2119 Best Drama Movies to Watch (Page 62)

Staff & contributors

In life and cinema, drama is everywhere. You’ll find it in thrillers, animations, romances, you name it. For entertainment that explores the human experience with sensitivity and sincerity, here’s a mixed bag of the best dramas to stream now.

Anyone who's seen All That Heaven Allows will naturally be skeptical that a movie claiming to be an homage to Douglas Sirk’s sumptuous masterpiece will live up to the heights of its inspiration. It’s a ballsy move, molding your film so closely to a peerless classic, but Todd Haynes transcends thin pastiche to be a genuinely great film of its own. Where Sirk’s movie charts the social scandal caused by an upper-class widow (Jane Wyman) falling in love with her gardener (Rock Hudson), Haynes sharpens the conflict by recasting the couple as an interracial one (played by Julianne Moore and Dennis Haysbert). What’s more, Haynes brings her husband back from the dead and into the closet to give Far From Heaven another angle through which to tackle the repression and stigma and explore the characters' rocky pursuit of happiness. If that sounds like the stuff of melodrama, it is — Far From Heaven is proudly of that genre, cracking through the veneer of suburban perfection to find roiling tension and repressed desire underneath.

Genre: Drama, Romance

Actor: Barbara Garrick, Betsy Aidem, Bette Henritze, Brian Delate, C.C. Loveheart, Celia Weston, Chance Kelly, Declan Baldwin, Dennis Haysbert, Dennis Quaid, Duane McLaughlin, Ernest Rayford, Geraldine Bartlett, J.B. Adams, James Rebhorn, Joe Holt, Johnathan McClain, Jordan Nia Elizabeth, Julianne Moore, June Squibb, Kevin Carrigan, Michael Gaston, Mylika Davis, Olivia Birkelund, Patricia Clarkson, Ryan Ward, Stevie Ray Dallimore, Susan Willis, Ted Neustadt, Viola Davis, Virl Andrick

Director: Todd Haynes

Rating: PG-13

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Of the three Brontë sisters—all of whom are accomplished writers in their own right—it’s Emily who remains the most enigmatic to this day. She died early and left in her wake just one work: her first and only novel, Wuthering Heights. The book shook England back then; it was rugged and sexual and violent, and the film honors that by filling the gaps in our knowledge of Brontë’s life with the excitement of her work. Emily, the film, may be historically inaccurate, but it is wildly enjoyable, even if it is pure fantasy. The cinematography is sensual and the sound production screeching; the vibe is equal parts erotic and eerie as Emily loses herself in the mysticism of the moors. It seems apt that a film about Emily leans more toward arthouse than commercial, but it’s also impressive that director Frances O'Connor is able to achieve all this while maintaining a universally romantic appeal about it.

Genre: Drama, History, Romance

Actor: Adrian Dunbar, Alexandra Dowling, Amelia Gething, Emma Mackey, Fionn Whitehead, Gemma Jones, Gerald Lepkowski, Oliver Jackson-Cohen, Paul Warriner, Philip Desmeules, Sacha Parkinson, Veronica Roberts

Director: Frances O'Connor

Rating: R

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Eat Drink Man Woman takes place in Taipei, Taiwan in the mid-1990s. It tells the story of an aging father and his three daughters, all of whom are navigating different phases of adulthood while embracing new relationships. The family uses cooking and eating together as a way to communicate their love.

Food as a love language wasn’t a new concept in 1994, when the film was released, however it is impeccably explored in Eat Drink Man Woman. 

Genre: Comedy, Drama, Romance

Actor: Chen Chao-jung, Chi-Der Hong, Chin-Cheng Lu, Gin-Ming Hsu, Gua Ah-leh, Huel-Yi Lin, Jui Wang, Kuei-Mei Yang, Lester Chan, Lester Chit-Man Chan, Lung Hsiung, Lung Sihung, Shih-Jay Lin, Sihung Lung, Sylvia Chang, Wang Yu-wen, Winston Chao, Wu Chien-Lien, Ya-lei Kuei, Yang Kuei-Mei, Yu Chen, Yu-Wen Wang, 张艾嘉

Director: Ang Lee

Rating: Not Rated

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This Canadian drama is directed by, written by, and stars first-time director Agam Darshi. It’s a labor of love about a 30-something woman who takes care of her sick father while trying to become a writer.

Mona (the character) comes from an immigrant Indian family, and she is proudly the black sheep of the bunch. When a visitor greets her with “God is Truth” in Punjabi, she replies in English with “Merry Christmas”, and when aunties catch her smoking she gives them the middle finger. Not to mention she is sleeping with a married man.

And yet the way the movie is made it works as a universal story - one about finding purpose in taking care of one’s parents while navigating complex family dynamics.

Genre: Comedy, Drama

Actor: Agam Darshi, Huse Madhavji, Kim Coates, Sandy Sidhu, Stephen Lobo

Director: Agam Darshi

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After years of documentaries covering Thailand’s controversial issues, some of which have been temporarily banned by the Ministry of Culture, Nontawat Numbenchapol takes a step into feature film in Doi Boy. The plot covers plenty of the topics he’s previously depicted– immigration, prostitution, and corruption– but it unfolds naturally into a slow-paced, but moving drama where an undocumented sex worker tries to find home. Awat Ratanapintha as Sorn excellently leads this journey, but Arak Amornsupasiri as reluctant cop Ji, and Bhumibhat Thavornsiri as passionate activist Wuth also make their mark. While the film doesn’t delve into the intricate intersectionality, it feels like that’s part of the point. The notion of a nation doesn’t care about people’s dreams, even if that dream is for the nation to be better.

Genre: Drama, Romance, Thriller

Actor: Arak Amornsupasiri, Awat Ratanapintha, Bhumibhat Thavornsiri, Ornjira Lamwilai, Panisara Rikulsurakan, Teerawat Mulvilai

Director: Nontawat Numbenchapol

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Dhuin is evidently influenced by the Iranian filmmaker whose work its characters discuss: Abbas Kiarostami. Featuring non-professional actors and full of long observational takes that center everyday conversations in the life of an aspiring actor in a small Northern Indian city, it’s guided by the same social realist impulses that shaped Kiarostami’s work. What’s more, it even ends on an explicit reference to Close-Up. 

But what elevates Dhuin above homage is the acute internal struggle it depicts. Set during COVID lockdown, the film follows Pankaj (Abhinav Jha) as he works on his acting in a bedroom adorned with images of Hollywood stars, chafing against the much less glamorous reality of the home he shares with his financially struggling parents. He's on the cusp of having enough money to fulfill his dream and move to Mumbai (where he hopes to advance his career), but several meetings with puffed-up filmmakers who are visiting from Mumbai give Pankaj a new perspective on the world he’s desperate to join. A testament to the torment of difficult choices, Dhuin also gently offers an alternative to the trope of abandoning home for the big city, suggesting that there might be greater beauty in the reality of where you’ve always been than the places you dream of.

Genre: Drama

Actor: Abhinav Jha, Prashant Rana

Director: Achal Mishra

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Legendary Talking Heads frontman David Byrne returns with this enigmatic stage show, and with Spike Lee in tow, the film reaches for the heights of the iconic concert doc Stop Making Sense. For those unfamiliar, Stop Making Sense directed by Jonathan Demme (Silence of the Lambs) captured the Talking Heads’ invigorating live show in their early eighties prime, and is often considered one of the best concert films of all time.

Now nearly forty years later Byrne attempts a resurrection of that spirit or a form of it given his former bandmates notably absent from the project. His propellant energy is on full display as he goes through the ‘Heads catalog with a backing band that dances in intricately choreographed sequences around him. Most notable, however, is the sparseness of the stage production which brings to mind a dirge-like atmosphere. Byrne’s righteous thrashings against Reagan’s America carry renewed weight in the despondency of the Trump-era. So despite his attempts at optimism, aching futility runs through the heart of the show; most pointed when Byrne sings the famous lines from in Once In A Lifetime: “Same as it ever was. Same as it ever was.”

Genre: Documentary, Drama, Music

Actor: Angie Swan, Bobby Wooten Iii, David Byrne, Jacqueline Acevedo, Mauro Refosco, Tendayi Kuumba

Director: Spike Lee

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Spike Lee’s semi-autobiographical film is a loving and nostalgic ode to the Brooklyn of his childhood. It also happens to be his sweetest work and while overshadowed by the explosive Do The Right Thing, remains an easy contender for one of his very best. The world of Crooklyn is told through the eyes of Troy, a young girl growing up with her four brothers, and her mother and father in a cramped brownstone. 

Lee’s Brooklyn is a colorful delight set aloft by a swooning soul soundtrack. His ability to capture the vibrant magical tones and textures of the city feels as complete as ever, and marvelous performances from Alfre Woodard and Delroy Lindo as Troy’s parents help create a touching and all-encompassing experience. 

Genre: Comedy, Drama

Actor: Alfre Woodard, Arthur French, Bokeem Woodbine, Carlton Williams, Carmen Tillery, Christopher Knowings, Christopher Wynkoop, Dan Grimaldi, Danielle K. Thomas, David Patrick Kelly, Delroy Lindo, Emelise Aleandri, Frances Foster, Gary Perez, Harvey Williams, Hector M. Ricci Jr., Isaiah Washington, Ivelka Reyes, Joie Lee, José Zúñiga, Keith Johnson, Kewanna Bonaparte, Manny Perez, Maurie A. Chandler, Michele Shay, Mildred Clinton, Norman Matlock, Omar Scroggins, Peewee Love, Raymond Reliford, Rene Ojeda, Richard Whiten, RuPaul, Sharif Rashed, Spike Lee, Taneal Royal, Tiasha Reyes, Tracy Vilar, Tse-Mach Washington, Ulysses Terrero, Vondie Curtis-Hall, Zelda Harris

Director: Spike Lee

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Leo and Remi are close. They play, eat, and sleep together, and in between those moments, they share every thought they have with each other, no matter how big or small. Theirs is a precious friendship, as pure and as intimate as can be, but all that changes when they begin middle school. Subject to heteronormative norms and preteen mockery, their friendship starts to crack as Leo and Remi’s different definitions of manhood emerge.

Subtle but evocative, quiet but deeply powerful, Close takes a closer look at boyhood and male friendships—how they’re lived, defined, and seen. Plenty of questions go unanswered in this film, but if you’re comfortable with simply empathizing with the characters rather than knowing every answer, then Close comes highly recommended.

Genre: Drama

Actor: Ahlaam Teghadouini, Cachou Kirsch, Eden Dambrine, Émilie Dequenne, Gustav De Waele, Hélène Theunissen, Igor van Dessel, Kevin Janssens, Léa Drucker, Léon Bataille, Marc Weiss, Serine Ayari

Director: Lukas Dhont

Rating: PG-13

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