52 Best British Films Movies to Watch On Itunes Australia (Page 3)

Staff & contributors

If you like any of the following: Irish accents, Woody Harrelson, Pulp Fiction, or dark comedy;  then this is the movie for you. This mix of violence, mafia, existential talk, and painfully comical situations might not be for everyone, but it has every component to make its target audience very pleased. And given how chaotic and crazy it can get, it should be enjoyed one take at a time, focusing on each delightful scene rather than the overall plot. Directed by Martin McDonagh, Seven Psychopaths makes a perfect comeback after In Bruges, without veering very much from it (consequently if you like this movie make sure you check out In Bruges too).

Genre: Comedy, Crime

Actor: Abbie Cornish, Amanda Warren, Brendan Sexton III, Christian Barillas, Christine Marzano, Christopher Gehrman, Christopher Walken, Colin Farrell, Crispin Glover, Frank Alvarez, Gabourey Sidibe, Harry Dean Stanton, Helena Mattsson, James Landry Hébert, John Bishop, Johnny Bolton, Joseph Lyle Taylor, Kevin Corrigan, Kiran Deol, Linda Bright Clay, Long Nguyen, Martin McDonagh, Michael Pitt, Michael Stuhlbarg, Olga Kurylenko, Patrick O'Connor, Richard Wharton, Ronnie Gene Blevins, Sam Rockwell, Samantha Cutaran, Tai Chan Ngo, Tom Waits, Woody Harrelson, Zeljko Ivanek

Director: Martin McDonagh

Rating: R

Jim Jarmusch’s latest film is the story of a pair of vampires, Adam and Eve (Tom Hiddleston and Tilda Swinton), married for thousand of years and living thousands of miles apart, subsequently reunited in modern-day Detroit to find Hiddleston in state of disrepair and depression. Their lives are shaken up by the sudden appearance of Swinton’s wayward young vampire sister Ava (Mia Wasikowska) that sets their lives into tumult. It's the type of evenly-paced and wryly amusing dramedy that only Jarmusch could craft. I loved the atmosphere and sensibility of this film, not to mention the various literary allusions along with the dark, somber soundtrack. Less of a narrative and more of a modern-day-vampire-slice-of-life, this is one of those films that gets under skin and stays awhile (and not in a bad way).

Genre: Drama, Romance

Actor: Ali Amine, Anton Yelchin, Aurélie Thépaut, Carter Logan, Ego Sensation, Jeffrey Wright, John Hurt, Marc Codsi, Mia Wasikowska, Slimane Dazi, Tilda Swinton, Tom Hiddleston, Wayne Brinston, Yasmine Hamdan

Director: Jim Jarmusch

Rating: R

A sleek revision of the classic Charlotte Brontë novel, the 2011 version of Jane Eyre features Mia Wasikowska as the titular governess and Michael Fassbender as her employer-and-lover-with-a-secret, Rochester — both lending stunningly aggrieved performances to the tale of their burgeoning love affair. The film is somber yet wonderfully polished as it plays out their individual complexities and growing passions. This film is also notable as the sophomore directorial effort of Cary Fukunaga, who would go on to great acclaim for his work on the first season of True Detective as well as Beasts of No Nation. Fans of Fukunaga’s work are just a likely to enjoy this one as are devotees of well-crated adaptations of classic literature.

Genre: Drama, Romance

Actor: Amelia Clarkson, Angela Curran, Ben Roberts, Cary Joji Fukunaga, Craig Roberts, Edwina Elek, Eglantine Rembauville-Nicolle, Emily Haigh, Ewart James Walters, Freya Parks, Freya Wilson, Georgia Bourke, Harry Lloyd, Holliday Grainger, Imogen Poots, Jamie Bell, Jayne Wisener, Joe Van Moyland, Joseph Kloska, Judi Dench, Lizzie Hopley, Mia Wasikowska, Michael Fassbender, Ned Dennehy, Romy Settbon Moore, Rosie Cavaliero, Sally Hawkins, Sally Reeve, Sandy McDade, Simon McBurney, Sophie Ward, Su Eliott, Su Elliot, Su Elliott, Tamzin Merchant, Valentina Cervi

Director: Cary Fukunaga, Cary Joji Fukunaga

Rating: PG-13

Far From the Madding Crowd is a classic tale, but in terms of story, it has the familiar thread of a lady having to choose between multiple swoon-worthy suitors, which is a common story of many lengthy, overly melodramatic period dramas. However, with the restrained direction of Thomas Vinterberg, and the writing of David Nicholls, known best for his decades sprawling romance in One Day, the fifth film adaptation captures the magic of the classic countryside novel, elevating the old-fashioned romance with an easier, faster flow, and carried by the powerful performance of its cast. Fans of the novel or the 1967 adaptation might feel disappointed at how much was removed, but overall, Far From the Madding Crowd is an exemplary drama adaptation.

Genre: Drama, Romance

Actor: Bradley Hall, Carey Mulligan, David Golt, Dorian Lough, Eloise Oliver, Harry Peacock, Hilton McRae, Jessica Barden, Jody Halse, Jon Gunn, Juno Temple, Mark Wingett, Matthias Schoenaerts, Michael Sheen, Pauline Whitaker, Richard Dixon, Sam Phillips, Stuart Davidson, Thomas Arnold, Tilly Vosburgh, Tom Sturridge, Victor McGuire

Director: Thomas Vinterberg

Rating: PG-13

Is an innocent child’s life worth millions of other civilian casualties? In a modern-day drone warfare led by Colonel Katherine Powell, played by the very versatile Helen Mirren, she is conflicted to order the target of the Somali terrorist organization when she spots Alia, a young girl who just happens to be selling bread within the premises of the Kill Zone. Her icy exterior, however, is a far cry from Lieutenant General Frank Benson’s profound sympathy, the portrayal of the late Alan Rickman in his last onscreen role being one of his most remarkable ones to date. Eye in the Sky is a thriller that will have you questioning your morals while gripping your seats in what appears to be a battle of the best choice and the only one. Do the ends always justify the means?

Genre: Drama, Mystery, Thriller, War

Actor: Aaron Paul, Aisha Takow, Alan Rickman, Armaan Haggio, Arman Haggio, Babou Ceesay, Barkhad Abdi, Carl Beukes, Daniel Fox, Ebby Weyime, Francis Chouler, Gavin Hood, Graham Hopkins, Helen Mirren, Iain Glen, James Alexander, Jeremy Northam, John Heffernan, Kate Liquorish, Kenneth Fok, Kim Engelbrecht, Kim Suzanne Engelbrecht, Laila Robins, Lemogang Tsipa, Lex King, Michael OKeefe, Monica Dolan, Phoebe Fox, Richard McCabe, Roberto Kyle, Roberto Meyer, Sabrina Hassan Abdulle, Vusi Kunene, Warren Masemola, Zak Rowlands

Director: Gavin Hood

Rating: R

At first glance, The Madness of King George seemed like a history lesson about King George III. Like plenty of British royalty dramas, the film has all the opulent trappings in its sets and costumes, as well as some of the best actors from the British isles. However, unlike other depictions of the monarchy, the film depicts the king not as a benevolent ruler or oppressive tyrant– instead, King George III is terribly human, with his memory failing, being unsettled by loss, and concern over his health, which involves having to look at his urine. But the historical satire, based on the 1991 stage play, still manages to have the same mockery towards the opportunistic court, while still retaining sympathy for the very nobility it mocks, through original playwright Alan Bennett’s adept writing, as well as the excellent performance of the stacked ensemble cast.

Genre: Comedy, Drama, History

Actor: Adrian Scarborough, Alan Bennett, Amanda Donohoe, Anthony Calf, Barry Stanton, Caroline Harker, Charlotte Curley, Clive Brunt, Colin McPhillamy, Cyril Shaps, David Leon, Dermot Keaney, Geoffrey Palmer, Helen Mirren, Iain Mitchell, Ian Holm, Janine Duvitski, Jeremy Child, Jim Carter, Joanna Hall, John Wood, Julian Rhind-Tutt, Julian Wadham, Michael Grandage, Nicholas Irons, Nicholas Selby, Nick Sampson, Nigel Hawthorne, Paul Corrigan, Peter Woodthorpe, Robert Swann, Roger Ashton-Griffiths, Roger Hammond, Rupert Everett, Rupert Graves, Selina Cadell, Struan Rodger

Director: Nicholas Hytner

Rating: PG-13

Appropriately for its literary focus, The Lesson feels, in places, like the gripping adaptation of a bestselling psychological thriller. Unfortunately, though, its initial cleverness peters out in a contrived ending that ironically feels like it belongs to the pulpy airport fiction that one character accuses another of writing.

The Lesson’s early chapters (another way the movie’s form mirrors its content) crackle with tension, as Oxford grad and aspiring writer Liam observes the icy dynamics of the Sinclair family, whose son he’s been hired to provide university admission tuition to. The Sinclairs are still grieving the loss of another child, a process made more painful by the brittle ego of their patriarch — JM (Richard E. Grant), a celebrated author who happens to be Liam’s literary hero. Liam’s career ambitions complicate his position: he’s as much an enthusiastic student as he is a teacher here, and among the screenplay’s many suggestions is also Tom Ripley-style envy. The Lesson ultimately scuppers this complexity, though, as the writing eventually abandons its psychological study aspirations and swerves into melodrama, leaving the cast struggling to make it all believable. Still, while the ending may disappoint, there are juicy, intelligent ideas to be pondered over — not quite a bestseller, then, but definitely not airport fiction either.

Genre: Drama, Thriller

Actor: Crispin Letts, Daryl McCormack, Julie Delpy, Richard E. Grant, Stephen McMillan, Tomas Spencer

Director: Alice Troughton

Rating: R

A thrilling and fun film about a British working class bunch who find themselves in confrontation with the rich and powerful. This happens when their once-in -a-lifetime job lands them not on ly the expected money and jewelry, but documents with big secrets. The phrase "the good version of Jason Statham" applies not only to the actor but to the whole film - as it is enjoyable like all similar heist movies but adds that sadly forgotten thing called character. If you liked The Italian Job, The Town, or even films like Argo; you will love The Bank Job.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alistair Petrie, Alki David, Andrew Brooke, Angus Wright, Antony Gabriel, Bronson Webb, Colin Salmon, Craig Fairbrass, Daniel Mays, David Suchet, Don Gallagher, Dylan Charles, Georgia Taylor, Gerard Horan, Hattie Morahan, James Faulkner, Jason Statham, Julian Firth, Julian Lewis Jones, Keeley Hawes, Michael Jibson, Mick Jagger, Peter Bowles, Peter de Jersey, Richard Lintern, Rupert Frazer, Rupert Vansittart, Saffron Burrows, Sharon Maughan, Stephen Campbell Moore

Director: Roger Donaldson

Rating: R

Kilo Two Bravo (Originally named Kajaki) is a must-watch for anyone who likes war dramas. It tells the true story of British soldiers in the Afghanistan war who find themselves trapped in a minefield during a mission, with their rescue team coming in a helicopter that might set off mines if it lands. It's a slow, dialogue driven film that is interested in taking you to the war zone more than it cares about entertaining you. Ultimately, it becomes an essay on the horrors of war, and an anti-war war film. Because of this and given the blood and gore, this movie is definitely not for those who would feel nauseated at sight of blood. Great setting, good cinematography, realistic acting and script all do justice to the true story. It's a film that will grip your senses and keep you at the edge of the seat throughout.

Genre: Adventure, Drama, Thriller, War

Actor: Ali Cook, Andy Gibbins, Benjamin O'Mahony, Bryan Parry, David Elliot, Grant Kilburn, Joe Corrigall, John Doughty, Jon-Paul Bell, Liam Ainsworth, Malachi Kirby, Mark Stanley, Paul Katis, Paul Luebke, Robert Mitchell, Scott Kyle, Thomas Davison

Director: Paul Katis

Rating: R

One of the many good movies from director Edgar Wright - if you loved Shaun of the Dead, then this Buddy-Cop Homage will make you double over (and question humanity – or lack, thereof) just as much. Sandford is a small English village with the lowest crime and murder rates, so when overachieving police Nicholas Angel (Simon Pegg) gets sent there because he was so good he intimidated those around him, he just about loses it. From car-chasing, bone-thrilling, head-blowing action, he graduates to swan-calling, thrill-seeking, sleep-inducing madness. But all that’s about to change – for the worse? For the better? You decide. An obscenely funny flick that has an intriguing plot and an even greater set of characters, Hot Fuzz wasn’t named the best film of the Cornetto trilogy for nothing, clearly cementing Pegg and Nick Frost as the ultimate action duo of the genre.

Genre: Action, Comedy, Crime, Mystery

Actor: Adam Buxton, Alice Lowe, Anne Reid, Ben McKay, Bill Bailey, Bill Nighy, Billie Whitelaw, Cate Blanchett, Chris Waitt, Colin Michael Carmichael, David Bradley, David Threlfall, Edgar Wright, Edward Woodward, Eric Mason, Garth Jennings, Graham Low, Jim Broadbent, Joe Cornish, Julia Deakin, Karl Johnson, Kenneth Cranham, Kevin Eldon, Lorraine Hilton, Lucy Punch, Maria Charles, Martin Freeman, Nick Frost, Olivia Colman, Paddy Considine, Patricia Franklin, Paul Freeman, Peter Jackson, Peter Wight, Rafe Spall, Robert Popper, Ron Cook, Rory McCann, Simon Pegg, Stephen Merchant, Steve Coogan, Stuart Wilson, Tim Barlow, Timothy Dalton, Trevor Nichols

Director: Edgar Wright

Rating: R

Bank of Dave is a simple but well-told film that feels utterly satisfying from start to end. Dave is the little guy who only wants to give back to his community, but stopping him from achieving his noble goals are the big guys in suits with vested interests and too narrow a focus to appreciate the good that Dave is after. The film is David versus Goliath, countryside versus cityside, socialist versus capitalist (or, if you like, ethical capitalism versus unethical capitalism). You know who will triumph in the end, but that doesn’t detract from the film’s overall enjoyability. The dialogue is smart and stirring, and you can’t help but root for the film’s small heroes to win big. 

Genre: Comedy, Drama

Actor: Adrian Lukis, Angus Wright, Cathy Tyson, Drew Cain, Florence Hall, Freddie Bolt, Harry Michell, Hopi Grace, Hugh Bonneville, Jo Hartley, Joe Elliott, Joel Fry, Naomi Battrick, Paul Kaye, Phil Collen, Philip Gascoyne, Phoebe Dynevor, Rick Allen, Rick Savage, Roger Morlidge, Rory Kinnear, Steve Edge, Vivian Campbell

Director: Chris Foggin

Rating: PG-13

Atonement is a tribute to cinematography, an epic film that might just remind you why you fell in love with movies to begin with. A young girl and aspiring writer has a crush on the man her older sister loves, so the young sister indulges her imagination to accuse the man of a crime he didn't commit. The two are separated and the latter is then sent away to prison and after joins the army.  As the young girl grows up and realizes the true consequences of her actions, what can she do, what can anyone do, to remedy such a wrong? Winner of two Golden Globes and nominated to 6 Academy Awards.

Genre: Drama, Romance

Actor: Ailidh Mackay, Alex Noodle, Alfie Allen, Alice Orr-Ewing, Anthony Minghella, Benedict Cumberbatch, Billy Seymour, Brenda Blethyn, Bronson Webb, Charlie von Simson, Craig Douglas, Daniel Mays, Elliott Francis, Felix von Simson, Gina McKee, Harriet Walter, Ian Bonar, James McAvoy, Jamie Beamish, Jérémie Renier, John Normington, Johnny Harris, Julia West, Juno Temple, Keira Knightley, Leander Deeny, Lionel Abelanski, Mark Holgate, Michel Vuillermoz, Michelle Duncan, Neil Maskell, Nick Bagnall, Nonso Anozie, Olivia Grant, Patrick Kennedy, Paul Stocker, Peter McNeil O'Connor, Peter O'Connor, Peter Wight, Roger Evans, Romola Garai, Ryan Kiggell, Saoirse Ronan, Tilly Vosburgh, Tobias Menzies, Vanessa Redgrave, Vivienne Gibbs, Wendy Nottingham

Director: Joe Wright

Rating: R

, 2013

When it comes to British period dramas, aristocrats are rarely portrayed as Black until relatively recently, with colorblind casting tending to focus more on acting talent rather than how race would affect and shape a character. That being said, while rarely acknowledged, Black descendants of British aristocracy actually did exist, and one of whom has been depicted in Belle. With the excellent Gugu Mbatha-Raw making her film breakthrough here, Belle reckons with the difficult questions of race and sex in 18th century Britain, contemplating the real woman’s options in a world determined entirely by blood and inheritance, a discussion brushed aside in other period dramas, but one that should be examined. While director Amma Asante does take plenty of liberties in the actual facts, she also excellently balances both the fictional romance and the historical realities Dido Elizabeth Belle had faced, making both parts as compelling and as essential as each other.

Genre: Drama

Actor: Alan McKenna, Alex Jennings, Andrew Woodall, Daniel Wilde, Emily Watson, Gugu Mbatha-Raw, James Northcote, James Norton, Matthew Goode, Miranda Richardson, Natasha Williams, Penelope Wilton, Sam Reid, Sarah Gadon, Tom Felton, Tom Wilkinson

Director: Amma Asante

Rating: PG

Following is the first movie Christopher Nolan ever directed, a mesmerizing low-budget effort that introduced the world to the genius who will later give us Memento, Inception, The Dark Knight, and many other classics. Shot in "extreme" conditions to quote Nolan himself, for just over £3000, it had to be filmed in the span of a year on Saturdays only and in friends' houses. But almost none of that is visible in the sharp camera work, the magnificent acting (most of it was first or second takes), and the twisted script. It tells the story of an unsuccessful writer (The Young Man) who tries to find inspiration in following random people in the street, and doing it via strict rules. One day he follows a man in a suit (Cobb), who catches him and becomes intrigued by him. It turns out that Cobb has his own fascination with people's intimate lives, of criminal nature, which he lets The Young Man into. Using the same non-linear plot technique as in Memento, this movie is halfway between a thriller and a film noir. The inspiration for it came when Nolan's own apartment in London was robbed, and he was fascinated by the act of strangers going through his personal items. If you take into consideration the conditions of its making, this movie is a masterpiece.

Genre: Drama, Mystery, Thriller

Actor: Alex Haw, Barbara Stepansky, David Julyan, Dick Bradsell, Emma Thomas, Gillian El-Kadi, Jennifer Angel, Jeremy Theobald, John Nolan, Lucy Russell, Nicolas Carlotti, Paul Mason, Rebecca James

Director: Christopher Nolan

Rating: R

The Best Exotic Marigold Hotel invites us to an earnest meditation on old age and change. The film centers on a group of British retirees traveling to the titular hotel in India, in hopes of a good retirement. The group cast is an excellent choice: prominent names from British movies and television line the cast, and it’s a pleasure to see them act alongside each other with equal screen time and their own detailed plotlines. Their plotlines inspire empathy towards different struggles that the elderly face: finding love again, dealing with accumulated debt, and handling loss. All of these are tough, but especially when you feel your time has run out. The best of these plotlines are the ones that acknowledge loss but still persist through accepting changing circumstances and actively going for one's desires.

Genre: Comedy, Drama

Actor: Bill Nighy, Celia Imrie, Dev Patel, Diana Hardcastle, Glen Davies, Honey Chhaya, Jay Villiers, Judi Dench, Lillete Dubey, Liza Tarbuck, Louise Brealey, Lucy Robinson, Maggie Smith, Nina Kulkarni, Patrick Pearson, Paul Bentall, Paul Bhattacharjee, Penelope Wilton, Rajendra Gupta, Ramona Marquez, Richard Cubison, Ronald Pickup, Sara Stewart, Siddharth Makkar, Simon Wilson, Tina Desai, Tom Wilkinson, Vishnu Sharma

Director: John Madden

Rating: PG-13