45 Best Dramas Movies to Watch On Netflix France (Page 2)

An interior designer comes back from Sweden to her birthplace in Thailand where she tries to declutter her family home to make it a minimalist, Marie Kondo-type house. “Minimalism is like a Buddhist philosophy. It’s about letting go,” she tells her mother as she tries to convince her. “Are you nuts?” The woman replies.

Jean insists and she embarks on a journey of touching what hasn’t been touched in decades: traces of an absent father and a past lover among the old Nokias and VHS tape recorders.

Happy Old Year is a contemporary exploration of the age-old resistance to throwing things away. Decluttering is a costly act, one of rejecting and discarding memories. The film was Thailand’s official submission to the Oscars.

Genre: Drama, Romance

Actor: Aokbab Chutimon Chuengcharoensukying, Apasiri Nitibhon, Bhumibhat Thavornsiri, Chutimon Chuengcharoensukying, Natda Chawawanid, Nawapol Thamrongrattanarit, Neennara Boonnithipaisit, Patcha Kitchaicharoen, Puangsoi Aksornsawang, Sarika Sartsilpsupa, Sarika Sathsilpsupa, Sunny Suwanmethanon, Sunny Suwanmethanont, Thirawat Ngosawang, Um Apasiri Nitibhon, Wasu Pluemsakulthai

Director: Nawapol Thamrongrattanarit

Rating: N/A

In what was originally intended to be his final film, Hayao Miyazaki is at his most lucid with The Wind Rises. Fluid and luminous, it cleanly moves between a grounded, historical reality and an intuitive, imaginative dreamscape. Here Miyazaki reflects on the process of creation and what it means to be an artist, drawing parallels between his own meticulousness as a filmmaker with Horikoshi’s immutable passion for flight and efficient design.

But questions of responsibility and duty arise, as Horikoshi—and by extension, Miyazaki—must reckon with the reality that even things as beautiful as aeroplanes can be destructive, and that even dreams can be violent. This meditative film does not offer any easy answers but it provides solace in its prevailing sentiment: The wind is rising, we must try to live.

Genre: Animation, Drama, Family, History, Romance, War

Actor: Hayao Miyazaki, Hideaki Anno, Hidetoshi Nishijima, Jun Kunimura, Kaichi Kaburagi, Keiko Takeshita, Mansai Nomura, Martin Short, Masahiko Nishimura, Miori Takimoto, Mirai Shida, Morio Kazama, Sascha, Shinobu Otake, Stephen Alpert

Director: Hayao Miyazaki

Rating: PG-13

Director Noah Baumbach’s autobiographical film is a strikingly realistic take on divorce and the turmoil it sets on an already-dysfunctional family. Bernard (Jeff Daniels) is a selfish decadent writer who’s splitting with his unfaithful wife Joan (Laura Linney). Their two sons, Walt (Jesse Eisenberg) and Frank (Owen Kline), are taking different sides that reflect their personality. This separation only reinforces their insecurities as they quickly fall into depression and grow away from their friends. The parents, however, find unconventional lovers just as quickly, Bernard with a student of his, and Jane with her son’s tennis coach. The Squid and the Whale is a funny, emotional, and gripping story that finds a perfect balance in tone despite dealing with bitter divorce and troubled adolescence.

Genre: Comedy, Drama

Actor: Adam Rose, Alexandra Daddario, Andrew Kaempfer, Anna Paquin, Bobby Shue, Britta Phillips, David Benger, Dean Wareham, Eli Gelb, Elizabeth Meriwether, Emma Straub, Greta Kline, Halley Feiffer, James Hamilton, Jeff Daniels, Jesse Eisenberg, Jo Yang, Ken Leung, Laura Linney, Maryann Plunkett, Michael Countryman, Michael Santiago, Nico Baumbach, Owen Kline, Peggy Gormley, Peter Newman, William Baldwin

Director: Noah Baumbach

Rating: R

This movie’s energy is completely intoxicating.

It’s the directorial debut of renown British/Nigerian actor Chiwetel Ejiofor, but it feels like the work of a veteran.

In a true story told in English and Chichewa (a language from Malawi), a young boy is expelled from school because his parents couldn’t afford tuition. At the same time, his village is struck by a variety of natural circumstances that bring them the threat of drought and famine.

The young boy sneaks into the library in the hopes of making a windmill and saving his village, and you can guess what follows from the title.

The triumph of engineering and a boy with a dream; mix in an incredibly interesting culture, full of unique family dynamics and a thought-provoking intersection between religion, tradition, and technology. The result is a delicate but uplifting movie, not to be missed.

Genre: Drama, Family, History

Actor: Aissa Maiga, Bruno Chitsulo, Chiwetel Ejiofor, Eddie Mbugua, Edwin Chonde, Felix Lemburo, Fredrick Lukhere, Grace Msiska, Hope Chisano, Joseph Marcell, Kelvin Chimpokoser, Khalani Makunje, Latifa Tambala, Lemogang Tsipa, Lily Banda, Lomuthi Jere, Maxwell Simba, Noma Dumezweni, Owen Chikanken, Philbert Falakeza, Raymond Ofula

Director: Chiwetel Ejiofor

Rating: TV-PG

This adaptation of a tragedy by Pulitzer Prize-winning playwright August Wilson might retain the mostly minimal setting of its source material — two rooms in a Chicago recording studio — but the searing performances at its heart more than warrant the translation to the big screen. A ferocious Viola Davis plays the titular ‘Mother of the Blues’, a fiery artist whose diva-ness is powerfully revealed to be a matching of the same transactional energy with which she’s treated by her white managers. 

On a steamy day in the roaring 1920s, one of Ma’s recording sessions morphs into a tinderbox of debate on art, race, and these exploitative power dynamics that exist at their intersection. As her band awaits her characteristically late arrival, its members tease, and then bicker, and finally erupt at one another. The youngest musician, Levee (Chadwick Boseman), is the most hot-headed — in his older band-mates’ eyes, he’s an arrogant young upstart with delusions of grandeur, but Levee’s ambitions are powered by real pain, as revealed in a blistering monologue. The film is unabashedly stagy in many respects, a quality that can work both ways — but, ultimately, the crackling current that runs through Davis and Boseman’s acting gives the movie all the blazing, goosebump-inducing immediacy of a live performance.

Genre: Drama, Music

Actor: Chadwick Boseman, Colman Domingo, Daniel Johnson, Dusan Brown, Glynn Turman, Jeremy Shamos, Jonny Coyne, Joshua Harto, Michael Potts, Quinn VanAntwerp, Taylour Paige, Viola Davis

Director: George C. Wolfe

Rating: R

Us and Them follows two former lovers who reminisce and reassess their decade-long relationship over one night. They both seem to be in better places, certainly financially if anything else, but their shared wistfulness for the past threatens to prove otherwise. 

The film was an immediate hit when it was first released in China, and it’s easy to see why. With just the right balance of realism, romance, and comedy, the movie makes for a simple but deeply moving and involving watch. You can’t help but root for the exes to get back together, even though you know as well as they do how minimal the chances of that happening are.

Genre: Drama, Reality, Romance

Actor: Andrew Tiernan, Boran Jing, Dongyu Zhou, Jack Roth, Jing Boran, Liu Di, Qu Zhe Ming, Qu Zheming, Rene Liu, Shi Yufei, Sophie Colquhoun, Su Xiaoming, Tian Zhuangzhuang, Tim Bentinck, Zhang Zixian, Zheming Qu, Zhou Dongyu, Zhuangzhuang Tian

Director: Rene Liu

Rating: Not Rated

This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.

Genre: Comedy, Crime, Drama, Mystery, Thriller

Actor: Asha Sawyer, Audrey Walker, Chris Doubek, Christine Woods, Dana Millican, David Yow, Derek Mears, Devon Graye, Elijah Wood, Gary Anthony Williams, Jana Lee Hamblin, Jane Levy, Jared Roylance, Jason Manuel Olazabal, Jeb Berrier, Lana Dieterich, Lee Eddy, Macon Blair, Marilyn Faith Hickey, Matt Orduna, Maxwell Hamilton, Melanie Lynskey, Michelle Moreno, Myron Natwick, Ray Buckley, Robert Longstreet, Sharae Foxie, Taylor Tunes, Wrick Jones

Director: Macon Blair

Rating: Not Rated, TV-MA

In Lyon, the second biggest city in France after Paris, a man confronts the church about a prominent priest who sexually assaulted him and his friends when they were young.

The man, being religious, wanted to keep the issue within the church. He only asked that the pedophile’s priesthood be revoked so that he doesn’t assault more children.

When it becomes clear that the church will not act, he considers legal action, even though the statute of limitations has expired. But, as is usual in these cases, he was far from being the only victim.

Genre: Drama

Actor: Éric Caravaca, Alexandre Steiger, Amélie Daure, Amélie Prevot, Arnaud Viard, Aurélia Petit, Aurelia Petit, Baya Rehaz, Bernadette Le Saché, Bernard Verley, Chloé Astor, Christian Sinniger, Damien Jouillerot, David Geselson, Denis Ménochet, Denis Ménochet, Denis Simonetta, Éric Caravaca, Fayçal Safi, Fejria Deliba, Frédéric Pierrot, François Chattot, François Marthouret, François Chattot, François Marthouret, Frédéric Pierrot, Hélène Vincent, Hélène Vincent, Jeanne Rosa, John Sehil, Josiane Balasko, Jules Gauzelin, Julie Duclos, Juliette Moreaud, Laurence Roy, Lilly Rose Debos, Martine Erhel, Martine Schambacher, Max Libert, Melvil Poupaud, Nicolas Bauwens, Nicolas Bridet, Patrick Zimmermann, Pauline Ziadé, Philippe Legros, Pierre Lottin, Sébastien Lozach, Sébastien Pouderoux, Serge Flamenbaum, Stanislas Stanic, Stéphane Brel, Swann Arlaud, Timi-Joy Marbot, Vincent Berger, Xavier de Guillebon, Zuri François

Director: François Ozon, François Ozon

Iceland is a country of vast lands but limited population - only about 300,000 people can call themselves Icelandic. On the other hand, 8 million people have connecting flights through Iceland every year. 

In this setting of mass movement, a single mother dealing with poverty is offered a chance to turn things around - a job as a border agent. One of her first days, she comes across an asylum seeker on a connecting flight from Guinea Bissau to Canada, trying to cross with a fake passport. 

Their stories don’t only intertwine as border agent and asylum seeker, but as two mothers. And Breathe Normally is about struggling with poverty both in Europe and coming from a place like Guinea Bissau. It’s a beautiful, plot-heavy statement on the importance of solidarity and of seeing the human behind the country of origin or race. 

Genre: Drama

Actor: Ísold Uggadóttir, Babetida Sadjo, Bragi Arnason, Gunnar Jonsson, Kristín Þóra Haraldsdóttir, Patrik Nökkvi Pétursson, Patrik Nökkvi Pétursson, Sólveig Guðmundsdóttir, Sveinn Geirsson, Þorsteinn Bachmann

Director: Isold Uggadottir

Rating: TV-14

Known for showcasing the grittier side of New York in his films, Martin Scorsese shifts to its upper echelons in The Age of Innocence. Based on the 1920 novel, the film follows society attorney Newland Archer (Daniel Day-Lewis) as he courts and marries the respectable May Welland (Winona Ryder), despite his desire for childhood friend Countess Ellen Olenska (Michelle Pfeiffer).

Undeniably gorgeous and impressively shot, what ultimately makes the film stand out among Scorsese’s work is how well the three leads embody the complex characters of the novel on multiple levels. Day-Lewis skillfully turns a corrupt, arrogant lawyer into someone who admirably refuses to be anything but himself, while Pfeiffer hides a stubbornness and frustration within Olenska. But it’s Ryder who best portrays her character's complexity, Welland’s wide-eyed gaze concealing secret manipulations. All of them drive this story that not only mourns for lost love, but acts as a mourning for a lost Golden Age.

Genre: Drama, Romance

Actor: Alec McCowen, Alexis Smith, Brian Davies, Carolyn Farina, Catherine Scorsese, Charles Scorsese, Cindy Katz, Clement Fowler, Daniel Day-Lewis, Domenica Cameron-Scorsese, Geraldine Chaplin, Howard Erskine, Joanne Woodward, John McLoughlin, Jonathan Pryce, June Squibb, Kevin Ash, Linda Faye Farkas, Martin Scorsese, Mary Beth Hurt, Michael Gough, Michelle Pfeiffer, Miriam Margolyes, Norman Lloyd, Pasquale Cajano, Patricia Dunnock, Richard E. Grant, Robert Sean Leonard, Siân Phillips, Siân Phillips, Stuart Wilson, Thomas Barbour, Thomas Gibson, Tracey Ellis, W.B. Brydon, Winona Ryder

Director: Martin Scorsese

Rating: PG

An instant classic, Beast of No Nation is a unique and uniquely-paced war drama which ranges in patterns from explosive visual storytelling to calm character studies. A child joins a rebel group consisting almost entirely of children and led by a charismatic leader credited as Commandant. As you get to witness the conflict through the child’s eyes, his own development and his commander’s, the film unfolds as an exploration of the never ending state of war in Africa. It takes you to varying conclusions, most of which you will have trouble admitting you’ve reached. As Commandant, Idris Elba is transfixing, and the whole cast of almost entirely non-actors, as well as the deeply authentic staging by True Detective and Sin Nombre director Cary Fukunaga, are enthralling.

Genre: Drama, War

Actor: Abraham Attah, Ama K. Abebrese, Andrew Adote, Cary Joji Fukunaga, Cornelius Keagon, David Dontoh, Emmanuel 'King Kong' Nii Adom Quaye, Emmanuel Affadzi, Emmanuel Nii Adom Quaye, Francis Weddey, Fred Nii Amugi, Grace Nortey, Idris Elba, John Arthur, Jude Akuwudike, Kobina Amissah Sam, Kurt Egyiawan, Nana Mensah, Nataliah Andoh, Opeyemi Fagbohungbe, Richard Pepple, Ricky Adelayitor

Director: Cary Fukunaga, Cary Joji Fukunaga

Rating: Not Rated

A classic text of English literature classes is handsomely brought to life in this screen translation of the still-radical play An Inspector Calls. The Birlings, a wealthy industrialist family thriving in 1912 England, have a cozy family celebration shattered by the arrival of a police inspector investigating the suicide of a young working-class woman. But that’s not the only bubble that’s burst: as Inspector Goole (David Thewlis) interviews the family — gradually revealing the part each played in forcing the woman to such a desperate state — he holds a mirror up to the casual cruelty and entitlement with which the Birlings move through the world. Part of what makes JB Priestley’s original play so enduring is how these characters are used as a wider metaphor for their social classes, and that translates with delicate but undeniable force here. A damning indictment of individualism and blind privilege on original publication in 1945, this is a story that retains the same relevance and power today.

Genre: Crime, Drama, Mystery, Thriller, TV Movie

Actor: Chloe Pirrie, Chrissie Chow, David Thewlis, Donnie Yen, Eric Tsang, Finn Cole, Flora Nicholson, Hans Zhang, Herman Yau, Karena Ng, Ken Stott, Kyle Soller, Lam Ka-tung, Liu Yan, Louis Koo, Lucy Chappell, Miranda Richardson, Raymond Wong, Sophie Rundle, Teresa Mo, Wanda Opalinska

Director: Aisling Walsh, Herman Yau, Raymond Wong

Rating: TV-PG