Genuinely exciting but with more than enough heart to keep its genre trappings from overwhelming the story, The Kidnapping Day wastes no time setting the stakes and its plot into motion. Several crimes occur seemingly at the same time, which not only keeps the show's various mysteries equally interesting, but emphasizes how our protagonist (the kidnapper Myeong-joon) is ultimately just a naive person caught in the crosshairs of something larger. But because of his poverty and desperation, he becomes a natural target of suspicion by the people who don't know his full story.
And accompanying Myeong-joon from the beginning of the series is 11-year-old Ro-hee, who wakes from a dazed state with no recollection of who she is, but with knowledge beyond her years. The somewhat antagonistic but tender bond she gradually forms with her reluctant kidnapper is the furthest thing from Stockholm syndrome. Instead, their relationship becomes a window into a particular class dynamic that runs throughout The Kidnapping Day (as well as a host of other South Korean films and shows). In these first two episodes watched for this review, the series already presents a world characterized by a deep yet normalized divide between the rich and the poor.
Genre: Comedy, Crime, Drama, Mystery
Actor: Jeon Yu-na, Kim Sang-ho, Kim Shin-rock, Park Sung-hoon, Yoon Kye-sang
Director: Park Yoo-young
