4 Best Chilling Horror Movies Movies to Watch

Staff & contributors
In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Genre: Drama, Horror

Actor: Adam Morgan, Barbara West, Ben Winspear, Benjamin Winspear, Carmel Johnson, Cathy Adamek, Chloe Hurn, Craig Behenna, Daniel Henshall, Essie Davis, Hayley McElhinney, Jacquy Phillips, Michael Gilmour, Michelle Nightingale, Noah Wiseman, Peta Shannon, Pippa Wanganeen, Stephen Sheehan, Terence Crawford, Tiffany Lyndall-Knight, Tim Purcell

Director: Jennifer Kent

Rating: Not Rated

Right off the bat, Bad Things looks gorgeous. Shot in 16mm, it plays with dreamy pastels and 1970s aesthetics, all while having its all-queer cast roam around the hotel’s haunted halls in mesmerizing ways. The setup is straightforward, but not too obvious: Ruthie’s problems with her girlfriend and her mother are exacerbated by the hotel’s strange and haunted aura. At this point, Bad Things hints at being an arthouse, slasher, and psychological thriller all at once, fueling anticipation for what’s to come. But as it moves along, nothing noteworthy happens. The awkward chase scenes and the overdramatic reveals kill whatever momentum the film has built, but the real problem is that it tries to juggle too many things at once. It’s creepy, but never achieves true-fright status. It’s bloody, but never fully commits to the gore. It’s smart and weird, but never goes beyond answering the very questions it poses. It’s happy to leave a lot of things unanswered, which in turn leaves us all confused, much less satisfied with what we’ve just sat through. 

Genre: Drama, Horror, Thriller

Actor: Annabelle Dexter-Jones, Gayle Rankin, Hari Nef, Jared Abrahamson, Molly Ringwald, Patrick Klein

Director: Stewart Thorndike