430 Best Romance Movies to Watch (Page 29)

Staff & contributors

Is love in the air? It sure is all over streaming platforms, where there’s no shortage of romance to cuddle up to. From intimate dramas to love-fuelled adventures, here are the best romance movies and shows to stream now.

What a waste of a premise, and what a waste of Woodley’s talents. Based on the short story “The Robot Who Looked Like Me” by Robert Sheckley, Robots has some clever things to say about the state of advanced tech and its role in society, but its clumsy, heavyhanded approach fumbles the execution. There’s an awkward and unfinished feel to Robots that doesn’t make anything about it believable—not the technology, not the convoluted story, and certainly not the romance. And except for Woodley, none of the characters seem likable. The male-dominated cast makes constant jokes about fatness and femininity, presumably for the sake of satire, but they end up participating in the very things they’re supposedly calling out. It’s not nearly as smart nor as charming as it thinks it is, and if you’re looking for an alternative, I would recommend the far superior German film I’m Your Man, which accomplishes everything Robots tries to be and more. 

Genre: Comedy, Fantasy, Romance, Science Fiction

Actor: Barney Burman, Case Matthews, Casey Messer, Charles Grisham, Chelsea Edmundson, David Grant Wright, Emanuela Postacchini, Hank Rogerson, Jack Whitehall, Jackamoe Buzzell, Keith Campbell, Kevin Foster, Leslie Fleming-Mitchell, Nick Rutherford, Paul Jurewicz, Paul Rust, Richard Lippert, Samantha Ashley, Samantha Gonzalez, Shailene Woodley, Tiffany Adams

Director: Anthony Hines, Casper Christensen

Rating: R

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Unfortunately, it isn't enough to have cartoonishly attractive people do silly things in the name of love for an entire feature film. This premise is undeniably fun at first: the pace is snappy, the locations are pretty, and there are more than a few intentional laughs buried within the film's fast-paced dialogue. But the longer Love Tactics 2 goes on, the more idiotic its characters seem and the more it feels like they don't actually deserve the love they supposedly earned in the previous movie. It greatly underestimates how frustrating it is to watch people fail to communicate over and over again, not out of any goodwill, but out of pure pride and jealousy. Sure, the leads provide plenty of eye candy, but after seeing how little they actually get to work with, watching them becomes an act of secondhand embarrassment.

Genre: Comedy, Romance

Actor: Atakan Çelik, Bora Akkaş, Ceyhun Mengiroğlu, Demet Özdemir, Deniz Baydar, Hande Yılmaz, İpek Tuzcuoğlu, Kerem Atabeyoğlu, Melisa Döngel, Şükrü Özyıldız

Director: Recai Karagöz

Rating: PG-13

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It's admirable how A Taste of Love keeps to the gentle pace of a slice-of-life story instead of blowing things up with unnecessary drama, but it's ultimately just too thinly drawn for any of its moments to become charming in their simplicity. There's nothing particularly wrong with any of its plot threads—emotionally they're all pretty level-headed and easy to understand—they just don't seem to coexist for any reason, or within any larger framework. As a result, spending time with this film doesn't just feel like hanging out with total strangers, but hanging out with people who are strangers to each other as well.

Genre: Comedy, Romance, TV Movie

Actor: Adam Hose, Ashley Dulaney, Darla Delgado, Demi Castro, Erin Cahill, Jeremy King, Jesse Kove, Jim R. Coleman, Lily Jane, Martin Kove, Rod Grant, Sasha Andreev, Susan Gallagher, Tymberlee Hill

Director: Conrad de la Torres III, Michael E. Brown

Rating: G

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With uninteresting characters and an aggressively bland story right from the start, Choose Love fails to establish any stakes worth caring about, no matter what choices we make throughout. Any sense of novelty from playing this choose-your-own-romcom vanishes once you notice how certain decision points lead to the exact same idea, or are blatantly disregarded by the character you "control" anyway. Choice is a complete illusion here, and the fact that we're only asked to participate when it comes to some of the most inane dilemmas only highlights how the film's protagonist isn't acting like a rational, adult human being with any self-respect or regard for others. Sure, people are inherently flawed and it can be fun to see how disastrous this situation can get through our own manipulation, but by the end there's still no believable spark to be found. It feels like a cop-out no matter what.

Genre: Comedy, Drama, Romance

Actor: Avan Jogia, Benjamin Hoetjes, Blair Strang, Jack Bright, Jacque Drew, Jesse Griffin, Jordi Webber, Laura Marano, Lucy Wigmore, Megan Smart, Nell Fisher, Scott Michael Foster

Director: Stuart McDonald

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This was an uncomfortable, unnecessary mess of a movie—it’d be a lot faster to just go to Literotica or something. It’s got rough romance dialogue; everyone’s faces are always pressed so close together; and worst of all is even the fight scenes are awkward. Outside of storylines, music from Olivia Rodrigo and Billie Eilish were made to be associated with this movie which mucks up their good name for people that haven't discovered them in neutral conditions. Caterina Ferioli’s performance as the film’s muse Nica, along with Nica’s warm girl-friendships, carries the entire thing to a semblance of watchability. But I'm not trying to give you hope, I'm saying just open your Incognito tab if you're here "for the plot."

Genre: Drama, Romance

Actor: Alessandro Bedetti, Anna Cianca, Caterina Ferioli, Eco Andriolo Ranzi, Eugenio Krauss, Juju Di Domenico, Laura Baldi, Nicky Passarella, Orlando Cinque, Roberta Rovelli, Sabrina Paravicini, Simone Baldasseroni, Sveva Romano Candelletta

Director: Alessandro Genovesi

Rating: R

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With actual, real life married couples killing each other after lottery wins, the premise of Kill Me If You Dare had plenty of potential. The situation alone makes people wonder why that unexpected windfall kills the love between a married couple. The film instead is less interested in examining that journey, and more interested in using the premise as a way to contrive ungrounded, pointless suspicion towards each other, when they could have easily talked about things, like adults. But even with the silly suspicion, there’s no charm, comedy, or chemistry to find endearing in the couple– all we’re given is that they’re married, Piotr aggressively skimps for the mortgage, and Natalie has a dream for a café that doesn’t make sense considering we never see her make coffee. Kill Me If You Dare just feels lazily assembled, with no interest in being romantic or comedic.

Genre: Comedy, Romance

Actor: Agnieszka Więdłocha, Bartłomiej Firlet, Dorota Pomykała, Małgorzata Mikołajczak, Mateusz Banasiuk, Mikołaj Roznerski, Mirosław Baka, Paulina Gałązka, Paweł Ławrynowicz, Piotr Gąsowski, Piotr Nerlewski, Piotr Nowak, Piotr Rogucki, Sebastian Perdek, Weronika Książkiewicz

Director: Filip Zylber

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Christmas is a common setting for romance stories, because it’s obviously the best time to warm up… if you know what we mean. (Warm drinks, sweet treats, and snuggling with loved ones, of course.) Christmas as Usual seems to go along that vein, as Thea brings home her fiancé Jashan to meet the parents, and he tries to impress her family, as these family Christmas romances tend to go. This obviously brings about the relatable romantic troubles that anyone can empathize with, so it’s a bit of a shock when Thea’s Norwegian family treats Jashan so badly that it seems more insidious than good ol’ concern over their daughter. Had the story been approached with more sensitivity, Christmas as Usual would have been outstanding, but its current version never really questions the racism of the Norwegian family, or the passive way Thea just lets it all happen.

Genre: Comedy, Drama, Romance

Actor: Erik Follestad, Ida Ursin-Holm, Jonas Strand Gravli, Kanan Gill, Mads Sjogard Pettersen, Marit Andreassen, Veslemøy Mørkrid

Director: Petter Holmsen

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Even before its characters get to Europe, Bawaal sets itself up as a truly ludicrous romantic comedy, completely unmoored from any common sense or internal logic, and with the most cartoonishly awful protagonist at its center. There isn't a single convincing story idea here, from the way Ajay's students learn from and idolize him despite his complete lack of teaching ability, to the way he treats his wife Nisha like dirt after learning she has epilepsy. Movies about scoundrels aren't unwelcome, but it feels as if there hasn't been any thought put into how Ajay views other people and the self-image he so desperately wants to protect—and even less thought seems to have been put into the hilariously shallow ways Ajay "earns" redemption by the end.

But then the characters get to Europe, and Bawaal inexplicably becomes a history lesson about the atrocities of World War II, which are briefly recreated in corny and at times tastelessly done fantasy sequences. The idea that these grown adults who have access to knowledge and pop culture are only now finding out that genocide is bad is nothing short of mind-numbing. Even worse is how Bawaal ignores every difficult and painful truth we've learned and continue to learn from World War II, and reduces so much suffering into a contrived moral lesson about how we should accept each other's flaws and learn to forgive. No matter the efforts of its lead actors or the quality of the production values on display, the film just can't overcome the bad taste it leaves in the mouth.

Genre: Comedy, Drama, History, Romance

Actor: Anjuman Saxena, Janhvi Kapoor, Manoj Pahwa, Mukesh Tiwari, Prateek Pachori, Varun Dhawan

Director: Nitesh Tiwari

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When life imitates art unexpectedly, it can be thrilling, exciting, and maybe even dangerous. As dissatisfied wife Gokce finds an unpublished novel, we hoped that her eventual escapades would be similarly riveting, but sadly, Ashes isn’t thrilling. Part of it is because the first half is just dedicated to pretty images that don’t even feel particularly steamy, but mostly this stems from the fact that Ashes hasn’t formulated a coherent plotline for the manuscript Gokce was reading, so all the twists and turns in the second half feels more randomly tossed, than carefully set up as a surprise.

Genre: Drama, Fantasy, Romance

Actor: Alperen Duymaz, Canan Atalay, Funda Eryiğit, Gökçe Eyüboğlu, Mehmet Günsür, Nur Sürer, Seda Türkmen, Yıldıray Şahinler

Director: Erdem Tepegöz

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