193 Best International Dramas Movies to Watch On Itunes Canada (Page 13)

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Loss can be straightforwardly heartwrenching, but it could also be bewildering, cryptic, and too sudden to even process. New Religion depicts a grieving mother, whose loss of her daughter, and her meet up with an eccentric photographer, causes her to behave strangely. The film goes through the events in a surreal, existential haze, with a skin-crawling scene that reveals the photographer’s nefarious reasons, but the sequences remain inscrutable and the themes and certain characters don’t mesh as well as they could have. New Religion might befuddle viewers just looking for a casual watch, but it’s definitely a thought provoking and promising debut from Keishi Kondo.

Genre: Drama, Horror

Actor: Daiki Nunami, Kaho Seto, Ryuseigun Saionji, Satoshi Oka, Yuki Nagata

Director: Keishi Kondo

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While best known for his American action thrillers in the early 2000s, writer-director Lee Tamahori returned to his roots in 2016 with the critically acclaimed Māori-centric 1950s historical drama Mahana. Tamahori continues to explore his people’s stories with The Convert. Set right before Britain colonized New Zealand, the film explores the dynamics between the white settlers and the differing Māori tribes, with much more accuracy and sympathy than older films towards the indigenous community, culture, and characters. It’s shot quite beautifully, with stunning landscapes and decent fight scenes, and the performances, especially that of Guy Pearce, make the film watchable. That being said, the film still mostly stems from the white Thomas Munro, whose perspective mostly comes about by passive observation rather than active participation in the story.

Genre: Action, Drama

Actor: Aidee Walker, Antonio Te Maioha, Dean O'Gorman, Duane Evans Jr., Guy Pearce, Jack Barry, Jacqueline McKenzie, Jared Turner, Lawrence Makoare, Mark Mitchinson, Mark Sole, Matthew Chamberlain, Renee Lyons, Stephen Lovatt, Tania Nolan, Te Kohe Tuhaka, Tioreore Ngatai-Melbourne, Will Wallace

Director: Lee Tamahori

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The act of creation is difficult. It’s hard enough to bring to life one’s own ideas, but when one was taught, inherited, and directly molded by their parents, it can be hard to break free and figure out one’s own style. Stopmotion uses the type of animation to directly visualize the dynamic– a literal puppet being controlled by a child, a metaphorical puppet, controlled by a parent puppet master, in two different ways– and it’s a unique, brilliant premise made so unsettling with writer-director Robert Morgan’s signature animated style. While the film doesn’t neatly stitch its multiple layers together, Stopmotion is an eerie, chilling debut with original style.

Genre: Horror

Actor: Aisling Franciosi, Bridgitta Roy, Caoilinn Springall, James Swanton, Jaz Hutchins, Joshua J. Parker, Nicola Alexis, Stella Gonet, Therica Wilson-Read, Tom York

Director: Robert Morgan

Rating: R

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Dropping on DVD and digital download in America at the end of summer 2023, Mavka: the Forest Song made its Hulu debut this November. Taking the plot of the 1912 poetic play and rewriting the tragic deaths into lighthearted, fantastical adventures, the film is precisely the sort of generic, child-friendly fairy tale that we’ve come to expect from Disney, albeit with a Ukrainian twist. The plot is predictable, and the humor is rife with cliche, but it’s still a fairly entertaining watch for young audiences.

Genre: Adventure, Animation, Family, Fantasy

Actor: Andrii Mostrenko, Artem Pyvovarov, Julia Sanina, Kateryna Kukhar, Mykhailo Khoma, Nataliia Denysenko, Nataliia Sumska, Nazar Zadniprovskyi, Oleh Mykhailiuta, Oleh Skrypka, Olena Kravets, Serhii Prytula

Director: Oleg Malamuzh, Oleksandra Ruban

Rating: PG

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Betty Blue looks gorgeous. Of course, as an erotic film, there’s the beauty of the female form, but Jean-Jacques Beineix frames each moment in excellently lit, colorful frames, making each sunkissed scene a pleasure for the eyes. His approach, alongside that of Luc Besson and Leos Carax, have formed a movement titled Cinéma du look, and inspired plenty of films due to how gorgeous this style looks. But frankly, the style is the only thing that makes Betty Blue watchable, as the plot plays out with the usual aspiring artist, whose talents are recognized by stunning beauties that somehow turn insane for no reason and thus become future muses for their work. We’d hate to be that guy’s girlfriend.

Genre: Drama, Romance

Actor: André Julien, Béatrice Dalle, Catherine D'At, Claude Aufaure, Claude Confortès, Clémentine Célarié, Consuelo De Haviland, Dominique Besnehard, Dominique Pinon, Gérard Darmon, Jacques Mathou, Jean-Hugues Anglade, Nathalie Dalyan, Philippe Laudenbach, Raoul Billerey, Robin Bernard, Simon de La Brosse, Vincent Lindon

Director: Jean-Jacques Beineix

Rating: Not Rated

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Frankly, In the Morning of La Petite Mort is not as provocative nor as erotic as implied by the title. Sure, there are sex scenes, with plenty of nude shots. But these scenes come about silently, nearly without dialogue, with a lack of passion in between most of the lovers, a lack of connectedness. It’s no less visceral, though, as it mirrors the same disconnection the characters feel, being at the margins of Taipei. While it’s sometimes muddled with certain subplots, the haunting, strikingly-shot images stirs some compassion, especially with the cast’s performances, but the indirect approach makes the film feel unclear and sometimes unrealistic.

Genre: Drama

Actor: Cres Chuang, Huei-ling Jan, Ivy Yin, Jieh-Wen King, Tzu-Chiang Wang, Yun-Chih Wang, Yûsuke Fukuchi

Director: Yu-Lin Wang

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Sometimes, to get to know one’s self, one has to get out of their usual life. This is what makes the idea of travel so alluring, and Dhak Dhak is one such movie that portrays that idea, with some twists. Instead of a car, four women ride with motorcycles, and instead of flat plains, the leads go through one of the highest mountain passes in the world. That being said, we don’t really get to know the women beyond the common issues that women in India go through. The cast tries to make the best of it, and Sanjana Sanghi, Dia Mirza, Fatima Sana Shaikh, and Ratna Pathak Shah portray their characters excellently, but instead of learning who they are, we mostly receive more product placement instead. It’s still a pleasant ride, though Dhak Dhak takes predictable and well-trodden routes in their approach.

Genre: Drama

Actor: Dia Mirza, Fatima Sana Shaikh, Kallirroi Tziafeta, Nishank Verma, Poonam Gurung, Ratna Pathak Shah, Sanjana Sanghi

Director: Tarun Dudeja

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Not many teenagers experience the life of a celebrity singer, so it’s easy to fantasize over how that life would go. It’s precisely the appeal of Violetta, one of the few forays Disney Channel made outside of America, which somewhat plays out like Hannah Montana without the double life shenanigans. Tini: The New Life of Violetta is the final film to cap off the show, and like plenty of teenybopper series, it has the cheesy miscommunications and cliche conflicts hastily strung together with aesthetic music videos and randomly arranged dance numbers supposedly in the name of finding yourself and living your life, etc. etc. But, while it isn’t the most original or romantic summer teen movie, Tini: The New Life of Violetta still manages to be a sweet send-off for the Latino fans that grew up watching the show, and one that gently eases Tini’s move from cute teenybopper sitcom lead to Argentinian pop star.

Genre: Comedy, Drama, Music

Actor: Adrián Salzedo, Ángela Molina, Beatrice Arnera, Clara Alonso, Diego Ramos, Georgina Amorós, Jorge Blanco, Leonardo Cecchi, Mercedes Lambre, Sofia Carson, TINI

Director: Juan Pablo Buscarini

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First shown in 2021 Madrid International Film Festival, Support Group Olympus made its US debut early 2023 through Prime Video. Given the wacky premise, it was easy to assume that the film would be humorous, and there are moments when its dry humor shines. However, the film takes a more contemplative approach, as the unchanging gods refuse to change, though they crave the status and power they used to have. This slow-paced approach feels appropriate, and had the film’s internal logic worked, the film could have contemplated the changes that happened not just to the gods, but to human livelihood as well. It’s definitely a unique story that needed more work on its execution.

Genre: Comedy, Drama

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Fairytale parodies reimagine these classic tales to reexamine or question its related themes. Once Upon a Crime attempts to do this by imagining Little Red Riding Hood as a detective investigating the murder of a hairdresser in Cinderella’s ball. The campy glamor of the costumes and sets, as well as the incongruence of Little Red’s detective mindset, makes the film watchable. However, the film takes strange twists that stray too far from the original stories. And while the cut locks make an intriguing metaphor, the resulting ending betrays any sense of justice for the characters, most especially the abused Cinderella.

Genre: Adventure, Comedy, Crime, Fantasy

Actor: Atsuhiro Inukai, Jiro Sato, Kanna Hashimoto, Masaki Kaji, Midoriko Kimura, Miki Maya, Mirei Kiritani, Mizuki Yamamoto, Natsuna Watanabe, Takanori Iwata, Tomoharu Hasegawa, Tsuyoshi Muro, Yuko Araki, Yumi Wakatsuki, 室毅

Director: Yuichi Fukuda

Rating: PG

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Stories of forbidden love are captivating, because in the face of a lover, in the face of one’s opposite, one cannot help but be challenged, hopefully for the better. This is not what happened here. Out in the Dark is a film debut that takes this idea in the Middle East, with two gay lovers coming from Palestine and Israel. It’s an intriguing idea, and had it been more nuanced, Israeli director Michael Mayer would have created a daring first feature, but the film clearly comes from a limited Israeli perspective, with no Palestinians casted or working behind the scenes. While the film may be sympathetic to hypothetical LGBTQ+ people in Palestine, Out in the Dark doesn’t have the guts to question why they’ve been persecuted in the first place.

Genre: Drama, Romance, Thriller

Actor: Alon Pdut, Chelli Goldenberg, Huda Al Imam, Jameel Khoury, Khawlah Hag-Debsy, Loai Nofi, Maysa Daw, Michael Aloni, Moris Cohen, Nicholas Jacob, Shimon Mimran

Director: Michael Mayer

Rating: NR

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Not to be confused with James Cameron’s 1989 film, The Abyss isn’t the worst disaster film, but it could have been so much more. Inspired by the earthquake that actually happened in the real life town of Kiruna, there’s an important story here about worker safety, responsible mining, improving emergency protocols, and preserving the environment. However, like plenty of disaster movies, the film plays out in the most predictable ways, attaching a frankly irrelevant family drama that takes time away from the terrifying, claustrophobic nightmare that could have been. It does have decent effects, and even some decent scenes, but The Abyss is more interested in using the real life earthquake to manufacture drama, rather than actually looking into the manmade disaster.

Genre: Action, Drama, Thriller

Actor: Angela Kovács, Edvin Ryding, Felicia Truedsson, Göran Gillinger, Jakob Hultcrantz Hansson, Jakob Öhrman, Jonathan Fredriksson, Kardo Razzazi, Katarina Ewerlöf, Peter Franzén, Tintin Poggats Sarri, Tuva Novotny

Director: Richard Holm

Rating: R

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For some people, grief isn’t easy when a parent dies, especially if that parent is someone you wish you would never become. Grief can stir up a mix of uncomfortable emotions, like shame, anger, and guilt, and it can be very confusing to explain what’s happening to people who aren’t experiencing the same. There’s plenty of that here in South African drama Prime, with Marius losing his racist father, but the way the film depicts this grief is quite hard to follow because of the way it handles its other genres. The human horror of becoming someone you’ve hated is muddled with the randomly arranged sequences, sluggish pace, and mumbled dialogue, which is a shame, because the ideas and images could have made a better movie.

Genre: Drama, Horror, Thriller

Actor: Gérard Rudolf, Jasmine Hazi, Michael Lawrence Potter, Nomsa Twala, Richard Gau, Sharon Spiegel Wagner, Sizo Mahlangu

Director: Thabiso Christopher

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