546 Best Romance Movies to Watch (Page 32)

In depictions of organized crime, we’re used to the stone-cold crime boss, and the conflicted, unwilling crime lord, but Miss Shampoo presents a new version of the gangster– one that’s fallen head over heels in love. The film plays out in hilarious ways, with the humor expected from writer-director Giddens Ko, and Daniel Hong and Vivian Sung are able to inject some heart into their performances with surprising chemistry. That being said, the film is clearly more interested in mocking organized crime, so the film feels more skewed towards Tai rather than Fen. It’s still really entertaining, though Miss Shampoo had so much more it could have shown, had it focused equally on Fen’s perspective.

Genre: Comedy, Crime, Drama, Romance

Actor: Bai Jing Yi, Bruce He, Chih-ju Lin, Chu Chung-heng, Duan Chun-hao, Duncan Chow, Duncan Lai, Honduras, Hong Yu Hong, Hsia Teng Hung, Hsin-Ling Chung, Kai Ko, Ke-Li Miao, Kent Tsai, Mei-Man Jin, Teng-Hung Hsia, Tsai Chang-Hsien, Tzu-Chien Kuo, Vivian Sung, Wei-min Ying

Director: Giddens Ko

Stories like Il Mare and Your Name/Kimi no Na Wa work because, unlike other romances, the conflict is understandably difficult. After all, how the heck can anyone fight against time and space? Love You Long Time takes a stab at the unique time-bending premise, with one main difference: the movie’s main lovers can talk to each other directly through an old pair of two-way radios. There’s no need for the two to depend on physical letters or texts. This difference is interesting – immediately, it allows Director JP Habac to play with cinematography, editing, and acting, to make us fall in love with the couple. Split between 2018 and 2022, the film makes meaningful points about the past and present, the years lost to the pandemic, and separation. However, without spoiling anything, the film’s third-act plot twists don’t land as well as they could have. Having them back to back made the plot nearly incomprehensible, and sadly, doesn’t resolve the conflict driving the film.

Genre: Drama, Romance

Actor: Ana Abad-Santos, Arlene Muhlach, Carlo Aquino, Meanne Espinosa, Patrick Quiroz

Director: Jaime P. Habac Jr.

Written by Diablo Cody (Jennifer’s Body) and directed by Zelda Williams (daughter of the late Robin Williams), Lisa Frankenstein is a playful, funny, and stylish take on ‘80s horror and coming-of-age romcoms. Unfortunately, those traits alone are not enough to give the film the weight it needs to stand the test of time. There’s a clumsiness to the direction that, ironically enough, makes the film seem like parts lousily stitched together, instead of a coherent whole. There are pauses that are too long, transitions that feel off, and questions left unanswered. Why does it feel natural for Lisa to kill people? Was she close to her mom? What does her relationship with The Creature indicate, apart from the trite and obvious “outcasts must stick together”? Lisa Frankenstein doesn’t have to answer all these to be a good film, but when things are shallowly rendered, they become hard to ignore. It prioritizes pulpy gimmicks and visual gags that are admittedly fun to watch, but leaves behind equally important matters that flesh out Lisa as a person.

Genre: Comedy, Horror, Romance

Actor: Ashton Leigh, Bryce Romero, Carla Gugino, Charlie Talbert, Cole Sprouse, Donna DuPlantier, Geraldine Singer, Henry Eikenberry, Jenna Davis, Jennifer Pierce Mathus, Joe Chrest, Joey Harris, Joshua Montes, Kathryn Newton, Liza Soberano, Luke Sexton, Paola Andino, Ray Gaspard, Ritchie Montgomery, Sarah Fisher, Shane Partlow, Summer Selby, Sylvia Grace Crim, Trina LaFargue, Walker Babington, Wendy Miklovic

Director: Zelda Williams

Rating: PG-13

Made to commemorate Toei Studio’s 70th anniversary, The Legend & Butterfly seemed like a good choice for this purpose. As a historical epic about the first Great Unifier of Japan, the film could have enabled the production company to show off their studio’s best in production design, set pieces, costumes, and score, through a familiar story Japanese audiences would care about. And with Nohime having a near blank slate in history, it gives enough creative freedom for the team to craft a heartrending romance. While the design aspects definitely succeeded, the romance did not. On top of this, the film’s focus on the romance takes away time, effort, and emotional resonance from the large-scale spectacular war battles that epics like these are known for.

Genre: Drama, History, Romance

Actor: Ai Mikami, Daisuke Honda, Haruka Ayase, Hideaki Ito, Hio Miyazawa, Hirotaro Honda, Ichikawa Somegorō VIII, Jun Hashimoto, Kinya Kitaoji, Kokoro Morita, Manabu Hamada, Mansaku Ikeuchi, Masato Wada, Miki Nakatani, Shuichiro Masuda, Takuma Otoo, Takumi Saitoh, Takuya Kimura, Toshinori Omi, Tsutomu Takahashi

Director: Keishi Otomo

Two people with different thoughts on love discover a common ground: they’re both anti-romantics. Realizing they got off on the wrong foot, they spend more time with each other and bond over realistic ideas of modern love. At one point, Maria (Rosalie Thomass) and Karl (Laurence Rupp) even diss romantic comedies for their cheesy music and naive understanding of fate and destiny. Their conversations are engaging and thoughtful, even and especially when they oppose one another. But just when you think you’re watching something smart and novel, Maria and Karl fall into the same implausible trappings they claim to hate. Suddenly, the film turns soft and transforms into the romantic comedy it once criticized. If only it had pushed into anti-romance territory even further and allowed Maria and Karl to truly hash out their differences, thorns and tension and all, then this could have been a truly interesting romantic film. Instead, it’s a standard romantic comedy that’s worse off for pretending to be above the genre, even though it’s really not.

Genre: Comedy, Drama, Romance

Actor: Arash Marandi, Charleen Deetz, Cora Trube, Denise M'Baye, Jakob Schreier, Jerry Hoffmann, Laurence Rupp, Margarethe Tiesel, Maria Hofstätter, Özgür Karadeniz, Paula Schramm, Rosalie Thomass

Director: Shirel Peleg

Rating: PG-13

Nostalgia is a powerful emotion, and it’s the main reason why filmmakers keep cashing in with old media franchises. Archie has been reimagined before, with the bewildering twists and turns of the CW’s Riverdale, but this time, it’s India’s turn with the franchise, and Graphic India and Tiger Baby Films partnered with the original publication to reimagine the town as an Anglo-Indian community in The Archies. The production design is undoubtedly stunning, with the maximalist Bollywood spectacle borrowing from 60’s Americana, and the musical numbers aren't half bad either. However, it’s the story and characterization that falters, as it feels like the leads are just going through the motions of the familiar love triangles. The film is still fun to watch, but ultimately, it feels like The Archies relies on spectacle to make up for its shortcomings.

Genre: Comedy, Drama, Music, Romance

Actor: Aditi Saigal, Agastya Nanda, Alyy Khan, Ankur Tewari, Ashok Banthia, Avan Contractor, Delnaaz Irani, Deven Khote, Dianne Commissariat, Dot., Farhan Akhtar, Kamal Sidhu, Khushi Kapoor, Koel Purie, Lovely Sharma, Luke Kenny, Mihir Ahuja, Nikos Andritsakis, Prerana Poddar, Puja Sarup, Satyajit Sharma, Sheena Khalid, Suhaas Ahuja, Suhana Khan, Tara Sharma, Vedang Raina, Vikram Kapadia, Vinay Pathak, Yuvraj Menda

Director: Zoya Akhtar

Despite the fact that this isn't the light fantasy romcom it seems to present itself as at the onset, Paging Mr. Darcy nevertheless becomes a breezy, likable little TV movie because it allows its main characters to be adult human beings. The story is still mostly fluff that ends far too abruptly, but for the most part, watching these two walk around and flirt from the very beginning makes for pleasant viewing. There isn't any pressure placed on these people to fabricate some sort of will-they-won't-they dynamic or to act accordingly to Jane Austen's work, and the result is a romance that feels so much simpler and so much more authentic than a Hallmark movie probably deserves.

Genre: Comedy, Romance, TV Movie

Actor: Benjamin Ayres, Carolyn Scott, David Pinard, David Rosser, Jinny Wong, Lillian Doucet-Roche, Mallory Jansen, Steven Vlahos, Will Kemp

Director: Peter Wellington

Rating: G

Nuovo Olimpo is stunning, atmospheric, and the very concept of the film – where lost love intersects with Italian cinema – is an interesting one. Starting the film’s relationship at a specific movie theater feels reminiscent of Cinema Paradiso, especially as Enea’s path mirrors Salvatore becoming a famous director. However, the film doesn’t really dive deep into this concept, nor does it add much to say with its gay romance. There’s something here about the relationship between the creator and the viewer that is undeniably interlinked, and there’s a hope that they can meet in the middle. But when the film doesn’t care about the couple’s individual paths, there are times it feels like it’s just going through the motions.

Genre: Drama, Romance

Actor: Aglaia Mora, Alvise Rigo, Andrea Di Luigi, Aurora Giovinazzo, Damiano Gavino, Eugenio di Fraia, Federico Mancini, Giacomo Colavito, Giacomo Stallone, Giancarlo Commare, Greta Scarano, Loredana Cannata, Luisa Ranieri, Priscilla Drag

Director: Ferzan Özpetek

Rating: R

The New Year’s kiss at midnight is a fun little tradition to share with your lover, but if you’re single, it’s just a reminder of your current relationship-less status. Of course, it’s not the end of the world if you can’t find someone by the 31st, but it’s this what-if, this hope, this deadline that drives the romantic stakes of In Search of a Midnight Kiss. It’s a cute premise, and leads Scoot McNairy and Sara Simmonds share real chemistry here, but the characterization made to introduce Wilson comes across as creepy rather than quirky more than a decade later. Even if the film reckons with that choice later on through Vivian’s reaction, it felt like that choice could have led to a more fruitful realization… Or at least, the idea that Wilson should consider making a change. (It’s the New Year, after all.) Still, In Search for a Midnight Kiss effectively captures how reaching out to someone new can be something good, even despite all the hurt you once felt.

Genre: Comedy, Drama, Romance

Actor: Bret Roberts, Brian McGuire, Cindy Drummond, Justin Huen, Kathleen Luong, Robert Murphy, Sara Simmonds, Scoot McNairy, Twink Caplan

Director: Alex Holdridge

Fly Me to the Moon is many things: a movie about the power of marketing, the glory of outer space, the beauty of human connection, and famous pretty people doing their thing. But what it isn’t is believable. Nothing about this movie is, except perhaps for Scarlett Johansson’s endearing performance (she’s the only one who seems to care, which tracks because she’s credited as a producer). The plot is implausible, the backgrounds are painfully flat, the tone is weirdly uneven, and maybe most disappointing of all, the acting just doesn’t pack a punch. It’s been reported that Channing Tatum, who plays Johansson’s love interest, was cast as a last-minute replacement for Chris Evans. If it’s true, it shows. He seems lost. His deadpan delivery may work in boisterous comedies like 21 Jump Street, but here it feels jarring. This is the guy Johansson’s impassioned character is supposed to have chemistry with? The guy who can’t so much as lift his eyebrows to express any emotion other than mild annoyance? To its credit, the movie has an interesting lead in Kelly (Johansson), an ad woman who isn’t defined by the men surrounding her, and who is morally complex and nuanced. I also appreciate her friendship with her secretary Ruby. They provide a fresh angle to a well-known story, it’s just too bad the direction seemed to go off the rails in the end.

Genre: Comedy, History, Romance

Actor: Anna Garcia, Channing Tatum, Christian Clemenson, Christian Zuber, Colin Jost, Colin Woodell, Dariusz Wolski, Donald Watkins, Gary Weeks, Gene Jones, Jessie Mueller, Jim Rash, Joe Chrest, Kade Pittman, Nick Dillenburg, Njema Williams, Noah Robbins, Peter Jacobson, Ray Romano, Scarlett Johansson, Stephanie Kurtzuba, Todd Allen Durkin, Victor Garber, Woody Harrelson

Director: Greg Berlanti

Rating: PG-13

Blind Date Book Club packs many times unnatural mouthfuls of dialogue and writing, but at the same time conveys an incredibly wholesome, adorable earnestness at its core. The movie has such a pure meet cute, thanks to the chemistry of Meg Tompkins (Erin Krakow) and Graham Sterling (Robert Buckley), which is all it really needed to succeed. Writing critique scenes and author characters almost always come with a mild cringe—always seems like the lines are aimed at the work itself, or a tool for deflection—but when the world around it is wrapped in a nostalgic young love à la Flipped, that stuff makes it even better. It's light fun, and it stays tonally the same throughout, but it's so unapologetically sweet you've got to respect it.

Genre: Romance, TV Movie

Actor: Chiara Guzzo, Daniel Bacon, Erin Krakow, Faith Wright, Glynis Davies, Hilary Jardine, Johannah Newmarch, Paolina van Kleef, Robert Buckley, Rochelle Greenwood

Director: Peter Benson