721 Best Dramas Movies to Watch (Page 47)

With its wildly different shifts between the film’s chapters, Bad Education feels like it doesn’t know what to do with itself, like plenty of newly graduated teenagers. The first chapter holds such visceral revulsion that it first feels like it would be a serious cautionary tale, commenting on how, without guidance, teenagers will led each other astray. However, its next chapter takes a more comedic route as the kids try to escape from gangsters and the police. While director Kai Ko reveals an excellent sense of direction and imagery, his style feels like it’s been wasted on ill-thought intentions and a poorly written script. Bad Education at least has stunning visuals and a short runtime to get through it all.

Genre: Crime, Drama, Mystery, Thriller

Actor: Berant Zhu, Cheng Chih-wei, Edison Song, Hong Yu Hong, Huang Hsin-Yao, Kai Ko, Kent Tsai, Kurt Hsiao, Leon Dai, McFly Wu, Ning Chang, Tzu-Chiang Wang

Director: Kai Ko

Ordinary people don’t choose to join a war, but oftentimes, they are dragged into it, forced to fight, and become victims of it because of people in power. Adrishya Jalakangal takes this idea in a dystopic future, where war has turned India into a police state, and mixes in a watchman who’s able to talk with the dead. While the message is necessary and the idea is novel, the execution feels uneven, as the anti-war and magic realist elements feel like elements from what should be two separate movies. Alongside the sluggish pace and the dialogue that’s a tad too on the nose, it’s hard to get through Adrishya Jalakangal when it can’t decide what it wants to focus on.

Genre: Drama, Thriller

Actor: Indrans, Krishnan Balakrishnan, Nimisha Sajayan, Tovino Thomas

Director: Bijukumar Damodaran

When injustice takes away the ones you love, and when what you relied on abandoned you, it can be hard to open up again. Breath of Life is a story of a man that has gone through this, a man betrayed by both God and the colonial powers that once celebrated his talents, but he finds new purpose when his hired househelp enters his life. While the cast is great, the choice to stick completely in English feels disarming, some of the events that follow go down cliche paths, and the solutions found feel contrary to its intended message. Breath of Life has an interesting point, but the themes don’t mix as well as they could have.

Genre: Drama

Actor: Ademola Adedoyin, Chimezie Imo, Genoveva Umeh, Wale Ojo

Director: Bodunrin Sasore

With their personal life offered for consumption, carefully curated for viewers and sponsors, the social media influencer has become a fascinating character to study, especially with the job becoming Gen Z’s top career aspiration. As If It’s True examines this character through Gemma Stone, using the fake relationship trope to examine the lengths to which she would cling to her clout. John Roger’s debut feature blurs the line between real and the fake, not just for Gemma and James but also for the viewers, and it brings up much to say about how this aspiration can ruin people. However, the lines are blurred too much, as the ideas don’t mesh cohesively as it could. As If It’s True is an interesting character study, but the film hasn’t allowed itself to see the human side of the people highly incentivized to be fake for views.

Genre: Drama, Romance

Actor: Adrianna So, Ashley Ortega, Jan Silverio, Khalil Ramos, Marnie Lapus, Rachel Coates

Director: John Rogers

Like its governor having many wives, The Last Wife has too many elements left unsatisfied. To its credit, it has lovely scenery, costumes, and set design that matches the era. With Linh forced into a marriage to pay off her father’s debts, reuniting with a childhood love, the film also had the erotic potential of Lady Chatterley’s Lover, with a thrilling second act twist that occurs when they get discovered. However, the film gets dragged down by the slow pace and random comedic scenes that don’t add to the thematic stakes, sometimes even distracting the viewer from the dismal conditions the titular wife is forced into.

Genre: Drama, Romance

Actor: De Ly Luu, Kaity Nguyễn, Ngọc Diệp, Quốc Huy, Thuan Nguyen

Director: Victor Vũ

Lovers share moments and memories intertwined with music, to the point that when the relationship ends, listening to an old track brings back the past. For Harriet in The Greatest Hits, this is literal, to the point that random music playing outside prolongs her grief. The story is familiar– it’s sort of similar to 2022’s Press Play– and frankly, the cinematography relies a bit too much on lens flares, but the cast makes the best of it, with Lucy Boynton having compelling chemistry with both Justin H. Min and David Corenswet. That being said, the film has a dated feel, with most of the tracks coming from the previous decade, and the conclusion it makes would feel totally insulting if they wrote Harriet’s relationship with Max in depth. But it’s still a fairly decent launching point for the cast and maybe a decent ad for silent disco spots and Spotify.

Genre: Drama, Music, Romance

Actor: Andie Ju, Austin Crute, David Corenswet, Evan Shafran, Jackson Kelly, Jenne Kang, Justin H. Min, Lucy Boynton, Mary Eileen O'Donnell, Retta, Rory Keane, Thomas Ochoa, Tom Yi

Director: Ned Benson

Rating: PG-13

Frankly, In the Morning of La Petite Mort is not as provocative nor as erotic as implied by the title. Sure, there are sex scenes, with plenty of nude shots. But these scenes come about silently, nearly without dialogue, with a lack of passion in between most of the lovers, a lack of connectedness. It’s no less visceral, though, as it mirrors the same disconnection the characters feel, being at the margins of Taipei. While it’s sometimes muddled with certain subplots, the haunting, strikingly-shot images stirs some compassion, especially with the cast’s performances, but the indirect approach makes the film feel unclear and sometimes unrealistic.

Genre: Drama

Actor: Cres Chuang, Huei-ling Jan, Ivy Yin, Jieh-Wen King, Tzu-Chiang Wang, Yun-Chih Wang, Yûsuke Fukuchi

Director: Yu-Lin Wang

With the success of Killers of the Flower Moon, there’s a renewed interest in authentic and respectful depictions of Native American stories. Low budget supernatural horror might not be the best approach, considering its history of stereotyping, but The Windigo is a fairly sincere stab at reframing the genre. The wicked looking, titular creature pulls together plenty of the issues Native Americans currently face, such as forgotten culture, violence, and institutional negligence, but the film also surprisingly delves into past collective trauma some of these communities have experienced. The Windigo plays out the way you would expect a creature feature to be, but the film could have been so much more with better execution.

Genre: Horror, Thriller

Actor: Adam Shalzi, Brian Krause, Casey Camp-Horinek, Fivel Stewart, Griffin Powell-Arcand, Marco Fuller, Tatanka Means, Tonantzin Carmelo, Troy James

Director: Gabe Torres

With a lack of films on female sexuality, Thank You for Coming feels refreshing. Kanika Kapoor seeks out sexual fulfillment as much as she seeks an emotional connection, due to the fairytale promises given to many women from girlhood. She hopes for both, knowing that if she doesn’t go through it the right way, she’ll be looked down upon the same way her single mother was. The sex comedy is reminiscent of Mamma Mia, but instead of a child figuring out who of her potential three dads is hers through ABBA songs, it’s Kanika figuring out who from her past and present lovers gave her an orgasm, with excellent, though slightly disconnected tracks. The playful approach is fun and exciting, but this approach stops halfway through, and certain plot aspects and the choice of a male director detracts from the feminist, sex-positive message it wants to portray.

Genre: Comedy, Drama

Actor: Anil Kapoor, Ayesha Raza Mishra, Bhumi Pednekar, Dolly Ahluwalia, Dolly Singh, Karan Kundra, Kusha Kapila, Natasha Rastogi, Pradhuman Singh, Shehnaaz Gill, Shibani Bedi, Sushant Divgikar

Director: Karan Boolani

Centered on a unique marriage, Satyaprem Ki Katha could have reinvented the romance genre with its depiction of women’s trauma. The film does care about the issue, as it sides with the victim in this regard, and there’s a certain sweetness in the relationship being portrayed. Kiara Advani’s performance feels believable and she clearly makes the best of her existing scenes. However, the film is too afraid to be critical of the men in this film, especially as it’s too concerned with Sattu as a savior. On top of this, it relies too much on the standard Indian song-and-dance, which, while spectacular, takes away too much time from the issue at hand. Because of this, Satyaprem Ki Katha feels like a missed opportunity.

Genre: Drama, Romance

Actor: Anuradha Patel, Gajraj Rao, Kartik Aaryan, Kiara Advani, Nirmiti Sawant, Rajpal Yadav, Shikha Talsania, Siddharth Randeria, Supriya Pathak

Director: Sameer Vidwans

Air Mata di Ujung Sajadah tugs at the heartstrings because it recognizes the pain of losing one’s child, whether that be to elopement, death, or to their biological parent. This, with a stirring score, and the tears of Titi Kamal and Citra Kirana, makes Aqilla and Yumna easy to root for, as they try to settle who would best be Baskara’s mother. It’s not an easy decision, and the film thankfully refrains from turning either woman to be an antagonist. However, all the sorrow, pain, and suffering hinges on Halimah’s decision, that, in the first place, shouldn’t have been possible. As the film plays out into its inevitable conclusion, the journey there is heartwarming, maybe even tearjerking, but it doesn’t feel as satisfying as it could have been if Halimah dealt with the consequences of her actions.

Genre: Drama

Actor: Citra Kirana, Dendy Subangil, Fedi Nuril, Krisjiana Baharudin, Mbok Tun, Muhammad Faqih Alaydrus, Titi Kamal, Tutie Kirana

Director: Key Mangunsong