90 Best Dramas based on a book Movies to Watch On Itunes (Page 2)

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Adapted from the Japanese film Ikiru, which in turn was adapted from the Russian story The Death of Ivan Ilyich, Living is a parable about, well, living. Specifically, it's about the importance of wonder and the magic of the mundane. It's also about legacy and the stories we leave in our wake, which live on long after we're gone. This familiar premise could have very easily been turned into another trite and cheesy movie that warns you to make the most out of your life, but thanks to a lean script, assured camerawork, and powerfully restrained performances, Living is elevated into something more special than that. It’s a technically beautiful, well told, and profoundly moving film, with Bill Nighy giving a career-best turn as a repressed man aching for meaning in his twilight years. 

Genre: Drama

Actor: Adrian Rawlins, Aimee Lou Wood, Alex Sharp, Barney Fishwick, Bill Nighy, Celeste Dodwell, David Summer, Edward Wolstenholme, Eunice Roberts, Ffion Jolly, Grant Gillespie, Hubert Burton, Jamie Wilkes, John MacKay, Jonathan Keeble, Lia Williams, Mark James, Matilda Ziegler, Michael Cochrane, Michael James, Nichola McAuliffe, Nicky Goldie, Oliver Chris, Patsy Ferran, Richard Cunningham, Robin Sebastian, Rosie Sansom, Thomas Coombes, Tom Burke, Zoe Boyle

Director: Oliver Hermanus

With his final film, octogenarian master filmmaker Robert Bresson found the violent, chilling truth in that old cliché, “money is the root of all evil.” L’Argent extends the simplicity of its title (literally, “Money”) into the fabric of the film, using an extremely bare style to track the devastating domino effect that a childish ruse has on one man’s life. When a shopkeeper realizes two schoolboys swindled him out of 500 francs with a counterfeit note, he decides to pass the problem on by paying delivery man Yvon (Christian Patey) with the false note. But when Yvon tries to pay for his lunch with the money, the police are called and his life unravels.

This is just the start of L’Argent’s clinical exploration of the meanness and littleness of man’s greedy spirit. Yvon’s downfall is chronicled with matter-of-fact coldness: everything onscreen is minimal, from the precise cinematography and frugal editing to the non-professional actors’ expressionlessness. This detached style encourages us to absorb all the bitter emotion of the story, which feels — in such an economical format as this — like a moral tale as old as time, but no less cutting.

Genre: Crime, Drama

Actor: Caroline Lang, Christian Patey, Michel Briguet, Sylvie Van Den Elsen, Vincent Risterucci

Director: Robert Bresson

A seven year old Bryce (Callan McAuliffe) moves to a new neighbourhood across the street from a very spirited little girl named Juli (Madeline Carroll). She falls in love at first sight much to the dismay of the shy young lad. For the next six years, Juli overwhelms Bryce with her affections until a series of events and misunderstandings leaves her heartbroken and angry at him. Fed up, Juli begins to ignore him. However, her absence triggers a change of heart as Bryce realizes his fondness of her. He will do anything to win her back. The whole film, set in the late fifties holds the warmth and charm of small town living. With a balance of passion and playfulness, the extraordinary young cast are brilliant in their roles. Based on the novel by Wendelin Van Draanen, this endearing story of young puppy love, will make your heart melt!

Genre: Comedy, Drama, Romance

Actor: Aidan Quinn, Anthony Edwards, Ashley Taylor, Callan McAuliffe, Cody H. Carolin, Cody Horn, Inga R. Wilson, Israel Broussard, John Mahoney, Kevin Weisman, Madeline Carroll, Matthew Gold, Michael Bolten, Morgan Lily, Patricia Lentz, Penelope Ann Miller, Rebecca De Mornay, Ryan Ketzner, Shane Harper, Stefanie Scott, Wallace Bridges

Director: Rob Reiner

Rating: PG

An absolutely beautiful film about superficiality, arrogance, and heartbreak. It focuses on the life of Aydin, a retired actor who now lives very comfortably managing a small hotel and a number of other small properties. Throughout the film Aydin's image shifts as he tackles the problems of his rather typical life. Having said this, there is nothing else typical about this film. It captures human relationships with an almost frightening precision. It almost feels as though you have an inside view into someone's actual life as Aydin battles it out with his sister Necla and his young wife Nihal. To me this is easily one of the best dramas of the decade, and if you so much as like movies that focus on humans and their interactions, it will be that for you too.  Nuri Bilge Ceylan will make 3 hours pass more quickly than they ever have before.

Genre: Drama

Actor: Ayberk Pekcan, Demet Akbag, Ekrem İlhan, Emirhan Doruktutan, Haluk Bilginer, Mehmet Ali Nuroğlu, Mehmet Ali Nuroğlu, Melisa Sözen, Nadir Sarıbacak, Nadir Sarıbacak, Nejat İşler, Nejat İşler, Serhat Kılıç, Serhat Mustafa Kılıç, Serhat Mustafa Kılıç, Tamer Levent

Director: Nuri Bilge Ceylan

Rating: Not Rated, Unrated

Based on the Austrian novel, The Piano Teacher is as brilliant and as disturbed as its protagonist. The film follows Erika Kohut (Isabelle Huppert), the repressed masochist in question, and the trainwreck of a relationship that she develops with her student Walter Klemmer (Benoît Magimel). Their dynamic is undeniably toxic. Austrian auteur Michael Haneke frames each scene with clinical detachment, but it is absolutely brutal how the two characters try to assert control over each other, engage in sadomasochism, and repeatedly violate each other’s boundaries. Huppert’s heartrending performance fully commits to the merciless treatment Erika receives. But more tragic is the way Erika’s unusual relationship could’ve freed her, could’ve helped her process her abuse, and instead, reinforces her repression. It’s scary to make yourself vulnerable by admitting your desires, only for them to be used against you.

Genre: Drama, Romance

Actor: Anna Sigalevitch, Annemarie Schleinzer, Annie Girardot, Benoit Magimel, Cornelia Köndgen, Dieter Berner, Eva Green, Gabriele Schuchter, Georg Friedrich, Gerti Drassl, Isabelle Huppert, Karoline Zeisler, Klaus Händl, Liliana Nelska, Michael Schottenberg, Rudolf Melichar, Susanne Lothar, Thomas Weinhappel, Udo Samel, Vivian Bartsch, William Mang

Director: Michael Haneke

Rating: R

Before Turning Red and Crazy Rich Asians, there was The Joy Luck Club. Based on the bestselling novel, the film adaptation centers around the four Chinese-American women and their relationships with their mainland-born mothers. Explaining that the club isn’t particularly joyful or lucky, the film starts from June’s perspective, a perspective of a Chinese-American woman who’s lived all her life in America. However, through strategic screenplay structure and effective sequence arrangement, we learn the struggles of the founding club members, the struggles that brought them to another country, which forms the dynamics between them and their American daughters. Because of how comprehensive and layered the film is, this underrated film adaptation is a phenomenal take on the immigrant experience. Tears are inevitable with how they deal with difficulties, but so is hope.

Genre: Drama

Actor: Andrew McCarthy, Chao Li Chi, Christopher Rich, Diane Baker, Fen Tian, France Nuyen, Irene Ng, Kiều Chinh, Lauren Tom, Lisa Lu, Michael Paul Chan, Ming-Na Wen, Philip Moon, Rosalind Chao, Russell Wong, Tamlyn Tomita, Tsai Chin, Victor Wong, Vivian Wu, Yu Feihong

Director: Wayne Wang

Rating: R

You've probably watched and heard about enough Holocaust films to expect a formula, but you might want to put all that aside going into The Boy in Striped Pajamas. Bruno, the son of a WWII Nazi commandant forms an unlikely friendship with a Jewish kid his age in his father's concentration camp. The film is World War II told through Bruno's eyes, and while you might not get why this movie is so highly praised in its first scenes, the twisting and profound second half will have you recommending it to everyone in need of a moving story well executed, or quite simply a good cry.

Genre: Drama, Family, History, War

Actor: Amber Beattie, Asa Butterfield, Béla Fesztbaum, Cara Horgan, Charlie Baker, David Hayman, David Thewlis, Domonkos Nemeth, Gábor Harsai, Henry Kingsmill, Iván Verebély, Jack Scanlon, Jim Norton, Julia Papp, László Áron, Mihály Szabados, Richard Johnson, Rupert Friend, Sheila Hancock, Vera Farmiga, Zac Mattoon O'Brien, Zsolt Sáfár Kovács, Zsuzsa Holl

Director: Mark Herman

Rating: PG-13

Stand By Me follows four young friends as they journey around their small town searching for a rumored dead body. On the surface, it moves like an adventure story. The boys narrowly avoid guard dogs and leeches, speeding trains and tough teen gangs. But along the way, they also learn much about each other, in particular about the stark reality of their home lives and the growing depths of their inner struggles, so that beneath all the small-time thrill is a beating coming-of-age story. 

Based on a novella by horror master Stephen King, Stand By Me is terrifying in its ability to evoke the unique thorniness of passing through the gates of adulthood, but also warm and comforting in its reminder of the universality of this feeling.

Genre: Adventure, Crime, Drama

Actor: Bradley Gregg, Bruce Kirby, Casey Siemaszko, Chance Quinn, Corey Feldman, Dick Durock, Frances Lee McCain, Gary Riley, Jason Naylor, Jason Oliver, Jerry O'Connell, Jerry O'Connell, John Cusack, Kent W. Luttrell, Kiefer Sutherland, Korey Scott Pollard, Madeleine Swift, Marshall Bell, Matt Williams, O.B. Babbs, Richard Dreyfuss, River Phoenix, Scott Beach, Wil Wheaton, William Bronder

Director: Rob Reiner

Rating: R

Martin Scorsese — plus screenwriter Paul Schrader, editor Thelma Schoonmaker, and cinematographer Robert Richardson — reimagine nocturnal New York City as an eternally flaming circle of hell in this darkly funny fever dream. Frank Pierce (Nicolas Cage) is an insomniac paramedic who’s haunted by the ghosts of all the lives he couldn’t save and is on a nightmarish run of losing every patient he tries to help. There’s no respite for him anywhere; he’s so burnt out he begs to be fired, but the city is so desperate they won’t let him leave their tired ranks of medics, who are mostly jaded, sometimes sadistic, and yet still addicted to the euphoric high of saving a life.

As Frank is pushed ever closer to breaking point, the film takes on the hallucinatory qualities of his perspective, the cinematography growing feverish and the editing powered by a wild, manic energy. What stops the movie from feeling like a spiral into actual hell is the strange light that keeps Frank returning to work — the perpetual need for redemption and grace that prevents him from becoming cold to his job but makes his sanity fragile. In typical Scorsese-Schrader style, this is a raw, visceral, and very human search for grace in an unsparing urban hellscape.

Genre: Drama, Horror, Thriller

Actor: Afemo Omilami, Aida Turturro, Aleks Shaklin, Andy Davoli, Antone Pagán, Arthur J. Nascarella, Bernie Friedman, Betty Miller, Brian Smyj, Bronson Dudley, Catrina Ganey, Charis Michelsen, Cliff Curtis, Craig muMs Grant, Cullen O. Johnson, David Zayas, Ed Jupp Jr., Floyd Resnick, Frank Ciornei, Fuschia!, Graciela Lecube, Jack O'Connell, James Hanlon, Jesse Malin, John Goodman, John Heffernan, Jon Abrahams, Joseph P. Reidy, Judy Reyes, Julyana Soelistyo, Larry Fessenden, Leonid Citer, Lia Yang, Marc Anthony, Mark Giordano, Martin Scorsese, Mary Beth Hurt, Mary Diveny, Marylouise Burke, Matthew Maher, Melissa Marsala, Michael Carbonaro, Michael Kenneth Williams, Michael Mulheren, Mtume Gant, Nestor Serrano, Nicolas Cage, Omar Scroggins, Patricia Arquette, Phyllis Somerville, Queen Latifah, Raymond Cassar, Richard Spore, Sonja Sohn, Sylva Kelegian, Terry Serpico, Theo Kogan, Tom Cappadona, Tom Riis Farrell, Tom Sizemore, Ving Rhames

Director: Martin Scorsese

Rating: R

In a different change of pace, this biopic focuses on John Lennon’s reckless adolescence and family life instead of his soon-to-be iconic music. It brings an epic rockstar many of us have known our entire lives down to a more relatable level. The young Aaron Taylor-Johnston gives a very angsty performance which feels a little over the top at times. Anne-Marie Duff does comes off too flirtatious for a newly formed mother-son relationship but Kristin Scott Thomas outshines them all with her steely demeanor.

Genre: Drama

Actor: Aaron Taylor-Johnson, Andrew Buchan, Angela Walsh, Angelica Jopling, Anne-Marie Duff, Baillie Walsh, Chris Coghill, Colin Tierney, Dan Armour, Daniel Ross, David Morrissey, David Threlfall, Jack McElhone, Josh Bolt, Kerrie Hayes, Kristin Scott Thomas, Lizzie Hopley, Ophelia Lovibond, Paul Ritter, Richard Syms, Richard Tate, Sam Bell, Sam Wilmott, Simon Lowe, Thomas Brodie-Sangster

Director: Sam Taylor-Johnson

Rating: R

Before The Silence of the Lambs and Anthony Hopkins’ Hannibal, there was Manhunter and Brian Cox’s deeply unnerving Dr. Lecktor. Michael Mann’s neon-lit serial-killer thriller follows Will Graham (William Petersen), a retired FBI agent lured back to work by a psychotic mass murderer whom no one at the Bureau can catch. But Will has something no one else on the force does: he was so committed to tracking down the now-imprisoned Lecktor that he developed an ability to warp his mind into that of a deranged killer, seeing a kind of logic in their madness that allows him to hunt them down. 

While that’s a professional superpower of sorts, it’s also a point of insecurity and a source of deep torture for Will, who struggles with the burden of his extraordinary empathy. Manhunter is thus a different kind of psychological thriller: while its dive into the depraved minds of Lecktor and the Tooth Fairy is certainly disturbing, it’s the obsessive, sanity-smashing effect the investigation has on Will that is most terrifying. Add to that Dante Spinotti’s impossibly vivid cinematography, Tom Noonan’s shudder-inducing performance as the voyeuristic Tooth Fairy, and the film’s surprisingly layered treatment of the murderer, and this is the serial-killer movie to end all others.

Genre: Crime, Drama, Horror, Thriller

Actor: Alexandra Neil, Annie McEnroe, Benjamin Hendrickson, Bill Cwikowski, Bill Smitrovich, Brian Cox, Chris Elliott, Cynthia Chvatal, Dan Butler, David Allen Brooks, David Seaman, Dennis Farina, Elisabeth Ryall, Frankie Faison, Garcelle Beauvais, Jim Zubiena, Joan Allen, Joanne Camp, John Posey, Ken Colquitt, Kim Greist, Kin Shriner, LA Winters, Marshall Bell, Michael D. Roberts, Michael Talbott, Michele Shay, Norman Snow, Pat Williams, Patricia Charbonneau, Paul Perri, Peter Maloney, Robin Moseley, Stephen Lang, Tom Noonan, William Petersen

Director: Michael Mann

There are a striking number of similarities between Priscilla and director Sofia Coppola’s earlier offering, Marie Antoinette: both revolve around 14-year-old girls hand-picked to be partners to more powerful men in long-unconsummated relationships, and both girls are emotionally cut adrift and forced to live in gilded cages. But where Coppola’s Barbie-pink historical biopic is punkily anachronistic and riotous, Priscilla is a far more muted affair. There are no wild parties at Graceland as there were at Versailles; instead, Priscilla’s emotional isolation, thousands of miles away from her family, is made disconcertingly clear in shots of the infatuated teenager (played by Cailee Spaeny) anxiously ruminating alone in endless lavish rooms while the decade-older King (Jacob Elordi) plays away. Elvis’ emotional manipulation of Priscilla is conveyed subtly but inescapably — and the full sickening, insidious effect comes to the fore thanks to Spaeny’s astonishing performance. Based on Priscilla Presley’s own memoir, this is a bubble-bursting biopic, and it’s so compelling and painfully immersive that we never feel, even for a moment, like we’re watching the B side — instead, Spaeny and Coppola convincingly assert that this was the real story all along.

Genre: Drama, Romance

Actor: Alanis Peart, Ari Cohen, Cailee Spaeny, Conni Miu, Dagmara Domińczyk, Dan Abramovici, Dan Beirne, Deanna Jarvis, E. Fegan DeCordova, Gwynne Phillips, Jacob Elordi, Jorja Cadence, Josette Halpert, Kamilla Kowal, Kelaiah Guiel, Kelly Penner, Luke Humphrey, Lynne Griffin, Mary Kelly, Olivia Barrett, R Austin Ball, Rodrigo Fernandez-Stoll, Sarah Dodd, Stephanie Moore, Stephanie Moran, Tim Dowler-Coltman, Tim Post

Director: Sofia Coppola

Rating: R

"Many's the person missed the opportunity to say nothing and lost much because of it."

The Quiet Girl takes the troubled, reserved nature of Cáit (Catherine Clinch) as she's swallowed by the discord in her evergrowing family, who treats her as an outcast, and fills the film with her serene, observatory perspective. Long sequences with little to no dialogue and an expansive countryside give way to the emotional thrum of this found-family drama. The simplicity in every frame befits a child's innocence, and every visual and sonic decision reinforces that wonderfully. Loving and nurturing a child is a straightforward concept, and The Quiet Girl never complicates it. Without saying much, it says it all. 

Genre: Drama

Actor: Aine Hayden, Andrew Bennett, Carolyn Bracken, Carrie Crowley, Catherine Clinch, Joan Sheehy, Kate Nic Chonaonaigh, Marion O'Dwyer, Michael Patric, Neans Nic Dhonncha

Director: Colm Bairéad

This coming-of-age story based on the bestseller by the same name starts fun but veers towards darker territory. It's about a high-schooler who makes two older friends, played perfectly by Ezra Miller and Emma Watson. But as he gets closer to one of them, his anxieties and past trauma come to the surface. The impressive depth to which the makers of The Perks of Being a Wallflower were able to take it is what elevates it to greatness. It's the perfect mix between easy and challenging. If there is ever such a thing, it's this movie.

Genre: Comedy, Drama

Actor: Adam Hagenbuch, Brian Balzerini, Chelsea Zhang, Dihlon McManne, Dylan McDermott, Emily Marie Callaway, Emma Watson, Erin Wilhelmi, Ezra Miller, Joan Cusack, Joe Fishel, Johnny Simmons, Jordan Paley, Julia Garner, Kate Walsh, Landon Pigg, Leo Miles Farmerie, Logan Lerman, Mae Whitman, Mark McClain Wilson, Melanie Lynskey, Morgan Wolk, Nicholas Braun, Nina Dobrev, Patrick de Ledebur, Paul Rudd, Reece Thompson, Stacy Chbosky, Stephen Chbosky, Tom Savini, William L. Thomas, Zane Holtz

Director: Stephen Chbosky

Rating: PG-13

One of The Drop's many strengths is its dark, clever, yet compassionate script. It will take you into the heart of the Brooklyn crime scene through the characters and their respective more or less fragile lifestyles. The extremely good performances, however, soon become the focus and attire of the film. James Gandolfini couldn't be more at home in this context and excels with his usual menace, yet somehow relatable presence. Tom Hardy, however, surprises in unfamiliar grounds, sharply portraying a vulnerable character, whose vulnerability you will keep doubting. The Drop is consistent from start to finish, and with jaw-dropping moments here and there, it is both an interesting and enjoyable film.

Genre: Crime, Drama, Mystery

Actor: Alex Ziwak, Ann Dowd, Chris Sullivan, Danny McCarthy, Elizabeth Rodriguez, Erin Darke, Jack Dimich, James Colby, James Frecheville, James Gandolfini, Jeremy Bobb, Jessica Tate, John Di Benedetto, John Ortiz, Khan Baykal, Lucas Caleb Rooney, Matthias Schoenaerts, Michaël R. Roskam, Michael Aronov, Michael Esper, Michael O'Hara, Mike Houston, Morgan Spector, Noomi Rapace, Patricia Squire, Robert Turano, Ross Bickell, Scott Johnsen, Tobias Segal, Tom Hardy

Director: Michael R. Roskam, Michael Roskam

Rating: R