328 Best International Dramas Movies to Watch (Page 3)

With its 69-minute runtime, ultra-minimalist approach to camera movement, and dialogue so sparse it could fit onto a single page, the first word that comes to mind when describing The Match Factory Girl is “lean.” The second word is “bleak”: for most of the film’s slight duration, we watch as the lonely titular character (Iris, played by Kati Outinen) passively endures a relentless barrage of cruelties, whether from her coldly detached parents, callous love interest, or simply fate itself. 

And yet, these words — apt descriptors of the film as they are — only capture part of what makes The Match Factory Girl such a magnetic and unforgettable watch. When a late twist sees the film swerve into even darker territory, director Aki Kaurismäki’s twin approaches fuse into one that’s greater than the sum of its parts. Rendered in his characteristic deadpan style, the shocking event becomes sardonically funny — a gutsy move that only a real master of tone, as Kaurismäki is, could pull off.

Genre: Comedy, Drama

Actor: Elina Salo, Esko Nikkari, Kati Outinen, Klaus Heydemann, Outi Mäenpää, Reijo Taipale, Richard Reitinger, Silu Seppälä, Vesa Vierikko

Director: Aki Kaurismäki

All Quiet on the Western Front is a period epic that unflinchingly shows us the savagery and senselessness of war. Set at the tail end of World War I, it follows two main stories: that of German soldier Paul Bäumer (Felix Kammerer), whose boyish eagerness for warfare is diminished with each bloody step he takes towards the frontline, and that of Matthias Erzberger (Daniel Brühl), the real-life German politician tasked to negotiate a ceasefire between the French and German forces.

Grim and sobering, the movie will leave you nothing less than stunned after viewing. Like 1917 before it, All Quiet on the Western Front relies on the juxtaposition of raw brutality and peaceful quiet to effectively forward its anti-war message. The film is Germany’s official entry for the 2023 Academy Awards.

Genre: Action, Drama, History, War

Actor: Aaron Hilmer, Adrian Grünewald, Albrecht Schuch, André Marcon, Andreas Döhler, Anthony Paliotti, Anton von Lucke, Cyril Dobrý, Dan Brown, Daniel Brühl, Daniel-Frantisek Kamen, Devid Striesow, Edin Hasanović, Felix Kammerer, Felix von Bredow, Gregory Gudgeon, Hendrik Heutmann, Jakob Diehl, Joe Weintraub, Luc Feit, Marek Simbersky, Markus Tomczyk, Martin Němec, Michael Pitthan, Michael Stange, Michael Wittenborn, Moritz Klaus, Nico Ehrenteit, Peter Sikorski, Sascha Nathan, Sebastian Hülk, Sebastian Jacques, Thibault de Montalembert, Tobias Langhoff, Tomáš Weber

Director: Edward Berger

Rating: R

An absolutely beautiful film about superficiality, arrogance, and heartbreak. It focuses on the life of Aydin, a retired actor who now lives very comfortably managing a small hotel and a number of other small properties. Throughout the film Aydin's image shifts as he tackles the problems of his rather typical life. Having said this, there is nothing else typical about this film. It captures human relationships with an almost frightening precision. It almost feels as though you have an inside view into someone's actual life as Aydin battles it out with his sister Necla and his young wife Nihal. To me this is easily one of the best dramas of the decade, and if you so much as like movies that focus on humans and their interactions, it will be that for you too.  Nuri Bilge Ceylan will make 3 hours pass more quickly than they ever have before.

Genre: Drama

Actor: Ayberk Pekcan, Demet Akbag, Ekrem İlhan, Emirhan Doruktutan, Haluk Bilginer, Mehmet Ali Nuroğlu, Mehmet Ali Nuroğlu, Melisa Sözen, Nadir Sarıbacak, Nadir Sarıbacak, Nejat İşler, Nejat İşler, Serhat Kılıç, Serhat Mustafa Kılıç, Serhat Mustafa Kılıç, Tamer Levent

Director: Nuri Bilge Ceylan

Rating: Not Rated, Unrated

Based on the Austrian novel, The Piano Teacher is as brilliant and as disturbed as its protagonist. The film follows Erika Kohut (Isabelle Huppert), the repressed masochist in question, and the trainwreck of a relationship that she develops with her student Walter Klemmer (Benoît Magimel). Their dynamic is undeniably toxic. Austrian auteur Michael Haneke frames each scene with clinical detachment, but it is absolutely brutal how the two characters try to assert control over each other, engage in sadomasochism, and repeatedly violate each other’s boundaries. Huppert’s heartrending performance fully commits to the merciless treatment Erika receives. But more tragic is the way Erika’s unusual relationship could’ve freed her, could’ve helped her process her abuse, and instead, reinforces her repression. It’s scary to make yourself vulnerable by admitting your desires, only for them to be used against you.

Genre: Drama, Romance

Actor: Anna Sigalevitch, Annie Girardot, Benoit Magimel, Cornelia Köndgen, Dieter Berner, Eva Green, Gabriele Schuchter, Georg Friedrich, Gerti Drassl, Isabelle Huppert, Karoline Zeisler, Klaus Händl, Liliana Nelska, Michael Schottenberg, Rudolf Melichar, Susanne Lothar, Udo Samel, Vivian Bartsch

Director: Michael Haneke

Rating: R

Mr. Lazarescu is a widower living with his cats in a small Bucharest apartment. One night when he begins to feel sick and calls for help, he sets in motion a kafkaesque parade of nurses, doctors, and hospitals as he is ferried through a bureaucratic maze unable to get treatment for his rapidly deteriorating condition. Cristi Puiu’s searing indictment of a failed healthcare system mixes kitchen-sink realism with tinges of gallows humor for a remarkable one-of-a-kind experience.

Beneath its grim demeanor is a clear-eyed portrait of the heart-rending weariness of paramedics and hospital staff that speaks spectacularly to our current mid-pandemic moment of exhausted doctors and overflowing facilities. This focus on the toll of the system on paramedics, in particular, makes this a fantastic pairing with Martin Scorcese’s’ underrated Bringing Out the Dead.

Genre: Comedy, Drama

Actor: Adrian Titieni, Alexandru Potocean, Alina Berzunteanu, Bogdan Dumitrache, Cerasela Iosifescu, Clara Vodă, Cristi Puiu, Dan Chiriac, Dana Dogaru, Dorian Boguta, Doru Ana, Dragos Bucur, Florin Zamfirescu, Gabriel Spahiu, Ioan Fiscuteanu, Ion Fiscuteanu, Luminita Gheorghiu, Mimi Brănescu, Mimi Branescu, Monica Bârlădeanu, Monica Barladeanu, Rodica Lazăr, Șerban Pavlu, Simona Popescu

Director: Cristi Puiu

Rating: R

A gritty and realistic thriller set in France’s notorious capital city of crime - Marseille. 

Zachary is released from Juvenile prison to learn that his mother has abandoned him. He finds kinship in an underage sex worker by the name of Shéhérazade. 

This seems like the set-up for a tough watch, but Shéhérazade plays like a romance when it’s slow, and a crime thriller when it’s fast (it’s mostly fast). Everything about the story and two leads’ relationship rings true. Added to the fact that it has no interest in emotionally manipulating you, the movie is more gripping and thought-provoking than sad.

A great story, fantastic acting from the cast of first-timers, and outstanding direction give the feeling that Shéhérazade is bound to become a modern classic. If you liked City of God, you will love this. 

Genre: Drama, Romance, Thriller

Actor: Dylan Robert, Idir Azougli, Kader Benchoudar, Kenza Fortas, Lisa Amedjout, Nabila Ait Amer, Nabila Bounad, Sofia Bent

Director: Jean-Bernard Marlin

Rating: TV-MA

In Things to Come, life tests a philosophy professor on the very same subject she teaches. For Nathalie (Isabelle Huppert) — who has two grown-up children, a husband of 25 years, and a recurring publishing contract — the future isn’t something she gives much thought, because she assumes it’ll be more of the same. When her students protest against a law to raise the pension age, this middle-aged ex-anarchist can’t bring herself to engage with their apparently far-sighted cause; unlike them, all she can think about is the present. But then a series of events overturn her life as she knew it and she finds herself, at middle age, staring at a blank slate.

This is a movie about our surprising ability to deal with disaster — the instincts that emerge when we least expect them to. What’s more, it’s about the insistence of life to keep going no matter how difficult a period you’re experiencing — something that might initially seem cruel but that is, actually, your salvation. The film’s academic characters and philosophical preoccupations never feel esoteric, because Hansen-Løve’s gentle, intelligent filmmaking puts people at its center as it explores human resilience — not through stuffy theory, but an intimate study of someone coming to terms with a freedom she never asked for.

Genre: Drama

Actor: André Marcon, Charline Bourgeois-Tacquet, Edith Scob, Edward Chapman, Elie Wajeman, Élise Lhomeau, Grégoire Montana-Haroche, Guy-Patrick Sainderichin, Isabelle Huppert, Jean-Charles Clichet, Julianne Binard, Lina Benzerti, Lionel Dray, Margaretta Scott, Olivier Goinard, Rachel Arditi, Ralph Richardson, Raymond Massey, Roman Kolinka, Sarah Le Picard, Solal Forte, Yves Heck

Director: Mia Hansen-Løve, Mia Hansen-Løve, William Cameron Menzies

Rating: Not Rated, PG-13

When reminiscing about the film industry, most period films focus on the big names – the stars, the directors, and the producers that back them – as they’re more likely to have plenty of source material. Once Upon a Star is interested in the little people, the small town distributors that bring the movie magic to the locals. Centered on a cinema projection troupe, the film celebrates the old way of distribution, who, unlike today’s streaming, travel from place to place to set up outdoor cinemas with live dubbing. And through each projection of classic Thai masterpieces, the connection they have with each other, between both the troupe and the audience, recalls the intimate nostalgia of watching a movie together. It’s a unique take from director Nonzee Nimibutr, one that’s a stunning love letter to the film industry he hails from.

Genre: Drama

Actor: Jirayu La-ongmani, Kongkiat Khomsiri, Nat Sakdatorn, Nuengthida Sophon, Samart Payakaroon, Sornchai Chatwiriyachai, Sukollawat Kanarot, Waratta Watcharatorn, Yothin Mapobphun

Director: Nonzee Nimibutr

There’s much to despair at in Mahamat-Saleh Haroun's drama set in Chad, where abortion is illegal, female genital mutilation isn't, and single mothers are ostracised. Amina's (Achouackh Abakar) 15-year-old daughter Maria (Rihane Khalil Alio) has just been expelled from school because she’s pregnant. Like Amina, Maria has been abandoned by the child’s father — but, having witnessed first-hand the stigma that comes with being an unmarried mother, she refuses to let history continue repeating itself, and declares she wants an abortion.

But underground abortions are expensive, and the duo are barely scraping by as it is, in spite of Amina’s backbreaking manual work. Their situation is dire — and there are more disturbing revelations to be had — but, despite the bleakness of Lingui’s plot on paper, the film isn’t miserabilist. As Amina searches desperately for a safe abortion provider, she takes us with her into a furtive underground network of solidarity, one that offers the mother and daughter all the compassion and aid that the government and their imam should be providing. This is a film in which acts of kindness are quietly delivered on the understanding that that’s what we owe each other, and one where sisterhood is alive — making this, paradoxically, a simultaneously enraging and heartening watch.

Genre: Drama

Actor: Achouackh Abakar Souleymane, Briya Gomdigue, Rihane Khalil Alio, Saleh Sambo, Youssouf Djaoro

Director: Mahamat-Saleh Haroun