103 Best International Dramas Movies to Watch On Netflix (Page 2)

All the synopses going around the internet won’t fail to let you know that The Falls takes place at the height of the COVID-19 crisis. The film is certainly marketed that way, with commercial posters featuring the leads in ubiquitous face masks, socially distanced from the blurred crowd. 

But interestingly, The Falls is not just a situational, pandemic-era story. More than anything else, it tells the story of Pin-wen and Xiao Jing, mother and daughter who, despite previously living a life of comfort, are now dealt with unfavorable circumstances (exacerbated but not entirely caused by the pandemic). Now, they are forced to navigate life with only each other, and it’s in the isolation they instate from the rest of the world do they forge a genuine and heartwrenching bond any and all family members will immediately recognize and perhaps even sympathize with. 

Genre: Drama, Family

Actor: Alyssa Chia, Chen Yi-wen, Chen Yiwen, Gingle Wang, Guan-Ting Liu, Huang Hsin-Yao, Kuan-Ting Liu, Lee-zen Lee, Liang-Tso Liu, Shao-Huai Chang, Shau-Ching Sung, Tiffany Hsu, Waa Wei, Yang Li-yin, Yi-Wen Chen

Director: Chung Mong-hong

Rating: Not Rated

Based on a true story, Darin J. Sallam’s controversial debut feature Farha is, at heart, a brutal coming-of-age film. Set in 1948, the film is about a girl who gets locked into her family’s storeroom at the start of the Nakba, the Palestinian Catastrophe. Sallam’s choice to limit most of the film’s perspective to that small storeroom is brilliant – in some ways, it echoes the surrounding discussion about the conflict. Most of what the world knows of Palestine is limited due to having to deal with censorship, lost records, and only hearing word-of-mouth stories from ancestors who just barely survived. But what we see is already too horrific to begin with. And what the film knows is the tragedy of losing your home - having to leave childhood, leave your dreams, and leave a vibrant and living culture in order to survive.

Genre: Drama, History, War

Actor: Ali Soliman, Ali Suliman, Ashraf Barhom, Sultan Alkhail

Director: Darin J. Sallam

Rating: TV-14

After years of documentaries covering Thailand’s controversial issues, some of which have been temporarily banned by the Ministry of Culture, Nontawat Numbenchapol takes a step into feature film in Doi Boy. The plot covers plenty of the topics he’s previously depicted– immigration, prostitution, and corruption– but it unfolds naturally into a slow-paced, but moving drama where an undocumented sex worker tries to find home. Awat Ratanapintha as Sorn excellently leads this journey, but Arak Amornsupasiri as reluctant cop Ji, and Bhumibhat Thavornsiri as passionate activist Wuth also make their mark. While the film doesn’t delve into the intricate intersectionality, it feels like that’s part of the point. The notion of a nation doesn’t care about people’s dreams, even if that dream is for the nation to be better.

Genre: Drama, Romance, Thriller

Actor: Arak Amornsupasiri, Awat Ratanapintha, Bhumibhat Thavornsiri, Ornjira Lamwilai, Panisara Rikulsurakan, Teerawat Mulvilai

Director: Nontawat Numbenchapol

If you’ve never heard of Sonia Braga, you’re in for a ride with this movie. She is, in my opinion, one of the best actresses alive today. In Aquarius, she stars as a 65-year-old trying to keep the home in which she pledged to die. In a quiet, yet stoically powerful performance, she reminds us that identity often intersects with the spaces in which we live.

Genre: Drama

Actor: Allan Souza Lima, Arly Arnaud, Bárbara Colen, Bruno Goya, Buda Lira, Carla Ribas, Clarissa Pinheiro, Daniel Porpino, Edilson Silva, Fábio Leal, Fernando Teixeira, Germano Melo, Humberto Carrao, Irandhir Santos, Joana Gatis, Julia Bernat, Kleber Mendonça Filho, Lula Terra, Maeve Jinkings, Pedro Queiroz, Rubens Santos, Sônia Braga, Tavinho Teixeira, Thaia Perez, Zoraide Coleto

Director: Kleber Mendonça Filho

Rating: Not Rated

This Netflix production is based on a case that rocked public opinion in Italy. Stefano Cucchi was arrested for a minor drug charge and died five days later from police brutality. The movie takes its time to expose what Cucchi went through, which might lead some viewers to find On My Skin slow, and rightfully so. Thinking about the issues at hand here, it’s easy to understand why the director made that choice. In fact, Italians’ complex relationship with the Carabinieri, a division of the Italian army that carries out domestic policing, is delicate to explain and requires meticulous unveiling. Nominated to nine David di Donatello Awards (the equivalent of the Academy Awards in Italy), of which it won three.

Genre: Drama

Actor: Aleksandros Memetaj, Alessandro Borghi, Alessio De Persio, Andrea Lattanzi, Andrea Mautone, Antonio Gargiulo, Aurora Casavecchia, Bernardo Casertano, Daniela Amato, Daniele Amendola, Dora Romano, Elisa Casavecchia, Elodie Treccani, Emanuele Cerman, Federico Tocci, Francesca Tomassoni, Gaetano Aronica, Giuseppe Ragone, Italo Amerighi, Jasmine Trinca, Marco Giuliani, Massimiliano Tortora, Mauro Conte, Max Tortora, Michele Botrugno, Milvia Marigliano, Orlando Cinque, Paolo D Bovani, Pietro Faiella, Roberta Sferzi, Roberto Galano, Rodolfo Bigotti, Stefano Miglio, Vincenzo Tanassi, Walter Nestola

Director: Alessio Cremonini

Rating: TV-MA

After Jackie and Spencer, the dark satire El Conde is a surprise new entry in Pablo Larraín’s stacked filmography. Already, the film has prominent differences– it’s shot in black and white, starting with narration from an unseen and posh Englishwoman that makes the film’s events feel like entries in Bridgerton’s scandalous newsletter. The subject is far from the beloved wives of presidents and princes– it’s centered around a notorious Chilean dictator who remains unpunished for his crimes. However, as his fictional vampire version deals with his rightfully ruined legacy, El Conde proves to be a witty satiric twist to Larraín’s usual themes. Through familial squabbles over ill-gotten wealth, confessions and exorcism conducted by a nun, and certain foreign interventions, El Conde paints an everlasting greed that continues to haunt Larraín’s homeland.

Genre: Comedy, Fantasy, Horror

Actor: Aldo Parodi, Alessandra Guerzoni, Alfredo Castro, Amparo Noguera, Antonia Zegers, Catalina Guerra, Diego Muñoz, Dindi Jane, Eyal Meyer, Francisca Walker, Gloria Münchmeyer, Jaime McManus, Jaime Vadell, Marcelo Alonso, Marcial Tagle, Mateo Iribarren, Patricia Rivadeneira, Paula Luchsinger, Stella Gonet

Director: Pablo Larraín

Rating: R

Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience. Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story. Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.) This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against. Two worlds clash, poor and rich, in a movie that’s really three movies combined into one - a character-study, a romance, and a revenge thriller.

Genre: Drama, Mystery, Thriller

Actor: Ah-in Yoo, Ban Hye-ra, Cha Mi-Kyung, ChoI Seung-ho, Jang Won-hyung, Jeon Jong-seo, Jeon Seok-chan, Jeong Da-yi, Jong-seo Jun, Jun Jong-seo, Kim Shin-rock, Kim Shin-rok, Kim Sin-rock, Kim Soo-kyung, Lee Bong-ryeon, Lee Joong-ok, Lee Soo-jeong, Min Bok-gi, Moon Sung-keun, Ok Ja-yeon, Song Duk-ho, Soo-Kyung Kim, Steven Yeun, Yoo Ah-in

Director: Chang-dong Lee, Lee Chang-dong

Rating: Not Rated

Inspired by the Spiniak case, Blanquita reimagines the infamous scandal through mirrored interrogations and disorienting viewpoints. Blanquita rewrites the original witness, whose fictional variant, in turn, rewrites the abuse faced by victims as her own. She is transformed from a clueless liar, into someone still a liar, but one that did so when every other possible witness has been discarded for being unreliable, for being too traumatized to go through the judicial process unflinchingly. The film takes on a provocative subject matter, at a time when real life sexual abuse allegations are treated with the same scrutiny Blanca faces. However, Blanquita does so in a way that gives its complexities the weight it deserves. It’s a fascinating thriller, a quandary that tests the idea of ends justifying the means… But it’s one that’s disturbing, given the consequences to each crime.

Genre: Drama

Actor: Alejandro Goic, Alex Quevedo, Amparo Noguera, Claudio Troncoso, Daniela Ramírez, Hernán Lacalle, Jaime Vadell, José Luis Aguilera, Karen Bejarano, Laura López Campbell, Marcelo Alonso, Nelson Polanco, Nicolás Durán, Roberto Farías

Director: Fernando Guzzoni

COVID-19 raised concerns about sanitation and cleanliness, but in a society that just banned discrimination against “impure” castes seventy years ago, these concerns feel reminiscent of previous caste prejudice. Writer-director Anubhav Sinha presents this social inequity through Bheed, a black-and-white drama set in a fictional checkpoint as the lockdown restricted travel between different Indian states. As the people in the checkpoint wait for the updated government regulations, tensions rise between the officers and the travelers, as the stuck migrants worry about hunger, thirst, and infection. While it’s definitely a heavy film to watch, this film doesn’t exploit the pandemic as fodder for drama. Instead, Bheed realistically portrays how a crisis like COVID-19 exacerbates existing social inequity.

Genre: Drama

Actor: Aditya Srivastava, Ashutosh Rana, Bhumi Pednekar, Dia Mirza, Kritika Kamra, Omkar Das Manikpuri, Pankaj Kapur, Rajkummar Rao, Veerendra Saxena

Director: Anubhav Sinha

Named after the Celtic concept of heaven, Summerland is a rare queer period drama that feels hopeful rather than despairing. The film takes us to the countryside in World War II, where our protagonist, the reclusive writer Alice Lamb (Gemma Arterton), studies the folklore about Summerland. We know that her isolation wasn’t fully chosen; her refusal to marry causes adults to gossip and causes children to speculate that she’s a witch. But this all changes when a young evacuee is entrusted to Alice’s care.

Gemma Arterton shines as a reluctant guardian stifled by repressed grief, and she makes Alice’s dynamic with Frank (Lucas Bond) and her former lover Vera (Gugu Mbatha-Raw) incredibly believable. And while it would have been lovely to see more of Vera, even just their first meeting easily captures that heady sense of pure enchantment with another person. It’s no wonder that Alice has to cling to folklore the same way we do. For many of us, it’s the only way we can express our hopes, fears, and dreams.

Genre: Drama, Romance, War

Actor: Amanda Lawrence, Amanda Root, Casper Allpress, Daniel Eghan, David Ajao, David Horovitch, Dixie Egerickx, Fergal McElherron, Gemma Arterton, Gugu Mbatha-Raw, Jessica Gunning, Joshua Riley, Lucas Bond, Martina Laird, Nimmy March, Penelope Wilton, Rakhee Thakrar, Sally Scott, Siân Phillips, Thomas Coombes, Toby Osmond, Tom Courtenay

Director: Jessica Swale

Rating: N/A, PG