2586 Best Drama Movies to Watch (Page 53)

In life and cinema, drama is everywhere. You’ll find it in thrillers, animations, romances, you name it. For entertainment that explores the human experience with sensitivity and sincerity, here’s a mixed bag of the best dramas to stream now.

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781. Swarm, 2023

Created by Janine Nabers and Donald Glover (Atlanta), Swarm is a dark and bloody deep dive into fan culture. It follows Dre (Dominique Fishback), a young woman whose obsession with a Beyoncé stand-in takes a dark turn after the unexpected death of a loved one.

Artful, daring, and legitimately scary, Swarm is one of the bolder shows to come to streaming in a while. It doesn’t hold back, not with the commentary nor with the blood, which can be too much for some viewers, but if you were thrilled by films like Misery and The King of Comedy, then this mind-blowing take on celebrity mania will certainly have you hooked.

Genre: Comedy, Crime, Drama, Horror

Actor: Dominique Fishback

Rating: TV-MA

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782. Such Brave Girls, 2023

	
In an early scene in Such Brave Girls, Josie (Kat Sadler) compares herself and her sister Billie (Lizzie Davidson) to a more attractive woman. “She’s live, love, laugh,” she says, “We’re death, silence, hate.” At this point, you’d think Sadler, who is also the creator and writer of the show, and Davidson, who is Sadler’s real-life sister, are the types to indulge in their sadness and romanticize their dysfunction. Though that happens to some degree, Sadler is self-aware enough to steer clear of wallow territory and offer something insightful about mental health and the ways we cope (or fail to, anyway). Parents who dismiss depression are called out, as are social workers and supposed experts who stereotype people with the illness. But weirdly enough, the show is never downright cynical. Josie is sweet enough to cut through the darkness, as are her ignorant and selfish though ultimately well-meaning family members. You’ll probably recall Broad City and Fleabag while watching Such Brave Girls because of its unapologetic approach to both sex and suicide, but maybe more than those two shows, Such Brave Girls is willing to root its themes deeper into reality. It almost never brings up mental health without contextualizing it in the family’s low-income state, making it one of the most relatable and urgent shows you can watch right now.Genre: Comedy, Drama
Actor: Freddie Meredith, Kat Sadler, Lizzie Davidson, Louise Brealey, Paul Bazel
Rating: TV-MA

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783. Station Eleven, 2021

	
These days, pandemic stories can go either of two ways: horribly or profoundly. The realism may be too much to bear, causing so-called pandemic fatigue, or it can compel you to move in the world in kinder, more self-aware ways.

Thankfully, HBO’s overlooked Station Eleven falls under the latter category. Epic, poignant, and lighthearted, the ten-episode miniseries (adapted from the bestselling novel of the same name) is one of the few pandemic-set, post-apocalyptic shows that takes a closer look at the kind and creative ways humans approach survival.Genre: Adventure, Drama, Fantasy, Mystery, Sci-Fi & Fantasy, Science Fiction
Actor: Daniel Zovatto, David Wilmot, Himesh Patel, Lori Petty, Mackenzie Davis, Matilda Lawler, Nabhaan Rizwan, Philippine Velge
Rating: TV-MA

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784. Speak, 2004

	
Kristen Stewart stars as Melinda, a girl entering the gauntlet of freshman year in high school who is also carrying a heavy secret: after suffering an assault over the summer at a party, she has become determined to speak as little as possible. Melinda’s subjective experience is presented without mediation, melodrama nor moralism, but rather as life through her eyes: teachers are puff-chested bullies; parents are mumbling, ephemeral strangers; whispering girls are talking about her, all the time. It is a realistic portrait of the inner life and experience of a young woman whose sudden introversion, academic decline, and loss of social connections appear to go completely unnoticed, while she struggles to process and unburden herself of the weight of trauma. It’s an empathetic story well-served by Stewart’s understated performance and the film’s quiet pace.Genre: Drama
Actor: Allison Siko, Arron Kinser, Caitlyn Folley, Christina Hardebeck, D. B. Sweeney, Elizabeth Perkins, Eric Lively, Hallee Hirsh, Kristen Stewart, Leslie Lyles, Michael Angarano, Richard Hagerman, Robert John Burke, Steve Zahn, Susan Gardner
Director:  Jessica Sharzer

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785. Song Lang, 2018

	
At the first few moments, Song Lang seemed to be something akin to Farewell My Concubine– the film takes a snapshot of a communist Asian country in a different time, through the lens of a regional opera form with painted faces, elaborate costumes, and captivating tunes. But there’s more to Song Lang than this. Tragedy isn’t prophesized through songs of an already existing opera (in fact, the film features all new tunes), but instead, it occurs because Dung, the loan shark, didn’t reflect on the past early enough for him to reclaim the art form his family once loved, a concern shared with cải lương as a declining genre. Song Lang is a moving drama, but it’s also a nostalgic time capsule of 1980s Saigon and cải lương as a whole.Genre: Drama, Music
Actor: Isaac, Liên Bỉnh Phát, Phuoc Tinh, Ron Vuong, Thanh Tú
Director: Leon Le

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786. So Long, My Son, 2019

	
China implemented the one-child policy in the 1980s in order to curb the population growth, ending it by 2015 due to the shifting dependency ratio. So Long, My Son depicts two families while the policy was implemented, alternating between past and present to depict how the fickle finger of fate changed their destinies in a single tragedy. It’s intimate and heart-wrenching, and the thirty years haven't been enough to soothe the guilt, fear, and pain that struck them. Clocking in at three hours, the film may not be a quick and easy watch, but So Long, My Son is the rare depiction of how China’s rapid changes personally affected its people, for better or worse.Genre: Drama
Actor: Ai Liya, Du Jiang, Li Jingjing, Qi Xi, Roy Wang, Wang Jingchun, Wu Shuang, Xu Cheng, Yong Mei, Zhao Yanguozhang, Zhaoyan Guozhang
Director: Wang Xiaoshuai, Xiaoshuai Wang

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787. Snowpiercer, 2014

Snowpiercer is an under-the-rader post-apocalyptic thriller that offers the grittiness that many times only Asian cinema may achieve. South Korean director Joon-ho Bong forces audiences to forget that Chris Evans was ever a Marvel superhero, as he leads a revolt of his fellow “low-class” citizens against the self-appointed gentry in a train that contains all remaining members of the planet. With immersive environments and a layered script, this film melds together social commentary and moral discourse in a visually arresting and vastly entertaining package.

Genre: Action, Drama, Mystery, Science Fiction

Actor: Adnan Haskovic, Alison Pill, Chris Evans, Clark Middleton, Dana Green, Ed Harris, Emma Levie, Ewen Bremner, Go A-sung, Go Ah-sung, Griffin Seymour, Jamie Bell, Jim High, John Hurt, Joseph Bertót, Kendrick Roger Ong, Kenny Doughty, Ko A-sung, Ko Asung, Luke Pasqualino, Luna Sophia Bar-Cohen, Magda Weigertová, Marcanthonee Reis, Octavia Spencer, Parry Shen, Paul Lazar, Peter Hallin, Robert Russell, Sean Connor Renwick, Seisuke Tsukahara, Song Kang-ho, Stephen Park, Steve Park, Tilda Swinton, Tomáš Dianiška, Tómas Lemarquis, Tyler John Williams, Vlad Ivanov

Director: Bong Joon-ho

Rating: R

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788. Slacker, 1991

The walk-and-talk roots of the Before Trilogy are traceable to this low-budget cult movie from writer-director Richard Linklater, which came five years before our first introduction to Celine and Jesse. Rather than follow a single, winding conversation, though, Slacker hops from character to character every few minutes, and we never meet them again. In fact, we rarely even learn their names, which makes the credits a particular pleasure to watch as it identifies cast members with wry monikers like “Dostoyevsky wannabe,” “Ultimate loser,” and “Scooby Doo philosopher.”

Shot in Linklater’s adopted hometown of Austin, Texas, the movie captures the city’s uniquely alternative vibe — or, as one character succinctly puts it, “This town has always had its share of crazies.” Conversations range from the spaced-out to the flat-out paranoid, a fair amount of the movie’s ragtag band being partial to conspiracy theories, from the well-worn (JFK's death) or the more bizarre (the real meaning behind The Smurfs). With its freewheeling approach to narrative, Slacker shares the lovable weirdness of its characters, as attested to by its enduring status as a cult classic.

Genre: Comedy, Drama

Actor: Athina Rachel Tsangari, Bob Boyd, Charles Gunning, Clark Walker, D. Montgomery, Deborah Pastor, Kim Krizan, Lee Daniel, Louis Black, Mark James, Richard Linklater, Robert Jacks, Tommy Pallotta

Director: Richard Linklater

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789. Scarecrow, 2015

Made with the modesty and authenticity of modern indie cinema from the Philippine regions, Scarecrow (or in the Ilocano language, Bambanti) uses the disappearance of a watch to paint a vivid picture of faith and judgment in a small town. There is no formal legal investigation into this supposed theft; what guides these characters instead are an unwavering belief in religion and folk traditions, and long-repressed resentment toward those who choose to disturb the peace. It quickly becomes evident that this witch hunt targeting a single mother (an incredible Alessandra de Rossi) and her son is about something else entirely—unresolved grief, economic struggle, and the fear and prejudice that the middle class can still harbor towards the least privileged among us.

Genre: Drama

Actor: Alessandra de Rossi, Erlinda Villalobos, Julio Diaz, Lui Manansala, Micko Laurente, Shamaine Buencamino

Director: Zig Madamba Dulay

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790. Rushmore, 1998

	
If it weren’t for his knack for writing, Max Fischer (Jason Schwartzman) would never have gotten into a prep school like Rushmore. But his art secures him a scholarship, and what he lacks in smarts and money, he makes up for in school pride. As he flunks more and more of his academics, however, he is eventually kicked out, and it’s outside the halls of his beloved Rushmore, stripped of all titles and insignia, where he learns to be his true self.

As the film’s comedic and emotional core, Schwartzman is a revelation as the ambitious and sharp-tongued Max. Equally captivating is Bill Murray’s deadpan but lovable turn as Max’s millionaire friend, Herman Blume. It’s a role so fitting, in fact, that the poor-rich-man character will follow Murray well into his career, long after the curtains close on Mr. Blume. Meanwhile, Wes Anderson will go on to do more colorful and stylized pictures than Rushmore, but thanks to its unbeatable wit and down-to-earth charm, the film remains to be one of the auteur’s most delightful and hilarious works to date.Genre: Comedy, Drama
Actor: Alexis Bledel, Andrew Wilson, Antoni Scarano, Bill Murray, Brandon Trost, Brian Cox, Brian Tenenbaum, Connie Nielsen, David Moritz, Dipak Pallana, Ed Geldart, Eric Chase Anderson, George Farish, Jason Schwartzman, Jason Trost, Kim Terry, Kumar Pallana, Lucille Sadikin, Luke Wilson, Marietta Marich, Mason Gamble, Morgan Redmond, Olivia Williams, Paul Schiff, Sara Tanaka, Seymour Cassel, Stephen Dignan, Stephen McCole, Wallace Wolodarsky
Director: Wes Anderson

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791. Porco Rosso, 1992

	
As impressive as Studio Ghibli’s collection of films are, I am still stubborn to believe that Porco Rosso is its most underrated film. Porco Rosso, directed by Hayao Miyazaki, is the story of a World War military aviator-turned-bounty hunter who has mysteriously been transformed into a pig.

Bright with humor, heart, and flight (Miyazaki is largely influenced and inspired by the art of aviation), Porco Rosso manages to also acknowledge and reckon with the horrors of war. It also boasts one of, if not the greatest, line in any Ghibli film: I’d rather be a pig than a fascist.Genre: Adventure, Animation, Comedy, Drama, Family
Actor: Akemi Okamura, Akio Otsuka, Bunshi Katsura, Bunshi Katsura Vi, Ginzo Matsuo, Hiroko Seki, Kazunori Arai, Mahito Tsujimura, Minoru Yada, Nobuo Tanaka, Osamu Saka, Reizō Nomoto, Sanshi Katsura, Shinnosuke Furumoto, Shûichirô Moriyama, Tatsuyuki Jinnai, Tokiko Kato, Tsunehiko Kamijo, Yoko Soumi, Yu Shimaka, Yuzuru Fujimoto
Director: Hayao Miyazaki
Rating: PG

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792. Phoenix, 2015

Nelly is a concentration camp survivor who undergoes reconstructive facial surgery, and comes back to question whether her husband (unable to recognize her) was the one who betrayed her to the Nazis. Heavy, heavy stuff. But in Phoenix you will also see something else, as the story takes you beyond the subject matter to become almost a celebration of film: elements of Hitchcockian cinema intertwine with the realism of the likes of David Ayer are added to perfect performances to create a stunning, compelling, and exceptional film.

Genre: Drama

Actor: Claudia Geisler, Claudia Geisler-Bading, Daniela Holtz, Eva Bay, Felix Romer, Frank Seppeler, Imogen Kogge, Jeff Burrell, Kathrin Wehlisch, Kirsten Block, Max Hopp, Megan Gay, Michael Maertens, Michael Wenninger, Nikola Kastner, Nina Hoss, Nina Kunzendorf, Ronald Zehrfeld, Stefan Will, Trystan Pütter, Trystan Putter, Uwe Preuss, Valerie Koch

Director: Christian Petzold

Rating: PG-13

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793. People, Places, Things, 2015

	
«When comedians get a bit older they do a movie with “emotions” in it. Here’s mine.» Flight of the Conchords’ Jemaine Clement on Twitter. People Places Things is exactly that, a funny yet heartfelt comedy. Will Henry, A New York City graphic novelist walks in on his girlfriend cheating on him at their kids’ birthday party. A year later, Will is struggling to define his new life as a single parent while still getting over his breakup. Smart, honest, and led by Jemaine Clement, this film will strike you in its simplicity but will hold you with its charm. Genre: Comedy, Drama, Romance
Actor: Aundrea Gadsby, Celia Au, Derrick Arthur, Dionne Audain, Gavin Haag, Gia Gadsby, Jemaine Clement, Jessica Williams, Matthew Maher, Michael Chernus, Nancy Eng, Paul Castro Jr., Regina Hall, Samantha Posey, Stephanie Allynne
Director: Jim Strouse
Rating: R

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794. Other People's Children, 2022

	
Other People’s Children wrestles with some very tricky life experiences: bonding with a partner’s child in the agonizing knowledge that that attachment is entirely contingent on the fate of your romantic relationship; being a woman of a certain age and wanting a child but becoming keenly aware of the ticking of your body clock. For all the sharp points of pain the movie zones in on, though, there is remarkable cheerfulness in it, too. Writer-director Rebecca Zlotowski captures a wide spectrum of mood here, fusing lighthearted laughs and swooning romance with bitter disappointments and grief in a way that feels organic to life itself. The buoyant moments don’t undermine the sincere, intelligent consideration given to Rachel’s (Virginie Efira) perspective as a woman navigating a situation for which there are no real rules, and vice versa — because the film considers her as a whole from the outset. Neither reducing Rachel to her childlessness nor ignoring its emotional impact on her, this is a deeply empathetic movie that never questions the completeness of its protagonist’s life.Genre: Comedy, Drama
Actor: Anne Berest, Antonia Buresi, Callie Ferreira-Goncalves, Chiara Mastroianni, Fadila Belkebla, Frederick Wiseman, Guillaume Verdier, Henri-Noël Tabary, Lydie Muller, Marlène Saldana, Mireille Perrier, Roman Kolinka, Roschdy Zem, Sébastien Pouderoux, Véréna Paravel, Victor Lefebvre, Virginie Efira, Yamée Couture
Director:  Rebecca Zlotowski
Rating: NR

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795. One Day at a Time, 2020

A Cuban-American revival of the Norman Lear series from the '70s and '80s, this relatively short-lived version of One Day at a Time was once the sweetest show on TV, especially in a landscape populated by prestige dramas and gritty genre fare. In its empathetic approach towards a wide range of subject matter—racism, mental illness, gender identity, unconventional family structures—the series places a premium on communication and acceptance. Which isn't to say that the show doesn't have its fair share of amusing misunderstandings and conflicts, mostly between independent single mom Penélope (Justina Machado) and the flamboyant abuela Lydia (Rita Moreno). But perhaps most impressive about One Day at a Time is how it breathes new life into the three-wall sitcom format with a live studio audience—enhancing the show's most emotional moments either through the live viewers' bated breath or their eruption of applause.

Genre: Comedy, Drama, Family

Actor: Isabella Gomez, Justina Machado, Marcel Ruiz, Rita Moreno, Stephen Tobolowsky, Todd Grinnell

Rating: TV-PG

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