2571 Best Drama Movies to Watch (Page 157)

Staff & contributors

In life and cinema, drama is everywhere. You’ll find it in thrillers, animations, romances, you name it. For entertainment that explores the human experience with sensitivity and sincerity, here’s a mixed bag of the best dramas to stream now.

The Supremes at Earl's All-You-Can-Eat (what a mouthful) is mostly formulaic and clunky. Everything tragic that can happen will happen, and they don’t unfold organically, so the film feels like a smushed version of every tearjerker drama produced in movie history. There’s also a surprising amount of death, which the film sadly doesn’t leave enough room to parse through. There is grief, sure, and sorrow, but there are also a whole lot of other things going on that distract from the lessons of those events. But to its credit, The Supremes is headlined by three strong actresses that make the film almost worth watching. The best parts of the movie are when they confront each other. These women are dynamic, passionate, and bursting with so much life, it’s a shame that the film would rather stick to conventions than follow the natural flow of their conversations, outbursts, and celebrations. I know it’s based on a novel of the same name, but it would’ve done well to narrow down the plotlines and tell them in a fresher and more dynamic way—you know, adapt it to film as opposed to just transplanting everything.

Genre: Comedy, Drama

Actor: Abigail Achiri, Angela Davis, Aunjanue Ellis-Taylor, Cleveland Berto, Craig Tate, Deja Dee, Donna Biscoe, Jason Turner, Jesse Gallegos, Julian McMahon, Kyanna Simone Simpson, Mekhi Phifer, Russell Hornsby, Ryan Paynter, Sanaa Lathan, Tati Gabrielle, Tony Winters, Uzo Aduba, Vondie Curtis-Hall, Xavier Mills

Director: Tina Mabry

Rating: PG-13

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Made to commemorate Toei Studio’s 70th anniversary, The Legend & Butterfly seemed like a good choice for this purpose. As a historical epic about the first Great Unifier of Japan, the film could have enabled the production company to show off their studio’s best in production design, set pieces, costumes, and score, through a familiar story Japanese audiences would care about. And with Nohime having a near blank slate in history, it gives enough creative freedom for the team to craft a heartrending romance. While the design aspects definitely succeeded, the romance did not. On top of this, the film’s focus on the romance takes away time, effort, and emotional resonance from the large-scale spectacular war battles that epics like these are known for.

Genre: Drama, History, Romance

Actor: Ai Mikami, Daisuke Honda, Haruka Ayase, Hideaki Ito, Hio Miyazawa, Hirotaro Honda, Ichikawa Somegorō VIII, Jun Hashimoto, Kinya Kitaoji, Kokoro Morita, Manabu Hamada, Mansaku Ikeuchi, Masato Wada, Miki Nakatani, Shuichiro Masuda, Takuma Otoo, Takumi Saitoh, Takuya Kimura, Toshinori Omi, Tsutomu Takahashi

Director: Keishi Otomo

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Two people with different thoughts on love discover a common ground: they’re both anti-romantics. Realizing they got off on the wrong foot, they spend more time with each other and bond over realistic ideas of modern love. At one point, Maria (Rosalie Thomass) and Karl (Laurence Rupp) even diss romantic comedies for their cheesy music and naive understanding of fate and destiny. Their conversations are engaging and thoughtful, even and especially when they oppose one another. But just when you think you’re watching something smart and novel, Maria and Karl fall into the same implausible trappings they claim to hate. Suddenly, the film turns soft and transforms into the romantic comedy it once criticized. If only it had pushed into anti-romance territory even further and allowed Maria and Karl to truly hash out their differences, thorns and tension and all, then this could have been a truly interesting romantic film. Instead, it’s a standard romantic comedy that’s worse off for pretending to be above the genre, even though it’s really not.

Genre: Comedy, Drama, Romance

Actor: Arash Marandi, Charleen Deetz, Cora Trube, Denise M'Baye, Jakob Schreier, Jerry Hoffmann, Laurence Rupp, Margarethe Tiesel, Maria Hofstätter, Özgür Karadeniz, Paula Schramm, Rosalie Thomass

Director: Shirel Peleg

Rating: PG-13

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With phone scams becoming more elaborate, it’s easy to understand and empathize with the wrath Jason Statham as The Beekeeper has when his elderly friend gets drained out of her entire life savings. It’s thrilling to see him punch his way into the scammers’ headquarters and burn the whole place to the ground. And when director David Ayer uses his extra hour to dial up the low stakes tech scheme into a nationwide scandal that implicates the entire U.S. government, it’s ludicrous, sure, but it’s somehow wildly entertaining. That being said, your mileage of the film highly depends on your tolerance for randomly dropped bee facts and silly bee puns, but The Beekeeper isn’t a terrible choice to watch.

Genre: Action, Adventure, Crime, Drama, Thriller

Actor: Adam Basil, Arian Nik, Bharat Mistri, Bobby Naderi, Dan Li, David Witts, Derek Siow, Don Gilet, Emmy Raver-Lampman, Enzo Cilenti, Georgia Goodman, Jason Statham, Jay Rincon, Jemma Redgrave, Jeremy Irons, Jonathan Cohen, Josh Hutcherson, Kevin Golding, Kojo Attah, Li Dan, Martin Gordon, Megan Le, Michael Epp, Minnie Driver, Peter Brooke, Phil Hodges, Phylicia Rashād, Rebecca Hazlewood, Reza Diako, Rocci Williams, Sophia Feliciano, Sunny Dhillon, Taylor James, Valentina Novakovic

Director: David Ayer

Rating: R

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The Beautiful Game starts off with a hilarious, brilliantly written opening sequence that should have set the tone for the film. Then almost immediately, we're met with some shoddy writing, and in a strange way, that is what sets the tone for the film, instead. This film presents the story of the Homeless World Cup and how it empowers those who feel they have no direction, and so naturally we want to feel their triumph. But the film seems to want to cross over the jovial and wholesome line and deeper into the characters' struggles, and while some characters only need a glimpse of it, it generally comes across like a jarring lack of commitment. The film isn't carrying home any writing gold, but it's not really about winning, is it?

Genre: Drama

Actor: Anna Maria Everett, Aoi Okuyama, Bill Nighy, Callum Scott Howells, Colin Azzopardi, Cristina Rodlo, Daniel Attwell, Gabriel Akuwudike, James McNicholas, Jessye Romeo, Kazuhiro Muroyama, Kit Young, Layo-Christina Akinlude, Massimo Scola, Micheal Ward, Robin Nazari, Shane Casey, Sheyi Cole, Sian Reese-Williams, Susan Wokoma, Tom Vaughan-Lawlor, Valeria Golino

Director: Thea Sharrock

Rating: PG-13

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Transporting the Henry James novella to the nightclub, The Beast in the Jungle turns the Edwardian era story into a surreal, escapist drama spanning the last decades of the 20th century. As John and May wait for that all-important event, they lose the importance of everything else, like love, friendship, and family, all to the decadence they only acknowledge as patience. This concept paired with the visuals are interesting, especially since the film also makes the viewer wait with them, drawing out the existential frustration, the fear of a life not lived, and the self-absorption, but the film struggles with the historical events, haphazardly inserting tragedies like the AIDS epidemic for what seems to be no reason.

Genre: Drama

Actor: Anaïs Demoustier, Bachir Tlili, Béatrice Dalle, Mara Taquin, Martin Vischer, Tom Mercier

Director: Patric Chiha

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Nostalgia is a powerful emotion, and it’s the main reason why filmmakers keep cashing in with old media franchises. Archie has been reimagined before, with the bewildering twists and turns of the CW’s Riverdale, but this time, it’s India’s turn with the franchise, and Graphic India and Tiger Baby Films partnered with the original publication to reimagine the town as an Anglo-Indian community in The Archies. The production design is undoubtedly stunning, with the maximalist Bollywood spectacle borrowing from 60’s Americana, and the musical numbers aren't half bad either. However, it’s the story and characterization that falters, as it feels like the leads are just going through the motions of the familiar love triangles. The film is still fun to watch, but ultimately, it feels like The Archies relies on spectacle to make up for its shortcomings.

Genre: Comedy, Drama, Music, Romance

Actor: Aditi Saigal, Agastya Nanda, Alyy Khan, Ankur Tewari, Ashok Banthia, Avan Contractor, Delnaaz Irani, Deven Khote, Dianne Commissariat, Dot., Farhan Akhtar, Kamal Sidhu, Khushi Kapoor, Koel Purie, Lovely Sharma, Luke Kenny, Mihir Ahuja, Nikos Andritsakis, Prerana Poddar, Puja Sarup, Satyajit Sharma, Sheena Khalid, Suhaas Ahuja, Suhana Khan, Tara Sharma, Vedang Raina, Vikram Kapadia, Vinay Pathak, Yuvraj Menda

Director: Zoya Akhtar

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Parenting is hard by itself, but it’s moreso hard when done alone, especially if there was supposed to be a partner alongside the journey. Thank You, I’m Sorry depicts this through Sara, who has to deal with her husband’s absence and difficulties in connecting with her husband’s family in his stead, on top of her pregnancy, but it’s her connection with her estranged sister Linda that can make or break her journey. The dynamic between the sisters is what drives the film. Sanna Sundqvist and Charlotta Björck manage to depict the strained yet clearly loving relationships naturally, and it’s lovely to see the mundane ways they reestablish their bond. It’s a unique story, though it does feel rushed and some of the humor can be totally off-putting.

Genre: Comedy, Drama

Actor: Charlotta Björck, Ia Langhammer, Jonatan Rodriguez, Juan Rodríguez, Sanna Sundqvist, Ville Virtanen

Director: Lisa Aschan

Rating: PG-13

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Suzzanna: Kliwon Friday Night is the second part of a trilogy dedicated to Indonesia’s queen of horror, billed as Suzzanna New Generation. The trilogy recreates three of Suzzanna’s iconic films, and the second installment is based on the 1986 film Malam Jumat Kliwon. The supernatural horror isn’t exactly scary– the film takes a bit too long between the scares, and there are moments that are downright hilarious. However, fans of the original scream queen would appreciate Luna Maya’s take on her demonic role, shifting the sundel bolong into a woman rightfully out for revenge.

Genre: Drama, Fantasy, Horror

Actor: Achmad Megantara, Adi Bing Slamet, Baron Hermanto, Clift Sangra, Egy Fedly, Ence Bagus, Lela Anggraini, Luna Maya, Max Yanto, Opie Kumis, Sally Marcelina, Taskya Namya, Tio Pakusadewo, Yurike Prastica

Director: Guntur Soeharjanto

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Not to be confused with the old racist Disney movie, Song of the South is a carefully crafted historical epic based on the classic Vietnamese novel. Set in 1940s Vietnam, French colonial rule hangs over the main story, with the young An searching for his father after a tragic loss. It’s beautifully shot, capturing South Vietnam’s culture in ethereal countryscapes, blatantly nationalistic moments, and excellently choreographed fight sequences. Huynh Hao Khang also depicts An with a charm and charisma that makes his journey the most interesting to watch. However, his journey meanders halfway through, with each change in travel companion unsteadily shifting the tone of the film. Song of the South is an intriguing watch, but the structure, humor, and the CGI distracts from the poignancy of the original novel’s story.

Genre: Drama, Family, War

Actor: Công Ninh, Hồng Ánh, Mai Tài Phến, Trấn Thành, Tuấn Trần, Tuyền Mập

Director: Nguyễn Quang Dũng

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An unsung hero of the civil rights movement gets the customary Oscar bait treatment in this biopic. Though he was instrumental in organizing the historic March on Washington — which helped force the US government to enshrine civil rights — gay Black activist Bayard Rustin isn’t the household name his peers are. In an inversion of that narrative, figures like Martin Luther King appear here as supporting characters to Colman Domingo’s Bayard.

Domingo’s energetic, commanding performance holds the center of the film, but he’s ill-served by the formulaic approach to storytelling that unfolds around him. More than a few scenes feel like they were written, directed, and performed with an eye to making awards ceremony clips, giving the film a disjointed, self-aware air. And yet, for all the limits of its by-the-numbers approach, Rustin does manage to pack in glints of insight. By virtue of who he was, Bayard will never not make for a compelling central figure — so even lackluster filmmaking can’t sap this inherently radical material of all its power. Though not without its flaws, then, the film is valuable for the light it sheds on the polarising effect Bayard's identity as a gay Black man had within the movement and the intersectional depths he nevertheless brought to it. 

Genre: Drama, History

Actor: Adrienne Warren, Aml Ameen, Audra McDonald, Ayana Workman, Bill Irwin, Carra Patterson, CCH Pounder, Chanel Minnifield, Chris Rock, Collin Antrim Miller, Colman Domingo, Cotter Smith, Da'Vine Joy Randolph, Dan Sauer, Daniel Johnson, Frank Harts, Glynn Turman, Grantham Coleman, Gus Halper, Hope Clarke, Ivan Moore, Jeff Hochendoner, Jeffrey Wright, Johanna McGinley, Johnny Ramey, Jordan Aaron Hall, Jules Latimer, Kevin Mambo, Lilli Kay, Maxwell Whittington-Cooper, Michael Alban, Michael Potts, Rashad Edwards, Robert F. Kennedy, Scott Deal, Zuri Starks

Director: George C. Wolfe

Rating: PG-13

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