40 Best Horror Movies On Itunes Australia (Page 2)

The Innocents is a Norweigan thriller that follows four kids who discover they have supernatural powers over the summer. They play around and experiment in the woods nearby, but what begins as harmless fun quickly develops into something much more disturbing and sinister.

This unnerving film, a blend of fantasy and horror, doesn't waste time explaining the origins of its mysticism. Instead, it goes straight into action—bending, twisting, and splitting open anything and anyone that gets in its way. This kind of rawness is shocking given the age range of the characters, but it also works to subvert what we've come to expect from kids, youth, and goodness. The Innocents isn't for the faint of heart, but if you can manage some bloody and unhindged scenes, then it's sure worth checking out. Directed by Eskil Vogt, co-writer of critically-acclaimed films like Thelma and The Worst Person in the World. 

Genre: Drama, Fantasy, Horror, Thriller

Actor: Alva Brynsmo Ramstad, Ellen Dorrit Petersen, Irina Eidsvold Tøien, Lisa Tønne, Marius Kolbenstvedt, Mina Yasmin Bremseth Asheim, Morten Svartveit, Rakel Lenora Fløttum, Sam Ashraf

Director: Eskil Vogt

In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Genre: Drama, Horror

Actor: Adam Morgan, Barbara West, Ben Winspear, Benjamin Winspear, Carmel Johnson, Cathy Adamek, Chloe Hurn, Craig Behenna, Daniel Henshall, Essie Davis, Hayley McElhinney, Jacquy Phillips, Michael Gilmour, Michelle Nightingale, Noah Wiseman, Peta Shannon, Pippa Wanganeen, Stephen Sheehan, Terence Crawford, Tiffany Lyndall-Knight, Tim Purcell

Director: Jennifer Kent

Rating: Not Rated

In Last Night in Soho, director Edgar Wright has so much to play with. The old lady character serves an unexpected role, while Ellie (Thomasin McKenzie) faces an interesting morality crisis as she tries to decide who to help at the end of the film. Just as fascinating is the film’s Ghibli-esque premise: we follow a hero going on an adventure far away from home and into a world where it's unclear where reality ends and fantasy begins. However, a lot of the time, it feels like the film was made to serve a big twist that doesn't have enough weight to it. The fantasy is far more intriguing than any tame interaction the film has to offer, so it doesn't feel like it lives up to its potential. But there is one obvious exception: Anya Taylor-Joy’s magnetic presence as Sandie—it’s a presence powerful enough to hold a film together.

Genre: Horror, Mystery, Thriller

Actor: Al Roberts, Alan Ruscoe, Andrew Bicknell, Anya Taylor-Joy, Celeste Dring, Colin Mace, Derek Lea, Diana Rigg, Elizabeth Berrington, Jacqui-Lee Pryce, James Phelps, Jessie Mei Li, Josh Zaré, Katrina Vasilieva, Lati Gbaja, Lisa McGrillis, Margaret Nolan, Matt Smith, Michael Ajao, Michael Jibson, Michael Mears, Oliver Phelps, Paul Brightwell, Pauline McLynn, Rita Tushingham, Sam Claflin, Sam Parks, Synnøve Karlsen, Terence Stamp, Thomasin McKenzie

Director: Edgar Wright

Rating: R

Surreal, off-putting, and extremely disturbing, Infinity Pool plays with the concepts of cloning and the death penalty to craft an examination on colonial tourism. It’s a thematically rich horror film, with hazy neon-lit sex scenes and absolutely terrible behavior, enabled by their wealth and advanced technology that could have been put to better use. Mia Goth, in particular, is strikingly unhinged, as Gabi taunts and lures James into bigger and more terrible crimes, crimes that he can only pay off with the wealth of his father-in-law. And Alexander Skarsgård as James believably gets sucked into this extremely libertine lifestyle, fuelled by the nepotistic anxiety of not living up to his own potential. The film presents a scary notion that pushed by wealth and playground tactics, one will willingly kill their own conscience, again and again, to belong to their cohort.

Genre: Horror, Science Fiction, Thriller

Actor: Alexander Skarsgård, Amanda Brugel, Amar Bukvić, Caroline Boulton, Cleopatra Coleman, Géza Kovács, Jalil Lespert, Jeff Ricketts, John Ralston, Mia Goth, Roderick Hill, Romina Tonković, Thomas Kretschmann

Director: Brandon Cronenberg

Rating: R

Amongst the google searches for this one you'll find "Is Slotherhouse a real film?" and that says a lot. When the first poster and trailer dropped, I suspected it the work of AI, but now that the film is out on streaming, we should be glad it exists. A ludicrous horror-comedy that hits all the right notes in gore, cringe, and puns, Slotherhouse is quintessential fun cinema. It may be set in a college where internalized misogyny is completely off the charts as young women bruise and batter each other's egos in service of the queen bee Brianna (Sydney Craven) and may attempt just a tiny bit of character development to keep the ball rolling, but honestly, who cares? It's a film that completely leans into the absurd, the over the top, the ridiculous, and it does it surprisingly well.

Genre: Comedy, Horror, Thriller

Actor: Andrew Horton, Annamaria Serda, Bianca Beckles-Rose, Bradley Fowler, Cady Lanigan, Grace Patterson, Jelena Rakočević, Juliana Sada, Kelly Lynn Reiter, Lisa Ambalavanar, Milica Vrzić, Olivia Rouyre, Stefan Kapičić, Sydney Craven, Tiana Upcheva, Tiff Stevenson

Director: Matthew Goodhue

Rating: PG-13

Fright Night wastes no time confirming that, yes, that handsome new neighbor is a vampire, and yes, he has to be defeated. By cutting to the chase, the film refreshingly lets its heroes and villains spend a lot of time together, goading each other on in a battle of wills. But apart from that, Fright Night sticks to the reliable '80s-horror formula, full of spectacular makeup effects, cheesy thrills, and delightfully over-the-top performances. Chris Sarandon is irresistible as the evil vampire Jerry Dandrige, while Roddy McDowall's heartfelt performance as the fraud vampire hunter Peter Vincent gives us a redemption arc worth rooting for.

Genre: Comedy, Drama, Horror

Actor: Amanda Bearse, Art Evans, Bob Corff, Chris Hendrie, Chris Sarandon, Dorothy Fielding, Ernie Holmes, Heidi Sorenson, Irina Irvine, Jonathan Stark, Nick Savage, Pamela Brown, Prince Hughes, Roddy McDowall, Stephen Geoffreys, Stewart Stern, William Ragsdale

Director: Tom Holland

Rating: R

Pan’s Labyrinth is often considered director Guillermo Del Toro’s best film, and rightfully so. But if you’re looking for a straight-up ghost story, this is the film that gets the job done. Everything about this film is sad and beautiful and unnerving, from the setting (an orphanage during the Spanish Civil War) to the atmospheric visuals.

Genre: Drama, Fantasy, Horror, Thriller

Actor: Adrian Lamana, Berta Ojea, Eduardo Noriega, Federico Luppi, Fernando Tielve, Francisco Maestre, Inigo Garces, Irene Visedo, Javier Bódalo, Jose Manuel Lorenzo, Juan Carlos Vellido, Junio Valverde, Marisa Paredes, Miguel Ortiz, Víctor Elías

Director: Guillermo del Toro

Rating: R

Many films that deal with the advent of some sort of apocalypse usually hit the ground running, but When Evil Lurks also keeps its sense of panic and paranoia right up to its bitter end. Even during moments of downtime—as this small group of "survivors" tries to keep moving—there is an overwhelming sense that they're only delaying their inevitable suffering, or that evil has existed long before  any of them. There are passing mentions of this demonic presence having originated in the city, and how it manages to infiltrate the lives of those on the outskirts through modern things like electricity and gunfire. It's an intriguing angle that gives possession a new texture: these demons aren't just randomly manifesting, but invading and occupying.

And when the violence kicks in, When Evil Lurks really doesn't spare its characters, as shown by some pretty gnarly practical effects and vicious sound design. The constant escalation of the demonic threat can feel contrived at times—as the rules of how things operate in this world keep on being added or modified, at a rate that can be hard to process—but the anguish it leaves its characters in is suffocating all the same. There may not appear to be a moral at the end of all this, but it evokes a sense of hopelessness better than many other films.

Genre: Horror, Thriller

Actor: Demián Salomón, Emilio Vodanovich, Ezequiel Rodríguez, Federico Liss, Isabel Quinteros, Jorge Prado, Luis Ziembrowski, Sebastián Muñiz, Silvina Sabater, Virginia Garófalo

Director: Demián Rugna

Rating: NR

I Saw the Devil is a South Korean psychological thriller/horror film. IT IS NOT FOR THE FAINT OF HEART!!! It has a lot of blood and gore that could make even the strongest stomachs turn. A young woman is kidnapped from her car while waiting for a tow truck and the kidnapper murders her far from her car and scatters her body parts around. Her fiancé, a secret service agent of the National Intelligence Service, sets out to track down her murders and exact his revenge. If you're looking for a thrill ride, look no further- but don't say we didn't warn you.

Genre: Horror, Mystery, Thriller

Actor: Byung-hun Lee, Cheon Ho-jin, Choi Jin-ho, Choi Min-sik, Choi Moo-seong, Choi Moo-sung, Gook-hwan Jeon, Han Se-joo, Ho-jin Cheon, Ho-jin Chun, In-seo Kim, Jeon Kuk-hwan, Jo Deok-jae, Jo Myeong-yeon, Kim Dae-hye, Kim Gab-soo, Kim In-seo, Kim Jae-Geon, Kim Kang-il, Kim Kap-soo, Kim Yoon-seo, Lee Byung-hun, Lee Jun-hyuk, Lee Seol-gu, Lee Seol‑gu, Min-sik Choi, Moo-Seong Choi, Nam Bo-ra, Oh San-ha, Park Jeong-gi, Park Ji-yeon, Park Seo-Yeon, San-ha Oh, Seol Chang-hee, Son Young-soon, Uhm Tae-goo, Um Tae-goo, Yoon Byung-hee, Yoon Chae-yeong, Yoon-seo Kim

Director: Jee-Woon Kim, Kim Jee-woon

Rating: Not Rated

The tired stereotype is that in horror films, it’s always the Black characters who are the first to die. The Blackening turns that on its head and gives us an interesting premise by asking, what if all the characters are Black? While it’s not the first film to do this (in fact, a lot of Black creatives are reclaiming horror and dominating the genre), it just might be the first to tackle the issue in a smart and funny way. This is a ridiculous parody filled with outsized performances and observational jokes, but it’s equally meta and socially aware as it literally (and thankfully) beats the stereotype to its final death. 

 

Genre: Comedy, Horror

Actor: Antoinette Robertson, Dewayne Perkins, Diedrich Bader, George Fisher, Grace Byers, James Preston Rogers, Jay Pharoah, Jermaine Fowler, Melvin Gregg, Sinqua Walls, X Mayo, Yvonne Orji

Director: Tim Story

Rating: R