24 Best 20th Century Period Pieces Movies to Watch On Netflix Canada (Page 2)

Staff & contributors

, 1993

Based on the true story of Daniel “Rudy” Rettinger, this biographical movie follows young Rudy as he pursues his childhood dream of playing football for Notre Dame, despite significant obstacles and copious discouragement from those around him. The movie works not by hitching the action to any major sequences of ball play, but rather to the most remarkable feature of the story: the sheer determination of the title protagonist. The film’s success also largely comes down to a fantastically consistent and earnest performance by Sean Astin, who outshines a very talented supporting cast to the legendary, crowd-stirring end.

Genre: Crime, Drama, History, Romance, Thriller

Actor: Amy Pietz, Charles S. Dutton, Chelcie Ross, Christopher Erwin, Christopher Reed, David Anspaugh, Deborah Wittenberg, Forest Whitaker, Gerry Becker, Greta Lind, Jason Miller, Jim Broadbent, John Beasley, Jon Favreau, Kevin Duda, Lauren Katz, Lili Taylor, Luke Massery, Mary Ann Thebus, Miranda Richardson, Mitch Rouse, Ned Beatty, Ralph Brown, Robert J. Steinmiller Jr., Robert Prosky, Ron Dean, Scott Benjaminson, Sean Astin, Stephen Rea, Vince Vaughn

Director: David Anspaugh, Neil Jordan

Rating: PG

After Black Hawk Down (2001), the casual moviegoer would have thought that the rescue operation was only conducted by American soldiers. In reality, it was a multinational effort, and Malaysia’s side of the story has finally been depicted in MALBATT: Misi Bakara. Surprisingly, it doesn’t play out as a straightforward, action-packed rescue mission– writer-director Adrian Teh does deliver the action, but the film also contemplates about the team itself: how they made sense of their opposition towards a country they shared religions with, and how they experienced the ignorance from American soldiers that didn’t even know where Malaysia was. While some introductory sequences falter, and the film fumbles certain green screen moments, MALBATT: Misi Bakara brings both the spectacle and the drama that makes it stand out from other depictions of the rescue mission.

Genre: Action, Drama, History, War

Actor: Bront Palarae, Dini Schatzmann, Fauzi Nawawi, Gambit Saifullah, Hairul Azreen, Iedil Putra, Musa Aden, Paul Biddiss, Shaheizy Sam, Syazwan Zulkifly, Tony Eusoff, Zahiril Adzim

Director: Adrian Teh

Narrated by the familiar voice of Jack Black, Apollo 10 ½ is a throwback story told with admirable specificity and imagination. Black plays a grown-up Stan, who looks back on his younger years with a mix of fondness and wonder: how did they get away with the things they did then? American suburbia in the 1960s was both loose and conservative, caught between a generation holding on to the reins of the earlier century and one eager to launch into the next. 

Stan, as the youngest child of a big, rowdy family, gives us a charming look into the times, as well as a projection of his own fascination: Apollo 11 and the space age. He inserts himself in this monumental narrative and generously brings us along in his fantasy. Sometimes it’s hard to tell whether Stan’s recruitment by NASA is actually fact or fiction, but that’s part of the fun, especially since Stan himself doesn’t seem to mind at all.

Genre: Adventure, Animation, Comedy, Drama, Family, History, Sci-Fi & Fantasy, Science Fiction

Actor: Bill Wise, Brent A. Riggs, Brian Villalobos, Buzz Aldrin, Christian Moran, David DeLao, Glen Powell, Holt Boggs, Jack Black, Janis Joplin, Jennifer Griffin, Jessica Brynn Cohen, John F. Kennedy, John Kaler, Josh Wiggins, Keslee Blalock, Larry Jack Dotson, Lee Eddy, Milo Coy, Mona Lee Fultz, Natalie L'Amoreaux, Neil Armstrong, Nick Stevenson, Richard Nixon, Samuel Davis, Walter Cronkite, Zachary Levi

Director: Richard Linklater

Rating: PG-13

Based on the novel of the same name, The Guernsey Literary and Potato Peel Pie Society is as comforting as the title suggests. It's a pleasure to meet the society—getting to know each character feels like getting to know some welcoming neighbors. Despite their trauma from the German occupation of the British island, these club members remain their bookish albeit secretive selves. Lily James is just doe-eyed and charming enough to make us care about the book club, the same way her character Juliet does. The streamlined plot still keeps the intrigue and comfort of the original novel. And while its romance doesn’t quite take off, the real gem of the film is the earnest assertion that family can be best found in terrible times.

Genre: Drama, History, Romance

Actor: Alexa Povah, Andy Gathergood, Bernice Stegers, Bronagh Gallagher, Clive Merrison, Dilyana Bouklieva, Florence Keen, Glen Powell, Gregory Mann, Jack Morris, Jessica Brown Findlay, Joanna Hole, Katherine Parkinson, Kit Connor, Lily James, Marek Oravec, Matthew Goode, Michiel Huisman, Mike Newell, Nicolo Pasetti, Penelope Wilton, Richard Derrington, Tom Courtenay, Tom Owen

Director: Mike Newell

Rating: TV-14

An unsung hero of the civil rights movement gets the customary Oscar bait treatment in this biopic. Though he was instrumental in organizing the historic March on Washington — which helped force the US government to enshrine civil rights — gay Black activist Bayard Rustin isn’t the household name his peers are. In an inversion of that narrative, figures like Martin Luther King appear here as supporting characters to Colman Domingo’s Bayard.

Domingo’s energetic, commanding performance holds the center of the film, but he’s ill-served by the formulaic approach to storytelling that unfolds around him. More than a few scenes feel like they were written, directed, and performed with an eye to making awards ceremony clips, giving the film a disjointed, self-aware air. And yet, for all the limits of its by-the-numbers approach, Rustin does manage to pack in glints of insight. By virtue of who he was, Bayard will never not make for a compelling central figure — so even lackluster filmmaking can’t sap this inherently radical material of all its power. Though not without its flaws, then, the film is valuable for the light it sheds on the polarising effect Bayard's identity as a gay Black man had within the movement and the intersectional depths he nevertheless brought to it. 

Genre: Drama, History

Actor: Adrienne Warren, Aml Ameen, Audra McDonald, Ayana Workman, Bill Irwin, Carra Patterson, CCH Pounder, Chanel Minnifield, Chris Rock, Collin Antrim Miller, Colman Domingo, Cotter Smith, Da'Vine Joy Randolph, Dan Sauer, Daniel Johnson, Frank Harts, Glynn Turman, Grantham Coleman, Gus Halper, Hope Clarke, Ivan Moore, Jeff Hochendoner, Jeffrey Wright, Johanna McGinley, Johnny Ramey, Jordan Aaron Hall, Jules Latimer, Kevin Mambo, Lilli Kay, Maxwell Whittington-Cooper, Michael Potts, Rashad Edwards, Robert F. Kennedy, Scott Deal, Zuri Starks

Director: George C. Wolfe

Rating: PG-13

Nuovo Olimpo is stunning, atmospheric, and the very concept of the film – where lost love intersects with Italian cinema – is an interesting one. Starting the film’s relationship at a specific movie theater feels reminiscent of Cinema Paradiso, especially as Enea’s path mirrors Salvatore becoming a famous director. However, the film doesn’t really dive deep into this concept, nor does it add much to say with its gay romance. There’s something here about the relationship between the creator and the viewer that is undeniably interlinked, and there’s a hope that they can meet in the middle. But when the film doesn’t care about the couple’s individual paths, there are times it feels like it’s just going through the motions.

Genre: Drama, Romance

Actor: Aglaia Mora, Alvise Rigo, Andrea Di Luigi, Aurora Giovinazzo, Damiano Gavino, Eugenio di Fraia, Federico Mancini, Giacomo Colavito, Giacomo Stallone, Giancarlo Commare, Greta Scarano, Loredana Cannata, Luisa Ranieri, Priscilla Drag

Director: Ferzan Özpetek

Rating: R

Like its governor having many wives, The Last Wife has too many elements left unsatisfied. To its credit, it has lovely scenery, costumes, and set design that matches the era. With Linh forced into a marriage to pay off her father’s debts, reuniting with a childhood love, the film also had the erotic potential of Lady Chatterley’s Lover, with a thrilling second act twist that occurs when they get discovered. However, the film gets dragged down by the slow pace and random comedic scenes that don’t add to the thematic stakes, sometimes even distracting the viewer from the dismal conditions the titular wife is forced into.

Genre: Drama, Romance

Actor: De Ly Luu, Kaity Nguyễn, Ngọc Diệp, Quốc Huy, Thuan Nguyen

Director: Victor Vũ

With the rise of fascism globally, and concerns about an upcoming world war, depictions of World War II have become popular, with the most notable being Christopher Nolan’s Oppenheimer. Einstein and the Bomb instead takes a look at the prominent scientist, whose theory of relativity made the atomic bomb possible, who had a personal stake in ensuring the Nazis were defeated, but who also had to reckon with the horrific consequences in pursuing the West’s promises of peace. It’s a needed perspective, and director Anthony Philipson pulls from Einstein’s very words, his own ideas about the society at the time eerily echoing the concerns about today’s society. However, there’s something off about the way these ideas are presented, as it feels like the film was less interested in Einstein as a man, and more interested in using him as a spokesperson, using his image to cry over today’s conflicts.

Genre: Documentary, Drama

Actor: Adolf Hitler, Aidan McArdle, Albert Einstein, Andrew Havill, Gethin Alderman, Helena Westerman, James Musgrave, Jonathan Rhodes, Leo Ashizawa, Rachel Barry, Simon Markey, Toby Longworth

Director: Anthony Philipson

With its celebration of Thai dances, excellent costumes, and two male theater actor leads, ManSuang seemed like it would be something akin to a Thai Farewell My Concubine, especially as it starts off with what could have been sex scene interrupted by a murder. The addition of the espionage storyline, as well as the dynamics between the Chinese and the mainland Thai, seemed like the film would be subtle social commentary through historical drama. However, the story feels haphazardly assembled, with characters acting contrary to their goals, and sadly, the film doesn’t showcase as much of Thai culture as we would like. Instead, the film spends more time establishing an overly complicated mystery that gets too hard to follow with its multiple plotlines. ManSuang has beautiful set design, costumes, and a handsome cast, but the writing wastes the potential the story had.

Genre: Drama, Mystery

Actor: Asavapatr Ponpiboon, Chartchai Ketnust, Duangjai Hiransri, Gandhi​ Wasuvitchayagit, Nattawin Wattanagitiphat, Nutthasid Panyangarm, Ornanong Panyawong, Phakphum Romsaithong, Pradit Prasartthong, Sornchai Chatwiriyachai, Teerawat Mulvilai, Thanayut Thakoonauttaya

Director: Bhanbhassa Dhubthien, Chartchai Ketnust, Krisda Witthayakhajorndet

Rating: PG-13