2596 Best Drama Movies to Watch (Page 100)

In life and cinema, drama is everywhere. You’ll find it in thrillers, animations, romances, you name it. For entertainment that explores the human experience with sensitivity and sincerity, here’s a mixed bag of the best dramas to stream now.

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1486. The Peanut Butter Falcon, 2019

This buddies-on-the-road drama was the highest-grossing independent film of 2019, which tells you everything you need to know about it: it’s familiar, but it’s not overblown.

A fisherman (Shia LaBeouf) has to flee after vandalizing the property of a rival fishing group who bully him. On the way, he meets a man with Down syndrome, who, unexpectedly, is on a journey to become a pro wrestler.

Genre: Adventure, Comedy, Drama

Actor: Ann Owens, Aurelian Smith Jr., Bruce Dern, Dakota Johnson, Deja Dee, John Hawkes, Jon Bernthal, Lee Spencer, Mark Helms, Mick Foley, Rob Thomas, Shia LaBeouf, Susan McPhail, Thomas Haden Church, Tim Zajaros, Wayne Dehart, Yelawolf, Zachary Gottsagen, Zack Gottsagen

Director: Michael Schwartz, Tyler Nilson

Rating: PG-13

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1487. The Outrun, 2024

	
The Outrun, which follows Rona as she struggles to acknowledge and eventually overcome her alcoholism, is understandably in shambles. It’s non-linear (our only cues are her hair color) and occasionally fractured to show just how messed up Rona’s headspace is. These decisions may or may not feel necessary to the viewer, but what centers the film and makes it nonetheless worthwhile is Ronan’s performance. She is convincing and compelling as an addict—no overacting here or disrespectful flairs, just a simple performance carried by the weight of her eyes, the pain of gestures, and the occasional creak in her voice. It’s not always clear what’s happening in The Outrun despite its simple plot, but it is always watchable thanks to Ronan’s magnificent turn.Genre: Drama
Actor: Izuka Hoyle, Lauren Lyle, Nabil Elouahabi, Naomi Wirthner, Paapa Essiedu, Saoirse Ronan, Saskia Reeves, Seamus Dillane, Stephen Dillane
Director:  Nora Fingscheidt
Rating: R

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1488. The Outfit, 2022

The Outfit doesn’t need to do a lot to be as sleek and surprising as it is. In fact, much of the film takes place in a single place while consisting of only a few (albeit memorable) characters. It’s deceptively simple, but the tricks it hides up its sleeves are plentiful and pleasurable. It’s a well-made and even better-performed gangster movie. Led by a quietly powerful Mark Rylance (who plays Leonard, the tailor with hidden depths), the actors are serious enough to lend it gravitas but easygoing enough to make it light on its feet.

All in all, The Outfit is an agile action film with twists that will keep you at the edge of your seat right till the very end.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alan Mehdizadeh, Dylan O'Brien, Johnathan McClain, Johnny Flynn, Mark Rylance, Nikki Amuka-Bird, Scoop Wasserstein, Simon Russell Beale, Zoey Deutch

Director: Graham Moore

Rating: R

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1489. The Novice, 2021

	
If the sheer intensity of The Novice's storytelling can at times feel like it's trying too hard to be in-your-face—rather than authentically disturbed—the ambition of Laura Hadaway's direction is still quite the spectacle to behold. Where some of the film's relationships don't come off as complex as they should be, Hadaway and her team more than makes up for with frantic editing, shallow camera focus, panicked strings as a musical score, and heavy breathing mixed deep into the sound design. There's just something violent about how the movie is put together, as Alex (played by Isabelle Fuhrman) tears herself apart for seemingly no other reason than to prove to herself that she can do it.Genre: Drama, Thriller
Actor: Al Bernstein, Amy Forsyth, Charlotte Ubben, Dilone, Isabelle Fuhrman, Jeni Ross, Jonathan Cherry, Kate Drummond, Nikki Duval, Robert Ifedi
Director:  Lauren Hadaway
Rating: R

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1490. The Maid, 2009

	
No one likes to be replaced. Even when it gets difficult, hardwork and years put in effort to take and keep these roles makes it feel precious, and that’s exactly how househelp Raquel feels in The Maid. It’s a funny domestic comedy, with a scowling Catalina Saavedra ready to protect the role she’s held onto for years, but Saavedra and writer-director Sebastián Silva crafts an empathetic, realistic character study of a woman so worn down from poverty, power imbalance, and having had no breaks that the rare instance of compassion feels like a threat. La Nana doesn’t quite critique the entire system that keeps Raquel in her role, but it’s a rare film that acknowledges the importance of rest and empathy in order to feel human.Genre: Comedy, Drama
Actor: Agustín Silva, Alejandro Goic, Andrea García-Huidobro, Anita Reeves, Catalina Saavedra, Claudia Celedón, Claudia Paz, Delfina Guzmán, Juan Pablo Larenas, Luis Dubó, Luis Wigdorsky, Mariana Loyola
Director: Sebastián Silva

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1491. The Last Man on Earth, 2017

From Sweet Tooth to The Last of Us, there’s no shortage nowadays of post-pandemic shows speculating about a virus-stricken and human-deficient world. But back in 2015, those were few and far between, making The Last Man on Earth a uniquely weird dramedy that was as existential as it was entertaining.

But even as its novelty wore off over the years, The Last Man on Earth stands the test of time thanks to its deft balance of sadness and silliness. You could be laughing about a poop joke one moment and ruminating about the purpose of life the next—and it never feels jarring. The ensemble cast is also a notable strength of the show, with each cast member becoming more sympathetic and fleshed out every season. Even the latest additions to the crew, like Kristen Wiig’s Pamela, become fast favorites.

If you're looking for quick laughs, you can put this show on, but expect some heartache in between as well.

Genre: Comedy, Drama

Actor: Cleopatra Coleman, January Jones, Keith L. Williams, Kristen Schaal, Mary Steenburgen, Mel Rodriguez, Will Forte

Rating: TV-14

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1492. The Happiest Day in the Life of Olli Mäki, 2016

	
Most sports biopics are centered around winners– their drive, their spirit, and their determination to beat the competition, and maybe win some glory for their respective teams, hometowns, or countries. The Happiest Day in the Life of Olli Mäki instead focuses on a Finnish boxer that lost a match. Shot in 16mm black and white film stock, writer-director Juho Kuosmanen captures the man, not the legend, in sequences that feel like decades-old memories that draws you into his story, his humble character, and the motivations that drive him, a yearning for love rather than bragging rights, trophies, and nationalistic pride. It’s such a charming twist to the genre, one that recognizes a different kind of masculinity. While Mäki might not be the world’s best boxer, this film suggests that he might be one of the happiest, forgoing an important match for a marriage that ended up lasting his lifetime.Genre: Drama, Romance
Actor: Aaro Airola, Anna Airola, Claes Andersson, Deogracias Masomi, Eero Milonoff, Elma Milonoff, Emilia Jansson, Esko Barquero, Heikki Metsämäki, Iiris Anttila, Jarkko Lahti, Jarmo Kiuru, Joanna Haartti, Joonas Saartamo, Leimu Leisti, Mika Melender, Olli Rahkonen, Oona Airola, Pia Andersson, Salla Yli-Luopa, Tiina Weckström, Viljami Lahti
Director: Juho Kuosmanen
Rating: NR

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1493. The Grizzlies, 2020

This uplifting Canadian sports drama is based on a true story set in the remote Nunavut town of Kugluktuk. The small community has the highest teen suicide rate in North America, as it suffers from intergenerational trauma, and the resulting alcohol and drug abuse. A new young history teacher who is sent by the government is shocked by the state of the school and the lives of the teenagers. He realizes that he can't engage the kids with history, and turns to his passion for Lacrosse to try to ignite change.

The teacher and director of the movie are both white, which, added to the story, raise red flags about white savior tropes. But thanks to First Nation producers who made sure the kids had time to develop their characters, The Grizzlies narrowly misses disaster. Instead, it gives a voice to communities that are rarely heard from.

Genre: Drama

Actor: Anna Lambe, Ben Schnetzer, Booboo Stewart, Brad Fraser, Eric Schweig, Fred Bailey, Jack Anawak, Madeline Ivalu, Natar Ungalaaq, Seth Burke, Tantoo Cardinal, Will Sasso

Director: Miranda de Pencier

Rating: R

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1494. The Flight Attendant, 2022

Cassie Bowen (Kaley Cuoco) is a hot mess. She’s flirty, flighty, and constantly blackout drunk, so when she wakes up one day to find a dead man next to her, it’s not entirely beyond the realm of possibility that she's responsible for it. But as Cassie uncovers new memories over time, it gets harder and harder to track the truth. Is she a murder suspect or a frame-up victim?

That’s what Cassie sets out to solve, but with the FBI and multiple hitmen on her tail, not to mention bouts of alcoholism and PTSD getting in the way, it’s up to her to figure things out on her own before it’s too late.

To be sure, The Flight Attendant is a well-crafted thriller, with rousing music and noir-like editing adding to the classic whodunnit experience. But it’s also refreshingly not that serious. The performances are big and loud and self-ridicule often drives the characters’ dialogue. What makes The Flight Attendant stand out from its darker counterparts is that it has a sense of humor about itself, which makes it all the more engaging to watch. It's pulpy good fun, and it knows it.

Genre: Comedy, Drama, Mystery

Actor: Callie Hernandez, Cheryl Hines, Deniz Akdeniz, Griffin Matthews, Joseph Julian Soria, Kaley Cuoco, Mo McRae, Rosie Perez, Zosia Mamet

Rating: TV-MA

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1495. The Cow Who Sang a Song into the Future, 2023

The poetic title of this debut feature from Chilean filmmaker Francisca Alegría does not tell a lie: a cow does indeed sing. More than one, in fact, because the film uses an entire herd — plus a flock of birds and a school of fish — as a kind of Greek chorus to comment on human mistreatment of animals and the wider environment. The Cow Who Sang never approaches sanctimonious territory, gently weaving from these ideas an expansive and evenly empathetic worldview. The magical realism that allows the animals to speak is the same device that brings the long-dead Magdalena (Mia Maestro) back to life — and, as her family’s fraught history is gradually revealed, it’s movingly suggested that the objectification that the cows and the local polluted river are subjected to is part of the same culture of devaluation that marred the lives of Magdalena and her female descendants. If there’s one complaint to be had, it’s that the relatively short runtime limits the film's ability to really expound on its many threads — the bond Magdalena instinctively forges with her trans granddaughter, for example. Ultimately, though, its symbolic storytelling and emotionally articulate cast allow The Cow Who Sang to communicate much of its sweeping philosophy to profound effect.

Genre: Drama

Actor: Alfredo Castro, Camilo Arancibia, Enzo Ferrada, Fernanda Urrejola, Leonor Varela, Luis Dubó, Marcial Tagle, Mía Maestro

Director: Francisca Alegría

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1496. The Changeling, 2023

With its first episode, The Changeling might feel less scary and more romantic and historical than how a horror fantasy would seem like. The series shifts in and out of flashbacks, sometimes even having a flashback within a flashback, with dreamlike sequences that makes it take a while to figure out when and where the story is taking place. This causes the series to have some unusual pacing that might turn off viewers wanting a quick scare. But there’s a certain mystery to it, a certain anxiety captured as Apollo and Emmy disobey the Brazilian witch, as it recalls those negligent parents in familiar fantastic fairy tales. And as the series makes their flashbacks, there’s a certain fear that Apollo and Emmy might redo the same mistakes their immigrant parents have done before them. It makes for an intriguing take on the novel by Victor LaValle, one that captures a realistic fear that isn’t easy to depict.

Genre: Drama, Mystery, Sci-Fi & Fantasy

Actor: Adina Porter, Alexis Louder, Clark Backo, Jared Abrahamson, Lakeith Stanfield, Samuel T. Herring

Rating: TV-MA

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1497. The Beast, 2024

	
Are connections truly fated, completely chosen, or purely circumstantial? The slow tragedy of Henry James’ The Beast in the Jungle hangs entirely on the question, which captivated readers and filmmakers with the concept, including Bertrand Bonello, which forms the foundations of 2023’s The Beast. Bonello lets loose The Beast in the Jungle into an AI playbox of time and space and destiny, transforming the simple examination of human life into a sci-fi epic, a moving period romance, and an existential mystery all at once. It can occasionally feel a bit jumbled up at times, with the way Bonello jumps across lives, but Léa Seydoux and George MacKay hold everything together with their performance, making La Bête deeply striking, if a bit derivative.Genre: Drama, Romance, Science Fiction
Actor: Alice Barnole, Bertrand Bonello, Dasha Nekrasova, Elina Löwensohn, George MacKay, Guslagie Malanda, Isabelle Prim, Julia Faure, Laurent Lacotte, Léa Seydoux, Lukas Ionesco, Marta Hoskins, Martin Scali, Rémi Canaple, Tiffany Hofstetter, Xavier Dolan
Director: Bertrand Bonello
Rating: NR

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1498. The Banker, 2020

Revolutionaries come in many forms. Some prefer to rally in the streets, while others, like the businessman Bernard Garrett, championed race equality in his field of finance. Discreetly and rather dangerously, he purchased buildings and offered loans to his fellow Black men at a time when they were denied these rights and more. It was an ingenious plan hatched at a precarious time, and the film captures how Garrett (Anthony Mackie) managed to pull it off (for the most part).

The Banker doesn't get as thrilling as it could be, but it is fueled by a smart script that unapologetically gets to the nitty-gritty math of it all, as well as engaging performances by Mackie, Samuel L. Jackson, and Nicholas Hoult. The film effectively revives Garrett's inspiring story for a modern audience, turning it into an important piece of American history that won't soon be forgotten.

Genre: Drama

Actor: Anthony Mackie, Bill Kelly, Chris Gann, Colm Meaney, Craig Welzbacher, Daniel Johnson, David Maldonado, Gregory Alan Williams, James DuMont, Jaylon Gordon, Jessie T. Usher, Michael Harney, Nia Long, Nicholas Hoult, Paul Ben-Victor, Samuel L. Jackson, Taylor Black

Director: George Nolfi

Rating: PG-13

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1499. Temple Grandin, 2010

	
When depicting a person known best for an advocacy, you have to be accurate to their story, but it’s rare to see a biopic match the ideas of that advocacy in its direction. It’s because of this that the HBO film Temple Grandin is great. While made for TV, it’s not a by-the-numbers biopic that just depicts the academic’s life straight. No, instead, the film experiments with visual ways to depict her unique visual intelligence– as Grandin’s autism also granted her photogenic memory, an above-average instinct for mechanical smarts, and a focus and drive to understand that’s not as shakable as other neurotypical academics. This novel approach matches the very advocacies she lived throughout her life– the systematic, more humane treatment in slaughterhouses, and the idea that autism doesn’t mean deficiency, it just needs support to allow that different intelligence to thrive.Genre: Drama, History
Actor: Barry Tubb, Blair Bomar, Brady Coleman, Carl Savering, Catherine O'Hara, Charles Baker, Cherami Leigh, Claire Danes, David Blackwell, David Born, David Strathairn, Gabriel Luna, Gerry Robert Byrne, Joe Nemmers, Julia Ormond, Kurt Cole, Melissa Farman, Michael Crabtree, Michael D. Conway, Nicole Holt, Richard Dillard, Rick Espaillat, Tamara Jolaine, Toby Metcalf, Xochitl Romero
Director: Mick Jackson

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1500. Suzume, 2022

Part fantasy, part road trip, and part coming-of-age, Suzume is a rich and fast-paced tale with no dull moments in between. The energy is relentless and the animation, as expected, is dazzling, so even though there are occasional plot holes and melodramatic reaches, you’d be hard-pressed not to forgive them. Suzume still wins you over. Of course, the fantastical aspects are what make Shinkai’s films his, but Suzume works best when it zeroes in on humans and their complicated feelings toward each other. The confrontation between Suzume and her aunt, where Suzume accuses her of suffocation and the aunt, in turn, laments the life she could’ve had if she wasn’t charged with caring for her dead sister’s daughter, is just as shattering as any scene involving slaying monsters or battling gods. I only wish there were more tender moments like this, but Suzume is just as endearing and entrancing all the same.

Genre: Adventure, Animation, Drama, Fantasy

Actor: Aimi, Akihiro Tajima, Arisa Maesako, Ayumi Tsuji, Eri Fukatsu, Genta Nakamura, Hinano Harumi, Hokuto Matsumura, Kaito Ogawa, Kana Hanazawa, Katsumi Fukuhara, Kotone Hanase, Kyo Yaoya, Matsumoto Hakuō II, Nanoka Hara, Ryoko Nagata, Ryunosuke Kamiki, Sairi Ito, Saori Seto, Shinjirou Gouda, Shota Sometani, Takuya Yokota, Tomomichi Nishimura, Yoji Ueda, Yoshino Aoyama, Yuki Sorami, Yuri Kimura, Yuu Ayase

Director: Makoto Shinkai

Rating: PG

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