178 Best Thriller Movies On Itunes Canada (Page 12)

Staff & contributors

Who doesn’t love a bit of suspense? If you’re looking for an exciting watch that will grip your attention without letting go, look no further. Here are the best thrillers to stream now, from dramas to fantasies and beyond.

It's a pretty nifty idea to expand on just one section of Bram Stoker's Dracula that's essentially just a footnote but implies something much more violent and horrific. And to its credit, The Last Voyage of the Demeter takes this sliver of the source material very seriously—with strong, period-specific production design and a cast that brings humanity and morality to their otherwise two-dimensional characters. Unfortunately, the film just doesn't know what to do with itself. As a creature feature, the thrills are uninspired and difficult to see properly on screen; as a supposedly character-driven horror movie, it only ever gestures toward deeper ideas but fails to give the tragic nature of its story any weight. And Dracula himself has none of the terror or the sophistication that has made him such an enduring figure throughout all of fiction. He's just a thing with wings.

Genre: Fantasy, Horror, Thriller

Actor: Adam Shaw, Aisling Franciosi, Chris Walley, Christopher York, Corey Hawkins, David Dastmalchian, Graham Turner, Javier Botet, Jon Jon Briones, Liam Cunningham, Malcolm Galea, Martin Furulund, Nicolo Pasetti, Nikolai Nikolaeff, Noureddine Farihi, Sally Reeve, Stefan Kapičić, Vladimir Cabak, Woody Norman

Director: André Øvredal

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For its first half-hour or so, Saw X really doesn't feel like an entry in the long-running horror series commonly described by detractors as "torture porn." It's quiet and steadily paced and does a better job than many horror sequels and reboots of recent years in making its primary antagonist a sympathetic human being. The way the character of John Kramer (AKA Jigsaw) has been written here—elevated by Tobin Bell's performance—gives even the film's later, more extreme segments a hint of soulfulness, since we're made to feel exactly what drives his self-appointed mission to exact justice on other terrible people.

But this new, dramatic spin on Saw doesn't last for very long, and this tenth film eventually slides back into its trademark cheesy elements that won't make any new converts to the series. Overly aggressive editing and music, hammy performances from the supporting cast, and death traps that grow increasingly unimaginative all dull the greater impact that Saw X could have had. The batch of victims we get this time around are somewhat compelling given their connections they have to each other and to Kramer himself, but they're still ultimately more of the same—just cannon fodder waiting for execution.

Genre: Horror, Thriller

Actor: Costas Mandylor, Craig Hurley, Donagh Gordon, Jorge Briseño, Joshua Okamoto, Katie Barberi, Kerry Ardra, Lucía Gómez-Robledo, Michael Beach, Natasha Goss, Octavio Hinojosa Martínez, Paulette Hernández, Renata Vaca, Shawnee Smith, Steven Brand, Synnøve Macody Lund, Tobin Bell

Director: Kevin Greutert

Rating: R

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Being based on the 1989 Patrick Swayze movie, we weren’t expecting much from the new Road House on Amazon Prime. Like the original, it has fun fight sequences, shot in a way that brings us to the bar itself, and it’s amusing to see actual MMA fighter Conor McGregor acting as an antagonist. However, this adaptation rewrites the main character to be a former UFC fighter, turning the story into something more akin to an outsider cowboy Western rather than a bouncer action drama. It’s not outright terrible, but it just feels uneven, and the cast performances can’t make up for the thinly written characters. It also just doesn’t feel like Road House.

Genre: Action, Thriller

Actor: Arturo Castro, B.K. Cannon, Beau Knapp, Billy Magnussen, Bruce Buffer, Candy Santana, Catfish Jean, Chad Guerrero, Conor McGregor, Craig Ng, Daniela Melchior, Darren Barnet, Dominique Columbus, Gbemisola Ikumelo, Hannah Love Lanier, J. D. Pardo, Jake Gyllenhaal, Jay Hieron, Jessica Williams, Joaquim de Almeida, Jonathan Kowalsky, Kevin Carroll, Lukas Gage, Post Malone, Ruairi Rhodes, Travis Van Winkle

Director: Doug Liman

Rating: R

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Known best for his horror films, writer-director Christopher Smith’s latest stint in the genre has dropped on Hulu. Consecration is one of many supernatural horror films set in convents and churches, as the Catholic Church’s notorious silence is easy fodder for potential fears. There’s some of that here, as Grace, portrayed by the excellent Jena Malone, tries to uncover the truth, not just for her brother’s murder but for her own past. However, there’s no secrecy in this murder mystery with the dialogue holding no subtlety at all. Even as the cast makes the most of it, Consecration drags down any possible tension or intrigue with its painfully straightforward dialogue and incoherent timeline shifts.

Genre: Horror, Thriller

Actor: Alexandra Lewis, Angela White, Charlotte Palmer, Danny Huston, David Boyle, Eilidh Fisher, Emma Hixson, Ian Pirie, Janet Suzman, Jena Malone, Jolade Obasola, Kit Rakusen, Marilyn O'Brien, Steffan Cennydd, Thoren Ferguson, Will Keen

Director: Christopher Smith

Rating: R

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With inconsistent pacing and a deeply unpleasant protagonist, it’s hard to recommend The Seeding to every viewer. It’s really slow-paced, deeply uncomfortable, and it starts with, of all things, a baby eating a finger. But there’s an interesting style to this arthouse horror, a marriage of desert survival thriller and folk horror that restricts all possible modes of escape through its claustrophobic canyon. As Wyndham gradually discovers a secret community driven back to primitive instincts, director Barnaby Clay inverts the idea of what it means to be one’s fundamental self. Most viewers might not appreciate the story, and the ideas aren’t as cohesive as it could be, but horror fans looking for something new in the genre might find The Seeding fairly interesting.

Genre: Horror, Thriller

Actor: Alex Montaldo, Charlie Avink, Kate Lyn Sheil, Scott Haze, SoKo, Thatcher Jacobs

Director: Barnaby Clay

Rating: R

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Yet another drama designed to be emotional without actually doing the heavy lifting to get us invested, Prisoner's Daughter takes the easy way out at every turn, mistaking its use of capital-I Issues and dramatic plot points for substantial writing. This doesn't mean that the film itself isn't still watchable and competently performed (by a typically strong Brian Cox, but especially by Kate Beckinsale); it just fails to make a statement about any of its disparate parts mashed together. At the end of the day, it feels as if the film doesn't have enough faith in the already complex and difficult relationship at its center, so it attempts to dress it up with prison, cancer, drug addicts, and epilepsy—which only cheapens what's already there.

Genre: Drama, Mystery, Thriller

Actor: Brian Cox, Christopher Convery, Chuti Tiu, Cinthia Moura, Ernie Hudson, Jon Huertas, Kate Beckinsale, Mark Kubr, Mark Oliver Everett, Tyson Ritter, Yonel Dorelis

Director: Catherine Hardwicke

Rating: R

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The opening titles of this French procedural drama explicitly tell us that the crime it chronicles will go unsolved, confessing that it’s about one of the approximately 160 murder cases that police don’t crack each year. An ambitious and intriguing opener — suggesting that, in the absence of a clean resolution, the film will nonetheless offer us something equally compelling, as Zodiac does. 

In following the investigation of the brutal murder of 21-year-old Clara (Lula Cotton-Frapier) — for which the police interrogate various of her exes, all misogynistic potential murderers in their own ways — the film seeks to explore the society-wide “problem between men and women” that has given the police its surplus of suspects. Alas, it’s much more interested in the psychological impact cold cases have on policemen like frustrated captain Yohan (Bastien Bouillon). There’s something deeply ironic about making a movie about the systemic dehumanization of women just to center male perspectives, especially when their only insight into the epidemic of toxic masculinity is Yohan’s clunky “We can’t find the murderer because all men killed Clara.” The film’s treatment of the victim herself — incurious and downright gratuitous in the depiction of her murder — cements it as a shallow, un-self-aware, and failed attempt to reckon with a subject that deserved its full focus.

Genre: Crime, Drama, Mystery, Thriller

Actor: Anouk Grinberg, Bastien Bouillon, Bouli Lanners, Camille Rutherford, Charline Paul, Johann Dionnet, Jules Porier, Julien Frison, Lula Cotton-Frapier, Marc Bodnar, Matthieu Rozé, Mouna Soualem, Nicolas Jouhet, Paul Jeanson, Pauline Serieys, Pierre Lottin, Théo Cholbi, Thibaut Évrard

Director: Dominik Moll

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Stories of forbidden love are captivating, because in the face of a lover, in the face of one’s opposite, one cannot help but be challenged, hopefully for the better. This is not what happened here. Out in the Dark is a film debut that takes this idea in the Middle East, with two gay lovers coming from Palestine and Israel. It’s an intriguing idea, and had it been more nuanced, Israeli director Michael Mayer would have created a daring first feature, but the film clearly comes from a limited Israeli perspective, with no Palestinians casted or working behind the scenes. While the film may be sympathetic to hypothetical LGBTQ+ people in Palestine, Out in the Dark doesn’t have the guts to question why they’ve been persecuted in the first place.

Genre: Drama, Romance, Thriller

Actor: Alon Pdut, Chelli Goldenberg, Huda Al Imam, Jameel Khoury, Khawlah Hag-Debsy, Loai Nofi, Michael Aloni, Moris Cohen, Nicholas Jacob, Shimon Mimran

Director: Michael Mayer

Rating: NR

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Not to be confused with James Cameron’s 1989 film, The Abyss isn’t the worst disaster film, but it could have been so much more. Inspired by the earthquake that actually happened in the real life town of Kiruna, there’s an important story here about worker safety, responsible mining, improving emergency protocols, and preserving the environment. However, like plenty of disaster movies, the film plays out in the most predictable ways, attaching a frankly irrelevant family drama that takes time away from the terrifying, claustrophobic nightmare that could have been. It does have decent effects, and even some decent scenes, but The Abyss is more interested in using the real life earthquake to manufacture drama, rather than actually looking into the manmade disaster.

Genre: Action, Drama, Thriller

Actor: Angela Kovács, Edvin Ryding, Felicia Truedsson, Jakob Hultcrantz Hansson, Jakob Öhrman, Kardo Razzazi, Katarina Ewerlöf, Peter Franzén, Tintin Poggats Sarri, Tuva Novotny

Director: Richard Holm

Rating: R

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While at first it seems like this third installment in Antoine Fuqua's series of Denzel Washington star vehicles is setting itself up to be a more serious and thoughtful story of personal absolution, it gradually becomes clear that The Equalizer 3 has no story to tell. Very, very little happens in this movie, and all the time we spend with Washington (still somehow compelling, even when he's on autopilot) drinking tea and chatting with locals doesn't lead to any character relationships worth caring for. Fuqua and screenwriter Richard Wenk seem to want to create a sense of familiarity with this Italian town, through which we should ideally see the things Robert McCall grows to value in his violent life. But even the prettiest landscapes (shot by Robert Richardson) can't make up for how empty and misjudged the writing is.

There are approximately two short action scenes in The Equalizer 3, neither of which has the clockwork precision of the fights in the first film, or the environmental inventiveness of the climax of the second film. And while an action movie can aspire to something beyond its action, the fact that this installment has abandoned it completely is a genuinely perplexing choice.

Genre: Action, Crime, Thriller

Actor: Adolfo Margiotta, Agostino Chiummariello, Andrea Dodero, Andrea Scarduzio, Arcangelo Iannace, Beatrice Aiello, Bruno Bilotta, Dakota Fanning, Daniele Ornatelli, Daniele Perrone, Danilo Capuzi, David Denman, Dea Lanzaro, Denzel Washington, Diego Riace, Eugenio Mastrandrea, Gaia Scodellaro, Gianluigi Scilla, Giovanni Scotti, Lucia Zotti, Luigi Catani, Marco Giuliani, Mariarosaria Mingione, Marta Zoffoli, Mauro Cremonini, Melissa Leo, Niccolò Senni, Remo Girone, Salvatore Ruocco, Simona Distefano, Sonia Ammar, Valerio Da Silva, Zakaria Hamza

Director: Antoine Fuqua

Rating: R

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After his brother's gruesome death at the infamous drug den, Trap House, Detective Grant Pierce is removed from the case to find its creator. He goes rogue and recruits a teenage drug dealer working for the Trap House with a plan to infiltrate. Whatever the film lacks in intrigue is not compensated by good writing or interesting traps/scares/twists that would befit its horror categorization. Even expectations to match its counterparts in the escape room genre are quickly lowered thanks to uninventive traps and shallow characters whose deaths weigh nothing in the grand scheme of the plot. The potential of a trap house horror/thriller to comment on addiction, race, poverty, or anything substantial outside of "crackheads are crazy" is ultimately wasted. Instead, there's stilted dialogue, caricatures of drug addicts, and a narrative that is hard to sit through, much less enjoy. 

 

Genre: Crime, Horror, Thriller, TV Movie

Actor: Anthony Timpano, Benjamin Wilkinson, Bruce Crawford, Fletcher Donovan, Gigi Saul Guerrero, Jaime M. Callica, Jason Tremblay, Peter Bundic, Ryan Mah

Director: Nicholas Humphries

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For some people, grief isn’t easy when a parent dies, especially if that parent is someone you wish you would never become. Grief can stir up a mix of uncomfortable emotions, like shame, anger, and guilt, and it can be very confusing to explain what’s happening to people who aren’t experiencing the same. There’s plenty of that here in South African drama Prime, with Marius losing his racist father, but the way the film depicts this grief is quite hard to follow because of the way it handles its other genres. The human horror of becoming someone you’ve hated is muddled with the randomly arranged sequences, sluggish pace, and mumbled dialogue, which is a shame, because the ideas and images could have made a better movie.

Genre: Drama, Horror, Thriller

Actor: Gérard Rudolf, Jasmine Hazi, Michael Lawrence Potter, Nomsa Twala, Richard Gau, Sharon Spiegel Wagner, Sizo Mahlangu

Director: Thabiso Christopher

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Despite a solid premise that should lead to compelling drama—about men scarred by war and the morally grey inner workings of the police—Confidential Informant devolves into a half-baked thriller that's as dull as its title. Flat direction, a lack of connective tissue between scenes, and an unfortunately visible lack of production resources suck the life out of the script and from the actors' performances. There's clearly a foundation to be built upon here, but the film makes a crucial mistake in trying to have its cake and eat it too: it wants to deliver all the (unsatisfying) thrills of an antihero police procedural, but it just doesn't have the money or the creativity to do this, on top of being a character drama. And so any tension that it tries to build up deflates by the end, its characters nothing but hollow shells, stuck in a story that that never gives them a chance to be anything more interesting.

Genre: Action, Mystery, Thriller

Actor: Arielle Raycene, Dominic Purcell, Erik Valdez, Jon Lindstrom, Kate Bosworth, Meadow Williams, Mel Gibson, Nick Stahl

Director: Michael Oblowitz

Rating: R

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