424 Best Drama Movies On Cineplex Canada (Page 28)

It’s not easy to talk about dysfunctional families, especially when that family is your own. Talking about the reprehensible parenting, but also the love, the understanding behind their neglect, and the few moments when they actually had your back, can be a hard balancing act, which makes Jeannette Walls’ memoir The Glass Castle a challenging one to adapt in film. Because of this, its Hollywood adaptation does have a disjointed tone to it. Woody Harrelson’s Rex initially charms us and his children with his dreams and stories, and time proves his other side, though Jeannette and the audience are asked to forgive him too. It’s not an easy thing, and the ending they reached doesn’t feel totally earned. But it’s still a touching adaptation that captures Walls’ family, warts and all, one that's buoyed up by the strength of its cast.

Genre: Drama

Actor: Alanna Bale, Andrew Shaver, Brenda Kamino, Brie Larson, Brigette Lundy-Paine, Chandler Head, Charlie Shotwell, Chris Gillett, Darrin Baker, Dominic Bogart, Eden Grace Redfield, Ella Anderson, Hamza Haq, Iain Armitage, Joe Pingue, Josh Caras, Kenny Wong, Kyra Harper, Max Greenfield, Naomi Watts, Nathaly Thibault, Olivia Kate Rice, Philippe Hartmann, Robin Bartlett, Sabrina Campilii, Sadie Sink, Samantha Hodhod, Sarah Camacho, Sarah Snook, Shree Crooks, Tessa Mossey, Tyrone Benskin, Vlasta Vrana, Woody Harrelson

Director: Destin Daniel Cretton

Rating: PG-13

The broad, symbolic strokes of The Killing of Two Lovers—how its story is set up and the general atmosphere it evokes—are stunning to behold. It's a naturalistic story whose ordinary moments feel like they're being told at the end of the world, given how deliberately chilling Robert Machoian's direction is. Unfortunately, once you start getting into the details of the plot and its characters, their actions and decisions don't lead to particularly interesting insights about the separation and the couple's relationship to each other or their children. The end result is something that's clearly driven by a compelling mood more than anything, but whose resolution still feels anticlimactic.

Genre: Drama, Thriller

Actor: Arri Graham, Avery Pizzuto, Barbara Whinnery, Chris Coy, Clayne Crawford, Sepideh Moafi

Director: Robert Machoian

Rating: R

With phone scams becoming more elaborate, it’s easy to understand and empathize with the wrath Jason Statham as The Beekeeper has when his elderly friend gets drained out of her entire life savings. It’s thrilling to see him punch his way into the scammers’ headquarters and burn the whole place to the ground. And when director David Ayer uses his extra hour to dial up the low stakes tech scheme into a nationwide scandal that implicates the entire U.S. government, it’s ludicrous, sure, but it’s somehow wildly entertaining. That being said, your mileage of the film highly depends on your tolerance for randomly dropped bee facts and silly bee puns, but The Beekeeper isn’t a terrible choice to watch.

Genre: Action, Drama, Thriller

Actor: Adam Basil, Arian Nik, Bharat Mistri, Bobby Naderi, Dan Li, David Witts, Derek Siow, Don Gilet, Emmy Raver-Lampman, Enzo Cilenti, Georgia Goodman, Jason Statham, Jay Rincon, Jemma Redgrave, Jeremy Irons, Jonathan Cohen, Josh Hutcherson, Kevin Golding, Kojo Attah, Martin Gordon, Megan Le, Michael Epp, Minnie Driver, Peter Brooke, Phil Hodges, Phylicia Rashād, Rebecca Hazlewood, Reza Diako, Rocci Williams, Sophia Feliciano, Sunny Dhillon, Taylor James, Valentina Novakovic

Director: David Ayer

Rating: R

The big ideas swirling at the center of The Creator are about human heartlessness versus AI compassion, man’s coldness versus robot warmth. Unfortunately, the movie winds up being an unwitting example of the former: visual effects take precedence over emotion here, meaning you rarely feel any of the intended poignancy of this story about a soldier driven between warring sides by love.

Part of that effect might be because the premise is an iffy one to swallow, as The Creator drops during a time when the once-theoretical threats posed by AI start to become disconcertingly real. But mostly, the sterile feeling of the film is a product of the writing, as a shallow script prevents most of the cast from ever making their characters compelling. Though its lifelike effects are something to marvel at, The Creator never quite convinces us that any of its humans are real — a pretty gaping flaw for a movie that wants to sell us on the idea that robots might one day be sentient.

Genre: Action, Adventure, Drama, Science Fiction

Actor: Allison Janney, Amar Chadha-Patel, Anjana Ghogar, Brett Bartholomew, Brett Parks, Chananticha Chaipa, Charlie McElveen, Dana Blouin, Eoin O'Brien, Gemma Chan, Ian Verdun, Jeb Kreager, John David Washington, Karen Aldridge, Ken Watanabe, Leanna Chea, Mackenzie Lansing, Madeleine Yuna Voyles, Marc Menchaca, Mariam Khummaung, Mav Kang, Michael Esper, Monthatip Suksopha, Natthaphong Chaiyawong, Niko Rusakov, Pat Skelton, Pongsanart Vinsiri, Rad Pereira, Ralph Ineson, Robbie Tann, Sahatchai Chumrum, Sawanee Utoomma, Scott Thomas, Sturgill Simpson, Syd Skidmore, Teerawat Mulvilai, Veronica Ngo

Director: Gareth Edwards

Rating: PG-13

With the tried-and-tested music and lyrics of Brenda Russell, Allee Willis, and Stephen Bray, this film adaptation of the Color Purple musical was practically guaranteed to have power in its key moments. And with a cast that includes tremendous vocalists like Fantasia Barrino and Danielle Brooks (both of whom had previously played their respective characters on stage), the film's most important sections possess an energy and soul that allow its protagonist to dream of something beyond her dire personal circumstances. However, after a while, this movie begins to feel like it's only ever made up of isolated scenes without the proper build-up nor the right pacing to earn the movement from one episodic moment to the next. Even with the dynamite chemistry between cast and score, the film's odd staging and blocking constantly get in the way of what should be something incredibly emotional.

Genre: Drama, Music

Actor: Aba Arthur, Adetinpo Thomas, Aunjanue Ellis-Taylor, Charles Green, Chase Steven Anderson, Ciara, Colman Domingo, Corey Hawkins, Danielle Brooks, David Alan Grier, David Vaughn, Deon Cole, Elizabeth Marvel, Emana Rachelle, Fantasia Barrino, H.E.R., Halle Bailey, Jamaal Avery Jr., Jeffrey Marcus, John L. Adams, Jon Batiste, L. Warren Young, Louis Gossett Jr., MaCai Arrington Griffin, Phylicia Pearl Mpasi, Stephen Hill, Tamela Mann, Taraji P. Henson, Terrence J. Smith, Tiffany Elle Burgess, Whoopi Goldberg

Director: Blitz Bazawule

Rating: PG-13

Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.

Genre: Drama

Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon

Director: Michael McGowan

Rating: R

With a boring wedding, attended by a guarded woman and a spontaneous man, starting a series of shared recollections of past heartbreak, Which Brings Me to You has all the elements needed for an early aughts romcom, releasing at a time when Y2K is trending. The original novel’s epistolary format is interestingly translated into flashbacks told in one whole day, with Will and Jane visually popping within the sequences as the two get to know each other through their past heartbreaks. It’s a unique idea, but the execution feels lackluster, with the dialogue and direction that can’t be saved through Lucy Hale’s or Nat Wolff’s efforts. There’s certainly something here about romance being a possible avenue to open up, but Which Brings Me to You doesn’t build the chemistry to get there.

Genre: Comedy, Drama, Romance

Actor: Alexander Hodge, Avery Cole, Britne Oldford, Chase Liefeld, Genevieve Angelson, Jamie McRae, John Gallagher Jr., Laura Kai Chen, Lucy Hale, Marceline Hugot, Michael Mulheren, Mitzi Akaha, Nat Wolff, Reilly Walters, Ward Horton

Director: Peter Hutchings

Rating: PG-13

The American Christian film industry hasn't been terribly successful at crossing over to general audiences, and Journey to Bethlehem still succumbs to corny attempts at humor and performances that can still feel too self-conscious. But not unlike a musical such as Jesus Christ Superstar, this movie finds moderate success at balancing its faith-based elements with a focus on individual characters. Creative license has obviously been taken here to varying results: the songwriting is generally uninspired and lacks a unified style, but the songs add much-needed shades of humanity to a story that most people probably know as a Sunday school summary.

Genre: Comedy, Drama, Family, Music

Actor: Alicia Borrachero, Antonio Banderas, Antonio Cantos, Antonio Gil, Fiona Palomo, Geno Segers, Joel Smallbone, María Pau Pigem, Milo Manheim, Omid Djalili, Pedro Aijón, Rizwan Manji, Stephanie Gil

Director: Adam Anders

Rating: PG

Yet another drama designed to be emotional without actually doing the heavy lifting to get us invested, Prisoner's Daughter takes the easy way out at every turn, mistaking its use of capital-I Issues and dramatic plot points for substantial writing. This doesn't mean that the film itself isn't still watchable and competently performed (by a typically strong Brian Cox, but especially by Kate Beckinsale); it just fails to make a statement about any of its disparate parts mashed together. At the end of the day, it feels as if the film doesn't have enough faith in the already complex and difficult relationship at its center, so it attempts to dress it up with prison, cancer, drug addicts, and epilepsy—which only cheapens what's already there.

Genre: Drama, Mystery, Thriller

Actor: Brian Cox, Christopher Convery, Chuti Tiu, Cinthia Moura, Ernie Hudson, Jon Huertas, Kate Beckinsale, Mark Kubr, Mark Oliver Everett, Tyson Ritter, Yonel Dorelis

Director: Catherine Hardwicke

Rating: R

Playing the lead in an addiction drama has long been shorthand for “I’m a serious actor,” but that’s not something Florence Pugh needs to convince us of, especially not when the drama is as contrived as A Good Person is. Though it has a solid foundation from which to explore worthy subjects — Pugh’s character Allison begins abusing painkillers after accidentally causing the death of two people in a car accident —  writer-director Zach Braff overstuffs the film with too many distractingly histrionic happenings for a compelling reflection on guilt and forgiveness to really emerge.

What’s more, any potential A Good Person has is squandered by the film’s frequent and bizarre tonal swerves from tearjerking sincerity to generational comedy, a jarring effect mimicked by the soundtrack’s wild veering from moody melodies to bright piano music in a single cut. Though Pugh does her customary excellent work here, she’s ultimately undermined by all the overlong, transparently manufactured, and downright whiplash-inducing melodrama around her.

Genre: Comedy, Drama

Actor: Alex Wolff, Brian Rojas, Celeste O'Connor, Chinaza Uche, Drew Gehling, Florence Pugh, Ignacio Diaz-Silverio, Jackie Hoffman, Jessie Mueller, Lauren Yaffe, Molly Shannon, Morgan Freeman, Nichelle Hines, Oli Green, Ryann Redmond, Sydney Morton, Toby Onwumere, Victor Cruz, Zoe Lister-Jones

Director: Zach Braff

Based on the autobiography of real-life evangelical pastor Greg Laurie, Jesus Revolution recounts how a Christian movement in the '60s turned lost hippies into dedicated Christians. It was an interesting moment in time, but instead of delving into the movement's peculiarities and intricacies, Jesus Revolution offers a myopic tale that paints Laurie as a hero and the movement as inspirational when, really, they are anything but. Laurie's story never feels significant enough to justify a feature film and the movement never seems as radical as the film thinks it to be. And even though it’s autobiographical, it never really digs into Laurie's spirituality and interiority deep enough to reveal complex truths. In fact, everyone’s a caricature in this simplistic film that feels more like propaganda as it paints religion as perfect and all-saving while glossing over its many imperfections and questionable rhetoric. It could have worked as commentary, satire, or maybe even a sincere memoir, but as it is, it just feels like a short-sighted attempt at telling history.

Genre: Drama, History

Actor: Alexia Ioannides, Anna Grace Barlow, Billy Graham, Charlie Morgan Patton, DeVon Franklin, Jackson Robert Scott, Joel Courtney, Jolie Jenkins, Jonathan Roumie, Julia Campbell, Kelsey Grammer, Kevin Downes, Kimberly Williams-Paisley, Matthew Montemaro, Mina Sundwall, Nic Bishop, Nicholas Cirillo, Paras Patel, Randall Newsome, Shaun Weiss, Steve Hanks

Director: Brent McCorkle, Jon Erwin

Rating: PG-13