104 Best International Dramas Movies to Watch On Netflix Uk (Page 4)

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At times of great societal turmoil, sometimes stars are born, not just to entertain the masses but to challenge the way things are done. Amar Singh Chamkila is one such star, and his music captivated all of Punjab in part due to his brash lyrics. His assassination remains unsolved, but director and co-writer Imtiaz Ali takes the event, and uses it to frame his life– the ways Punjab remembered him after death, the ways Chamkila showed his light as well as the ways he was limited by studio oversight and state censorship. The film isn’t a perfect contemplation of artistic freedom, nor is it the most comprehensive take on the singer’s life, but Ali’s direction challenges the way we view the artist and acutely recognizes the way stardom reveals the society's conflicting desires.

Genre: Drama, Music

Actor: Anjum Batra, Anuraag Arora, Apindereep Singh, Diljit Dosanjh, Jasmeet Singh Bhatia, Kul Sidhu, Kumud Mishra, Mohit Chauhan, Nisha Bano, Parineeti Chopra, Sahiba Bali, Vipin Katyal

Director: Imtiaz Ali

This historical drama opens with one of the most thrilling chase scenes in recent memory, as Higinio Blanco, the man at the center of the story, escapes government forces during the Spanish Civil War.

He goes into hiding that, without him realizing, would last 33 years. He would only emerge in a government amnesty in 1969, as would many like him across Spain.

Themes of love (Higinio was confined with his newlywed wife), solitude and fear are at the center of a story that remains thrilling even when it goes through the isolation years.

Genre: Drama, History, Thriller

Actor: Aitor Arregi, Antonio de la Torre, Antonio Romero, Belén Cuesta, Belén Cuesta, Dwight D. Eisenhower, Emilio Palacios, Enrique Asenjo, Esperanza Guardado, Francisco Franco, Íñigo Núñez, Joaquín Gómez, Jon Garaño, Jon Garaño, José Manuel Poga, Jose Manuel Poga, Jose Mari Goenaga, Marco Cáceres, Vicente Vergara

Director: Aitor Arregi, Jon Garaño, Jon Garaño, Jose Mari Goenaga

Rating: 16

As the first Zambian film on Netflix, Can You See Us? is an interesting portrayal of albinism. Inspired by the real-life story of musician John Chiti, the film’s plot feels grounded, even if it’s similar to other stories depicting discrimination. With newcomer Thabo Kaamba at the forefront, her performance of the albino boy Joseph shines brighter than even the older actors of the film’s cast. That being said, it is held back by repetitive dialogue and sped-up character development from certain characters. Despite this, Can You See Us? is still a remarkable film that stands out from the other tearjerkers available on the streaming platform.

Genre: Drama

Actor: Chilu Lemba, Fransisca Muchangwe, Kangwa Chileshe, Ruth Jule, Thabo Kaamba

Director: Kenny Mumba

Full of charm and nostalgia, Bang Woo-ri’s first feature film is a love letter to the late 90s—and to the heartstopping experience of first love, as high school student Na Bo-ra tries to get to know her friend’s crush Baek Hyun-jin. While at times immature, she comes across as endearing through Kim Yoo-jung’s charismatic, devoted performance. And as Na Bo-ra goes through all the ways people wooed each other in the 90s—figuring out each other's phone numbers, filming each other through old camcorders, renting out VHS tapes—the film evokes memories of our own first loves. Even with some underdeveloped characters and certain contrived moments, 20th Century Girl is still a stunning picture of young love at the turn of the century.

Genre: Drama, Romance

Actor: Bang Woo-ri, Byeon Woo-seok, Choi Kyo-sik, Gong Myeong, Gong Myoung, Han Hyo-joo, Jeon Hye-won, Jeong Min-jun, Jeong Seok-yong, Jo Ji-hyeon, Kang Chae-young, Kim Nu-rim, Kim Sung-kyung, Kim You-jung, Lee Beom-soo, Lee Beom-su, Lee Cheon-mu, Lee Woo-sung, Ong Seong-wu, Park Hae-jun, Park Jung-woo, Roh Yoon-seo, Ryu Seung-ryong, Shin Dong-ryeok, Yoon Yi-reh

Director: Bang Woo-ri

Rating: TV-PG

The Queenstown Kings is a sports film that has plot points we’re all familiar with – alcoholic father trying to seek forgiveness from his son, a tempting offer for fame and riches, the standard training montage and more. These plot points sometimes go into melodramatic territory, but the film’s relationships make these scenes feel sincere, especially with the family dynamic that drives the film. And as Buyile strives to better himself to become a good example to the team, and Fezile makes different choices from his father, The Queenstown Kings feels sincere as a reminder of the better side of South African men, one that can be uncovered if they, and their community, believe in a higher dream.

Genre: Drama

Actor: Enhle Mbali Mlotshwa, Likhona Mgali, Patrick Ndlovu, Sandile Mahlangu, Tessa Twala, Thoko Ntshinga, Unathi Platyi, Zolisa Xaluva

Director: Jahmil X.T. Qubeka

When it comes to ghosts, plenty of films are centered around personal, unresolved business in the living world, but rarely do films examine how the spirit world would be, unless it’s for fantastical fights or horrific terror. The Parades instead focuses on a world of lost, but ordinary, and thankfully kind, souls. And as the film builds its calm world, Minako (and the viewers) get to meet the people who would form her eventual found family, whose various lives uncover the intimate and personal hopes of ordinary people, shaped by the events of their respective times. While the film doesn’t fully resolve all their stories, The Parades celebrates life, in all forms, and the powerful ways storytelling and community helps us go through it.

Genre: Drama

Actor: Akari Takaishi, Ayumu Nakajima, Azuki Terada, Daiken Okudaira, Denden, Go Ayano, Hana Kino, Hiroshi Tachi, Kentaro Sakaguchi, Kotone Hanase, Lily Franky, Mai Fukagawa, Masami Nagasawa, Nana Mori, Ron Mizuma, Ryusei Yokohama, Shinobu Terajima, Shun Sugata, Suon Kan, Takuya Wakabayashi, Tetsushi Tanaka, Yuina Kuroshima, Yukiya Kitamura

Director: Michihito Fujii

Rating: PG-13

In this French movie based on a true story, a med-school graduate from Congo is offered a job as the doctor to the president of Zaire. He refuses and chooses instead to move to a small town in France in hopes of getting French citizenship and securing a better future for his children.

The story, which starts in 1975, is set in a village where people had never seen a Black person. To that, Seyolo, the doctor, says: “so what? Now they will.”

The culture clash is both villagers-to-new-arrivals and the other way. Seyolo tells his family that he was hired in a village “north of Paris”, but all they hear is “Paris”, only to be shocked by the state of the rainy and muddy countryside village.

Genre: Comedy, Drama

Actor: Aissa Maiga, Bayron Lebli, Bernard Eylenbosch, Bwanga Pilipili, Christophe Lambert, Diogène Ntarindwa, Édith Le Merdy, Emilie Rouhart, Frédérick Bukolé, Ingrid Heiderscheidt, Jean Bediebe, Jean-Benoît Ugeux, Jean-Marie Barbier, Jean-Michel Balthazar, Jonathan Lambert, Julien Rambaldi, Kamini Zantoko, Laurent Caron, Marc Zinga, Marie-Philomène Nga, Marius Yelolo, Mata Gabin, Medina Diarra, Micheline Dieye, Narcisse Mame, Riton Liebman, Rodolphe Jonathan Lambert, Rufus, Stéphane Bissot, Stéphanie Crayencour, Sylvestre Amoussou, Tatiana Rojo, Thomas Vandenberghe, Thomas VDB, Vincent Lecuyer, Vincent Martin

Director: Julien Rambaldi

Rating: N/A

After Black Hawk Down (2001), the casual moviegoer would have thought that the rescue operation was only conducted by American soldiers. In reality, it was a multinational effort, and Malaysia’s side of the story has finally been depicted in MALBATT: Misi Bakara. Surprisingly, it doesn’t play out as a straightforward, action-packed rescue mission– writer-director Adrian Teh does deliver the action, but the film also contemplates about the team itself: how they made sense of their opposition towards a country they shared religions with, and how they experienced the ignorance from American soldiers that didn’t even know where Malaysia was. While some introductory sequences falter, and the film fumbles certain green screen moments, MALBATT: Misi Bakara brings both the spectacle and the drama that makes it stand out from other depictions of the rescue mission.

Genre: Action, Drama, History, War

Actor: Bront Palarae, Dini Schatzmann, Fauzi Nawawi, Gambit Saifullah, Hairul Azreen, Iedil Putra, Musa Aden, Paul Biddiss, Shaheizy Sam, Syazwan Zulkifly, Tony Eusoff, Zahiril Adzim

Director: Adrian Teh

, 2023

Through this action-packed, absolutely crazy ride of a movie, writer-director Atlee and Bollywood legend Shah Rukh Khan team up in Jawan to question the country’s corruption in multiple fields, including, but not limited to the agricultural sector, the healthcare industry, and the electoral system. They do so through an amped-up, explosion-filled spectacle led by a high-tech Robin Hood and his merry women inmates, who use terrorism in order to pay out loans for poor farmers and other promises that politicians give to their voters. It’s also intertwined with a romance plot that sees the vigilante and the single-parent counterterrorist chief in an unknowing enemies-to-lovers, mistaken identity marriage. It’s a strange film that tries to tackle as many political messages as possible, but it’s also downright entertaining with every plot twist it takes.

Genre: Action, Adventure, Thriller

Actor: Aaliyah Qureishi, Ashlesha Thakur, Atlee, Bharat Raj, Boxer Dheena, Deepika Padukone, Eijaz Khan, Girija Oak, Jaffer Sadiq, Kenny Basumatary, Leesha Eclairs, Lehar Khan, Mukesh Chhabra, Naresh Gosain, Nayanthara, Omkar Das Manikpuri, Priyamani, Ravindra Vijay, Ridhi Dogra, Sanjay Dutt, Sanjeeta Bhattacharya, Sanya Malhotra, Shah Rukh Khan, Smita Tambe, Sunil Grover, Vijay Sethupathi, Viraj Ghelani, Yogi Babu

Director: Atlee

Rating: NR

Being made for free, fanfiction is free to play with controversial, less print-friendly concepts like gender-bending your favorite character. This freedom might go into strange territory, but most often than not, writers use fanfiction for escapism or for catharsis of their day-to-day lives. While the film doesn’t delve into fanfiction’s creative process, Polish drama Fanfic does recognize how the genre’s experimentation allows its writers to safely and freely explore different styles of expression, the same way teenage years hopefully do for its viewers. And as Tosiek goes through the trappings of coming-of-age self-discovery, it’s lovely and comforting and cathartic like the stories he writes.

Genre: Drama

Actor: Adam Cywka, Agnieszka Rajda, Alin Szewczyk, Anna Krotoska, Dobromir Dymecki, Ewelina Starejki, Helena Sujecka, Ignacy Liss, Jakub Wróblewski, Jan Cięciara, Kaya Kołodziejczyk, Krzysztof Oleksyn, Maja Szopa, Marcin Perchuć, Mateusz Górski, Natalia Łągiewczyk, Radosław Krzyżowski, Stanisław Cywka, Sylwia Achu, Wiktoria Kruszczyńska

Director: Marta Karwowska

Rating: NC-17

Funny, sweet, and tropey, Badhaai Do is a unique Hindi dramedy about a lavender marriage. Gay policeman Shardul (Rajkummar Rao) and lesbian teacher Sumi (Bhumi Pednekar) agree to wed in order to satisfy their family’s wishes without exposing their sexual orientations. Unfortunately, this doesn’t stop their family from other expectations, such as that of maintaining their marriage and having a child. After their immediate connection, Shardul and Sumi’s continuous bickering, through Rao and Pednekar’s chemistry, is hilarious, leading to elaborate lies about each other for their family. However, underneath their funny back-and-forth is an understanding between them that almost feels freeing. Their platonic partnership feels like a lifeline in an isolating closet. While India is portrayed here to have a thriving LGBTQ+ community, microaggressions, harassment, and legal discrimination are still present. Despite this, the film carves up moments where Shardul and Sumi actively seek connection, with each other and with other people, including their eventual lovers. The most touching of these moments come when they both allow themselves to be honest.

Genre: Comedy, Drama

Actor: Apeksha Porwal, Bhumi Pednekar, Chum Darang, Gulshan Devaiah, Loveleen Mishra, Nitesh Pandey, Rajkummar Rao, Seema Pahwa, Shashi Bhushan, Sheeba Chaddha

Director: Harshavardhan Kulkarni

Rating: PG

Bad Lands isn’t exactly new. It has the romanticized con artist that manages to slip through the fingers of those more powerful than her, through quick wit and good sense. It has the successful con, and those that come out of the woodwork to take what they’ve stolen. The story isn’t even original, being based on Hiroyuki Kurokawa’s 2015 novel, Keiso. But it’s done well. It’s a well-executed character study focused on a grifter pushed into the business, and taking on a cold, ruthless mindset to survive. It juxtaposes her self-contained lifestyle with the skeevy, abusive tech billionaire ex and the police force he infiltrated. And it’s all the more powerful with Sakura Ando leading the story.

Genre: Action, Crime

Actor: Canon Nawata, Junichi Okada, Katsuhisa Namase, Ken Yamamura, Koki Maeda, Mitsuo Yoshihara, Namase Katsuhisa, Noriko Eguchi, Ryosuke Yamada, Ryudo Uzaki, Sakura Andô, Yasumasa Oba, Yasushi Fuchikami

Director: Masato Harada

With its grounded approach, A Day and a Half feels real, even if the exact events are fictional. Inspired by a couple of lines from a 2008 news article, Fares Fares crafts an intimate family drama for his first directorial debut, built in the bones of a hostage thriller. As a thriller, Fares consistently maintains its suspense, camera eyeing the gun present in most of the film. However, as the cop Lucas tries to defuse the situation with hostage-taker Artan, and the situation escalates to the National Task Force, Artan and Louise confront their broken family, lines opened by improvised hostage negotiations. While Artan’s understandable reasons shouldn’t absolve him of his actions, A Day and a Half effectively builds tension, only relieved at its slightly unrealistic but cathartic ending.

Genre: Drama, Mystery, Thriller

Actor: Alexej Manvelov, Alma Pöysti, Annica Liljeblad, Annika Hallin, Daniel Guldstrand, Fares Fares, Richard Forsgren, Stina Ekblad

Director: Fares Fares

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

Genre: Drama

Actor: Abdullrahman Al Gohani, Ahd, Ahd Kamel, Alanoud Sajini, Dana Abdullilah, Haifaa Al-Mansour, Rafa Al Sanea, Reem Abdullah, Sultan Al Assaf, Waad Mohammed

Director: Haifaa al-Mansour

Rating: PG

This slow romance is set in a Seoul bakery during the 1990s. A boy fresh out of juvenile detention and a part-time employee fall for each other while working there. For a while, their existence is joyful and quiet as they sell bread and bond. However, the Asian financial crisis of 1997 forces the bakery to close. This makes them seek different jobs away from each other. As a romance, Tune in for Love is not original but it doesn’t need to. It’s just easy and enjoyable.

Genre: Drama, Romance

Actor: Choi Jun-young, Hae-In Jung, Heo Ji-na, Jang Se-won, Jung Eu-gene, Jung Eugene, Jung Hae-in, Jung Ji-woo, Jung Yoo-jin, Kim Go-eun, Kim Guk-hee, Kim Hyun, Kim Kuk-hee, Na Chul, Nam Moon-chul, Nam Mun-cheol, Park Hae-joon, Park Hae-jun, Park Se-hyun, Shim Dal-gi, Sim Dal-gi, Song Duk-ho, Yoo Yeol

Director: Ji-woo Jung, Jung Ji-woo