120 Best International Movies Movies to Watch On Netflix Canada (Page 4)

Staff & contributors

, 2023

War makes animals of men, and Filip is no exception. The film portrays a lone Jewish survivor who walks the streets of Frankfurt as if he doesn’t have anything to lose. He’s able to get away with it, with his work at a luxury hotel, but he’s unable to escape his trauma. He relieves this through trysts with the local women, treating them cruelly, the same way they would treat his people. It’s a uniquely stunning take on the ugly side of war, with its country club glamor and Filip’s lust for life. But it’s also a grim character study of an unlikeable, yet understandable protagonist, whose moral ambiguity comes purely from his own survival.

Genre: Drama, History, War

Actor: Caroline Hartig, Eryk Kulm, Eryk Kulm jr, Gabriel Raab, Julian Świeżewski, Jürg Plüss, Karol Biskup, Kinga Jasik, Mateusz Rzeźniczak, Nicolas Przygoda, Nicolo Pasetti, Robert Więckiewicz, Sandra Drzymalska, Victor Meutelet, Zoë Straub

Director: Michał Kwieciński

Rating: R

Middle-aged romances aren't really a popular genre. After all, it tends to be predictable, problematic, and it can sometimes feel like seeing your parents have sex. Other films try to spice it up with a great looking location, pretty cinematography, and all the romance tropes, and Croatian-German film Faraway has plenty of that in store. However, it also happens to be a film where a middle-aged woman finds solace with her Croatian mom’s culture, after years of assimilating to the countries of her dad, and later, her husband. While not perfect, Faraway feels so charming and it has the rare sincerity missing from many middle-aged romcoms.

Genre: Comedy, Romance

Actor: Adnan Maral, Adriana Altaras, Artjom Gilz, Bahar Balci, Butz Ulrich Buse, Christian Schneller, Davor Tomić, Goran Bogdan, Mladen Vasary, Naomi Krauss, Paula Schramm, Vedat Erincin

Director: Vanessa Jopp

Film direction—at least in the traditional sense—is all about establishing control. In Even the Rain, however, the crew led by director Sebastian faces a problem larger than what they can manage when they become embroiled in a local conflict over water supply while shooting a period film in Bolivia. The situation escalates into a violent uprising between the residents and the Bolivian state forces, which then endangers the completion of Sebastian’s film.

Even the Rain exposes the hypocrisy of urban filmmaking, questioning its exploitative and selfish tendencies. “Some things are more important than your film,” the actor Daniel bluntly tells Sebastian in one scene. This meta-commentary extends to the audience and encourages us to reevaluate the importance we put into films, especially with regards to the current socio-political context.

Genre: Drama, History

Actor: Antonio Mora, Carlos Santos, Cassandra Ciangherotti, Dani Curras, Daniel Currás, Daniel Currás, Ezequiel Díaz, Gael García Bernal, Juan Carlos Aduviri, Karra Elejalde, Leónidas Chiri, Leónidas Chiri, Luis Bredow, Luis Tosar, Milena Soliz, Najwa Nimri, Pau Colera, Raúl Arévalo, Sonia Ovando, Vicente Romero, Vicente Romero Sánchez

Director: Icíar Bollaín

Rating: Not Rated

Dear Ex is a family drama that explores LGBT+ issues in contemporary Taiwan. As much as it is a movie about how people cope with loss, it’s a powerful, heartwarming, and intimate portrait of the relationship between Jay and Song Zhengyuan and all the obstacles they face.

While the themes of Dear Ex are heavy, the director makes the viewing experience easier for the audience thanks to humorous and witty dialogue. Meanwhile, the history between Jay and Song Zhengyuan’s relationship unfolds in a very beautiful, almost poetic way, and by the end of the movie, we understand that everyone gets their own kind of forgiveness. The way the characters effortlessly show that love is something beyond genders is admirable, and it is great to see how everyone gets their own kind of forgiveness whether it's from themselves or from others by the end of the movie.

Genre: Comedy, Drama, Romance

Actor: Ai-Lun Kao, Clover Kao, Danny Liang, Fang Wan, Hsieh Ying Shiuan, Hsieh Ying-xuan, Hsin-Ling Chung, Hsu Chih-yen, Joseph Huang, Mag Hsu, Ping-Ya Tai, Roy Chiu, Spark Chen, Ting-Chien Wu, Wanfang, Yang Li-yin, Ying-Xuan Hsieh

Director: Chih-Yen Hsu, Hsu Chih-yen, Mag Hsu

Rating: TV-MA

At times of great societal turmoil, sometimes stars are born, not just to entertain the masses but to challenge the way things are done. Amar Singh Chamkila is one such star, and his music captivated all of Punjab in part due to his brash lyrics. His assassination remains unsolved, but director and co-writer Imtiaz Ali takes the event, and uses it to frame his life– the ways Punjab remembered him after death, the ways Chamkila showed his light as well as the ways he was limited by studio oversight and state censorship. The film isn’t a perfect contemplation of artistic freedom, nor is it the most comprehensive take on the singer’s life, but Ali’s direction challenges the way we view the artist and acutely recognizes the way stardom reveals the society's conflicting desires.

Genre: Drama, Music

Actor: Anjum Batra, Anuraag Arora, Apindereep Singh, Diljit Dosanjh, Jasmeet Singh Bhatia, Kul Sidhu, Kumud Mishra, Mohit Chauhan, Nisha Bano, Parineeti Chopra, Sahiba Bali, Vipin Katyal

Director: Imtiaz Ali

After the La Manada rape case in 2016, it was necessary to document this event, especially since the widespread national outrage and demonstrations managed to move the country to change the way Spain defines consent. You Are Not Alone: Fighting the Wolf Pack documents this arduous journey. While it’s done through the familiar Netflix true crime approach, there’s some respect given to the victim that hasn’t been given previously by the media. The film sticks to the actual verbatim words used by the victim, albeit edited for clarity, but they ensured that their words were not accompanied with photos or similar looking actors, keeping the truth of their words without risking their safety. While the documentary’s direction isn’t new, the outrage is still felt, as well as the genuine hope of a country that came together to ensure justice.

Genre: Documentary

Actor: Carolina Yuste, Natalia de Molina

Director: Almudena Carracedo, Robert Bahar

Rating: R

Familiarity breeds contempt, and Swedish Netflix’s new horror-comedy takes this idea to the extreme. Based on the novel by Mats Strandberg, who’s known as the Swedish Stephen King, The Conference is centered around a group of employees on their company retreat. With its ensemble, the film crafts a relatable dynamic, with the exact petty back-and-forth and the same exact corporate politics many adults have to deal with. It’s no wonder one of them snaps, and takes them out one by one. The film isn’t exactly new, with the decades’ collection of slashers all over the world, but this Swedish thriller is a fun take on it, with match cut transitions, quick paced sequences, and the gruesome murders of the group most adults spend time with - their colleagues. It’s an interesting watch as the world gets back to the office.

Genre: Comedy, Horror, Thriller

Actor: Adam Lundgren, Amed Bozan, Bahar Pars, Cecilia Nilsson, Christoffer Nordenrot, Claes Hartelius, Eva Melander, Jimmy Lindström, Katia Winter, Lola Zackow, Maria Sid, Marie Agerhäll, Martin Lagos, Robert Follin

Director: Patrik Eklund

A thrilling and fun film about a British working class bunch who find themselves in confrontation with the rich and powerful. This happens when their once-in -a-lifetime job lands them not on ly the expected money and jewelry, but documents with big secrets. The phrase "the good version of Jason Statham" applies not only to the actor but to the whole film - as it is enjoyable like all similar heist movies but adds that sadly forgotten thing called character. If you liked The Italian Job, The Town, or even films like Argo; you will love The Bank Job.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alistair Petrie, Alki David, Andrew Brooke, Angus Wright, Antony Gabriel, Bronson Webb, Colin Salmon, Craig Fairbrass, Daniel Mays, David Suchet, Don Gallagher, Dylan Charles, Georgia Taylor, Gerard Horan, Hattie Morahan, James Faulkner, Jason Statham, Julian Firth, Julian Lewis Jones, Keeley Hawes, Michael Jibson, Mick Jagger, Peter Bowles, Peter de Jersey, Richard Lintern, Rupert Frazer, Rupert Vansittart, Saffron Burrows, Sharon Maughan, Stephen Campbell Moore

Director: Roger Donaldson

Rating: R

Classroom chatter and inside jokes; the rhythmic routine of class, band practice, and communal mealtime; colorful paints and a keen Shakespeare play; paperback books, pages bookmarked with dogears. These are the precious, ordinary wonders of Headfort, a preparatory boarding school in Ireland. 

School Life observes Amanda and John Leyden, who have each taught at Headfort for over four decades. As they both near retirement, so too looms the promise of a tranquil retreat into the countryside—and questions of what they leave behind in their school, their classrooms, and their students. Idyllic and gentle, this documentary offers a brief but meaningful look into the school lives of bright children indelibly influenced by their earliest mentors.

Genre: Documentary

Director: David Rane, Neasa Ní Chianáin

Rating: PG-13

As the first Zambian film on Netflix, Can You See Us? is an interesting portrayal of albinism. Inspired by the real-life story of musician John Chiti, the film’s plot feels grounded, even if it’s similar to other stories depicting discrimination. With newcomer Thabo Kaamba at the forefront, her performance of the albino boy Joseph shines brighter than even the older actors of the film’s cast. That being said, it is held back by repetitive dialogue and sped-up character development from certain characters. Despite this, Can You See Us? is still a remarkable film that stands out from the other tearjerkers available on the streaming platform.

Genre: Drama

Actor: Chilu Lemba, Fransisca Muchangwe, Kangwa Chileshe, Ruth Jule, Thabo Kaamba

Director: Kenny Mumba

Full of charm and nostalgia, Bang Woo-ri’s first feature film is a love letter to the late 90s—and to the heartstopping experience of first love, as high school student Na Bo-ra tries to get to know her friend’s crush Baek Hyun-jin. While at times immature, she comes across as endearing through Kim Yoo-jung’s charismatic, devoted performance. And as Na Bo-ra goes through all the ways people wooed each other in the 90s—figuring out each other's phone numbers, filming each other through old camcorders, renting out VHS tapes—the film evokes memories of our own first loves. Even with some underdeveloped characters and certain contrived moments, 20th Century Girl is still a stunning picture of young love at the turn of the century.

Genre: Drama, Romance

Actor: Bang Woo-ri, Byeon Woo-seok, Choi Kyo-sik, Gong Myeong, Gong Myoung, Han Hyo-joo, Jeon Hye-won, Jeong Min-jun, Jeong Seok-yong, Jo Ji-hyeon, Kang Chae-young, Kim Nu-rim, Kim Sung-kyung, Kim You-jung, Lee Beom-soo, Lee Beom-su, Lee Cheon-mu, Lee Woo-sung, Ong Seong-wu, Park Hae-jun, Park Jung-woo, Roh Yoon-seo, Ryu Seung-ryong, Shin Dong-ryeok, Yoon Yi-reh

Director: Bang Woo-ri

Rating: TV-PG

The Queenstown Kings is a sports film that has plot points we’re all familiar with – alcoholic father trying to seek forgiveness from his son, a tempting offer for fame and riches, the standard training montage and more. These plot points sometimes go into melodramatic territory, but the film’s relationships make these scenes feel sincere, especially with the family dynamic that drives the film. And as Buyile strives to better himself to become a good example to the team, and Fezile makes different choices from his father, The Queenstown Kings feels sincere as a reminder of the better side of South African men, one that can be uncovered if they, and their community, believe in a higher dream.

Genre: Drama

Actor: Enhle Mbali Mlotshwa, Likhona Mgali, Patrick Ndlovu, Sandile Mahlangu, Tessa Twala, Thoko Ntshinga, Unathi Platyi, Zolisa Xaluva

Director: Jahmil X.T. Qubeka

When it comes to ghosts, plenty of films are centered around personal, unresolved business in the living world, but rarely do films examine how the spirit world would be, unless it’s for fantastical fights or horrific terror. The Parades instead focuses on a world of lost, but ordinary, and thankfully kind, souls. And as the film builds its calm world, Minako (and the viewers) get to meet the people who would form her eventual found family, whose various lives uncover the intimate and personal hopes of ordinary people, shaped by the events of their respective times. While the film doesn’t fully resolve all their stories, The Parades celebrates life, in all forms, and the powerful ways storytelling and community helps us go through it.

Genre: Drama

Actor: Akari Takaishi, Ayumu Nakajima, Azuki Terada, Daiken Okudaira, Denden, Go Ayano, Hana Kino, Hiroshi Tachi, Kentaro Sakaguchi, Kotone Hanase, Lily Franky, Mai Fukagawa, Masami Nagasawa, Nana Mori, Ron Mizuma, Ryusei Yokohama, Shinobu Terajima, Shun Sugata, Suon Kan, Takuya Wakabayashi, Tetsushi Tanaka, Yuina Kuroshima, Yukiya Kitamura

Director: Michihito Fujii

Rating: PG-13

In this French movie based on a true story, a med-school graduate from Congo is offered a job as the doctor to the president of Zaire. He refuses and chooses instead to move to a small town in France in hopes of getting French citizenship and securing a better future for his children.

The story, which starts in 1975, is set in a village where people had never seen a Black person. To that, Seyolo, the doctor, says: “so what? Now they will.”

The culture clash is both villagers-to-new-arrivals and the other way. Seyolo tells his family that he was hired in a village “north of Paris”, but all they hear is “Paris”, only to be shocked by the state of the rainy and muddy countryside village.

Genre: Comedy, Drama

Actor: Aissa Maiga, Bayron Lebli, Bernard Eylenbosch, Bwanga Pilipili, Christophe Lambert, Diogène Ntarindwa, Édith Le Merdy, Emilie Rouhart, Frédérick Bukolé, Ingrid Heiderscheidt, Jean Bediebe, Jean-Benoît Ugeux, Jean-Marie Barbier, Jean-Michel Balthazar, Jonathan Lambert, Julien Rambaldi, Kamini Zantoko, Laurent Caron, Marc Zinga, Marie-Philomène Nga, Marius Yelolo, Mata Gabin, Medina Diarra, Micheline Dieye, Narcisse Mame, Riton Liebman, Rodolphe Jonathan Lambert, Rufus, Stéphane Bissot, Stéphanie Crayencour, Sylvestre Amoussou, Tatiana Rojo, Thomas Vandenberghe, Thomas VDB, Vincent Lecuyer, Vincent Martin

Director: Julien Rambaldi

Rating: N/A

After Black Hawk Down (2001), the casual moviegoer would have thought that the rescue operation was only conducted by American soldiers. In reality, it was a multinational effort, and Malaysia’s side of the story has finally been depicted in MALBATT: Misi Bakara. Surprisingly, it doesn’t play out as a straightforward, action-packed rescue mission– writer-director Adrian Teh does deliver the action, but the film also contemplates about the team itself: how they made sense of their opposition towards a country they shared religions with, and how they experienced the ignorance from American soldiers that didn’t even know where Malaysia was. While some introductory sequences falter, and the film fumbles certain green screen moments, MALBATT: Misi Bakara brings both the spectacle and the drama that makes it stand out from other depictions of the rescue mission.

Genre: Action, Drama, History, War

Actor: Bront Palarae, Dini Schatzmann, Fauzi Nawawi, Gambit Saifullah, Hairul Azreen, Iedil Putra, Musa Aden, Paul Biddiss, Shaheizy Sam, Syazwan Zulkifly, Tony Eusoff, Zahiril Adzim

Director: Adrian Teh