382 Best Dramas Movies to Watch On Itunes Canada (Page 3)

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Being an intimate, black-and-white portrayal of just two people, it is worth mentioning the two leads in the very first sentence: Blue Jay stars the incredibly versatile Sarah Paulson, who most of you will know from her depiction of Marcia Clark in The People vs. O.J., and Mark Duplass from Creep. In this incredibly intricate dialogue-driven drama, he is of course named Jim, a regular guy with some issues, who runs into his high-school sweetheart Amanda at the grocery store. She is only in town briefly because her sister is having a baby. Amanda agrees to have coffee with him, later they get beer and jellybeans, and find themselves recreating silly tapes at his late mother's house that they use to make when they were still at school. This could quickly become a soppy affair if it wasn't for the heart-felt realness of the acting, for lack of a better term, and all the fine details that the two leads bring to the screen. The chemistry between them is something to behold!

Genre: Drama, Romance

Actor: Alex Lehmann, Clu Gulager, James Andrews, Mark Duplass, Sarah Paulson

Director: Alex Lehmann, Alexandre Lehmann

Rating: Not Rated, Unrated

Told through a series of flashbacks and personal archival footage, Beginners gives us the story of Oliver (Ewan McGregor), a 38-year-old graphic designer from Los Angeles, and his two parents across three timeframes. Oliver has never had a meaningful relationship. Six months after his mother dies, his father, Hal, played by the amazing, Academy Award-winning, and, sadly, late Christopher Plummer, comes out to Oliver. He lives the last days of his life in liberation and, well, gaiety, before protracting terminal cancer. Some months later, Oliver meets Anna at a party, a young French actress (Mélanie Laurent) who is beautiful and warm-hearted, and they start an affair. Through this all, there's Arthur, a Parson Jack Russell. But don't worry. He doesn't talk. Beginners is a beautiful and intricate film about finding love and happiness. It's funny, warm, and sincere. A beautiful movie.

Genre: Comedy, Drama, Romance

Actor: AlgeRita Wynn, Algerita Wynn Lewis, Amanda Payton, Bambadjan Bamba, Bruce French, Catherine McGoohan, China Shavers, Christopher Plummer, Cosmo, Ewan McGregor, Goran Visnjic, Jennifer Hasty, Joanna Trzepiecinska, Jodi Long, Jose Yenque, Kai Lennox, Keegan Boos, Lana Young, Lou Taylor Pucci, Luke Diliberto, Mélanie Laurent, Maria Semotiuk, Mary Page Keller, Mélanie Laurent, Melissa Tang, Michael Chieffo, Patrick Birkett, Patryk Wisniewski, Rafael J. Noble, Reynaldo Pacheco, Rodney Saulsberry, Terry Walters, Tymon Tymanski

Director: Mike Mills

Rating: N/A, R

There are movies that leave you matured after you finished watching. You mature because you are forced to walk in someone's shoes and confront yourself with issues that you are not affected by. The Sea Inside is one of those movies –⁠ and won an Academy Award and a Golden Globe for it. Directed by Alejandro Amenábar, who you might know as the director of The Others, it tells the true story of Ramón Sampedro's decade-long fight for the right to end his own life. After he became quadriplegic after a diving accident, he was confined to the same bed in the same room for 26 years, except when he visited the hospital. Not an easy subject to say the least but Amenábar helps the fascinating story along with stylish directing, while Javier Bardem delivers a stellar performance to go with it. Thanks also to Ramón Sampedro's sunny real-life nature, this heart-wrenching watch also has plenty of uplifting moments.

Genre: Drama

Actor: Adolfo Obregón, Alberto Amarilla, Alberto Jiménez, Alberto Jiménez, Andrea Occhipinti, Belén Rueda, Belén Rueda, Celso Bugallo, César Cambeiro, Clara Segura, Federico Pérez Rey, Francesc Garrido, Javier Bardem, Joan Dalmau, Jordi Ballester, José Luis Rodríguez, Josep Maria Pou, Julio Jordán, Lola Dueñas, Lola Dueñas, Mabel Rivera, Marta Larralde, Tamar Novas, Xosé Manuel Olveira

Director: Alejandro Amenábar

Rating: PG-13

A Good Movie to Watch features almost every work of Asghar Farhadi for the sole reason that his films, although highly acclaimed and brilliant, are criminally under-watched. As always, Farhadi offers complex, compelling, and contemporary drama and piercing insight into human relationships and emotions. Expect the twists, subtleties, and emotional limbo that you're probably familiar with from A Separation or About Elly. That said, The Past is a bit different, because, for one, it focuses on romantic relationships, and, secondly, it plays in the far more permissive world of a Parisian suburb –⁠ and not in theocratic Teheran. Independent of its location, The Past's key subject is the universally human phenomenon of having to deal with the choices made in the past. In addition to Farhadi's intricate directing and the sensitive script, it is imperative to mention the powerful performances by Ali Mosaffa, Tahar Rahim, and, above all, Bérénice Bejo. An unforgettable experience.

Genre: Drama, Mystery

Actor: Ali Mosaffa, Babak Karimi, Bérénice Bejo, Eléonora Marino, Elyes Aguis, Jeanne Jestin, Pauline Burlet, Sabrina Ouazani, Tahar Rahim, Valéria Cavalli

Director: Asghar Farhadi

Rating: PG-13

Before you press play on this movie, we highly recommend you take a few very deep breaths. This 2018 thriller is wound so tight, you will need the extra oxygen to get through it without fainting. In his directorial debut, Swedish-danish filmmaker Gustav Möller uses very little in terms of resources to create this breath-taking atmosphere. While The Guilty feels like it was made on a $100 million budget, all it physically brings to the table is one man in a dark room. It plays with our imagination instead of blinding it with special effects. Similarly, the plot is also short and sweet: a police officer is temporarily sent to do emergency dispatch, when he receives a call that turns an ordinary shift into a hell ride. This is all we are going to give away before you've completed your breathing exercises. The movie's minimalist approach is held together by great acting from Jakob Cedergre, a screenplay to match, and incredible sound design. A real white-knuckle ride.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexander Clement, Anders Brink Madsen, Camilla Lau, Gustav Möller, Gustav Möller, Jacob Lohmann, Jacob Ulrik Lohmann, Jakob Cedergren, Jeanette Lindbæk, Jessica Dinnage, Johan Olsen, Katinka Evers-Jahnsen, Laura Bro, Morten Suurballe, Morten Thunbo, Omar Shargawi, Peter Christoffersen, Simon Bennebjerg

Director: Gustav Möller

Rating: R

Directed by celebrated artist-turned-filmmaker Julian Schnabel, who won an award in Cannes for it, The Diving Bell and the Butterfly is the true story of the Parisian journalist and fashion editor Jean-Dominique Bauby (Mathieu Amalric), who suffered a devastating stroke at the age of 43. Paralyzed almost completely by what is termed locked-in syndrome, his left eye was the only part of his body that he was still able to move. In a Herculean effort, Bauby learned to blink in an alphabet code that eventually enabled him to communicate. The film alternates between Bauby's interaction with his visitors and caretakers (including painstakingly dictating his memoir, the titular Le Scaphandre et le Papillon) and dream-like fantasies and memories of his life prior to paralysis. The title alludes to this juxtaposition: the diving bell representing his final state of isolation, akin to a deep-sea diver under a bell, and the butterfly as a symbol for his blinking eye and the freedom he has in his mind, dreams, and imagination. Shot from Bauby's perspective, we see what he sees. Be it his divorced but loyal wife and his family visiting him, or his old father, played by Max von Sydow, which is probably the scene in this fascinating movie that will make you lose it and weep like the rest of us.

Genre: Drama, History

Actor: Agathe de La Fontaine, Anne Alvaro, Anne Consigny, Emma de Caunes, Emmanuelle Seigner, Fiorella Campanella, Françoise Lebrun, Gérard Watkins, Isaach De Bankolé, Jean-Philippe Écoffey, Jean-Pierre Cassel, Laure de Clermont-Tonnerre, Lenny Kravitz, Marie-Josée Croze, Marina Hands, Mathieu Amalric, Max von Sydow, Michael Wincott, Nicolas Le Riche, Niels Arestrup, Olatz Lopez Garmendia, Patrick Chesnais, Talina Boyaci, Zinedine Soualem

Director: Julian Schnabel

Rating: PG-13

While billed as a “ramen western”, Tampopo satirizes plenty of other American genres, including, but not limited to: 1) the inspirational sports film, with Tampopo’s diligent training, 2) the erotic, arthouse drama through its egg yolk kiss, 3) the witty, social comedy pointing out the absurd in dinnertime tables, and 4) the melodramatic mafia romance with its room-serviced hotel getaway. But the film doesn’t buckle under the weight of carrying all these genres– instead, the customer vignettes are all delicately plated to balance out the hearty journey of a store owner learning about ramen and the bemused, yet cohesive contemplation about food. Tampopo is one of a kind.

Genre: Comedy

Actor: Akio Tanaka, Chōei Takahashi, Fukumi Kuroda, Gō Awazu, Hideji Ōtaki, Hisashi Igawa, Hitoshi Takagi, Hyōe Enoki, Isao Hashizume, Izumi Hara, Ken Watanabe, Kenso Kato, Kinzō Sakura, Kōji Yakusho, Mariko Okada, Masahiko Tsugawa, Naritoshi Hayashi, Nobuko Miyamoto, Nobuo Nakamura, Rikiya Yasuoka, Ryutaro Otomo, Toshiya Fujita, Tsutomu Yamazaki, Yoriko Dōguchi, Yoshi Katō, Zenpaku Kato

Director: Jūzō Itami

Rating: NR

In a world where mortality has been overcome, people watch in awe as the as the 118-year-old Nemo Nobody, the last mortal on Earth, nears his end. He is interviewed about his life, recounting it at three points in time: as a 9-year-old after his parents divorced, when he first fell in love at 15, and as an adult at 34. The three stories seemingly contradict each other. Utilizing non-linear cinematography, Belgian director Jaco Van Dormael presents each of these branching pathways as a version of what could have been. The result is a complex, entangled narrative. That and the movie's ensemble cast, featuring Jared Leto, Sarah Polley, and Diane Kruger, have turned Mr. Nobody into a cult classic. The soundtrack, featuring several of the beautifully restrained music by Eric Satie, is also considered a masterpiece. While it is surely not for everybody, this is trippy, intimate, and existential sci-fi at its best.

Genre: Drama, Fantasy, Mystery, Romance, Science Fiction

Actor: Aaron Landt, Alice van Dormael, Allan Corduner, Andrew Simms, Audrey Giacomini, Ben Mansfield, Carlo Mestroni, Catherine Demaiffe, Christelle Cornil, Christophe Beaucarne, Clare Stone, Daniel Brochu, Daniel Mays, David Kennedy, David Schaal, Diane Kruger, Dominique Warnier, Harold Manning, Harry Cleven, Hugo Harold-Harrison, Jack Proudlove, Jan Hammenecker, Jared Leto, Jenna Wheeler-Hughes, John Churchill, Juliette Van Dormael, Juno Temple, Laura Brumagne, Laurent Capelluto, Leni Parker, Linh Dan Pham, Lola Pauwels, Manfred Andrae, Marc Zinga, Marie-Ève Beauregard, Martin Swabey, Natasha Little, Nicholas Beveney, Noa De Costanzo, Olivier Bony, Pascal Duquenne, Philippe Godeau, Philippe Lévy, Pierre Chaves, Renaud Alcalde, Rhys Ifans, Roline Skehan, Sandrine Laroche, Sarah Gravel, Sarah Polley, Serge Larivière, Stéphane Taillasson, Sylvie Olivé, Tanya Trombetta, Tedd Dillon, Thomas Byrne, Toby Regbo, Vincent Dupont, Virginie Bordes, Vito DeFilippo

Director: Jaco Van Dormael

Rating: R

Winning him Best Director at the Academy Awards, Kenneth Lonergan's drama Manchester By the Sea is a delicate and profound study of loss and grief—and a true triumph. Its focus on characters, well-paced unfolding as well as world-class acting are only equal to the very best of European dramas. This type of quiet exploration of the possibility that grief cannot be overcome has rarely been successful in American cinema, if ever. The last best attempt was probably You Can Count on Me. Originally a playwright, this is Lonergan's third film and Manchester by the Sea is where he unveils his full potential. It follows a depressed handyman, Lee Chandler (Casey Affleck), who leads a quiet but angry life. After his brother dies, he returns to his hometown only to discover that he is the only left to take care of his teenage nephew. There, he is confronted with his past and the blue-collar community from which he was raised. Co-produced by Matt Damon, it grossed around $80 million on a budget of $8.5 million. One of the most noted films of 2016.

Genre: Drama

Actor: Allyn Burrows, Anna Baryshnikov, Anthony Estrella, Ben Hanson, Ben O'Brien, Brian A. White, C.J. Wilson, Carolyn Pickman, Casey Affleck, Christian J. Mallen, Danae Nason, Ellie Teves, Erica McDermott, Frank Garvin, Gretchen Mol, Heather Burns, Ivy O'Brien, Jackson Damon, Jami Tennille, Joe Stapleton, Josh Hamilton, Kara Hayward, Kenneth Lonergan, Kt Baldassaro, Kyle Chandler, Lewis D. Wheeler, Liam McNeill, Lucas Hedges, Matthew Broderick, Michelle Williams, Missy Yager, Nellie Lonergan, Oscar Wahlberg, Quincy Tyler Bernstine, Richard Donelly, Robert Sella, Ruibo Qian, Shawn Fitzgibbon, Stephen Henderson, Stephen McKinley Henderson, Susan Pourfar, Tate Donovan, Tom Kemp, Wendy Overly, William Bornkessel, Zain Ullah

Director: Kenneth Lonergan

Rating: R

Koreeda's troubled childhood often serves as the inspiration for his poignant Japanese dramas that deal with loss, the meaning of being a child, and of being parent. In Like Father, Like Son, Ryota Nonomiya (Masaharu Fukuyama), a hard-working architect, who is married to his work, comes home from work. He receives a call from the hospital where his son Keita was born and learns that he was switched at birth with their biological son Ryūsei. His wife and him are not only faced with the prospect of having to switch the two six-year-olds back, but also with the rickety family his 'real' son grew up in—and his aversion to what they stand for. But who is real and who isn't? Must they be switched back? The age-old question of nature vs. nurture and the relationship of love and biology is at the heart of the parent's struggle. As always with Koreeda's works, the result is soft-spoken, sensitive, and symphonically directed. Winner of the Jury Prize at Cannes.

Genre: Drama, Family

Actor: Arata Iura, Hana Kino, Hiroshi Ôkôchi, Ichirō Ogura, Isao Natsuyagi, Jun Fubuki, Jun Kunimura, Kazuaki Shimizu, Kazuya Takahashi, Keiji Nakazawa, Keita Ninomiya, Ken Ochiai, Kirin Kiki, Kōichi Kitamura, Lily Franky, Machiko Ono, Maki Yoko, Masaharu Fukuyama, Megumi Morisaki, Meguri Hiroo, Natsuki Inaba, Pierre Taki, Rina Endou, Sasaki Masakazu, Shogen Hwang, Tetsushi Tanaka, Tomomitsu Adachi, Tomoya Nakamura, Yamamoto Shuri, Yo Yoshida, Yoh Yoshida, Yôko Maki, Yuji Yoshimasu, Yujiro Komura, Yuri Nakamura, 福山雅治

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: Not Rated

Ex Machina is the directorial debut of Alex Garland, the writer of 28 Days Later (and 28 Weeks Later). It tells the story of Caleb (Domhnall Gleeson from About Time), an IT developer who is invited by a billionaire CEO to participate in a groundbreaking experiment—administering a Turing test to a humanoid robot called Ava (Alicia Vikander). Meeting the robot with feelings of superiority at first, questions of trust and ethics soon collide with the protagonist's personal views. While this dazzling film does not rely on them, the visual effects and the overall look-feel of Ex Machina are absolutely stunning and were rightly picked for an Academy Award. They make Ex Machina feel just as casually futuristic as the equally stylish Her and, like Joaquin Phoenix, Gleeson aka Caleb must confront the feelings he develops towards a machine, despite his full awareness that 'she' is just that. This is possibly as close to Kubrick as anyone got in the 21st century. Ex Machina is clever, thrilling, and packed with engaging ideas.

Genre: Drama, Science Fiction

Actor: Alex Garland, Alicia Vikander, Chelsea Li, Claire Selby, Corey Johnson, Domhnall Gleeson, Elina Alminas, Gana Bayarsaikhan, Oscar Isaac, Sonoya Mizuno, Symara A. Templeman, Symara Templeman, Tiffany Pisani

Director: Alex Garland

Rating: R

Poland's nomination for Best Foreign Language Film at the 2020 Academy Awards may have lost to Parasite, but director Jan Komasa's film is still utterly compelling. The crazy sounding premise is inspired by true events: after having had a transformative experience in jail, an ex-convict, played by the wiry, blue-eyed Bartosz Bielenia, decides he wants to become a priest. When he is told that his criminal history prohibits it, he goes down the path that got him into trouble in the first place and just pretends he is. Apparently, he does so quite convincingly—and serves the community well, which is collectively grieving for the victims of a tragic accident. For all his charisma, there's no way not to root for the crooked clergyman conning his way to the top. The complex character at the heart of Corpus Christi is refreshing and three-dimensional, and the smart writing of the film excels at exploring they grey areas of truth and religion. The ending, too, circumvents the soppy and the melodramatic. Thought-provoking European drama.

Genre: Drama

Actor: Łukasz Simlat, Aleksandra Konieczna, Anna Biernacik, Barbara Jonak, Barbara Kurzaj, Bartosz Bielenia, Eliza Rycembel, Jakub Sierenberg, Juliusz Chrząstowski, Leszek Lichota, Lidia Bogacz, Lidia Bogaczówna, Łukasz Simlat, Tomasz Ziętek, Tomasz Ziętek, Zdzisław Wardejn, Zdzisław Wardejn, Томаш Зитек

Director: Jan Komasa

Russel Crowe, Nicole Kidman, and the immensely talented young actor Lucas Hedges (Manchester By the Sea) form an amazing pack of talent in this excellent drama. The story is based on the memoir by Garrard Conley, a true story. Set among deeply pious Christians in Arkansas, Hedges plays 18-year-old Jared Eamons, who discovers that he is gay. Crowe plays the father, a car dealer and a preacher, and Kidman the mom, who is a sweet-natured hairdresser with traditional values. When their son comes out to them after concealing his sexuality for some time, they pressure Jared into going to a Christian conversion camp, where his “lifestyle choice” is to be “prayed away”. The unspeakable camp is led by the Victor Sykes, who is as sinister as he is stupid, played with aplomb by Joel Edgerton, the writer and director. It's a funny sidenote to a serious movie that many actors in this Southern drama are from Australia, including Edgerton, Crowe, and Kidman as well as Red Hot Chili Peppers bass player extraordinaire, Flea, who plays a drill-instructor-type PE teacher at the camp. The powerful performances are indeed what drive this drama and they contribute significantly to telling a story that needed to be told.

Genre: Drama

Actor: Brasher Russell, Britton Sear, Cherry Jones, David Ditmore, David Joseph Craig, Drew Scheid, Emily Hinkler, Flea, Frank Hoyt Taylor, Jason Davis, Jesse LaTourette, Jesse Malinowski, Joe Alwyn, Joel Edgerton, Joy Jacobson, Kevin Linehan, Lindsey Moser, Lucas Hedges, Madelyn Cline, Malerie Grady, Matt Burke, Nicole Kidman, Paige Henry, Randy Havens, Russell Crowe, Théodore Pellerin, Tim Ware, Troye Sivan, Victor McCay, Will Kindrachuk, William Ngo, Xavier Dolan

Director: Joel Edgerton

Rating: R

More simply called La Vie d'Adèle in its native language, this French coming-of-age movie was hugely successful when it came out and was probably one of the most talked-about films of the time. On the one hand, the usual puritans came to the fore, criticizing the lengthy and graphic sex scenes. On the other hand, Julie Maroh, who wrote the source material that inspired the script, denounced Franco-Tunisian filmmaker Abdellatif Kechiche for directing with his d*ck, if you don't mind me saying so, while also being an on-set tyrant. Whatever you make of this in hindsight, the only way to know is to watch this powerfully acted drama about the titular Adèle (Adèle Exarchopoulos), and her infatuation with Emma, a free-spirited girl with blue hair, played by Léa Seydoux. The film beautifully and realistically portrays Adele's evolution from a teenage high-school girl to a grown, confident woman. As their relationship matures, so does Adèle, and she slowly begins to outgrow her sexual and philosophical mentor. Whatever your final verdict on the controversial sex scene, Blue Is the Warmest Color is without doubt an outstanding film as are the performances from Exarchopoulos and Séydoux.

Genre: Drama, Romance

Actor: Adèle Exarchopoulos, Alain Duclos, Alika Del Sol, Alma Jodorowsky, Anne Loiret, Aurélien Recoing, Aurelie Lemanceau, Aurélien Recoing, Baya Rehaz, Benjamin Siksou, Benoît Pilot, Benoît Pilot, Bouraouïa Marzouk, Camille Rutherford, Catherine Salée, Catherine Salée, Éric Paul, Fanny Maurin, Halima Slimani, Jérémie Laheurte, Jérémie Laheurte, Judith Hoersch, Justine Nissart, Karim Saidi, Klaim Nivaux, Léa Seydoux, Maelys Cabezon, Maud Wyler, Mona Walravens, Quentin Médrinal, Salim Kechiouche, Samir Bella, Sandor Funtek

Director: Abdellatif Kechiche

Rating: NC-17

In Aftersun, Sophie recalls a holiday she took as an eleven-year-old in the ‘90s with her father. Video recordings help jog her memory, but she’s looking for more than just a blast from the past. Rather, she seems to be seeking answers to fill in the gaps between who she knew as her father and who he really was: an immensely nice but deeply troubled man.

At first, Aftersun looks like a simple but beautiful story about father and daughter bonding over the course of a summer trip. But within minutes, it’s clear that there are layers to Aftersun, emotionally and editorially, that aren’t always explained but nonetheless enrich the movie with profound meaning. Stirring, complex, and surprisingly inventive, it’s not surprising that Aftersun is one of the most beloved films of the past year. 

Genre: Drama

Actor: Celia Rowlson-Hall, Frankie Corio, Harry Perdios, Kieran Burton, Paul Mescal, Sally Messham, Sarah Makharine, Sophia Lamanova, Spike Fearn

Director: Charlotte Wells

Rating: R