433 Best Thriller Movies to Watch (Page 27)

Staff & contributors

Who doesn’t love a bit of suspense? If you’re looking for an exciting watch that will grip your attention without letting go, look no further. Here are the best thrillers to stream now, from dramas to fantasies and beyond.

Horror doesn’t have the best track record with homosexuality, as anything considered as the other are often alluded to in making its monsters, but in Ganymede, the script is flipped– Lee’s love for Kyle is portrayed in the most peaceful and calming of ways, while the harshly spat homophobic beliefs Lee’s dad beats into his family manifests into grotesque demons. It’s a novel idea, one that smartly suggests that forcing yourself in the closet forms a hell of one’s own making, but the way the film is executed gives Ganymede an uneven tone, especially since co-directors Colby Holt and Sam Probst don’t seem to know what to do with the film’s horror elements.

Genre: Drama, Horror, Thriller

Actor: Brady Gentry, David Koechner, Joe Chrest, Jordan Doww, Marissa Reyes, Melanie Booth, Pablo Castelblanco, Pete Zias, Rachel Walters, Robyn Lively, Sibyl Gregory Wulf, Tatiana Harman

Director: Colby Holt, Sam Probst

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With its grounded approach, A Day and a Half feels real, even if the exact events are fictional. Inspired by a couple of lines from a 2008 news article, Fares Fares crafts an intimate family drama for his first directorial debut, built in the bones of a hostage thriller. As a thriller, Fares consistently maintains its suspense, camera eyeing the gun present in most of the film. However, as the cop Lucas tries to defuse the situation with hostage-taker Artan, and the situation escalates to the National Task Force, Artan and Louise confront their broken family, lines opened by improvised hostage negotiations. While Artan’s understandable reasons shouldn’t absolve him of his actions, A Day and a Half effectively builds tension, only relieved at its slightly unrealistic but cathartic ending.

Genre: Drama, Mystery, Thriller

Actor: Alexej Manvelov, Alma Pöysti, Annica Liljeblad, Annika Hallin, Daniel Guldstrand, Fares Fares, Richard Forsgren, Stina Ekblad

Director: Fares Fares

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Love at its infancy can be pure and sweet, but sometimes, when it’s forced down, locked up inside without calm acceptance, this yearning can fester into something toxic, something too passionate to control. Ride or Die is based on the Gunjō manga, which portrays a relationship between two high school girl best friends made toxic when Nanae recruits Rei to seduce and murder Nanae’s abusive husband. Gunjō wasn’t a perfect representation of a lesbian relationship, but in the hands of a mostly male crew, the resulting lesbian road film adaptation is gorgeous, but feels a tad too long, and a tad too gratuitous with its sex and violence. Ride or Die has an intriguing, boundary-pushing premise about the dark side of devotion, but its execution makes the film an uneasy watch.

Genre: Drama, Romance, Thriller

Actor: Anne Suzuki, Artemis Snow, Honami Sato, Kiko Mizuhara, Sara Minami, Setsuko Karasuma, Shinya Niiro, Shunsuke Tanaka, Tetsushi Tanaka, Yôko Maki, Yui Uemura

Director: Ryuichi Hiroki

Rating: R

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Though it borrows from some of the oldest genre tropes—stoic but kind-hearted hero finding a heart in a community that needs his help—Jigen Daisuke still manages to carve out a visual identity that has one foot rooted in its Lupin III manga origins, and another in noir fiction. The world of the film is beautifully lit and feels bustling with activity, as are the frenetic action scenes that turn gleefully silly with the sheer amount of gunfire being sprayed everywhere. That said, the movie can't handle the number of plates it tries to spin, as side characters fail to develop more meaningfully and its more exciting parts are diluted by long stretches of drama that aren't as engaging as the film thinks they are. This feels like a sampler for the kinds of stories the title character could be involved in in the future, but little else.

Genre: Action, Crime, Drama, Thriller

Actor: Akihiko Sai, Eugene Nomura, Honami Sato, Kazuki Namioka, Kotoka Maki, Masatoshi Nagase, Mitsuko Kusabue, Rina Sakuragi, Takashi Sasano, Tetsuji Tamayama, Toru Baba, Yasukaze Motomiya, Yoji Tanaka, Yôko Maki, Yuuki Tsujimoto

Director: Hajime Hashimoto

Rating: PG-13

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To be fair to this visibly low-budget adaptation of H. G. Wells' seminal science-fiction novel, it doesn't always settle for the cheap way out. Though it still leaves much to be desired in its visual effects, awkward action scenes, and generally unimaginative direction, Fear the Invisible Man makes a valiant effort to deepen its story by placing a strong, unlikely protagonist at its center (played in all seriousness and with admirable resolve by Mhairi Calvey). Since the titular villain isn't actually the star of the show—nor is he made out to be an ever-present threat, like in the modern 2020 adaptation—this version of The Invisible Man is able to circle relatively newer ideas about a woman's "invisible" place in the world, and how she's tempted to go down a path of pride and violence. If only the rest of the film could keep up with the script's ambition.

Genre: Horror, Science Fiction, Thriller

Actor: David Hayman, Delroy Brown, Emily Haigh, Grahame Fox, Joe Tucker, Marc Danbury, Mark Arnold, Mhairi Calvey, Mike Beckingham, Simon Pengelly, Wayne Gordon

Director: Paul Dudbridge

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If there's one thing that Bosco does that's really worth admiring, it's that it works around its lower budget much for effectively than many other films its size. It would be easy to make a prison drama—set mostly between bare walls and corridors—look cheap, but this one clearly puts in the effort to communicate how its protagonist views his claustrophobic surroundings, instead of just aiming for bland realism. That said, the story Bosco tells unfortunately doesn't display the same tightness and elegance. The film tries to articulate itself in a more poetic way but it just ends up being too clean, too measured versus the reality of prison life. And whichever supporting characters pop up are far too underdeveloped to complete the world being presented to us.

Genre: Crime, Drama, Thriller

Actor: Aubrey Joseph, Brandon Rogers, D.C. Young Fly, Darell M. Davie, Jim O'Heir, John Lewis, Nikki Blonsky, Theo Rossi, Thomas Jane, Tory Lanez, Tyrese Gibson, Vivica A. Fox

Director: Nicholas Manuel Pino

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I’m sure the novel Uglies is based on makes a lot more sense since it has a lot of space to world-build and explore themes like external beauty, class, and identity. Unfortunately, the same cannot be said about the movie Uglies, which is almost impressively out of date in look and tone. The CGI is 2000s-level wonky and the premise is unconvincing. You’re telling me these Hollywood kids are supposed to be ugly? So ugly that they’re nicknamed after their defects— “Nose,” “Skinny,” and “Squint”? What would they call normal-looking people like us? Slurs? And don’t get me started on their “pretty” versions. It’s literally just them with layers of makeup and a touch of Botox, which I suppose could be the point, but also…just wear makeup? It’s mind-numbingly confusing. The world of the Uglies doesn’t even seem that bad—they’re fed, roomed, allowed to explore their environment, and create friendships. A lot of people in the real world would kill for that level of comfort. If freethought is what’s being killed here, then they should have focused on that more. Ironically, the movie itself seems too preoccupied with looks to get that, so what we get instead is this half-baked mess.

Genre: Action, Adventure, Drama, Science Fiction, Thriller

Actor: Alex D. Jennings, Brett Hoyle, Brianne Tju, Charmin Lee, Chase Stokes, Dutch Johnson, Gabriella Garcia, Jan Luis Castellanos, Jay DeVon Johnson, Jessica Craig, Jessica Galinas, Jillian Murray, Joey King, Jordan Sherley, Keith Powers, Kelly Gale, Kevin Miles, Laverne Cox, Lindsay Rootare, Luke Eisner, Quintin Mims, Robert Palmer Watkins, Sarah Vattano, Will Poston, Zamani Wilder

Director: McG

Rating: PG-13

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Being based on the 1989 Patrick Swayze movie, we weren’t expecting much from the new Road House on Amazon Prime. Like the original, it has fun fight sequences, shot in a way that brings us to the bar itself, and it’s amusing to see actual MMA fighter Conor McGregor acting as an antagonist. However, this adaptation rewrites the main character to be a former UFC fighter, turning the story into something more akin to an outsider cowboy Western rather than a bouncer action drama. It’s not outright terrible, but it just feels uneven, and the cast performances can’t make up for the thinly written characters. It also just doesn’t feel like Road House.

Genre: Action, Thriller

Actor: Arturo Castro, B.K. Cannon, Beau Knapp, Billy Magnussen, Bruce Buffer, Candy Santana, Catfish Jean, Chad Guerrero, Conor McGregor, Craig Ng, Daniel Cormier, Daniela Melchior, Darren Barnet, Dominique Columbus, Gbemisola Ikumelo, Hannah Love Lanier, J. D. Pardo, Jake Gyllenhaal, Jay Hieron, Jessica Williams, Joaquim de Almeida, Joe Ciotti, Jonathan Kowalsky, Kevin Carroll, Lukas Gage, Megan Olivi, Omar Patin, Post Malone, Ruairi Rhodes, Tommy Lentsch, Travis Van Winkle

Director: Doug Liman

Rating: R

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There’s something frightening about being consistently spurned due to circumstances out of your control. This is the main concern of Pulimada’s Vincent, since he’s not marriage material due to his family’s history of mental illness. The twisty plot is reminiscent of old gothic mysteries, complete with a tiger metaphor, but the execution is off, especially since it takes more than two thirds of the film before there’s anything to fear. It’s clear that Pulimada has an engaging, though dated concept, and Joju George’s transformation for Vincent could have definitely gotten there. But entering this tiger’s den feels like a letdown when there’s no risk, no style, no intrigue in the film’s approach.

Genre: Drama, Thriller

Actor: Abu Salim, Aishwarya Rajesh, Balachandra Menon, Chemban Vinod Jose, Dileesh Nair, Jaffer Idukki, Jeo Baby, Johny Antony, Joju George, Krishna Prabha, Lijomol Jose

Director: A K Sajan

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Known best for his horror films, writer-director Christopher Smith’s latest stint in the genre has dropped on Hulu. Consecration is one of many supernatural horror films set in convents and churches, as the Catholic Church’s notorious silence is easy fodder for potential fears. There’s some of that here, as Grace, portrayed by the excellent Jena Malone, tries to uncover the truth, not just for her brother’s murder but for her own past. However, there’s no secrecy in this murder mystery with the dialogue holding no subtlety at all. Even as the cast makes the most of it, Consecration drags down any possible tension or intrigue with its painfully straightforward dialogue and incoherent timeline shifts.

Genre: Horror, Thriller

Actor: Alexandra Lewis, Angela White, Charlotte Palmer, Danny Huston, David Boyle, Eilidh Fisher, Emma Hixson, Ian Pirie, Janet Suzman, Jena Malone, Jolade Obasola, Kit Rakusen, Marilyn O'Brien, Steffan Cennydd, Thoren Ferguson, Will Keen

Director: Christopher Smith

Rating: R

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Horror novels scare readers through the power of their imaginations, but sometimes, adapting these words straight on screen limits the fear factor. That’s what happened with Lumberjack the Monster. While the film crescendos nicely into the intense graphic violence director Takashi Miike is known for, the introduction is a bit shaky, alternating between the cops and protagonist Akira Ninomiya without a neat balance, and having to reveal key points of the mystery only through dialogue. The film does still retain some of novelist Mayusuke Kurai’s contemplations about the consequences of clinical psychopaths placed in critical roles, but Lumberjack the Monster feels a tad too uneven.

Genre: Crime, Drama, Thriller

Actor: Ariei Umefune, Chigusa Yasuzawa, Hinami Mori, Katsuya Kobayashi, Kazuya Kamenashi, Keisuke Horibe, Kentaro Furuyama, Kiyohiko Shibukawa, Masatoshi Kihara, Masayuki Deai, Minosuke, Nanao, Reon Yuzuki, Riho Yoshioka, Ryushin Tei, Shidô Nakamura, Shota Sometani, Yasushi Kimura

Director: Takashi Miike

Rating: R

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Horror likes to take a human fear and personify it. It's a winning move, materializing our worst nightmares, but what does a woman's self-doubt look like? In this case, extremely ugly and somewhat laughable, but surely not scary. The special effects team dropped the ball on this one, and the appendage's physical presence is more distracting than anything. Its concept and its aura, though, go a long way, and there are a few admirable twists and turns that make a curious point about female psychology and social expectations. Their interdependency then translates into the film's sparse backstory, tracing a journey of trauma that's surprisingly relatable. Interestingly enough, director Anna Zlokovic made a short of the same name in 2021 which teased the idea of a monster sucking your confidence in secret, but her latest feature film lacks that punch. 

Genre: Comedy, Drama, Horror, Mystery, Thriller

Actor: Annie Pisapia, Brandon Mychal Smith, Daniel Chioco, Deborah Rennard, Desmin Borges, Emily Hampshire, Hadley Robinson, Kausar Mohammed, Pat Dortch

Director: Anna Zlokovic

Rating: R

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To Catch a Killer feels like a limited series shrunken down to fit a movie’s runtime: its many ideas, though potentially compelling on their own, are so underserved by the breezy treatment here that they lose all value. The film wants to hit every hot button — misogyny in the police force, demagoguery on TV news channels, high-level corruption, white supremacy, and the mental health crisis — but its frantic box-ticking makes it feel like a speed-run of topical issues rather than anything genuinely reflective. 

The characters feel similarly underdeveloped, not least star Shailene Woodley’s, a Clarice Starling wannabe who winds up delivering emotional counseling to the film’s bafflingly motivated serial killer in just one of many implausible scenes. Add to that the cringe-inducing dialogue, which is crammed to bursting point with clunky metaphors, and you can call off the manhunt —  the script is the real killer here.

Genre: Crime, Drama, Mystery, Thriller

Actor: Adam LeBlanc, Alain Chanoine, Alex Gravenstein, Arthur Holden, Ben Mendelsohn, Benz Antoine, Bobby Brown, Chip Chuipka, Christian Jadah, Christian Paul, Christine Rodriguez, Daniel Brochu, Darcy Laurie, Dawn Lambing, Dusan Dukic, Erniel Baez, Frank Schorpion, Heidi Foss, Jason Cavalier, Joan Hart, Jovan Adepo, Karine Dion, Kelly Lee, Kevin Woodhouse, Laura Mitchell, Lesley Pahl, Leyda Aleyli, Lilou Roy-Lanouette, Luc Morissette, Marcello Bezina, Mark Antony Krupa, Mark Camacho, Mark Day, Mark Trafford, Martyne Musau, Matt Langton, Maurizio Terrazzano, Michael Cram, Michael Dozier, Nabil Khatib, Nick Walker, Nir Guzinski, Patrick Abellard, Patrick Émmanuel Abellard, Patrick Labbé, Paul Ash, Ralph Ineson, Richard Zeman, Rosemary Dunsmore, Ryan Stick, Sean Tucker, Shailene Woodley, Ted Pluviose, Teneisha Collins

Director: Damián Szifron

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With inconsistent pacing and a deeply unpleasant protagonist, it’s hard to recommend The Seeding to every viewer. It’s really slow-paced, deeply uncomfortable, and it starts with, of all things, a baby eating a finger. But there’s an interesting style to this arthouse horror, a marriage of desert survival thriller and folk horror that restricts all possible modes of escape through its claustrophobic canyon. As Wyndham gradually discovers a secret community driven back to primitive instincts, director Barnaby Clay inverts the idea of what it means to be one’s fundamental self. Most viewers might not appreciate the story, and the ideas aren’t as cohesive as it could be, but horror fans looking for something new in the genre might find The Seeding fairly interesting.

Genre: Horror, Thriller

Actor: Alex Montaldo, Charlie Avink, Kate Lyn Sheil, Scott Haze, SoKo, Thatcher Jacobs

Director: Barnaby Clay

Rating: R

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