59 Best War Movies to Watch (Page 3)

In Waltz with Bashir, director Ari Folman grapples with the trauma and dehumanization of war by examining the role he played in the 1982 Invasion of Lebanon. But his memories are fractured, so in an attempt to piece them back together, he visits his comrades and has them recall the events for him. The result is both poignant and painful, a horrific tell-all of what happens on both sides of the battleground. The film is a documentary, chillingly honest and straightforward, but it's also an animation gem that continues the legacy that Persepolis started and Flee continues. By combining the harshness of war with the lightness of animation, all three films effectively deliver their anti-war message with a much-needed human and personal touch. 

Genre: Animation, Documentary, Drama, War

Actor: Ari Folman, Mickey Leon, Ori Sivan, Ron Ben-Yishai, Yehezkel Lazarov

Director: Ari Folman

Rating: R

Great Freedom is not an easy watch. Apart from the quiet stretches of time and the claustrophobic confines of its prison setting, it also has its lead, Hans Hoffman (played with delicate force by Franz Rogowski) imprisoned again and again and again, unjustly treated like dirt by both his warden and fellow inmates.

But as a Jewish gay man who has lived through the war, Hans is no stranger to these trappings. As such, he takes each day as it comes, open to love, pleasure, and friendship, or at least the potential of these, despite the circumstances. And so Great Freedom is also hopeful and romantic, glimmering with the human tendency to not just survive but to live. Slow but compelling, subdued but powerful, Great Freedom is an affecting balancing act that's well worth watching. 

Genre: Crime, Drama, Romance, War

Actor: Andreas Patton, Anton von Lucke, Fabian Stumm, Franz Rogowski, Georg Friedrich, Thomas Prenn, Thomas Stecher

Director: Sebastian Meise

Genre: Adventure, Drama, History, War

Actor: Angeli Bayani, Chiba Tetsuya, Issey Ogata, Kai Inowaki, Kanji Tsuda, Kuu Izima, Kyūsaku Shimada, Mutsuo Yoshioka, Nobuhiro Suwa, Ryu Morioka, Shinsuke Kato, Taiga Nakano, Tomomitsu Adachi, Yuya Endo, Yuya Matsuura

Director: Arthur Harari

There's a cruelty to In My Mother's Skin that may seem off-putting at first, but one must reckon with the sheer scale of the violence already occurring before these characters are even introduced to us. The Japanese occupation of the Philippines was a particularly vicious period in the country's history; if Filipinos weren't fighting or hiding from their invaders, many of them were trying to maintain a precariously submissive, neutral existence, or they were being turned against each other due to the conflict of war trickling down between the social classes. All these things are implicit throughout Kenneth Dagatan's film, which doesn't try to reenact World War II but capture the total absence of hope during this period.

Dagatan's style of horror insists on a very slow pace, emphasizing every footstep leading to a horrifying reveal, and not just the main scare itself. This choice doesn't always work, especially as certain beats begin to repeat themselves, but the film's incredibly confident visual style fills every moment with an eerie paranoia. Gothic, shadowy interiors, nasty gore, and one opulently costumed fairy make everything perpetually unsettling—gradually forcing us to accept that these contradictions are just the reality of life under war.

Genre: Action, Drama, Fantasy, Horror, Mystery, Thriller, War

Actor: Angeli Bayani, Arnold Reyes, Beauty Gonzalez, Brian Sy, Felicity Kyle Napuli, James Mavie Estrella, Jasmine Curtis-Smith, Ronnie Lazaro

Director: Kenneth Lim Dagatan

Is an innocent child’s life worth millions of other civilian casualties? In a modern-day drone warfare led by Colonel Katherine Powell, played by the very versatile Helen Mirren, she is conflicted to order the target of the Somali terrorist organization when she spots Alia, a young girl who just happens to be selling bread within the premises of the Kill Zone. Her icy exterior, however, is a far cry from Lieutenant General Frank Benson’s profound sympathy, the portrayal of the late Alan Rickman in his last onscreen role being one of his most remarkable ones to date. Eye in the Sky is a thriller that will have you questioning your morals while gripping your seats in what appears to be a battle of the best choice and the only one. Do the ends always justify the means?

Genre: Drama, Mystery, Thriller, War

Actor: Aaron Paul, Aisha Takow, Alan Rickman, Armaan Haggio, Arman Haggio, Babou Ceesay, Barkhad Abdi, Carl Beukes, Daniel Fox, Ebby Weyime, Francis Chouler, Gavin Hood, Graham Hopkins, Helen Mirren, Iain Glen, James Alexander, Jeremy Northam, John Heffernan, Kate Liquorish, Kenneth Fok, Kim Engelbrecht, Kim Suzanne Engelbrecht, Laila Robins, Lemogang Tsipa, Lex King, Michael OKeefe, Monica Dolan, Phoebe Fox, Richard McCabe, Roberto Kyle, Roberto Meyer, Sabrina Hassan Abdulle, Vusi Kunene, Warren Masemola, Zak Rowlands

Director: Gavin Hood

Rating: R

When German forces occupy Paris in 1942, a close-knit Jewish family tearfully sends their two youngest sons, Jo and Maurice, to escape the city on foot, with promises that they will all eventually be reunited in the Free Zone in the South. Told from the perspective of Jo – and based on the 1973 memoir of Joseph Joffo – what follows is a story of adventure, discovery, loss, love and the resilience of family bonds. A tapestry of cherished memories woven together with traumatic ones, the tone shifts again and again as Jo and his brother reach the bright shores of Nice––before they are driven to hiding again. Above all else, this is a story about the power of a family’s love, and of children who rise against the odds by their own courage and tenacity.

Genre: Drama, War

Actor: Émile Berling, Batyste Fleuria, Batyste Fleurial, Bernard Campan, César Domboy, Candide Sanchez, César Domboy, Christian Clavier, Coline Leclère, Dorian Le Clech, Elsa Zylberstein, Émile Berling, Eric Bougnon, Etienne Chicot, Fred Epaud, Frédéric Epaud, Holger Daemgen, Ilian Bergala, Jocelyne Desverchère, Joël Dupuch, Kev Adams, Luc Palun, Lucas Prisor, Patrick Bruel, Pierre Kiwitt, Vincent Nemeth

Director: Christian Duguay

Rating: Not Rated

Formally speaking, 20 Days in Mariupol is little more than a compilation of footage bravely collected by Mstyslav Chernov in Ukraine, excerpts of which may seem familiar from when they were broadcast by major news stations. Unsure of whether or not Chernov would survive long enough to pass on his footage, he shot as much as he could day-in and day-out, resulting in this numbing, relentless compilation of anguish and death. As a documentary, there isn't exactly a unifying idea to 20 Days in Mariupol, with Chernov's narration only meant to provide necessary context and a foreboding score that probably didn't have to impose itself as much as it does.

And yet it's hard to deny the importance of the very existence of this footage, especially in a time when genocide is occurring elsewhere in the world with far fewer cameras on the ground to counter the denialist propaganda of those in power. Chernov's decision to let the images speak for themselves, without feeling the need to dissect every major moment for political analysis, isn't reductive; it's a statement that nothing can rationalize the indiscriminate killing of civilians and children. That the footage becomes overwhelming and hard to watch isn't a reason for us to look away.

Genre: Documentary, War

Director: Mstyslav Chernov

Rating: NR

Joel Coen's minimalist vision of the Scottish play emphasizes that these monstrous acts of hubris and violence are carried out not because of madness or magical prophecy, but out of the rational yet selfish decisions made by grown adults. It's a distinctly character-focused interpretation of Shakespeare that should be insightful for students and fans alike, as Denzel Washington and Frances McDormand lend more sedate performances to what have become two of the grandest characters in theater history. The Tragedy of Macbeth weaken the impact of some of Shakespeare's most famous soliloquies due to the film's more hurried runtime, but it makes for a great tribute nonetheless. Come for the stunningly lit black-and-white sets, stay for the gleefully creepy performance by Kathryn Hunter as the three witches.

Genre: Drama, Fantasy, War

Actor: Alex Hassell, Bertie Carvel, Brendan Gleeson, Brian Thompson, Corey Hawkins, Denzel Washington, Ethan Hutchison, Frances McDormand, Harry Melling, Jacob McCarthy, James Udom, Jefferson Mays, Kathryn Hunter, Kayden Alexander Koshelev, Lucas Barker, Matt Helm, Max Baker, Miles Anderson, Moses Ingram, Nancy Daly, Olivia Washington, Peter Janov, Ralph Ineson, Richard Short, Robert Gilbert, Scott Subiono, Sean Patrick Thomas, Stephen Root, Susan James Berger, Wayne T. Carr

Director: Joel Coen

Tied together by a song that seems to drive people to end their own lives, Gloomy Sunday's tale of polyamorous love torn apart by the advent of the Second World War is one that doesn't operate according to your usual narrative structure. Its stranger elements might not always work with the very real horrors of the Nazis' invasion of Hungary, but the film still expresses this horror in a unique way. Even long before the war begins, this song that joins our three lovers together seems to touch on a sense of doom everybody is feeling—warning signs of Hitler's rise to power that ordinary people seem to have been powerless to stop in time. It's certainly unique for a non-action-driven war film, bathed in tragedy and bitter irony.

Genre: Drama, History, Romance, War

Actor: András Bálint, Anna Ráckevei, Áron Sipos, Ben Becker, Denis Moschitto, Dorka Gryllus, Erika Marozsán, Ernst Kahl, Ferenc Bács, Ferenc Némethy, Ilse Zielstorff, István Kanizsay, István Mikó, Joachim Krol, Jörg Gillner, Karl Fischer, László I. Kish, Markus Hering, Márta Bakó, Michael Gampe, Rolf Becker, Sebastian Koch, Stefan Weinert, Stefano Dionisi, Ulrike Grote, Veit Stübner, Wanja Mues, Zsuzsa Mányai

Director: Rolf Schübel