110 Best International Dramas Movies to Watch On Netflix Canada (Page 5)

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Funny, sweet, and tropey, Badhaai Do is a unique Hindi dramedy about a lavender marriage. Gay policeman Shardul (Rajkummar Rao) and lesbian teacher Sumi (Bhumi Pednekar) agree to wed in order to satisfy their family’s wishes without exposing their sexual orientations. Unfortunately, this doesn’t stop their family from other expectations, such as that of maintaining their marriage and having a child. After their immediate connection, Shardul and Sumi’s continuous bickering, through Rao and Pednekar’s chemistry, is hilarious, leading to elaborate lies about each other for their family. However, underneath their funny back-and-forth is an understanding between them that almost feels freeing. Their platonic partnership feels like a lifeline in an isolating closet. While India is portrayed here to have a thriving LGBTQ+ community, microaggressions, harassment, and legal discrimination are still present. Despite this, the film carves up moments where Shardul and Sumi actively seek connection, with each other and with other people, including their eventual lovers. The most touching of these moments come when they both allow themselves to be honest.

Genre: Comedy, Drama

Actor: Apeksha Porwal, Bhumi Pednekar, Chum Darang, Gulshan Devaiah, Loveleen Mishra, Nitesh Pandey, Rajkummar Rao, Seema Pahwa, Shashi Bhushan, Sheeba Chaddha

Director: Harshavardhan Kulkarni

Rating: PG

Bad Lands isn’t exactly new. It has the romanticized con artist that manages to slip through the fingers of those more powerful than her, through quick wit and good sense. It has the successful con, and those that come out of the woodwork to take what they’ve stolen. The story isn’t even original, being based on Hiroyuki Kurokawa’s 2015 novel, Keiso. But it’s done well. It’s a well-executed character study focused on a grifter pushed into the business, and taking on a cold, ruthless mindset to survive. It juxtaposes her self-contained lifestyle with the skeevy, abusive tech billionaire ex and the police force he infiltrated. And it’s all the more powerful with Sakura Ando leading the story.

Genre: Action, Crime

Actor: Canon Nawata, Junichi Okada, Katsuhisa Namase, Ken Yamamura, Koki Maeda, Mitsuo Yoshihara, Namase Katsuhisa, Noriko Eguchi, Ryosuke Yamada, Ryudo Uzaki, Sakura Andô, Yasumasa Oba, Yasushi Fuchikami

Director: Masato Harada

With its grounded approach, A Day and a Half feels real, even if the exact events are fictional. Inspired by a couple of lines from a 2008 news article, Fares Fares crafts an intimate family drama for his first directorial debut, built in the bones of a hostage thriller. As a thriller, Fares consistently maintains its suspense, camera eyeing the gun present in most of the film. However, as the cop Lucas tries to defuse the situation with hostage-taker Artan, and the situation escalates to the National Task Force, Artan and Louise confront their broken family, lines opened by improvised hostage negotiations. While Artan’s understandable reasons shouldn’t absolve him of his actions, A Day and a Half effectively builds tension, only relieved at its slightly unrealistic but cathartic ending.

Genre: Drama, Mystery, Thriller

Actor: Alexej Manvelov, Alma Pöysti, Annica Liljeblad, Annika Hallin, Daniel Guldstrand, Fares Fares, Richard Forsgren, Stina Ekblad

Director: Fares Fares

On his first day of class in the remote village of Lunana, the city teacher Ugyen asks his students what they want to be when they grow up. One of the children, a young boy named Sangay, answers that he aspires to be a teacher “because a teacher touches the future.” Lunana: A Yak in the Classroom, however, subverts this thematic by spending most of its runtime showing how the villagers touch Ugyen’s heart through genuine acts of kindness, forcing him to rethink his long-term dream of becoming a singer in Australia.

Not only does Lunana: A Yak in the Classroom succeed in its heartfelt dramatization of a Gen Z finding his place in the highlands, it also serves as a propagandistic validation of Bhutan’s “happiest country in the world” epithet. In doing so, the film presents the Bhutanese mountains in as breathtakingly picturesque a manner as possible, limning a paradise through the grassy meadows and children’s faces.

Genre: Drama, Family

Actor: Kelden Lhamo Gurung, Kunzang Wangdi, Sherab Dorji, Ugyen Norbu Lhendup

Director: Pawo Choyning Dorji

Rating: Not Rated

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

Genre: Drama

Actor: Abdullrahman Al Gohani, Ahd, Ahd Kamel, Alanoud Sajini, Dana Abdullilah, Haifaa Al-Mansour, Rafa Al Sanea, Reem Abdullah, Sultan Al Assaf, Waad Mohammed

Director: Haifaa al-Mansour

Rating: PG

This slow romance is set in a Seoul bakery during the 1990s. A boy fresh out of juvenile detention and a part-time employee fall for each other while working there. For a while, their existence is joyful and quiet as they sell bread and bond. However, the Asian financial crisis of 1997 forces the bakery to close. This makes them seek different jobs away from each other. As a romance, Tune in for Love is not original but it doesn’t need to. It’s just easy and enjoyable.

Genre: Drama, Romance

Actor: Choi Jun-young, Hae-In Jung, Heo Ji-na, Jang Se-won, Jung Eu-gene, Jung Eugene, Jung Hae-in, Jung Ji-woo, Jung Yoo-jin, Kim Go-eun, Kim Guk-hee, Kim Hyun, Kim Kuk-hee, Na Chul, Nam Moon-chul, Nam Mun-cheol, Park Hae-joon, Park Hae-jun, Park Se-hyun, Shim Dal-gi, Sim Dal-gi, Song Duk-ho, Yoo Yeol

Director: Ji-woo Jung, Jung Ji-woo

A thrilling French movie about a nuclear submarine division that is confronted with a world-ending scenario.

One sonar agent is at the center of the story, his exceptional hearing capabilities are the main resource of the submarine commanders he works for (one of whom is played by the masterful Reda Kateb).

Wolf’s Call tries very hard to be a Hollywood movie, but even if it serves as a reminder that countries like France don’t have to always make arthouse films to be noticed, the visual effects and the writing fall short of that big-budget feel.

Still, if you’re looking for a fun movie that’s full of surprises, solid acting, and a great heroism tale, you’ll love this.

Genre: Action, Adventure, Thriller

Actor: Alexis Michalik, Antonin Baudry, Arthur Choisnet, Bastien Ughetto, Damien Bonnard, Etienne Guillou-Kervern, François Civil, Guillaume Clement, Guillaume Duhesme, Jean-Yves Berteloot, Léopold Bara, Marc Ruchmann, Mathieu Kassovitz, Nicolas Van Beveren, Omar Sy, Paul Granier, Paula Beer, Philippe Maymat, Pierre Cevaer, Reda Kateb, Sébastien Landry, Sebastien Libessart, Stefan Godin

Director: Abel Lanzac, Antonin Baudry

Rating: TV-14

When the system messes with you personally, it’s such a powerful fantasy to be able to settle things with your own hands. To be strong enough to retaliate, and once things are settled, to be strong enough to be left alone, not to be messed with. The Black Book depicts this revenge fantasy, reminiscent of Liam Neeson’s Taken, albeit with corrupt police. The Nigerian action thriller isn’t afraid to go hard, with threats of splitting a person in half by a table saw, dramatic shoot-outs, and fight sequences. However, what makes the thriller work is that all these action sequences are intended to be the reckoning of corrupt institutions. There are some messy parts, certain shots that included some bad takes. Despite this, The Black Book still proves to be entertaining enough to forgive these mishaps.

Genre: Action, Mystery, Thriller

Actor: Ade Laoye, Alex Usifo Omiagbo, Bimbo Akintola, Bimbo Manuel, Femi Branch, Iretiola Doyle, Richard Mofe-Damijo, Sam Dede, Shaffy Bello

Director: Editi Effiong

Rating: R

While not having world-ending stakes or large-scale operations, Sixty Minutes just works as an action movie. Sure, the plot is familiar and a little far fetched, but the film maximizes the potential of its premise, with excellently choreographed fight sequences working in tandem with the cinematography to reflect the MMA fighter leading the movie. Each moment isn’t wasted, with the action escalating each time Octa finds out about the hidden information kept from him about the match he’s planned to skip, and the film easily keeps track of his journey through neon-lit stopwatch faces and maps. And when we (and Octa) feel tired from all the fighting, the film ends right on time after sixty (and twenty nine) minutes.

Genre: Action, Drama

Actor: Alain Blazevic, Aristo Luis, Balázs Megyeri, Bettina Hoppe, Bruno Salgueiro, Dennis Mojen, Emilio Sakraya, Eniko Fulop, Florian Schmidtke, Georg Blumreiter, Harry Szovik, Janna Striebeck, José Barros, Laurent Winkler, Livia Matthes, Ludger Bökelmann, Marie Mouroum, Mehmet Ateşçi, Morik Heydo, Nyamandi Adrian, Paul Wollin, Philipp Droste, Steffen Jung, Tatjana Šojić, Tayssir Khalfallah, Vassilis Koukalani, Wanja Valentin Kube

Director: Oliver Kienle

Rating: R

For better or for worse, we have no choice in the country we’re born in, the citizenship we first attain, and sometimes we’re forced to leave that country for our own safety. My Name is Loh Kiwan depicts a North Korean defector seeking refugee status in Belgium, but while the government deliberates, it’s a hard life he has to face, one that changes when he meets a fellow Korean who may not be an immigrant, but who’s just as lost as he is. While there are some subplots that falter halfway, My Name is Loh Kiwan still manages to stick the landing of being both a moving romance and an empathetic survival drama that highlights the struggles of refugees.

Genre: Drama, Romance

Actor: Choi Sung-eun, Heo Seon-haeng, Jo Han-chul, Kang Gil-woo, Kim Sung-ryung, Lee Il-hwa, Lee Sang-hee, Seo Hyun-woo, Song Joong-ki, Waël Sersoub

Director: Kim Hee-jin

Rating: R

At first, the Last Call for Istanbul feels like one of those serendipitous travel romances reminiscent of Before Sunrise. As Serin and Mehmet enjoy New York at night, it’s absolutely enchanting, especially with the unique, striking mirrored transitions that shift between the two as they get ready, but this nighttime stroll has already been walked on before, complete with droll dialogue and impulsive choices. However, the film makes a shift to its second half, and it suddenly reconfigures what we know about the two and their romance. While it does employ other familiar romance tropes, it’s still an intriguing shift that explores the concept of possibilities, and the cost in choosing one over the others.

Genre: Drama, Romance

Actor: Beren Saat, Kıvanç Tatlıtuğ, Michael Loayza, Senan Kara, Susan Slatin, Zihan Zhao

Director: Gönenç Uyanık

Rating: R

If you’re looking for exotic locations, glamorous spies, and dramatic shoot-outs, Khufiya is not the espionage film you’re looking for. Like the original novel it’s based on, the film adaptation is a complex, intricate spy story where countries try to interfere with each other’s affairs, and agents handle the dry and dirty work to achieve this. With the true-story-based details of the source material, writer-director Vishal Bhardwaj keeps the story’s historical accuracy, but also adds a personal revenge subplot through the addition of a female main protagonist. The result of the changes complicates the film’s introduction, but if you have the patience, Khufiya still has what makes a spy drama compelling– the double-agent turns, the doubts and mistrust, and a satisfying resolution to the operation.

Genre: Crime, Mystery, Thriller

Actor: Alexx O'Nell, Ali Fazal, Ashish Vidhyarthi, Atul Kulkarni, Azmeri Haque Badhon, Disney James, Lalit Parimoo, Navnindra Behl, Priyanka Setia, Purnendu Bhattacharya, Rahul Vohra, Shashi Bhushan, Shataf Figar, Tabu, Wamiqa Gabbi

Director: Vishal Bhardwaj

Rating: R

If you’re new to the story, I Don’t Expect Anyone to Believe Me feels difficult to understand. The film adaptation portrays the novel through abruptly cut sequences, meticulously framed naturalistic frames, and monologue and dialogue that mean more than what’s being said, on top of Juan Pablo’s gradual descent into a criminal network. It’s as disorienting as being in Barcelona feels for Mexican couple Juan Pablo and Val. However, this film feels like a new approach in adapting novels – the multiple perspectives and epistolary portions adeptly portrayed through typed up screens and alternating perspectives (and direction) between the couple. It doesn’t feel like something that you’ve likely seen before.

Genre: Comedy, Crime, Drama

Actor: Aimar Vega, Alexis Ayala, Ángel Zermen, Anna Castillo, Ariana Van X, Bel Gris, Bruna Cusí, Carmen Beato, Clara Roquet, Darío Rocas, Dario Yazbek Bernal, Jelen García, Juan Carlos Remolina, Juan Daniel Garcia Treviño, Juan Minujín, Natalia Portnoy, Natalia Solián

Director: Luis Fernando Frías de la Parra

Rating: R

Everyone has those days where nothing goes right, but no one’s having as bad of a day as detective Yuji Kudo is in Hard Days. It isn’t just that nothing goes right– everything goes wrong, and he’s just a hair away from losing it all each time. This Japanese adaptation might take a slightly more serious tone than the South Korean original, but it does retain its ridiculous escalation of increasingly terrible things that could possibly happen, with Junichi Okada and Go Ayano letting loose in their detective characters’ morally dubious behavior. Hard Day is a decent watch, if a bit bloated, especially for those familiar with the story.

Genre: Action, Crime, Drama, Thriller

Actor: Akira Emoto, Go Ayano, Hayato Isomura, Junichi Okada, Kurumi Shimizu, Maho Yamada, Mario Kuroba, Ryoko Hirosue, Ryusuke Komakine, Takashi Yamanaka, Taro Suruga, Tetta Sugimoto

Director: Michihito Fujii

Because the world exploits developing countries as dumping grounds for their waste, more attention should be focused on this issue. The immediate filmmaking response would be to document this reality, but Telugu thriller Gandeevadhari Arjuna takes this idea as the driving force of its story. It’s the reason why the bodyguard Arjun takes this job, as well as the reason why the Minister needs protection and why his family has unresolved drama. While the romance subplot distracts from this issue, Gandeevadhari Arjuna deftly interweaves this real-life problem into sleek action sequences, relatable family drama, and a personalized depiction of the problem’s consequences.

Genre: Action, Drama, Thriller

Actor: Abhinav Gomatam, Kalpalatha, Mahati Bikshu, Manish Chaudhary, Narain, Nassar, Ravi Varma, Roshini Prakash, Varun Tej, Vimala Raman, Vinay Rai

Director: Praveen Sattaru