2423 Best Drama Movies to Watch (Page 99)

There's a cruelty to In My Mother's Skin that may seem off-putting at first, but one must reckon with the sheer scale of the violence already occurring before these characters are even introduced to us. The Japanese occupation of the Philippines was a particularly vicious period in the country's history; if Filipinos weren't fighting or hiding from their invaders, many of them were trying to maintain a precariously submissive, neutral existence, or they were being turned against each other due to the conflict of war trickling down between the social classes. All these things are implicit throughout Kenneth Dagatan's film, which doesn't try to reenact World War II but capture the total absence of hope during this period.

Dagatan's style of horror insists on a very slow pace, emphasizing every footstep leading to a horrifying reveal, and not just the main scare itself. This choice doesn't always work, especially as certain beats begin to repeat themselves, but the film's incredibly confident visual style fills every moment with an eerie paranoia. Gothic, shadowy interiors, nasty gore, and one opulently costumed fairy make everything perpetually unsettling—gradually forcing us to accept that these contradictions are just the reality of life under war.

Genre: Action, Drama, Fantasy, Horror, Mystery, Thriller, War

Actor: Angeli Bayani, Arnold Reyes, Beauty Gonzalez, Brian Sy, Felicity Kyle Napuli, James Mavie Estrella, Jasmine Curtis-Smith, Noel Sto. Domingo, Ronnie Lazaro

Director: Kenneth Lim Dagatan

If there’s one thing to say about House of Flying Daggers, it’s that it’s absolutely, absurdly, downright beautiful. The sets are lavishly designed, the landscapes are gorgeous, the colorful costumes are elaborately embroidered, the fight and dance choreography are breathtaking, every shot is colorful, and even the three leads in the love triangle are some of the most beautiful Chinese actors of the time (maybe, perhaps, of all time). That being said, some viewers might find that the beauty of each scene isn’t enough to carry through the film’s fairly convoluted plot, with everyone lying to each other all the time. There’s a thread here about being ordered into actions that would later be used to condemn you, and the way love intersects with that is fairly romantic stuff, but House of Flying Daggers doesn’t quite reach the emotional heights it could have had with a more streamlined script.

Genre: Action, Adventure, Drama

Actor: Andy Lau, Andy Lau Tak-Wah, Chengyuan Li, Dandan Song, Hao Bojie, Hongfei Zhao, Jiusheng Wang, Jun Guo, Li Qiang, Liu Tengyuan, Shu Zhang, Song Dandan, Takeshi Kaneshiro, Wang Jiusheng, Yang Guang, Yongxin Wang, Zhang Shu, Zhang Ziyi, Zheng Xiao-Dong, Zhengyong Zhang, Ziyi Zhang

Director: Yimou Zhang, Zhang Yimou

Rating: PG-13

Relationships mostly come and go, but to some lucky people, they find love early, hold onto it, and never let it go. Holding the Man is a drama based on a memoir on a fifteen year love affair between John Caleo and writer Tim Conigrave, who first met in high school, and chose to stay with each other despite parental disapproval, diagnoses, and same-sex activity being illegal. While Ryan Corr and Craig Stott do seem unconvincing as high school students, they share a realistic, endearing chemistry that makes you hope for a happy ending for the two, despite the knowledge of what they would have to face that decade. The film captures the nostalgia of the times in such a relaxed way, while also sticking to the frank tone of the book. Holding the Man reminds us to cling to the people we love, because there might be a time where we cannot.

Genre: Drama

Actor: Anthony LaPaglia, Craig Stott, Geoffrey Rush, Guy Pearce, Jacob Collins-Levy, Kerry Fox, Lee Cormie, Luke Christopoulos, PiaGrace Moon, Ryan Corr, Sarah Snook, Tegan Higginbotham, Tony Rickards

Director: Neil Armfield

Rating: NR

Peter Jackson made the transition from splattery gross-out movies like Braindead to more respectable fare with Heavenly Creatures, the true story of an intense relationship between two teenage girls that culminates in the murder of one of their mothers.

As the girls’ friendship becomes unhealthier, they invent a secret world for themselves, amusingly including a heart-throb Orson Welles. This gives Jackson the opportunity to indulge in his love of fantasy, creating some dazzling hallucinatory sequences.

The fantasy element contrasts beautifully with the humdrum setting of ‘50s New Zealand, and the final tragedy is heart-breaking. The film also provided an auspicious debut for Kate Winslet, who is terrific as one of the misguided fantasists.

Genre: Drama, Fantasy

Actor: Barry Thomson, Ben Fransham, Clive Merrison, Darien Takle, Diana Kent, Elizabeth Moody, Geoffrey Heath, Gilbert Goldie, Glen Drake, Glenys Lloyd-Smith, Jed Brophy, Jesse Griffin, Kate Winslet, Liz Mullane, Lou Dobson, Melanie Lynskey, Moreen Eason, Peter Elliott, Peter Jackson, Ray Henwood, Sarah Peirse

Director: Peter Jackson

In 2003, NASA launched twin rovers Oppy (short for Opportunity) and Spirit into Mars expecting them to last for only 90 days. But equipped with almost human-like perseverance and personality, the rovers lasted for years, tracing terrain and reporting extraterrestrial findings back to Earth until Oppy’s final goodbye in 2018.

Good Night Oppy follows the rovers and the team who made their journeys possible, discovering warmth and emotion in the daunting task that is finding life on Mars. It’s as informational as it is inspirational, a gratifying watch on all accounts.

Genre: Documentary, Drama

Actor: Angela Bassett

Director: Ryan White

Fright Night wastes no time confirming that, yes, that handsome new neighbor is a vampire, and yes, he has to be defeated. By cutting to the chase, the film refreshingly lets its heroes and villains spend a lot of time together, goading each other on in a battle of wills. But apart from that, Fright Night sticks to the reliable '80s-horror formula, full of spectacular makeup effects, cheesy thrills, and delightfully over-the-top performances. Chris Sarandon is irresistible as the evil vampire Jerry Dandrige, while Roddy McDowall's heartfelt performance as the fraud vampire hunter Peter Vincent gives us a redemption arc worth rooting for.

Genre: Comedy, Drama, Horror

Actor: Amanda Bearse, Art Evans, Bob Corff, Chris Hendrie, Chris Sarandon, Dorothy Fielding, Ernie Holmes, Heidi Sorenson, Irina Irvine, Jonathan Stark, Nick Savage, Pamela Brown, Prince Hughes, Roddy McDowall, Stephen Geoffreys, Stewart Stern, William Ragsdale

Director: Tom Holland

Rating: R

Friday Night Plan resembles many a classic teen film (most notably, Ferris Bueller's Day Off and Booksmart), but it also doubles as a thoughtful inquiry into the delicate bond between siblings who could not be more different from one another. Sid and his younger brother Adi (Amrith Jayan) have different ideas of what matters most in life, ideas that get tested when their mother’s car gets towed away during their night of fun. Sid thinks it’s only right to come clean and retrieve the car no matter what, but Adi believes this can all wait until tomorrow morning: tonight is Sid’s night to celebrate and finally connect with peers he’s shut off all his life. This tension comes as a surprise in what otherwise looks like an ordinary teen movie, but it’s also a welcome addition that helps Friday Night Plan stand out from the rest. 

Genre: Comedy, Drama, Family

Actor: Aadhya Anand, Amrith Jayan, Babil Khan, Juhi Chawla, Juhi Chawla Mehta, Ninad Kamat

Director: Vatsal Neelakantan

Rating: TV-14

Is an innocent child’s life worth millions of other civilian casualties? In a modern-day drone warfare led by Colonel Katherine Powell, played by the very versatile Helen Mirren, she is conflicted to order the target of the Somali terrorist organization when she spots Alia, a young girl who just happens to be selling bread within the premises of the Kill Zone. Her icy exterior, however, is a far cry from Lieutenant General Frank Benson’s profound sympathy, the portrayal of the late Alan Rickman in his last onscreen role being one of his most remarkable ones to date. Eye in the Sky is a thriller that will have you questioning your morals while gripping your seats in what appears to be a battle of the best choice and the only one. Do the ends always justify the means?

Genre: Drama, Mystery, Thriller, War

Actor: Aaron Paul, Aisha Takow, Alan Rickman, Armaan Haggio, Arman Haggio, Babou Ceesay, Barkhad Abdi, Carl Beukes, Daniel Fox, Ebby Weyime, Francis Chouler, Gavin Hood, Graham Hopkins, Helen Mirren, Iain Glen, James Alexander, Jeremy Northam, John Heffernan, Kate Liquorish, Kenneth Fok, Kim Engelbrecht, Kim Suzanne Engelbrecht, Laila Robins, Lemogang Tsipa, Lex King, Michael OKeefe, Monica Dolan, Phoebe Fox, Richard McCabe, Roberto Kyle, Roberto Meyer, Sabrina Hassan Abdulle, Vusi Kunene, Warren Masemola, Zak Rowlands

Director: Gavin Hood

Rating: R

Film direction—at least in the traditional sense—is all about establishing control. In Even the Rain, however, the crew led by director Sebastian faces a problem larger than what they can manage when they become embroiled in a local conflict over water supply while shooting a period film in Bolivia. The situation escalates into a violent uprising between the residents and the Bolivian state forces, which then endangers the completion of Sebastian’s film.

Even the Rain exposes the hypocrisy of urban filmmaking, questioning its exploitative and selfish tendencies. “Some things are more important than your film,” the actor Daniel bluntly tells Sebastian in one scene. This meta-commentary extends to the audience and encourages us to reevaluate the importance we put into films, especially with regards to the current socio-political context.

Genre: Drama, History

Actor: Antonio Mora, Carlos Santos, Cassandra Ciangherotti, Dani Curras, Daniel Currás, Daniel Currás, Ezequiel Díaz, Gael García Bernal, Juan Carlos Aduviri, Karra Elejalde, Leónidas Chiri, Leónidas Chiri, Luis Bredow, Luis Tosar, Milena Soliz, Najwa Nimri, Pau Colera, Raúl Arévalo, Sonia Ovando, Vicente Romero, Vicente Romero Sánchez

Director: Icíar Bollaín

Rating: Not Rated