713 Best Dramas Movies to Watch (Page 6)

Staff & contributors

Sit back, relax, and wait for the feels. With amazing performances from an ensemble cast, including Julianne Moore, Mark Ruffalo, and Annette Bening, as well as excellent directing; The Kids Are Alright is a highly realistic yet entertaining take on families, growing up as children, and growing as parents. Moore and Bening play a gay LA couple, whose two kids meet their biological father, a goofy, laid-back sperm donor, portrayed perfectly by Ruffalo. Nominated for four Oscars and awarded with two Golden Globes, The Kids Are Alright is an arresting, authentic, and astute indie comedy-drama, and a pleasure to watch. Director Lisa Cholodenko and her talented cast have really created something special here!

Genre: Comedy, Drama

Actor: Amy Grabow, Annette Bening, Diego Calderón, Eddie Hassell, Eric Eisner, James MacDonald, Joaquin Garrido, Josh Hutcherson, Julianne Moore, Kunal Sharma, Mark Ruffalo, Mia Wasikowska, Rebecca Lawrence Levy, Sasha Spielberg, Stuart Blumberg, Yaya DaCosta, Zosia Mamet

Director: Lisa Cholodenko

Rating: R

, 2013

If you thought Dallas Buyers Club, Interstellar, or True Detective was already the pinnacle of what Mathew McConaughey could do, wait until you see this film! Created by writer-director Jeff Nichols and set in the American South, Mud is a beautiful tale of love, loss, and personal growth. Two children, Ellis (Tye Sheridan) and Neckbone (Jacob Lofland), come across the elusive Mud (who is played by McConaughey), a man on the run wanted for murder. Initially scared of his mysterious character, the kids end up wanting to help and protect him from his those pursuing him. Ultimately a story of love, the film deals with a very human crisis seen through the eyes of children, drawing from American adventure tales and the humidity of the South. Mud is exciting, uneasy, sad, and quite beautiful. All at once.

Genre: Drama, Family, Romance

Actor: Bonnie Sturdivant, Jacob Lofland, Joe Don Baker, Kristy Barrington, Matthew McConaughey, Michael Abbott Jr., Michael Shannon, Paul Sparks, Ray McKinnon, Reese Witherspoon, Sam Shepard, Sarah Paulson, Stuart Greer, Tye Sheridan

Director: Jeff Nichols

Rating: PG-13

With Howards End, the magic trio of producer Ismail Merchant, director James Ivory, and writer Ruth Prawer Jhabvala converted yet another turn-of-the-19th-century EM Forster novel into exquisite cinematic form. Ravishingly shot and performed to career-best heights by many of its cast, Howards End loses nothing of the elegance we expect from a period drama, and yet it also feels thoroughly modern. The film charts the tragic entwining of three families: the progressive and intellectual middle-class Schlegel sisters, the much more traditionally minded and wealthier Wilcox family, and the Basts, a down-on-their-luck working-class couple. It’s the liberally minded Schlegels who cross the class divide of 1910 London to bring these two distant social circles so close to each other, but it’s the old-world values of the Wilcoxes that make that meeting a tragic one. Simmering with rich emotion and crackling with class politics, Howards End is the crowning glory of the Merchant Ivory powerhouse and the rare perfect period drama.

Genre: Drama, Romance

Actor: Adrian Ross Magenty, Allie Byrne, Anne Lambton, Anthony Hopkins, Barbara Hicks, Brian Lipson, Crispin Bonham-Carter, Emma Thompson, Gerald Paris, Helena Bonham Carter, James Ivory, James Wilby, Jemma Redgrave, Jo Kendall, Joseph Bennett, Margery Mason, Mark Payton, Mark Tandy, Mary McWilliams, Nicola Duffett, Patricia Lawrence, Peter Cellier, Prunella Scales, Sally Geoghegan, Samuel West, Simon Callow, Susie Lindeman, Vanessa Redgrave

Director: James Ivory

Rating: PG

In Drive My Car, a widowed artist travels to Hiroshima for his latest production. There he meets a young woman enlisted to drive him around the area. They forge an unexpected bond and soon share pithy observations and long-buried secrets, which culminate in a touching scene of catharsis and forgiveness.

Not a lot is said in this three-hour film, but when words (and signals) are shared, they are always underlaid with simple but transcendent truths. Drive My Car is a gripping film that explores love and loss in its own quiet way, at once intense and intimate.

Genre: Drama

Actor: Ahn Hwi-tae, Ahn Hwitae, Hidetoshi Nishijima, Hiroko Matsuda, Jin Dae-yeon, Masaki Okada, Park Yu-rim, Perry Dizon, Reika Kirishima, Ryo Iwase, Satoko Abe, Shoichiro Tanigawa, Sonia Yuan, Toko Miura, Toshiaki Inomata

Director: Ryusuke Hamaguchi

Rating: Unrated

Not only is this multi-award-winning drama seriously star-studded, Robert Downey Jr., Rosario Dawson, Channing Tatum, and Shia LaBeouf also deliver superb performances. With two Sundance Awards and many other nominations in its pocket, A Guide to Recognizing Your Saints is based on the eponymous memoir by author, director, and musician, Dito Montiel, who recalls his violent childhood on the mean streets of Queens in the 1980s (LaBeouf plays the young Dito), as he visits his ailing father after 15 years away in Los Angeles (Downey Jr. plays present-day Dito). It is also real-life Dito's directorial debut, recalling the loose, improvisational style of 70s cinema a'la Scorcese. The powerful plot is told through flashbacks and fourth-wall bending monologues, while the eccentric directing style makes for a raw and immediate experience. The energy of this coming-of-age drama is off the charts!

Genre: Crime, Drama

Actor: Adam Scarimbolo, Chance Kelly, Channing Tatum, Chazz Palminteri, Dianne Wiest, Eléonore Hendricks, Eric Roberts, Federico Castelluccio, Gilbert Cruz, Jermel Wilson, Laila Liliana Garro, Martin Compston, Melonie Diaz, Olga Merediz, Peter Anthony Tambakis, Robert Downey Jr., Rosario Dawson, Scott Michael Campbell, Shia LaBeouf

Director: Dito Montiel

Rating: R

Journalist LLoyd Vogel (Matthey Rhys) scoffs at the prospect of a profile commission, or a "puff piece", as he calls it. His self-respect and professional ruthlessness has driven people away and this assignment may well be a test from his editor. But it is serendipity that brings Lloyd to American TV host Mister Roger (Tom Hanks) and his child-oriented show, at a time when he, a new father, is confronted with his own paternal trauma. No heavy psychological lifting here, but A Beautiful Day in the Neighborhood might be one of the most profound films about father-son relationships ever made. Notably, the film is directed by a woman, Marielle Heller (The Diary of a Teenage Girl). In her film as in his show, Mister Roger doesn't have to do much: he listens, he speaks, he suggests, and while his kindness may seem frustrating at times, it is truly radical. Additionally, Lloyd's character is based loosely on writer Tom Junod, whose encounter with Rogers ended up a profile in Esquire magazine.

Genre: Drama, History

Actor: Alex Pérez, Chris Cooper, Christine Lahti, Enrico Colantoni, Fred Rogers, Gavin Borders, Gregory Bromfield, Gretchen Koerner, Jessica Hecht, Joanne Rogers, Joe Fishel, Kelley Davis, Kevin L. Johnson, Khary Payton, Kitty Crystal, Krizia Bajos, Maddie Corman, Maryann Plunkett, Matthew Rhys, Michael Masini, Noah Harpster, Patrick McDade, Susan Kelechi Watson, Tammy Blanchard, Tom Bonello, Tom Hanks, Wendy Makkena

Director: Marielle Heller

Rating: PG

Transit is based on a WWII novel — though you wouldn’t be able to tell from first glance. While the characters talk of German fascists occupying France, anachronistic details (like modern technology and clothing) suggest we haven’t gone back in time at all. Director Christian Petzold isn’t trying to confuse us: by blurring the backdrop, he’s making the terror and the desperation of the story more immediate — removing the distance that might have prevented us from really feeling what happens.

The uncanny historical echo effect works as intended, because the parallels Transit subtly draws between the past and today are horribly clear. What’s more, the movie’s intentionally ambiguous framing suffuses the plot with an otherworldly sense of mystery, a quality that gradually intensifies as Georg (Franz Rogowski) desperately searches for a one-way ticket out of hellish bureaucratic limbo before he finds himself waylaid by that most mysterious emotion of all: love. Unshakably haunting and undeniably poignant, this is a movie that will live under your skin.

Genre: Drama

Actor: Àlex Brendemühl, Antoine Oppenheim, Barbara Auer, Emilie de Preissac, Franz Rogowski, Godehard Giese, Grégoire Monsaingeon, Justus von Dohnányi, Lilien Batman, Louison Tresallet, Maryam Zaree, Matthias Brandt, Paula Beer, Ronald Kukulies, Sebastian Hülk, Trystan Putter

Director: Christian Petzold

An inspired by true events tale about an elderly Irish woman trying to find the child she was forced to give up many years earlier. Steve Coogan co-wrote the script and, though the base story is a tragic one, his special brand of very subtle, wry wit is apparent in the dialogue throughout. Judi Dench plays the mother who had kept her “sinful” past a secret for fifty years and, being Judi Dench, I don’t need to bother going on about her exemplary talent, suffice to say she’s charming beyond measure in the role. Steven Frears directs, as usual, deftly, and keeps the story compelling scene after scene, intensifying the emotions inherent to each, whether they be heart-warming, comedic, or outright enraging. Whoever decided to let Steve Coogan have his way with the script, it was a brave and wise choice and together this cast and crew have produced a wonderful and important piece of cinema.

Genre: Drama

Actor: Amber Batty, Amy McAllister, Anna Maxwell Martin, Barbara Jefford, Cathy Belton, Charissa Shearer, Charles Edwards, Charlie Murphy, Elliot Levey, Florence Keith-Roach, Frankie McCafferty, Gary Lilburn, Judi Dench, Kate Fleetwood, Mare Winningham, Marie Jones, Martin Glyn Murray, Michelle Fairley, Nicholas Jones, Nika McGuigan, Paris Arrowsmith, Peter Hermann, Ruth McCabe, Sara Stewart, Sean Mahon, Simone Lahbib, Sophie Kennedy Clark, Steve Coogan, Wunmi Mosaku

Director: Stephen Frears

Rating: PG-13

Based on Virginia Woolf’s novel, Orlando is a fitting adaptation for a groundbreaking story. Changing from man to woman, the titular time traveler is portrayed by the incomparable Tilda Swinton, breaking the fourth wall as if daring anyone to question her casting. But Swinton’s androgynous look and stellar acting make her the perfect choice for this. Her gaze is the anchor that we hold on to as the film glides through the novel’s multiple themes with ease. Through director Grace Potter’s indescribable vision, they create a fantastic film that blurs gender, sex, identity, and time together with the original novel itself.

Genre: Drama, Fantasy

Actor: Andrew Watts, Anna Farnworth, Anna Healy, Barbara Hicks, Billy Zane, Charlotte Valandrey, Cyril Lecomte, Dudley Sutton, George Antoni, Giles Taylor, Heathcote Williams, Hugh Munro, Jerome Willis, Jessica Swinton, Jimmy Somerville, John Grillo, John Wood, Kathryn Hunter, Lothaire Bluteau, Martin Wimbush, Mary MacLeod, Matthew Sim, Ned Sherrin, Oleg Pogodin, Olivia Lancelot, Peter Eyre, Quentin Crisp, Robert Demeger, Roger Hammond, Sara Mair-Thomas, Sarah Crowden, Simon Russell Beale, Thom Hoffman, Tilda Swinton, Toby Jones, Toby Stephens, Viktor Stepanov

Director: Sally Potter

Rating: PG-13

From Steven Spielberg, Munich is the sharp and thrilling depiction of Mossad agents on a mission to avenge the Munich Massacre, the killing of 11 Israeli Olympic team members at the 1972 Summer Olympics. Despite being based on real events, it’s a work of fiction. This allows the film to stand on clear yet nuanced grounds, focusing on the moral dilemmas that may rise for the secret agents and the perpetrators, now targets. The ensemble cast including Daniel Craig and Eric Bana allow Spielberg to deliver the film you can tell he wanted to make. A personal and striking effort.

Genre: Action, Drama, History, Mystery, Thriller

Actor: Abdelhafid Metalsi, Alexander Beyer, Ami Weinberg, Amos Lavi, Amrou Al-Kadhi, Andreas Lust, Arturo Arribas, Ayelet Zurer, Baya Belal, Ben Youcef, Bijan Daneshmand, Brian Goodman, Carim Messalti, Charley Gilleran, Ciarán Hinds, Daniel Bess, Daniel Craig, David A. Hamade, Dianne Zaremba, Djemel Barek, Eric Bana, Faruk Pruti, Félicité Du Jeu, Geoffrey Rush, Gila Almagor, Guri Weinberg, Guy Amir, Hagit Dasberg, Hanns Zischler, Hiam Abbass, Hicham Nazzal, Hichem Yacoubi, Hisham Suliman, Igal Naor, Jalil Naciri, Jim McKay, Jonathan Avigdori, Jonathan Uziel, Joram Voelklein, Karim Saidi, Karim Saleh, Kevin Collins, Laurence Février, Lili Bordán, Liron Levo, Lisa Werlinder, Lyes Salem, Lynn Cohen, Mahmoud Zemmouri, María Casal, Marie-Josée Croze, Marie-Josée Croze, Martin Ontrop, Mathieu Amalric, Mathieu Kassovitz, Mehdi Nebbou, Meret Becker, Merik Tadros, Michael Lonsdale, Michael Schenk, Mihalis Giannatos, Moa Khouas, Moritz Bleibtreu, Moshe Ivgy, Mostefa Djadjam, Mouna Soualem, Mousa Kraish, Nasser Memarzia, Ohad Knoller, Omar Metwally, Omar Mostafa, Ori Pfeffer, Ossie Beck, Patrick Kennedy, Rad Lazar, Raffi Tavor, Renana Raz, Richard Brake, Rim Turki, Robert John Burke, Sabi Dorr, Saïda Bekkouche, Sam Feuer, Sami Samir, Sarah Mennell, Sasha Spielberg, Sharon Alexander, Shmuel Edelman, Souad Amidou, Stéphane Freiss, Steven Spielberg, Tom Wlaschiha, Ula Tabari, Valeria Bruni Tedeschi, Valeria Bruni‑Tedeschi, Wojciech Machnicki, Yehuda Levi, Yvan Attal

Director: Steven Spielberg

Rating: R

Director Hirokazu Kore-eda’s feature debut is nothing short of a masterpiece, his style of serenity apparent from the get-go. With Kore-eda’s still frames and touching, relatable stories, it’s almost impossible not to find yourself caring for his characters like they are your own family. 

In Maborosi, Yumiko (Makiko Esumi) is haunted by one loss after another and struggles to accept these tragedies and move on with her life. Her story is probably the toughest Kore-eda has had to tell, yet there is still a certain beauty to it, especially in its quietness and moody atmosphere. Not forcing any of his characters’ feelings on the audience, Kore-eda manages to tell a harrowing tale in the gentlest of ways.

Genre: Drama

Actor: Akira Emoto, Hidekazu Akai, Hiromi Ichida, Makiko Esumi, Midori Kiuchi, Minori Terada, Mutsuko Sakura, Ren Osugi, Sayaka Yoshino, Tadanobu Asano, Takashi Inoue, Takashi Naito

Director: Hirokazu Kore-eda

Rating: Not Rated

A quirky and lovely coming of age film, the Kings of Summer celebrates the beauty and madness of adolescence and the sheer joy of long summer days. The plot follows three teenage friends, who, in the ultimate act of independence, decide to spend their summer building a house in the woods and living off the land. The house soon becomes a microcosm of their relationships with each other and the world at large, prompting conflict and mirroring their own transformations as they grow. Simple yet powerful, the Kings of Summer has a lot to say.

Genre: Comedy, Drama

Actor: Alison Brie, Angela Trimbur, Austin Abrams, Brady Novak, Brian Sacca, Christine McBurney, Craig Cackowski, David Gragg, Derick Mayes, Eric Frank, Erin Moriarty, Eugene Cordero, Gabriel Basso, Gillian Vigman, Hannibal Buress, Jeffrey Grover, Joel Thingvall, Justin Cooney, Kumail Nanjiani, Lili Reinhart, Logan Fry, Marc Evan Jackson, Maria Laskowski, Mary Lynn Rajskub, Megan Mullally, Michael Cipiti, Moises Arias, Nathan Keyes, Nick Offerman, Nick Robinson, Nick Rutherford, Nicole Tubbs, Peter Karinen, Priscilla Kaczuk, Taylor Nelms, Theresa Wylie, Thomas Middleditch, Tony Hale

Director: Jordan Vogt-Roberts

Rating: R

Joyland is groundbreaking on nearly all accounts. It’s the first Pakistani film to premiere at the Cannes Film Festival and to be shortlisted for an Oscar. Its forthright depiction of trans life and gender identity provoked the ire of local authorities, but it also inspired a nationwide movement (#ReleaseJoyland) that fought against censorship. It’s understandable, then, if the film is remembered for these disruptive achievements alone, but it should be noted that Joyland, as it is, is simply a stunning piece of cinema. 

Every scene is beautifully blocked and vibrantly lit, like a painting come to life, and every one of them is rich with meaning; there’s not a second we’re not diving deeper into the wonderfully complex lives of these people, all of whom are exploring sexuality and independence as best they can in a restricted environment. And sure, Biba and Haider’s relationship takes center stage as it reveals the nuances of queer love, but Joyland just as deftly tackles toxic masculinity (and how it’s a specter that haunts Haider’s household), domestic labor (and how it largely goes unnoticed), and female solidarity (and how it can literally save a girl’s life). Heartbreaking and lovely, this a family saga in that it’s as much about Haider’s family as it is about him, and it’s a shame if it weren’t remembered as such. 

Genre: Drama, Romance

Actor: Ramiz Law, Rasti Farooq, Salmaan Peerzada, Sania Saeed, Sarwat Gilani, Sohail Sameer

Director: Saim Sadiq

A relevant and deeply entertaining movie that only has the appearance of being about politics. In reality, it is about television, and one brilliant journalist’s pursuit of the perfect interview.  Richard Nixon stepped away from the public eye after the Watergate scandal, and was counting on a series of interviews three years later to redeem himself. His team assigns an unlikely reporter to sit in front of him, a British reality TV host named David Frost. Both men have everything to gain from this interview by going against each other, as Frost tries to extract a confession of wrongdoing in Watergate that Nixon never gave.  Who will win? The master manipulator or the up-and-coming journalist? Frost / Nixon was originally a play, and this adaptation is full of drama and boosts great dialogue.

Genre: Drama, History

Actor: Andy Milder, Clint Howard, Eloy Casados, Frank Langella, Gabriel Jarret, Gavin Grazer, Geoffrey Blake, Jenn Gotzon Chandler, Jim Meskimen, Kate Jennings Grant, Keith MacKechnie, Kevin Bacon, Mark Simich, Matthew Macfadyen, Max Elliott Slade, Michael Sheen, Oliver Platt, Patty McCormack, Penny L. Moore, Rance Howard, Rebecca Hall, Sam Rockwell, Simon James, Toby Jones, Wil Albert, Yvette Rachelle

Director: Ron Howard

Rating: R