59 Best British Films Movies to Watch On Itunes (Page 2)

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Be prepared to have the expectations you form after reading Scrapper’s synopsis shattered: though it is about a 12-year-old dealing with grief following her mother's death, it’s remarkably upbeat. It gets that quality by positioning itself in the buoyant headspace of young Georgie, a resilient, cheeky youngster who retains much of her whimsical childlike spirit in spite of her profound bereavement. Director Charlotte Regan’s debut feature is bursting with imagination: there are surreal stylized touches all over the movie, from talking video-game-style spiders to magical realist metaphors of Georgie's grief. 

That’s not to say that Scrapper is flippant about the inherent tragedy of its story, though. As in The Florida Project, you can feel the escapist motivations of Georgie's colorful imagination, which only deepens the poignancy of her situation and the precarious relationship she forms with her father, a barely-old-enough manchild who only makes an effort to meet Georgie after her mother’s death. Amidst all the intentional artificiality of the filmmaking, their largely improvised interactions never ring false — a dynamic that’s also crucial to making the movie feel genuinely touching and real rather than saccharine and shallow. A very impressive debut, and a much-deserved recipient of Sundance’s World Cinema Grand Jury prize and a whopping 14 nominations at the BIFAs.

Genre: Comedy, Drama

Actor: Alin Uzun, Ambreen Razia, Asheq Akhtar, Aylin Tezel, Harris Dickinson, Laura Aikman, Lola Campbell, Matt Brewer, Olivia Brady, Sam Buchanan

Director: Charlotte Regan

Rating: NR

Through positively adorable characters and zero dialogue whatsoever, Shaun the Sheep Movie reminds viewers young and old of the sheer artistry that goes into a truly great children's cartoon. Animated by British stop motion godfathers Aardman Animations, the film delivers one excellent visual joke after another, while still telling a coherent story that arrives at surprisingly tender places touching on the importance of community and home. In an animation industry that's constantly trying to innovate, a movie like Shaun the Sheep stands as a reminder that there are certain fundamentals in storytelling that deserve to be preserved and passed down to every new generation. It's the loveliest thing around.

Genre: Adventure, Animation, Comedy, Family, Kids

Actor: Andy Nyman, Emma Tate, John Sparkes, Justin Fletcher, Kate Harbour, Mark Burton, Nick Park, Omid Djalili, Rich Webber, Richard Starzak, Richard Webber, Sean Connolly, Simon Greenall, Stanley Unwin, Tim Hands

Director: Mark Burton, Richard Starzak

Rating: PG

Kill Bill meets Bend It Like Beckham in this wild ride about a martial arts-obsessed British-Pakistani teenager who views her older sister’s impending marriage as a catastrophe to be averted at all costs. Aspiring stuntwoman Ria (Priya Kansara) can’t stomach the idea of free-spirited Lena (Ritu Arya) giving up on her creative dreams to marry a nauseatingly perfect man — not least because art school dropout Lena is her hero for refusing to conform to their community’s traditional ideas about respectability and success.

Polite Society makes room to sensitively explore Ria’s disappointment and the loneliness of rebellion, but writer-director Nida Manzoor doesn’t stop there, throwing in a sharp allegory disguised as a zany twist. Rather than upending our expectations for upending’s sake, the surprise metaphor refigures the movie as perceptive cultural commentary on the age-old devaluation of women as mere vessels for the next generation. What’s more, Manzoor takes the analogy full circle to thoughtfully imagine how this kind of dehumanizing misogyny might have affected previous generations, suggesting that the real villains lie offscreen. Movies as inventive and intelligent as this don’t come around often, but one that’s this funny, visually bold, unabashedly feminist, and full of stars-in-the-making is rarer still.

Genre: Action, Adventure, Comedy, Drama

Actor: Akshay Khanna, Ella Bruccoleri, Eunice Huthart, James McNicholas, Jeff Mirza, Jenny Funnell, Nimra Bucha, Priya Kansara, Rekha John-Cheriyan, Renu Brindle, Ritu Arya, Seraphina Beh, Shobu Kapoor

Director: Nida Manzoor

Remarkably for a movie about women being shunned and exploited by those more powerful than them, I Am Not A Witch is often wryly funny. That’s because this satire about Zambia’s labor camps for "witches" is told with a matter-of-fact-ness that brings out both the heartbreak and absurdity of the film’s events. The bitter gravity of the predicament nine-year-old Shula (Maggie Mulubwa) finds herself in — she’s been accused of witchcraft on the back of some very flimsy evidence — is never glossed over, but neither is its farcicality. Appropriately for its subject, there are also touches of magical realism here, notes that elevate the film into something even more complex than a wry commentary on this morbidly fascinating form of misogyny. This hybrid tonal approach is executed with the kind of fluidity filmmakers might hope to one day master late on in their career — which makes the fact that this is director Rungano Nyoni’s debut all the more extraordinary.

Genre: Drama

Actor: Dyna Mufuni, Gloria Huwiler, Henry B.J. Phiri, Maggie Mulubwa, Nancy Murilo, Nellie Munamonga, Ritah Mubanga, Travers Merrill

Director: Rungano Nyoni

A sincere portrayal of the gritty British working class life through the coming-of-age story of a girl who loves rap music and dancing to it. It features a stunning and powerful performance from newcomer Katie Jarvis who had no acting experience whatsoever, and who was cast in the street after she was spotted fighting. She plays Mia, a 15 year old teenager whose world changes drastically when her mother's new boyfriend (played by Michael Fassbender) turns his eyes to her. Don't watch this movie if you are looking for a no-brainer, definitely do watch it if you are interested in films that realistically portray others' lives and let you into them.

Genre: Drama

Actor: Anthony Geary, Carrie-Ann Savill, Charlotte Collins, Grant Wild, Harry Treadaway, Jack Gordon, Jason Maza, Joanna Horton, Katie Jarvis, Kierston Wareing, Michael Fassbender, Raquel Thomas, Rebecca Griffiths, Sarah Bayes, Sydney Mary Nash, Toyin Ogidi

Director: Andrea Arnold

Rating: Not Rated

Here’s a based-on-a-true-story courtroom drama that transcends the limits of its genre by virtue of an incisive and unexpectedly prescient script. Twenty years before 2016 sent us hurtling through the looking glass and into a post-truth era, the idea that you could deny the facts as you pleased teetered terrifyingly on the brink of legitimacy when author David Irving (a suitably odious Timothy Spall) brought a UK libel suit against Deborah Lipstadt (Rachel Weisz), an academic whom he claimed had defamed him for calling him exactly what he was: a Holocaust denier.

The case was complicated by the fact that, at the time, the UK placed the burden of proof on the defendant — in other words, Lipstadt’s hotshot legal team needed to prove that the Holocaust happened and that Irving had wilfully misrepresented evidence demonstrating this. Denial captures that terrifying farcicality and the defense’s cleverly counterintuitive strategy: not allowing Lipstadt or Holocaust survivors to speak. If that sounds unsatisfying — this is the rare courtroom drama with no grandstanding speech from the protagonist — that’s the point, something the film’s title cleverly alludes to. Perhaps unexpectedly, Denial’s relevance has ballooned since its release, a fact that might hobble its hopeful ending but that only makes the rest all the more powerful.

Genre: Drama, History

Actor: Abigail Cruttenden, Alex Jennings, Amanda Lawrence, Andrea Deck, Andrew Scott, Caren Pistorius, Daniel Cerqueira, Edward Franklin, Elliot Levey, Harriet Walter, Helen Bradbury, Hilton McRae, Ian Bartholomew, Jack Lowden, Jackie Clune, Jeremy Paxman, John Sessions, Lachele Carl, Laura Evelyn, Mark Gatiss, Max Befort, Mick Jackson, Nicholas Tennant, Nikki Amuka-Bird, Paul Bailey, Paul Hunter, Pip Carter, Rachel Weisz, Sally Messham, Sara Powell, Sean Power, Timothy Spall, Todd Boyce, Tom Clarke Hill, Tom Wilkinson, Will Attenborough, Ziggy Heath

Director: Mick Jackson

Rating: PG-13

Remember the name Rufus Norris. "Broken" is his directorial debut and he handles it like a seasoned pro. Also keep an eye out in the future for its young star, Eloise Laurence, who shows all the natural ability of a young Natalie Portman or Jodie Foster. Laurence plays "Skunk", a twelve year old trying to make sense of life - and whose task isn't made any easier by her own family's internal struggles, or the other families living in the peaceful-looking cul-de-sac where much of the action takes place. We're informed from the get-go that some sort of tragedy will befall the girl, but we don't know what shape it will take, or what the outcome of it will be. The tension builds from there, with a little relief along the way, thanks to her often-amusing performance as she witnesses the confusing actions of her elders. Tim Roth and Cillian Murphy are also in good form, both of whom seem happy to complement Laurence's presence rather than try to upstage her. "Broken" is equal parts cute, frightening, and brutally tense. It's well worth checking out.

Genre: Drama

Actor: Alicia Woodhouse, Andrew Frame, Bill Milner, Charlie Booty, Cillian Murphy, Clare Burt, David Webber, Denis Lawson, Eloise Laurence, Faye Daveney, George Sargeant, Lily James, Lino Facioli, Martha Bryant, Michael Shaeffer, Nell Tiger Free, Nick Holder, Nicola Sloane, Paul Thornley, Penny Layden, Robert Emms, Rory Kinnear, Rosalie Kosky, Seeta Indrani, Tim Roth, Zana Marjanovic

Director: Rufus Norris

Rating: Not Rated, Unrated

A recent holiday classic you likely haven't seen, Arthur Christmas uses its premise of the North Pole as a massive spy organization to touch on how commercialization tears people apart. It's a surprisingly smart film with a fascinating dynamic among its family of Santas, with an incredibly funny script full of dry, British wit. And while the animation may already look dated at first glance, Arthur Christmas more than makes up for its looks with truly imaginative art direction and director Sarah Smith's fast-paced set pieces. This is that rare Chirstmas movie that doesn't just surrender to schmaltz; the lessons learned by the characters here are unique, complex, and timeless.

Genre: Adventure, Animation, Comedy, Drama, Family, Kids

Actor: Adam Tandy, Alistair McGowan, Andy Serkis, Ashley Jensen, Bill Nighy, Brian Cummings, Bronagh Gallagher, Clint Dyer, Cody Cameron, Danny John-Jules, David Menkin, David Schneider, Deborah Findlay, Dominic West, Donnie Long, Emma Kennedy, Eva Longoria, Hugh Laurie, Iain McKee, Ian Ashpitel, Imelda Staunton, James McAvoy, Jane Horrocks, Jerry Lambert, Jim Broadbent, Joan Cusack, Julia Davis, Kerry Shale, Kevin Cecil, Kevin Eldon, Kris Pearn, Laura Linney, Marc Wootton, Michael Palin, Peter Baynham, Ramona Marquez, Rhys Darby, Rich Fulcher, Rich Hall, Robbie Coltrane, Sanjeev Bhaskar, Sarah Smith, Seamus Malone, Seeta Indrani, Stewart Lee, Tamsin Greig

Director: Barry Cook, Sarah Smith

Rating: PG

This is a very nice movie about a lovely older couple named Tom and Gerri. It follows their lives for an entire year, as they work at their jobs, invite friends over for dinner, and work in their garden. They live modest but fulfilling lives, and they seem mostly happy and very much in love, a rarity in the movies. This probably sounds horribly boring to most people, but since Mike Leigh is the director, the film is instead a touching and realistic portrayal of love and how people spend their time together. We should all be so lucky as to live a life as charmed as the central couple in this film.

Genre: Comedy, Drama

Actor: Badi Uzzaman, Ben Roberts, David Bradley, David Hobbs, Edna Doré, Eileen Davies, Gary Powell, Imelda Staunton, Jim Broadbent, Karina Fernandez, Lesley Manville, Martin Savage, Mary Jo Randle, Meneka Das, Michele Austin, Oliver Maltman, Peter Wight, Phil Davis, Ralph Ineson, Ruth Sheen, Stuart McQuarrie

Director: Mike Leigh

Rating: PG-13

Ralph Fiennes plays a mild-mannered British diplomat in Kenya who is stunned by the news of his wife Tessa’s (Rachel Weisz) sudden death while in the company of another man. He sets off to investigate the suspicious death––and secret life–-of his late wife, within a tangle of personal betrayals, political threats, and corporate conspiracies. This film presents an exquisite contrast between Justin’s (Fiennes) gentle, contemplative demeanor and the progressively gripping details he uncovers; between rapturous romanticism and darkly corrupting interests. It’s a touching, smart, and suspenseful feast of a movie.

Genre: Drama, Mystery, Thriller

Actor: Anneke Kim Sarnau, Archie Panjabi, Bill Nighy, Danny Huston, Donald Apiyo, Donald Sumpter, Gerard McSorley, Hubert Koundé, Jeffrey Caine, John Keogh, Juliet Aubrey, Nick Reding, Pete Postlethwaite, Peter King Nzioki, Rachel Weisz, Ralph Fiennes, Richard McCabe, Rupert Simonian, Sidede Onyulo, Teresa Harder, Thomas Chemnitz

Director: Fernando Meirelles

Rating: R

Florence Pugh broke through with her powerhouse performance here as Katherine, a young woman who is “sold” into a coldly transactional marriage with a cruel and impotent merchant in 1800s Northern England. Lady Macbeth seems to begin as one thing — a gloomy period tale of oppression and feminist rebellion — but, on the strength of Pugh’s performance, pivots into an even bleaker subversion of that initial impression, the kind we haven’t really seen before.

When her disinterested husband takes a long leave of absence to tend to some business affairs, Katherine does more than just defy his command that she stay indoors: she begins an unabashed affair with one of her husband’s gruff groomsmen (Cosmo Jarvis), who ignites in her an obsessive passion that brings out her dark side. She’ll stop at nothing to remove any obstacles in the couple’s way — but, while her initial targets are arguably quite deserving of their fate, her scheme soon implicates the innocent. The creeping revelation that all the cruelty Katherine has been subjected to has brutalized her in turn comes as a shock, but this dramatic overturning of our expectations is made chillingly real by Pugh’s fierce, unfaltering performance.

Genre: Drama

Actor: Bill Fellows, Christopher Fairbank, Cliff Burnett, Cosmo Jarvis, David Kirkbride, Finn Burridge, Florence Pugh, Golda Rosheuvel, Ian Conningham, Kema Sikazwe, Naomi Ackie, Nicholas Lumley, Paul Hilton, Rebecca Manley

Director: William Oldroyd

Rating: R

In Ken Loach’s conspiracy thriller, an American human rights activist (Frances McDormand) and a no-nonsense UK police officer (Brian Cox) work tirelessly to uncover the truth behind a suspicious death — but this is no rousing triumph of good over evil, only a bitter pill about corruption and complicity. Human rights lawyer Paul (Brad Dourif) and girlfriend Ingrid (McDormand) are in Troubles-era Belfast wrapping up their report into the UK government’s shoot-to-kill policy when Paul is shot dead by mysterious assailants while on his way to speak to an informant. Police investigator Kerrigan (Cox) is flown in from England to look into the death; Cox plays him as a stickler for the rules and fierce agent of justice, inspired by a real-life official who was abruptly suspended from the police before he could deliver his findings into the UK government’s alleged death squad in Northern Ireland.

But the network of high-level corruption that Kerrigan and Ingrid uncover poses a direct challenge to those values, ultimately forcing him to choose between revealing the conspiracy — and risk destroying his life — or concealing the truth and betraying his ethics. A fascinating look at the slippery slope to complicity, this is a gripping, unabashedly ideological conspiracy thriller blending Hollywood polish with gritty reality.

Genre: Drama, Thriller

Actor: Bernard Archard, Bernard Bloch, Brad Dourif, Brian Cox, Brian McCann, Des McAleer, Frances McDormand, George Staines, Ian McElhinney, Jim Norton, John Benfield, John Keegan, Llew Gardner, Mai Zetterling, Maurice Roëves, Michelle Fairley, Oliver Maguire, Patrick Kavanagh, Paul Moriarty

Director: Ken Loach

Rating: R

TV’s Alan Partridge — Steve Coogan’s brilliant skewering of small-time celebrity vanity — gets the big-screen treatment in this suitably parochial action thriller. The premise feels like the kind of ridiculous scenario the radio DJ would fantasize about in between songs: Pat (Colm Meaney), an ex-employee of North Norfolk Digital, returns to the station armed and takes his former colleagues hostage, refusing to negotiate with anyone but Alan. Those familiar with Coogan’s painfully self-absorbed character will foresee that going straight to his already delusions-of-grandeur-filled head, and it does; as one character puts it, he’s like a puffed-up robin.

Much of the hilarity comes from the way Alan’s obvious glee at the heroic position he’s found himself in distracts him from actually saving the day, but there is equally sharply drawn satire in the supporting characters, too. Favorites from the TV series, like Alan’s put-upon assistant Lynn (Felicity Montagu) — herself a brilliant feat of perceptive comedy — make welcome returns here, but, like Alan, their eccentricities are made accessible enough that Partridge virgins won’t feel their ignorance. With all the original writers back onboard (including Armando Iannucci, the comedy genius behind The Death of Stalin and Veep), Alpha Papa is another reliably hilarious entry in the Partridge canon. Back of the net.

Genre: Comedy

Actor: Alan Rothwell, Anna Maxwell Martin, Anna Stockton, Colm Meaney, Dan Mersh, Darren Boyd, Diane Morgan, Dustin Demri-Burns, Eleanor Matsuura, Elizabeth Berrington, Felicity Montagu, Jayne Secker, Jessica Knappett, John Boyd, Karl Theobald, Kieran Hodgson, Lucy Briers, Martin Glyn Murray, Monica Dolan, Nigel Lindsay, Peter Singh, Phil Cornwell, Rita Davies, Robert Whitelock, Sean Pertwee, Simon Delaney, Simon Greenall, Simon Kunz, Steve Coogan, Tim Key

Director: Declan Lowney

Rating: PG-13

Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.

Genre: Drama, Horror, Thriller, War

Actor: Amir Ranjbar, Aram Ghasemy, Arash Marandi, Avin Manshadi, Babak Anvari, Behi Djanati Atai, Bijan Daneshmand, Bobby Naderi, Hamid Djavadan, Hamidreza Djavdan, Houshang Ranjbar, Nabil Koni, Narges Rashidi, Ray Haratian, Sajjad Delafrooz, Soussan Farrokhnia

Director: Babak Anvari

Rating: PG-13

In 1961, Francisco de Goya’s portrait of the Duke of Wellington was stolen from London’s National Gallery, but the theft was no slick heist pulled off by international art thieves. No, the improbable culprit was (the improbably named) Kempton Bunton, a retired bus driver and aspiring playwright who pinched the painting — which the gallery had recently acquired for £140,000 of UK taxpayers’ money — as a Robin Hood-esque “attempt to pick the pockets of those who love art more than charity.” The principled Bunton (played here by Jim Broadbent) was, at the time, waging a one-man campaign to convince the government to grant pensioners and veterans free TV licenses, and the Goya theft was his way of publicizing those efforts. It was an eccentric plan, but Broadbent leans fully into his status as a UK national treasure here, making oddball Bunton a deeply sympathetic and warm figure because of (not despite) those quirks. Thanks to his performance — and the note-perfect direction of the late, great Roger Michell — a quirky footnote of history becomes a sweet, unexpectedly moving story about solidarity and the power of the underdog.

Genre: Comedy, Drama, History

Actor: Aimee Kelly, Andrew Havill, Anna Maxwell Martin, Charlotte Spencer, Cliff Burnett, Craig Conway, Darren Charman, Dorian Lough, Fionn Whitehead, Heather Craney, Helen Mirren, Jack Bandeira, James Wilby, Jim Broadbent, John Heffernan, Joshua McGuire, Matthew Goode, Michael Hodgson, Richard McCabe, Sam Swainsbury, Sarah Beck Mather, Sian Clifford, Stephen Rashbrook, Val McLane, Will Graham

Director: Roger Michell

Rating: R