970 Best Dramas Movies to Watch (Page 65)

Staff & contributors
Not to be confused with James Cameron’s 1989 film, The Abyss isn’t the worst disaster film, but it could have been so much more. Inspired by the earthquake that actually happened in the real life town of Kiruna, there’s an important story here about worker safety, responsible mining, improving emergency protocols, and preserving the environment. However, like plenty of disaster movies, the film plays out in the most predictable ways, attaching a frankly irrelevant family drama that takes time away from the terrifying, claustrophobic nightmare that could have been. It does have decent effects, and even some decent scenes, but The Abyss is more interested in using the real life earthquake to manufacture drama, rather than actually looking into the manmade disaster.

Genre: Action, Drama, Thriller

Actor: Angela Kovács, Edvin Ryding, Felicia Truedsson, Göran Gillinger, Jakob Hultcrantz Hansson, Jakob Öhrman, Jonathan Fredriksson, Kardo Razzazi, Katarina Ewerlöf, Peter Franzén, Tintin Poggats Sarri, Tuva Novotny

Director: Richard Holm

Rating: R

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There’s no way to escape it– the plotline of One True Loves feels like the other side of Cast Away (2000), but instead of focusing on the survival aspect, it focuses on the wife trying to move on with grief. The original novel portrays Emma moving on through reclaiming her past, and learning to appreciate the roots she’s tried to forget with her lost husband. However, the film adaptation falters in depicting the personal, inner world of Emma, as it bungles through the timelines with Hallmark-esque quotes and disarranged scenes. It tries to save the film through its star-studded cast, but their decent performances can’t save the way the film is structured.

Genre: Comedy, Drama, Romance

Actor: Beth Broderick, Christina Bach, Cooper van Grootel, Gabriella Garcia, Gary Hudson, Jacinte Blankenship, Jay DeVon Johnson, Jessi Goei, Kelvin Hodge, Lauren Tom, Luke Bracey, Michael OKeefe, Michaela Conlin, Oceana Matsumoto, Oona Yaffe, Phillipa Soo, Simu Liu, Tom Everett Scott, Victoria Blade, Wil Deusner

Director: Andy Fickman

Rating: PG-13

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For some people, grief isn’t easy when a parent dies, especially if that parent is someone you wish you would never become. Grief can stir up a mix of uncomfortable emotions, like shame, anger, and guilt, and it can be very confusing to explain what’s happening to people who aren’t experiencing the same. There’s plenty of that here in South African drama Prime, with Marius losing his racist father, but the way the film depicts this grief is quite hard to follow because of the way it handles its other genres. The human horror of becoming someone you’ve hated is muddled with the randomly arranged sequences, sluggish pace, and mumbled dialogue, which is a shame, because the ideas and images could have made a better movie.

Genre: Drama, Horror, Thriller

Actor: Gérard Rudolf, Jasmine Hazi, Michael Lawrence Potter, Nomsa Twala, Richard Gau, Sharon Spiegel Wagner, Sizo Mahlangu

Director: Thabiso Christopher

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It’s got a main character, 10-year-old Tochtli (Miguel Valverde Uribe), with the most unforgettably forgettable idiosyncrasies. The emotional anchor of this whole thing is entirely dependent on our inclination to be protective of children, but it gives surface level characterization of both the young boy and his father Yolcaut (Manuel Garcia-Rulfo). The most interesting thing it almost pulls off is the father trying to reconcile his commitment to his son and to being macho, but it’s barely a chapter in this 2-hour story. It has some potential with the teachings and aphorisms, but it never really leans into it. It fails four different times, never with fireworks.

Genre: Comedy, Drama

Actor: Alfredo Gatica, Daniel Giménez Cacho, Debi Mazar, Manuel Garcia-Rulfo, Mercedes Hernández, Miguel Valverde, Pierre Louis, Raúl Briones, Teresa Ruiz

Director: Manolo Caro

Rating: R

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This is confusing and not very good. The first line of the movie sounds like it should be something, cloaking everything in doubt. Turns out to be nothing. The movie really begins with the blurb, because that at least guides us toward a coherent story. What we end up with are a cast of unlikable characters and a bunch of twists that had little set-up or payoff to even register. I really don’t know what they’re trying to get at here. If the movie connects with you on a sexual level, I promise you there are shorter videos to watch. This is a better blurb than it is a movie, save yourself the time.

Genre: Crime, Drama, Thriller

Actor: Alfonso Herrera, Ana Wills, Fernando Cattori, Juan Pablo Fuentes, Renata Manterola, Ximena Lamadrid

Director: Humberto Hinojosa

Rating: R

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From the Ashes is based on the real life fire tragedy, but upon searching, Netflix hasn’t mentioned which exact fire it was talking about. It’s possibly inspired by the 2002 Mecca girls' school fire, with the strict all-girl’s school, the closed gates and unattended cigarette, but the film starts off with a disclaimer saying that the characters and certain aspects of the story are fictional. One would think, with the freedom the film granted itself through fiction, the film would dare to critique certain controversial aspects of the tragedy that needs to be talked about – like the implications of emergency services being hindered due to modesty, or whether the media speculation was fair, or even the lack of safety regulations that the school administration failed to implement. Instead, most of the film plays out like an investigation, seemingly placing blame on fictional students, you know, the victims, for being the reason one fictional student wasn’t able to escape. Sure, it’s all fiction, but this is just not right.

Genre: Drama, Thriller

Actor: Adwaa Fahad, Aisha Al Rifaie, Alshaima'a Tayeb, Darin Al Bayed, Khairia Abu Laban

Director: Khalid Fahad

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When life imitates art unexpectedly, it can be thrilling, exciting, and maybe even dangerous. As dissatisfied wife Gokce finds an unpublished novel, we hoped that her eventual escapades would be similarly riveting, but sadly, Ashes isn’t thrilling. Part of it is because the first half is just dedicated to pretty images that don’t even feel particularly steamy, but mostly this stems from the fact that Ashes hasn’t formulated a coherent plotline for the manuscript Gokce was reading, so all the twists and turns in the second half feels more randomly tossed, than carefully set up as a surprise.

Genre: Drama, Fantasy, Romance

Actor: Alperen Duymaz, Canan Atalay, Funda Eryiğit, Gökçe Eyüboğlu, Mehmet Günsür, Nur Sürer, Seda Türkmen, Selin Vardarlı, Yıldıray Şahinler

Director: Erdem Tepegöz

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