard Mofe-Damijo, Sam Dede, Shaffy Bello

Director: Editi Effiong

Rating: R

While not having world-ending stakes or large-scale operations, Sixty Minutes just works as an action movie. Sure, the plot is familiar and a little far fetched, but the film maximizes the potential of its premise, with excellently choreographed fight sequences working in tandem with the cinematography to reflect the MMA fighter leading the movie. Each moment isn’t wasted, with the action escalating each time Octa finds out about the hidden information kept from him about the match he’s planned to skip, and the film easily keeps track of his journey through neon-lit stopwatch faces and maps. And when we (and Octa) feel tired from all the fighting, the film ends right on time after sixty (and twenty nine) minutes.

Genre: Action, Drama

Actor: Alain Blazevic, Aristo Luis, Balázs Megyeri, Bettina Hoppe, Bruno Salgueiro, Dennis Mojen, Emilio Sakraya, Eniko Fulop, Florian Schmidtke, Georg Blumreiter, Harry Szovik, Janna Striebeck, José Barros, Laurent Winkler, Livia Matthes, Ludger Bökelmann, Marie Mouroum, Mehmet Ateşçi, Morik Heydo, Nyamandi Adrian, Paul Wollin, Philipp Droste, Steffen Jung, Tatjana Šojić, Tayssir Khalfallah, Vassilis Koukalani, Wanja Valentin Kube

Director: Oliver Kienle

Rating: R

For better or for worse, we have no choice in the country we’re born in, the citizenship we first attain, and sometimes we’re forced to leave that country for our own safety. My Name is Loh Kiwan depicts a North Korean defector seeking refugee status in Belgium, but while the government deliberates, it’s a hard life he has to face, one that changes when he meets a fellow Korean who may not be an immigrant, but who’s just as lost as he is. While there are some subplots that falter halfway, My Name is Loh Kiwan still manages to stick the landing of being both a moving romance and an empathetic survival drama that highlights the struggles of refugees.

Genre: Drama, Romance

Actor: Choi Sung-eun, Heo Seon-haeng, Jo Han-chul, Kang Gil-woo, Kim Sung-ryung, Lee Il-hwa, Lee Sang-hee, Seo Hyun-woo, Song Joong-ki, Waël Sersoub

Director: Kim Hee-jin

Rating: R

At first, the Last Call for Istanbul feels like one of those serendipitous travel romances reminiscent of Before Sunrise. As Serin and Mehmet enjoy New York at night, it’s absolutely enchanting, especially with the unique, striking mirrored transitions that shift between the two as they get ready, but this nighttime stroll has already been walked on before, complete with droll dialogue and impulsive choices. However, the film makes a shift to its second half, and it suddenly reconfigures what we know about the two and their romance. While it does employ other familiar romance tropes, it’s still an intriguing shift that explores the concept of possibilities, and the cost in choosing one over the others.

Genre: Drama, Romance

Actor: Beren Saat, Kıvanç Tatlıtuğ, Michael Loayza, Senan Kara, Susan Slatin, Zihan Zhao

Director: Gönenç Uyanık

Rating: R

If you’re new to the story, I Don’t Expect Anyone to Believe Me feels difficult to understand. The film adaptation portrays the novel through abruptly cut sequences, meticulously framed naturalistic frames, and monologue and dialogue that mean more than what’s being said, on top of Juan Pablo’s gradual descent into a criminal network. It’s as disorienting as being in Barcelona feels for Mexican couple Juan Pablo and Val. However, this film feels like a new approach in adapting novels – the multiple perspectives and epistolary portions adeptly portrayed through typed up screens and alternating perspectives (and direction) between the couple. It doesn’t feel like something that you’ve likely seen before.

Genre: Comedy, Crime, Drama

Actor: Aimar Vega, Alexis Ayala, Ángel Zermen, Anna Castillo, Ariana Van X, Bel Gris, Bruna Cusí, Carmen Beato, Clara Roquet, Darío Rocas, Dario Yazbek Bernal, Jelen García, Juan Carlos Remolina, Juan Daniel Garcia Treviño, Juan Minujín, Natalia Portnoy, Natalia Solián

Director: Luis Fernando Frías de la Parra

Rating: R

Because the world exploits developing countries as dumping grounds for their waste, more attention should be focused on this issue. The immediate filmmaking response would be to document this reality, but Telugu thriller Gandeevadhari Arjuna takes this idea as the driving force of its story. It’s the reason why the bodyguard Arjun takes this job, as well as the reason why the Minister needs protection and why his family has unresolved drama. While the romance subplot distracts from this issue, Gandeevadhari Arjuna deftly interweaves this real-life problem into sleek action sequences, relatable family drama, and a personalized depiction of the problem’s consequences.

Genre: Action, Drama, Thriller

Actor: Abhinav Gomatam, Kalpalatha, Mahati Bikshu, Manish Chaudhary, Narain, Nassar, Ravi Varma, Roshini Prakash, Varun Tej, Vimala Raman, Vinay Rai

Director: Praveen Sattaru

It’s slower and talkier than you’d expect from a semi-erotic film, but Ehnegard lives up to its title well enough to satisfy. It’s titillating, but in a cheeky rather than provocative way. The dialogues are lengthy, but they’re alternately witty and poetic, so despite the pace they never actually bore. Ehnegard’s real delight, however, is its beauty. Set in the old kingdom of Babenhausen, Ehnegard looks like a fairy tale come to life. The towering castles, the sprawling meadows, the twinkling forest lakes, and of course, the smartly costumed people who populate the scenery—all these and more ensure that each frame has a picturesque glow to it. And with Sidse Babett Knudsen (Borgen, Westworld) taking charge of an appealing cast, Ehnegard proves to be a charming watch. 

Genre: Comedy, Drama, Romance

Actor: Alice E. Bier Zandén, Christopher Laesso, Emilie Kroyer Koppel, Jacob Ulrik Lohmann, Mikkel Boe Følsgaard, Paul Hüttel, Sara-Marie Maltha, Sidse Babett Knudsen

Director: Bille August

Rating: R

With a new, fast-paced media landscape, Call Me Chihiro might feel too slow for people new to the story. Composed of serene, slice-of-life moments, the film starts off feeling plotless, as the titular protagonist builds random interactions with the townspeople. She makes friends with people who seemingly don’t have much in common with her. Despite this, each interaction feels meaningful and genuine, thanks to the subtle acting of Kasumi Arimura. And as these scenes build up, and Chihiro’s friends begin to become friends with each other, these day-to-day moments form a character study of a lonely woman whose kindness and appreciation for life make her feel so admirable. For those wistful Sunday nights, Call Me Chihiro might be a great watch, but only if you’re in that certain mood.

Genre: Drama

Actor: Fusako Urabe, Hana Toyoshima, Itsuki Nagasawa, Jun Fubuki, Kasumi Arimura, Keiichi Suzuki, Lily Franky, Mitsuru Hirata, Miwako Ichikawa, Ryuya Wakaba, Shigeo Ôsako, Tetta Shimada, Toshie Negishi, Van, Wakaba Ryuuya, Yoichiro Saito, Yui Sakuma

Director: Rikiya Imaizumi

Rating: R, TV-14