2570 Best Drama Movies to Watch (Page 18)

Staff & contributors

In life and cinema, drama is everywhere. You’ll find it in thrillers, animations, romances, you name it. For entertainment that explores the human experience with sensitivity and sincerity, here’s a mixed bag of the best dramas to stream now.

Leave No Trace is the amazing new movie from the director of Winter's Bone, Debra Granik. It's the story of a father and his daughter who live completely off the grid in a national park in Portland, and their quiet quest to not be separated and remain off the grid. It's not the sensational, tear-jerker story that you'd expect something with this premise to be. Rather, and like Winter's Bone, it chooses a humane and realistic approach to the subject matter. The decision to live outside society is almost irrelevant to this movie. More so, its inevitability for certain people with certain mindsets is what is interesting. A stunningly quiet movie, really well-acted too.

Genre: Drama, Mystery

Actor: Alyssa McKay, Art Hickman, Ayanna Berkshire, Ben Foster, Dale Dickey, Dana Millican, David Pittman, Debra Granik, Derek John Drescher, Isaiah Stone, Jeff Kober, Jeffery Rifflard, Michael Draper, Michael J. Prosser, Spencer S. Hanley, Thomasin Harcourt McKenzie, Thomasin McKenzie

Director: Debra Granik

Rating: PG

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It's heartbreaking to realize that Happening, a film set in 1960s France tracking a young woman's journey to dangerously and desperately terminating her pregnancy, is still very much relevant and relatable to this day. Around the world, abortion is still inaccessible, if not completely illegal, and women still struggle to lay full claim to their bodies. A lot of girls grow up with pregnancy statistics meant to instill fear, but Happening brings all that to brilliant life in intimate and unrestrained detail. The fears and wants of our protagonist Anne (played precisely by Anamaria Vartolomei) are palpable throughout. Nothing is held back in this film, and if you find yourself sick in parts, then it has achieved its goal of realistically conveying what it's like to stay alive in a society that fails to recognize your needs.

Genre: Drama, History

Actor: Alice de Lencquesaing, Anamaria Vartolomei, Anna Mouglalis, Cyril Metzger, Édouard Sulpice, Fabrizio Rongione, Francois Loriquet, Isabelle Mazin, Julien Frison, Kacey Mottet Klein, Leïla Muse, Leonor Oberson, Louise Chevillotte, Louise Orry-Diquéro, Luàna Bajrami, Madeleine Baudot, Pio Marmaï, Sandrine Bonnaire

Director: Audrey Diwan

Rating: R

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Perhaps the most depressing but vital movie produced by animation giant Studio Ghibli, Grave of the Fireflies is a searing and sweeping drama that covers the horrors of World War II through the eyes of teenager Seita and his young sister Setsuko. Between the violence of war and the tragedy of loss, the siblings struggle to preserve not just their lives but their humanity. In typical Ghibli fashion, there are moments of gentle beauty to be found, but instead of conflicting with the overall stark tone of the film, they successfully underscore war's futility and brutality, making Grave of the Fireflies one of the most important anti-war narratives ever told.

Genre: Animation, Drama, War

Actor: Akemi Yamaguchi, Amy Jones, Ayano Shiraishi, Crispin Freeman, Dan Green, Hiroshi Tanaka, J. Robert Spencer, Kyoko Moriwaki, Masayo Sakai, Rhoda Chrosite, Shannon Conley, Tsutomu Tatsumi, Yoshiko Shinohara

Director: Isao Takahata

Rating: Not Rated

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First off you have to remember it is the same writer as Training Day. Then you have to believe that he must have gone to a joint training camp between the Taliban and Mexican Cartels or something since Training Day to come up with such a tense, unpredictable script. But End of Watch is more than that. It is warm and sweet (yes), and a great showcase of Gyllenhaal and Pena's talents -- which thanks to a documentary-style cinematography, and the actors' 5-month immersion program with actual LA cops, make for a very authentic, rich, and overall exciting film.

Genre: Crime, Drama, Thriller

Actor: America Ferrara, America Ferrera, Anna Kendrick, Candace Smith, Cle Shaheed Sloan, Cle Sloan, Cody H. Carolin, Cody Horn, Corina Calderon, David Castañeda, David Fernandez Jr., David Harbour, Diamonique, Diana Noris, Eric Garcetti, Everton Lawrence, Flakiss, Frank Grillo, Gene Hong, Hugh Daly, Jaime FitzSimons, Jake Gyllenhaal, Judy Echavez, Kevin Vance, Kristy Wu, Manny Jimenez Jr., Maurice Compte, McKinley Freeman, Michael Monks, Michael Peña, Natalie Martinez, Ramon Camacho, Richard Cabral, Robert Gatewood, Ron Roggé, Shondrella Avery

Director: David Ayer

Rating: R

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While the dual lead performance concept can easily be a recipe for disaster at times (cf. Gemini Man), the always amazing J.K. Simmons (Whiplash) shows everybody how it's done in this tense sci-fi thriller. When the risk pays off, it pays off big time! Set in a counterfactual 1980s East Berlin, Counterpart unfolds in two parallel worlds that were bridged by East German scientists. When a flu pandemic kills millions in the first world, the two worlds enter a Cold War-like state. Both Simmons' characters (Simmonses?) work in the institution (“interface”) that oversee this bridge between earths: Howard Silk, a low-level employee who transmits messages he doesn't understand, and Howard Silk Prime, a clandestine agent working for the parallel world's interface institution. While this may seem like an overly complicated plot, don't fret. To be sure, Counterpart is complex, twisted, and raises some big questions, but it's also a gripping political thriller where everyone tries to kill somebody somewhere, like Bourne. It's the best of both worlds – pun intended. But if you're into the philosophical aspects of sci-fi, screenwriter Justin Marks does not disappoint, offering some new answers to the age-old question of what makes us who we are: nature or nurture.

Genre: Drama, Mystery, Science Fiction, Thriller

Actor: Betty Gabriel, Harry Lloyd, J.K. Simmons, James Cromwell, Nazanin Boniadi, Nicholas Pinnock, Olivia Williams, Sara Serraiocco

Director: Alik Sakharov, Jennifer Getzinger, Stephen Williams

Rating: TV-MA

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Kimberly Peirce's first–out of only three—film was a smashing success, mostly due to her dedication to the subject matter. Peirce spent years researching the life and tragic death of Brandon Teena after reading an article about him in The Village Voice. She felt a particular kind of kinship as a queer person herself, and wanted to construct a story out of real facts that would put the spotlight on love and the desire for connection, and not that much on the violence which dominated the public discourse. In Falls City, Nebraska, the director conducted interviews with Lana Tisdale (Brandon's girlfriend) and her mother, while attending the ongoing trial. She took years to cast the lead and from hundreds of cis women, lesbians, and trans people, she chose the unknown actress Hilary Swank, who went on to win the Best Actress Academy Award (and the irony of that is not lost on us). The film features fantastic performances aplenty and very raw storytelling, visualized by neorealist style and low lighting. Direct references were the films of Martin Scorcese and John Cassavetes, but Boys Don't Cry has its own blend of beauty and cruelty to take pride in.

Genre: Crime, Drama

Actor: Alicia Goranson, Alison Folland, Brendan Sexton III, Caitlin Wehrle, Cheyenne Rushing, Chloe Sevigny, Craig Erickson, Gabriel Horn, Gail Cronauer, Gavin Perry, Guilford Adams, Hilary Swank, Jackson D. Kane, Jeannetta Arnette, Jerry Haynes, Josh Ridgway, Libby Villari, Lisa Renee Wilson, Lou Perryman, Matt McGrath, Paige Carl Griggs, Peter Sarsgaard, Rob Campbell, Robert Prentiss, Shana McClendon, Stephanie Sechrist

Director: Kimberly Peirce

Rating: R

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Bowling For Columbine addresses the sore wounds of 9/11 by exploring the concepts of safety and fear as perceived by various people. From school shooting survivors, through Canadians who never lock their doors, to Marilyn Manson and actor/NRA president Charlton Heston, Michael Moore's interviewees all inform the complex picture of gun violence and its rise today. The director is not afraid to provoke and ask the pressing questions linking the abstract fear of the other to the reality of lost lives every day. Even his irony and parody—a morose cartoon arguably based on South Park especially—bites back hard.

Genre: Documentary, Drama

Actor: Adolf Hitler, Bill Clinton, Charlton Heston, Chris Rock, Dick Clark, Duke of York, George H. W. Bush, George W. Bush, Jacobo Árbenz, Jessica Savitch, Keanu Reeves, King Charles III of the United Kingdom, Marilyn Manson, Matt Stone, Michael Moore, Prince Andrew, Prince Andrew, Duke of York, Salvador Allende, Trey Parker

Director: Michael Moore

Rating: R

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Three years before the Wachowskis released The Matrix, their debut, Bound, was already one of the most visually stunning crime thrillers of the 1990s. If you look at the film as a straightforward genre piece, it's as thrilling as the best of the genre: vulnerable heroines, suspenseful sequences taking place mostly in one enclosed location, and a plot driven by mind games and careful manipulation. Every scene is marked by one breathtaking image after another, from the atmospheric use of lighting and color to intelligently placed cuts linking the two protagonists together no matter how much they've been kept apart.

But Bound only takes on more meaning when you look at it through the queer and trans perspective that the Wachowskis undoubtedly placed over the film years and years before their own coming out. By focusing on how Violet and Corky (a captivating Jennifer Tilly, and a sensual Gina Gershon, respectively) use their femininity and their gender as tools to break free from these patriarchal gangster narratives, Bound becomes a timeless expression of queer yearning and freedom.

Genre: Crime, Drama, Thriller

Actor: Barry Kivel, Christopher Meloni, Gene Borkan, Gina Gershon, Ivan Kane, Jennifer Tilly, Joe Pantoliano, John P. Ryan, Kevin Michael Richardson, Margaret Smith, Mary Mara, Peter Spellos, Richard C. Sarafian

Director: Lana Wachowski, Lilly Wachowski

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Georgian dance has cut-throat competition: the art form is dying even within Gerogia, and to make it, dancers compete to join the one duo that represents the country. The chance finally comes and the spot opens up, igniting the hopes of performers from around the country. Mervan is one of them, a young dancer from a poor background who takes food from his restaurant job to feed his family. His main competition is a newcomer, Irakli, who also comes from a difficult background and hopes to secure the spot to provide for his ill father.

When their lives hang on them competing against one another, Mervan and Irakli fall for each other.

And Then We Danced is full of incredible dance sequences that add to the beauty of the romance at its center; but it's also a heartbreaking exploration of unfulfilled ambition.

Genre: Drama, Romance

Actor: Aleko Begalishvili, Ana Javakishvili, Bachi Valishvili, Giorgi Tsereteli, Mate Khidasheli, Ninutsa Gabisonia, Tamar Bukhnikashvili, Tamari Skhirtladze

Director: Levan Akin

Rating: 12

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Clocking in at just under four hours, Hu Bo's first and last feature film—before his tragic death at the age of 29—is a sprawling indictment of a country that the filmmaker must have viewed as positively hostile and suffocating. Following several characters whose paths intersect as they try to escape their current circumstances, An Elephant Sitting Still creates a truly oppressive atmosphere that may not lead you to the answers you expect, but it should leave you feeling haunted for a long, long time. Beautifully scored, shot, and acted, Hu's film offers practically no hope but it keeps on moving with a sense of freedom and determination all its own. This is as honest a film can get; Hu has left behind a moving legacy.

Genre: Crime, Drama

Actor: Chaobei Wang, Li Congxi, Li Qing, Peng Yuchang, Wang Ning, Wang Xueyang, Wang Yuwen, Zhang Yu, Zhao Tao, Zhaoyan Guozhang, Zhu Yan Man Zi, Zhu Yanmanzi, Zhu-Yan Manzi

Director: Hu Bo

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In The Sun, a family of four is dealt with tragedy after tragedy, beginning with the younger sun A-ho's sudden incarceration. The mother is sympathetic but the father all but shuns him as he chooses to throw all his affection to A-hao, the older brother, and his med school pursuits instead. Themes of crime, punishment, family, and redemption are then explored in gorgeous frames and mesmerizing colors with director Chung Mong-hong doubling as the film's cinematographer. 

Despite itself, The Sun never falls into cliche melodrama territory. Its heavy themes are undercut by naturalistic acting and poetic shots, resulting in a deeply emotional but balanced film. Rich in meaning and beauty, The Sun will surely stay with you long after your first watch.

 

Genre: Crime, Drama, Family

Actor: Apple Wu, Chang Han, Chen Yi-wen, Chen Yiwen, Chen-Ling Wen, Chien-Ho Wu, Chih-ju Lin, Greg Hsu, Guan-Ting Liu, Han Chang, Huang Hsin-Yao, Ivy Yin, Ko Shu-Chin, Kuan-Ting Liu, Li-Tung Chang, Liao Hui-Jen, Lin Chih-ju, Liu Kuan-ting, Lung Shao-Hua, Ming-Shuai Shih, Samantha Ko, Samantha Shu-Chin Ko, Shao-Huai Chang, Shih Ming-shuai, Shu-Chin Ko, Shu-qin Ke, Siu Wa Lung, Wang Ko-Yuan, Wen Chen-ling, Wu Chien-ho, Wu Tai-ling, Yi-Wen Chen, Yin Shin

Director: Chung Mong-hong, Mong-Hong Chung

Rating: N/A

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Celebrated Iranian director Asghar Farhadi’s latest movie is about Rahim, a man who is in jail because he was unable to repay a debt. He gets a temporary release from prison, and with a big smile on his face, he leaves his confinement with a plan not to come back.

His secret girlfriend hands him a pack of gold coins, which they plan to sell to repay the creditor. But, as is custom with Farhadi’s movies, the center of the story is a moral dilemma that comes from one of the characters trying to be a good person. The gold coins are not Rahim’s or his girlfriend’s, but it's life-changing for both of them. 

Selected as Iran's official submission to the Oscars. 

Genre: Drama, Thriller

Actor: Ali Reza Jahandideh, Amir Jadidi, Ehsan Goodarzi, Farrokh Nourbakht, Fereshteh Sadr Orafaee, Maryam Shahdaie, Mohsen Tanabande, Mohsen Tanabandeh, Sahar Goldoost, Sarina Farhadi

Director: Asghar Farhadi

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