970 Best Dramas Movies to Watch (Page 64)

When Disney and Marvel drove the industry with its multi-phase superhero film franchise surrounding the collection and use of magical alien MacGuffins, it’s no wonder that some Hindi filmmakers watched it, squinted, and thought that it was small fry compared to the vast collection of stories and reinterpretations of Hindu folklore and epics. But it’s not an easy thing to do. Brahmastra: Part One - Shiva has admirable ambition, but the plot is predictable, the characterization is scant, and the film just throws so much of the mythology at the audience rather than taking its time, letting the magic build up some mystery, and letting the audience get to know the characters before they launch themselves into a spectacular fight scene. It’s not a terrible watch, but Brahmastra is off to a very shaky start.

Genre: Action, Adventure, Fantasy

Actor: Aditi Joshi, Alia Bhatt, Amitabh Bachchan, Chaitanya Sharma, Deepika Padukone, Dimple Kapadia, Farida Dadi, Gurfateh Pirzada, Lehar Khan, Mouni Roy, Nagarjuna Akkineni, Ranbir Kapoor, Rashi Mal, Saqib Ayub, Saurav Gurjar, Shah Rukh Khan

Director: Ayan Mukerji

Rating: PG-13

With a boring wedding, attended by a guarded woman and a spontaneous man, starting a series of shared recollections of past heartbreak, Which Brings Me to You has all the elements needed for an early aughts romcom, releasing at a time when Y2K is trending. The original novel’s epistolary format is interestingly translated into flashbacks told in one whole day, with Will and Jane visually popping within the sequences as the two get to know each other through their past heartbreaks. It’s a unique idea, but the execution feels lackluster, with the dialogue and direction that can’t be saved through Lucy Hale’s or Nat Wolff’s efforts. There’s certainly something here about romance being a possible avenue to open up, but Which Brings Me to You doesn’t build the chemistry to get there.

Genre: Comedy, Drama, Romance

Actor: Alexander Hodge, Avery Cole, Britne Oldford, Chase Liefeld, Genevieve Angelson, Jamie McRae, John Gallagher Jr., Laura Kai Chen, Lucy Hale, Marceline Hugot, Michael Mulheren, Mitzi Akaha, Nat Wolff, Reilly Walters, Ward Horton

Director: Peter Hutchings

Rating: PG-13

Not many teenagers experience the life of a celebrity singer, so it’s easy to fantasize over how that life would go. It’s precisely the appeal of Violetta, one of the few forays Disney Channel made outside of America, which somewhat plays out like Hannah Montana without the double life shenanigans. Tini: The New Life of Violetta is the final film to cap off the show, and like plenty of teenybopper series, it has the cheesy miscommunications and cliche conflicts hastily strung together with aesthetic music videos and randomly arranged dance numbers supposedly in the name of finding yourself and living your life, etc. etc. But, while it isn’t the most original or romantic summer teen movie, Tini: The New Life of Violetta still manages to be a sweet send-off for the Latino fans that grew up watching the show, and one that gently eases Tini’s move from cute teenybopper sitcom lead to Argentinian pop star.

Genre: Comedy, Drama, Music

Actor: Adrián Salzedo, Ángela Molina, Beatrice Arnera, Clara Alonso, Diego Ramos, Georgina Amorós, Jorge Blanco, Leonardo Cecchi, Mercedes Lambre, Sofia Carson, TINI

Director: Juan Pablo Buscarini

With stunning art, an exciting heist, and a steamy romance between a good girl detective and bad boy billionaire, Art of Love could have leaned into the sleek and campy tension of the original 2005 Mr. & Mrs. Smith. There’s some of it here, with the investigation bringing up her previous, sensual memories of the romance that was, and Esra Bilgiç and Birkan Sokullu looking so, so gorgeous dressed in the most stylish outfits. But the film mostly plays out in generic Netflix fashion, with the characters replaying dated clichés, and not actually dealing with the emotional betrayal that should have marked Güney’s abandonment. Art of Love is at least beautiful to look at.

Genre: Action, Drama, Romance

Actor: Birkan Sokullu, Esra Bilgiç, Fırat Tanış, Hakan Ummak, Nil Keser, Osman Alkaş, Ushan Cakir

Director: Recai Karagöz

Rating: PG-13

Horror novels scare readers through the power of their imaginations, but sometimes, adapting these words straight on screen limits the fear factor. That’s what happened with Lumberjack the Monster. While the film crescendos nicely into the intense graphic violence director Takashi Miike is known for, the introduction is a bit shaky, alternating between the cops and protagonist Akira Ninomiya without a neat balance, and having to reveal key points of the mystery only through dialogue. The film does still retain some of novelist Mayusuke Kurai’s contemplations about the consequences of clinical psychopaths placed in critical roles, but Lumberjack the Monster feels a tad too uneven.

Genre: Crime, Drama, Thriller

Actor: Ariei Umefune, Chigusa Yasuzawa, Hinami Mori, Katsuya Kobayashi, Kazuya Kamenashi, Keisuke Horibe, Kentaro Furuyama, Kiyohiko Shibukawa, Masatoshi Kihara, Masayuki Deai, Minosuke, Nanao, Reon Yuzuki, Riho Yoshioka, Ryushin Tei, Shidô Nakamura, Shota Sometani, Yasushi Kimura

Director: Takashi Miike

Rating: R

Tagged by Netflix as a stylish thriller driven by a bold sexual adventure, Burning Betrayal feels less erotic and less thrilling than expected. Sure, there are stunning sex scenes, and unexplainable incidents that seem at first the result of a breakup. However, the first half of Burning Betrayal does not adequately set up the last half, as it focused nearly half its runtime just throwing in as much sex scenes as possible. And for what? There’s nothing character-wise that makes any of the men in Babi’s life so compelling, even in the toxic, addictive sort of way. And when the twist comes, it feels like it’s been all thrown arbitrarily. It really just feels like multiple pretty music videos masquerading as a movie.

Genre: Drama, Mystery, Romance

Actor: Bruno Montaleone, Camilla de Lucas, Diego Freitas, Giovanna Lancellotti, Leandro Lima, Louise D'Tuani, Micael Borges

Director: Diego Freitas

Rating: R

From Turkish comedian Cem Yilmaz, Do Not Disturb feels like it was meant to be a wholesome slice-of-life comedy-drama where a hotel manager has meaningful interactions with his fellow co-workers and his guests at night. It’s not quite like the Grand Budapest Hotel, though the film shares its fondness of bright, vivid colors and old-style aesthetics. As the film deals with a character hoping for a new start post-pandemic, there is something here about loneliness and coping mechanisms, as Ayzek relies on an Instagram influencer for all his life wisdom. However, the film makes it hard to make it care about its characters, as everyone but the main character seem one dimensional. When the film makes a surprising shift two-thirds of the way through, it feels like it came by too late.

Genre: Comedy, Drama

Actor: Ahsen Eroğlu, Bülent Şakrak, Can Yılmaz, Celal Kadri Kınoğlu, Cem Yılmaz, Diren Polatoğulları, Mustafa Kirantepe, Nilperi Şahinkaya, Özge Özberk, Seda Akman, Tilbe Saran, Zafer Algöz

Director: Cem Yılmaz

Rating: R

Stories of forbidden love are captivating, because in the face of a lover, in the face of one’s opposite, one cannot help but be challenged, hopefully for the better. This is not what happened here. Out in the Dark is a film debut that takes this idea in the Middle East, with two gay lovers coming from Palestine and Israel. It’s an intriguing idea, and had it been more nuanced, Israeli director Michael Mayer would have created a daring first feature, but the film clearly comes from a limited Israeli perspective, with no Palestinians casted or working behind the scenes. While the film may be sympathetic to hypothetical LGBTQ+ people in Palestine, Out in the Dark doesn’t have the guts to question why they’ve been persecuted in the first place.

Genre: Drama, Romance, Thriller

Actor: Alon Pdut, Chelli Goldenberg, Huda Al Imam, Jameel Khoury, Khawlah Hag-Debsy, Loai Nofi, Maysa Daw, Michael Aloni, Moris Cohen, Nicholas Jacob, Shimon Mimran

Director: Michael Mayer

Rating: NR