970 Best Dramas Movies to Watch (Page 28)

Staff & contributors
With the internet able to connect people from miles away, the concept of the one that got away has become unromantic– after all, with instant messaging, their distance just means that you’ve been ghosted. But for the longest time, romance stemmed from the fated circumstances that kept or lost love, and this is excellently portrayed in Touch, a surprising romantic drama from writer-director Baltasar Kormákur best known for his action thrillers. Kormákur infuses the drama with a delicate touch, much more focused on the moments of connection between immigrants from different cultures, with the freedom of the late 60s that marks Kristófer’s youth versus the urgency of the world’s restrictions and Kristófer’s memory. Touch remembers the real romance of the one that got away.

Genre: Drama, Romance

Actor: Akshay Khanna, Benedikt Erlingsson, Egill Ólafsson, Eiji Mihara, Eugene Nomura, Kōki, María Ellingsen, Masahiro Motoki, Masatoshi Nakamura, Masaya Mimura, Meg Kubota, Pálmi Kormákur Baltasarsson, Rie Shibata, Ruth Sheen, Sigurður Ingvarsson, Theodór Júlíusson, Yōko Narahashi

Director: Baltasar Kormákur

Rating: R

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This slow Italian drama tells the true story of Mafia boss Tommaso Buscetta, who became the highest-profile Mafia informant at the time of his arrest in the 1980s.

Tommaso, while supervising a criminal network in Sicily, moved to Rio de Janeiro in Brazil to attempt a more legal and quieter life. His role catches up with him and he is quickly arrested.

As a biopic, it rarely depicts violence or glorifies organized crime. Instead, it attempts to document the life of a Mafia boss more realistically: a life of always looking over one's shoulder and of constant loss. Eventually, the movie focuses on what it would take for a man like Tommaso to flip, and what that would cost him.

The Mafia topic might feel overdone, but watching this, it's startling to realize how few thorough character studies have come out in film.

Genre: Crime, Drama, Thriller

Actor: Alessio Praticò, André Lamoglia, Annamaria Spina, Antonio Orlando, Aurora Peres, Bebo Storti, Bruno Cariello, Carlo Ferreri, Cinzia Susino, Claudio Collovà, Dino Santoro, Domenico Gennaro, Edoardo Strano, Elia Schilton, Fabrizio Ferracane, Fabrizio Romano, Fausto Russo Alesi, Francesco Emanuele Chinnici, Gabriele Arena, Giovanni Calcagno, Giovanni Vettorazzo, Goffredo Maria Bruno, Jonas Bloch, Larry Kapust, Leo Wainer, Luciano Quirino, Ludovico Caldarera, Luigi Lo Cascio, Marco Gambino, Maria Amato, Maria Fernanda Cândido, Maria Fernanda Cândido, Michelangelo Cicirello, Miriam Previati, Nicola Calí​, Nicola Calì, Nicola Siri, Nunzia Lo Presti, Pier Giorgio Bellocchio, Pierfrancesco Favino, Pietro Pace, Raffaella D'Avella, Raffaella Lebboroni, Rainer Cadete, Sergio Pierattini, Simona Distefano, Tommaso Buscetta, Vincenzo Ferrera, Vincenzo Pirrotta

Director: Marco Bellocchio

Rating: R

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Most people aspire to have families, deciding to form their own by marrying, bearing children, and if fertility makes that impossible, adopting one. The Official Story is centered on upper middle class Alicia, who’s already made the idyllic family life, with the last piece completed with her adoption of Gaby, but there are secrets held from her, or rather, there are realities that she chose not to listen to because of the painful implications. Writer-director Luis Puenzo juxtaposes the family secret to the violent ones the Argentine junta government kept from its citizens. It's not a subtle comparison– Puenzo makes it obvious– but it's an effective one, as Alicia has to reckon with the fact that she lies in bed with a stranger, as Argentina has to reckon with the remaining junta members and enablers.

Genre: Drama, History

Actor: Analia Castro, Andrea Tenuta, Aníbal Morixe, Augusto Larreta, Carlos Weber, Chela Ruíz, Chela Ruiz, Chunchuna Villafañe, Chunchuna Villafane, Fabián Rendo, Guillermo Battaglia, Héctor Alterio, Héctor Alterio, Horacio Erman, Hugo Arana, Jorge Chernov, Jorge Petraglia, Lidia Catalano, María Luisa Robledo, Marcos Woinsky, Maria Luisa Robledo, Norma Aleandro, Oscar Ferrigno Jr., Pablo Rago, Patricio Contreras, Paula Canals, Tony Middleton

Director: Luis Puenzo

Rating: Not Rated, NR

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Activism is never easy, especially when there is scant information available and when public opinion is set against you. The Normal Heart captures the struggle for gay men during the AIDS crisis, and director Ryan Murphy infuses Larry Kramer’s original play with the melodramatic tendencies Murphy has, but for a cause such as this, an epidemic that might have calmed down in the public imagination but still active today, Murphy’s propensity for the trauma and the pain and Kramer’s script honors their activism, especially at its most emotionally heavy moments. The Normal Heart isn’t perfect, it’s even downright depressing, but it strikes true with the anger and sorrow the gay community needed to hold for decades.

Genre: Drama

Actor: Adam B. Shapiro, Alfred Molina, Armand Schultz, BD Wong, Catherine Chadwick, Chris Sullivan, Corey Brill, Corey Stoll, Danielle Ferland, Denis O'Hare, Eden Marryshow, Finn Wittrock, Francois Battiste, Frank De Julio, Jim Parsons, Joe Lanza, Joe Mantello, John Mainieri, Jonathan Groff, Julia Roberts, Mark Ruffalo, Matt Bomer, Patrick Woodall, Rebecca Watson, Remy Auberjonois, Richard Prioleau, Scott Johnsen, Stephen Spinella, Taylor Kitsch, William DeMeritt

Director: Ryan Murphy

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Based on the real-life experience of director Elegance Bratton, who was himself a Black gay marine soldier during the “don’t ask, don’t tell” period in the US, The Inspection documents the behind-the-scenes cruelty that goes on in training the armed forces. Specifically, it inspects how institutions like the marines are hardwired to promote a certain kind of masculinity and how people like Bratton, perennially in the margins, respond, react, and fight back. 

It’s moving and artful but also lighthearted and humorous, finding light even in the darkest corners. It’s self-contradictory that way, but the film is all the better and nuanced for it. Gabriel Union’s performance is also worth noting here; in a career-defining turn, she transforms into a character at once so hateful and loving, you’ll be hard-pressed not to give her your full attention onscreen.

Genre: Drama

Actor: Aaron Dominguez, Andrew Kai, Aubrey Joseph, Becky Boxer, Bokeem Woodbine, Daniel Williamson, Eddie Plaza, Eman Esfandi, Gabrielle Union, Jered Meeks, Jeremy Pope, McCaul Lombardi, Nicholas Logan, Raúl Castillo, Steve Mokate, Tyler Merritt, Wynn Reichert

Director: Elegance Bratton

Rating: R

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So far, chemical waste hasn't mutated amphibious creatures enough to create giant monsters large enough to swallow people whole… yet. This sort of monster film premise is familiar, especially for fans of 1950s sci-fi movies, but in the hands of director Bong Joon-ho, The Host transforms what could have been B-movie schlock into a drama examining the ways generations within a family, as well as generations within a country and within the world, have failed each other. As the Park family try to save their own, the actions they take feel all the more important, knowing what’s at stake on multiple levels. While at the time, there were doubts that Bong Joon-ho and the Korean film industry could pull off the monster, The Host proved that there was more to come from the then emerging film giant.

Genre: Drama, Horror, Science Fiction

Actor: Ah-sung Ko, Bae Doona, Baek Do-bin, Bong Joon-ho, Byun Hee-bong, Byun Heebong, Choi Dae-sung, Choi Jae-sup, David Anselmo, David Joseph Anselmo, Doona Bae, Go A-sung, Hae-il Park, Hie-bong Byeon, Jeong In-gi, Jeong Kang-hee, Jung Seo-yoon, Kang-ho Song, Kim Bi-bi, Kim Choo-wol, Kim Hak-seon, Kim Jin-seon, Kim Nan-hee, Kim Roi-ha, Ko A-sung, Ko Chang-seok, Koh Soo-hee, Kwon Byung-gil, Kwon Hyeok-Pung, Lee Dong-ho, Lee Dong-yong, Lee Eung-jae, Lee Jae-eung, Lee Jong-yoon, Min Kyung-jin, Oh Dal-su, Park Hae-il, Park Jin-woo, Park No-shik, Paul Lazar, Philip Hersh, Pil-sung Yim, Ra Mi-ran, Scott Wilson, Seo Young-ju, Shin Hyeon-jong, Son Jin-ho, Son Young-soon, Song Kang-ho, Yim Pil-sung, Yoo Seung-mok, Yoo Yeon-soo, Yoon Je Moon

Director: Bong Joon-ho, Joon-ho Bong

Rating: R

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Directed by Tsai Ming-liang, this unconventional story follows the lives of two neighbors who share a crumbling apartment in the midst of a strange, inexplicable epidemic. Blending a quiet drama with exciting musical numbers, the characters' lives intertwine in unexpected ways, blurring the line between reality and fantasy. With its masterful use of long takes and minimal dialogue, there is a haunting atmosphere that lingers in every shot. In hindsight, this film perfectly captures our recent pandemic-stricken world; the effects of cabin fever condensed in absurd trippy sequences. As with many Tsai Ming-liang films, it is a must-watch for fans of simpler, yet mesmerizing, art-house cinema.

Genre: Drama, Romance, Science Fiction

Actor: Chen Shiang-Chyi, Lee Kang-sheng, Lu Yi-Ching, Miao Tien, Yang Kuei-Mei, Yee Chin-Yen

Director: Tsai Ming-liang

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Known for showcasing the grittier side of New York in his films, Martin Scorsese shifts to its upper echelons in The Age of Innocence. Based on the 1920 novel, the film follows society attorney Newland Archer (Daniel Day-Lewis) as he courts and marries the respectable May Welland (Winona Ryder), despite his desire for childhood friend Countess Ellen Olenska (Michelle Pfeiffer).

Undeniably gorgeous and impressively shot, what ultimately makes the film stand out among Scorsese’s work is how well the three leads embody the complex characters of the novel on multiple levels. Day-Lewis skillfully turns a corrupt, arrogant lawyer into someone who admirably refuses to be anything but himself, while Pfeiffer hides a stubbornness and frustration within Olenska. But it’s Ryder who best portrays her character's complexity, Welland’s wide-eyed gaze concealing secret manipulations. All of them drive this story that not only mourns for lost love, but acts as a mourning for a lost Golden Age.

Genre: Drama, Romance

Actor: Alec McCowen, Alexis Smith, Brian Davies, Carolyn Farina, Catherine Scorsese, Charles Scorsese, Cindy Katz, Clement Fowler, Daniel Day-Lewis, Domenica Cameron-Scorsese, Geraldine Chaplin, Howard Erskine, Joanne Woodward, John McLoughlin, Jonathan Pryce, June Squibb, Kevin Ash, Linda Faye Farkas, Martin Scorsese, Mary Beth Hurt, Michael Gough, Michelle Pfeiffer, Miriam Margolyes, Norman Lloyd, Pasquale Cajano, Patricia Dunnock, Richard E. Grant, Robert Sean Leonard, Siân Phillips, Siân Phillips, Stuart Wilson, Thomas Barbour, Thomas Gibson, Tracey Ellis, W.B. Brydon, Winona Ryder

Director: Martin Scorsese

Rating: PG

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Like many of Edward Yang’s films, The Terrorizers examines Taiwan’s urbanized society, but this time, it’s centered around the rougher side of town, where a shooting incident connects the lives of three couples. At first, the scenes don’t make much sense, as the film rapidly shifts from couple to couple without explanation, and the sequence being used to place doubt on the reality of certain scenes. But as the film progresses, these scenes form into something like a puzzle, a piece of a whole treatise on the way real and unreal intersect, the way these perceptions shape one’s relationships. The Terrorizers is somber, and baffling, and sometimes downright bleak, but it’s a fascinating enigma on today’s urban loneliness.

Genre: Crime, Drama

Actor: Cora Miao, Gu Bao-Ming, King Shih-Chieh, Ku Pao-Ming, Lee Lichun, Ming Liu, Yu An-Shun

Director: Edward Yang

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Probably the weirdest film you'll ever see. Paul Dano plays a borderline suicidal man who befriends a farting corpse that washed up from the sea as played by Daniel Radcliffe. It's an adventurous, witty and hilarious film yet it is filled with discreet and very deep lessons about society and norms. The soundtrack is so charmingly unique as well, it's a definite must-watch for anyone looking for a refreshing comedy.

Genre: Adventure, Comedy, Drama, Fantasy, Romance

Actor: Aaron Marshall, Andy Hull, Antonia Ribero, Daniel Radcliffe, Jessica Harbeck, Marika Casteel, Mary Elizabeth Winstead, Paul Dano, Richard Gross, Shane Carruth, Timothy Eulich

Director: Dan Kwan, Daniel Kwan, Daniel Scheinert

Rating: R

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Remarkably, Steven Soderbergh was only 26 years old when he directed this coolly assured debut, the searingly candid script of which he also wrote in just eight days. Despite the pornographic implications of its title, this is more concerned with exploring whether honesty — not sex — is the means to real intimacy. In fact, the only nakedness glimpsed here is of the emotional kind, as twenty-something drifter Graham’s (James Spader) total aversion to lying has an infectious influence on everyone around him.

The primary recipient of that disarming effect is Ann (Andie MacDowell), the wife of Graham’s old college buddy who is blasé about sex and neurotic about everything else. Talking to Graham has a therapeutic effect on her, but he takes something else away from conversation: chronically impotent, he simulates the sexual experience by conducting erotically themed interviews with women on videotape. Preferring to sublimate his desires through his camcorder, Spader’s physically aloof character is a disturbingly prescient one for what it suggested then about technology’s future impact on human relationships. That Soderbergh managed to conduct such a complex psychosexual drama all through dialogue — on his first feature, no less — makes him exceedingly worthy of the record this earned him of the youngest solo Palme d’Or-winning director ever.

Genre: Drama

Actor: Alexandra Root, Andie MacDowell, David Foil, Earl T. Taylor, James Spader, Laura San Giacomo, Peter Gallagher, Ron Vawter, Steve Brill, Steven Brill

Director: Steven Soderbergh

Rating: R

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This Netflix production is based on a case that rocked public opinion in Italy. Stefano Cucchi was arrested for a minor drug charge and died five days later from police brutality. The movie takes its time to expose what Cucchi went through, which might lead some viewers to find On My Skin slow, and rightfully so. Thinking about the issues at hand here, it’s easy to understand why the director made that choice. In fact, Italians’ complex relationship with the Carabinieri, a division of the Italian army that carries out domestic policing, is delicate to explain and requires meticulous unveiling. Nominated to nine David di Donatello Awards (the equivalent of the Academy Awards in Italy), of which it won three.

Genre: Drama

Actor: Aleksandros Memetaj, Alessandro Borghi, Alessio De Persio, Andrea Lattanzi, Andrea Mautone, Antonio Gargiulo, Aurora Casavecchia, Bernardo Casertano, Daniela Amato, Daniele Amendola, Dora Romano, Elisa Casavecchia, Elodie Treccani, Emanuele Cerman, Federico Tocci, Francesca Tomassoni, Gaetano Aronica, Giuseppe Ragone, Italo Amerighi, Jasmine Trinca, Marco Giuliani, Massimiliano Tortora, Mauro Conte, Max Tortora, Michele Botrugno, Milvia Marigliano, Orlando Cinque, Paolo D Bovani, Pietro Faiella, Roberta Sferzi, Roberto Galano, Rodolfo Bigotti, Stefano Miglio, Vincenzo Tanassi, Walter Nestola

Director: Alessio Cremonini

Rating: TV-MA

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, 2023

After winning Oscars for their documentary work, filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin make their narrative feature debut with Nyad. The move to narrative fiction isn’t a monumental jump for the director duo, whose cinematic documentaries (among them Free Solo and The Rescue) play like nerve-shredding action thrillers and intense human dramas. Nor does Nyad’s subject — another extreme feat of human daring and endurance — make this feel a million miles away from their most famous works.

The most obvious departures from the directors’ documentary strengths — Nyad’s flashbacks and hallucination scenes, for example — do sometimes highlight their newness to narrative filmmaking, however. These scenes feel shallow and therefore disconnected from the movie’s otherwise deeper treatment of its subject, just as the performances dip into outsized cliches at times. Mostly, though, Nyad manages to float above the trap of trying too hard to be an inspirational sports drama thanks to its confrontation of Diana’s prickly personality. This flips the film’s perspective onto that of Diana’s team (including her coach and former girlfriend, played by Jodie Foster), who ultimately suffer the consequences of her stubbornness. That refusal to submit to hagiographic impulses gives the film a documentary-like edge of truth, making the rousing moments here feel genuinely earned.

Genre: Drama, History

Actor: Anna Harriette Pittman, Anne Marie Kempf, Annette Bening, Belle Darling, Carolyn McCormick, Diana Nyad, Elizabeth Chahin, Ellen DeGeneres, Eric T. Miller, Erica Cho, Ethan Jones Romero, Garland Scott, Grace Subervi, Harraka Eliana, Iván Oleaga, Jeena Yi, Jodie Foster, John Bartlett, John F. Kennedy, Johnny Solo, Karly Rothenberg, Kate McKinnon, Katherine Klosterman, Lilo Grunwald, Luke Cosgrove, Marcus Young, Melissa R. Stubbs, Nadia Lorencz, Orpha Salimata, Pearl Darling, Rhys Ifans, Samantha Gordon, Sophia Hernandez, Stephen Schnetzer, Tisola Logan, Toussaint Merionne

Director: Elizabeth Chai Vasarhelyi, Jimmy Chin

Rating: PG-13

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With a driver protagonist, trying to reintegrate with the rougher parts of his home city, forming a connection with a woman way out of his league, Soho-based Mona Lisa has spawned comparisons to the New York-classic Taxi Driver (1976), but this British neo-noir has a completely different tone and spirit, with a completely different conclusion. Mona Lisa has, of course, Nat King Cole crooning the similarly named tune, and as George gets enamored with Simone, both roles played fantastically by Bob Hoskins and Cathy Tyson respectively, they both keep their cards to their chest, as if similar to the famous painted smile. The ending may be a tad abrupt, but Mona Lisa has a lot of compassion and hope for these two trying to make a better life for themselves, a lot more than expected from the genre.

Genre: Crime, Drama, Romance, Thriller

Actor: Bob Hoskins, Cathy Tyson, Clarke Peters, David Halliwell, Dawn Archibald, Gary Cady, Hossein Karimbeik, Jack Purvis, Joe Brown, Kate Hardie, Kenny Baker, Maggie O'Neill, Michael Caine, Pauline Melville, Perry Fenwick, Raad Rawi, Richard Strange, Robbie Coltrane, Rod Bedall, Sammi Davis, Zoë Nathenson

Director: Neil Jordan

Rating: R

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