338 Best Drama Movies On Netflix Australia (Page 19)

A peculiar Western that might not please everyone if it wasn't for its main star, Kurt Russel. It's a mix between classic western material, a horror flick, and a fantasy movie. Yes, it's a lot. And not only that, it can be slow at times. However, in those perks it also finds a lot of originality in a saturated genre, and one more time: Kurt Russel. He's amazing as can be expected, playing the sheriff of a quiet town that gets struck by sudden disappearances. The suspect is a faraway tribe known for its cannibalism practices, the movie follows the sheriff as he leads an expedition to save a disappearing woman.

Genre: Drama, Horror, Western

Actor: Alex Meraz, Brandon Molale, David Arquette, David Midthunder, Eddie Spears, Erick Chavarria, Evan Jonigkeit, Fred Melamed, Geno Segers, James Tolkan, Jamison Newlander, Jay Tavare, Jeremy Tardy, Kathryn Morris, Kurt Russell, Lili Simmons, Maestro Harrell, Mario Perez, Matthew Fox, Michael Emery, Michael Pare, Omar Leyva, Patrick Wilson, Raw Leiba, Richard Jenkins, Robert Allen Mukes, Sean Young, Sid Haig, Zahn McClarnon

Director: S. Craig Zahler

Rating: Not Rated

Even if it follows nearly every trick in the playbook, American Underdog positions itself on a big enough scale that makes it work like a charm anyway. Following the story of legendary undrafted NFL quarterback Kurt Warner (Zahcary Levi), the film elevates its familiar beats through stunning, wide-angle football sequences that make the sport feel as thrilling as ever, and a particularly solid performance from Anna Paquin, as Warner's long-suffering partner. But what ultimately becomes American Underdog's real secret weapon is the fact that this isn't a sports movie about skill, strategy, or success; Warner becomes an inspiring figure because of how long he had to persevere with his dream just barely out of reach.

Genre: Drama, Family

Actor: Aaron J. Brooks, Adam Baldwin, Anna Paquin, Beau Hart, Bruce McGill, Chance Kelly, Cindy Hogan, Collin Taylor, Dennis Quaid, Jason Allen Wear, SerDarius Blain, Steven Chester Prince, Trisha Zarate, Zachary Levi

Director: Andrew Erwin, Jon Erwin

Anna Kendrick and Blake Lively star in this crime-comedy as two opposite mom personalities: one a stay-at-home food vlogger, and the other an upper-class businesswoman.

Kendrick’s character (Stephanie, the vlogger mom) agrees to pick up her new friend’s kid from school. However, the kid’s mom disappears, leaving Stephanie to lead an investigation on her own into what happened.

This is a funny no-brainer carried by the two leads’ unlikely but genuine chemistry.

Genre: Comedy, Crime, Drama, Mystery, Thriller

Actor: Andrew Moodie, Andrew Rannells, Anna Kendrick, Aparna Nancherla, Bashir Salahuddin, Blake Lively, Chris Owens, Corinne Conley, Danielle Bourgon, Domenic Cina, Dustin Milligan, Eric Johnson, Geoffrey Antoine, Gia Sandhu, Glenda Braganza, Henry Golding, Howard Hoover, Ian Ho, Jamie Jones, Jason Oliveira, Jean Smart, Jiah Mavji, Joshua Satine, Jung-Yul Kim, Katherine Cullen, Kelly McCormack, Lauren Peters, Lesleh Donaldson, Lila Yee, Linda Cardellini, Melissa O'Neil, Melody Johnson, Michael Park Ingram, Nicole Peters, Noorin Gulamgaus, Olivia Sandoval, Patti Harrison, Paul Feig, Paul Jurewicz, Roger Dunn, Ronnie Rowe, Rosanna Scotto, Rupert Friend, Sarah Baker, Stacey Coke, Sugenja Sri, Umed Amin, Zach Smadu

Director: Paul Feig

Rating: R

After the critical and commercial success of Concrete Utopia, it makes sense for Lotte Entertainment to turn it into a franchise. Badland Hunters is a more action-focused spinoff, with that dystopian world looking like a wild, wild Seoul and Ma Dong-seok as its lone ranger. Compared to its predecessor, the commentary is scant, the plot is thin, and the only thing that connects it is the apartment. But even with the B-movie mad scientist plot, long-time stunt coordinator Heo Myung-haeng makes his directorial debut wildly entertaining, with solid action that doesn’t depend too much on CGI. Human reptiles aside, Badland Hunters is just so fun to watch.

Genre: Action, Drama, Science Fiction

Actor: Ahn Ji-hye, Ahn Seong-bong, Hong Yi-joo, Jang Young-nam, Jeong Gi-seop, Jung Young-ju, Kim Young-sun, Lee Han-joo, Lee Hee-jun, Lee Jun-young, Ma Dong-seok, Park Hyo-joon, Park Ji-hoon, Roh Jeong-eui, Seong Byeong-suk

Director: Heo Myeong-haeng

Rating: R

Following the success of the Zom 100 manga and anime, Netflix quickly followed suit with a live-action film, which begs the question: why? Why bother, when the freshly released series is barely a month old and already a vibrant interpretation of the comic book it was based from? Why bother, when you’re not going to bring anything new to the table? The film, more than anything, feels like a rushed cash grab that hopes to capitalize on its predecessors’ success. The premise is clever and relatable—after years of living like a zombie, a jaded employee regains a lust for life when an outbreak threatens to kill him—but the film milks it to death, so much so that by the ending, when the characters finally reach this conclusion, they can’t help but seem slow for spelling out what we’ve already known from the start. The film also looks drab and dreary, a far cry from the series’ experimental wonders. Instead of multi-colored blood bursting with every kill, we simply get metallic confetti in the movie. Instead of dynamic action, we get barely believable stunts that seem more awkward than awe-inspiring. Zom 100: Bucket List of the Dead isn’t bad per se, but it doesn’t look so good next to its much-better counterparts on TV and in print. 

Genre: Action, Comedy, Drama, Horror

Actor: Akari Hayami, Daiki Miyagi, Doronzu Ishimoto, Eiji Akaso, Jin Hisa, Kazuki Kitamura, Kenta Satoi, Kurumi Nakata, Mai Shiraishi, Mayo Kawasaki, Miwako Kakei, Mukau Nakamura, Reira Arai, Seijun Nobukawa, Shota Taniguchi, Shuntaro Yanagi, Yo Takahashi, Yui Ichikawa

Director: Yusuke Ishida

Rating: R, TV-MA

Mystery films and whodunits have placed the rich and powerful in their crosshairs for generations now, and Murder Mubarak proudly follows in that tradition through a tried and tested formula. So while there isn't anything particularly surprising here, the film nails the tone it needs, smartly placing the focus away from the central crime and poking fun at the entire ecosystem of privilege and ego that gets revealed in its wake. Unfortunately, the movie also doesn't sustain this momentum till the end, as it abruptly stumbles toward its inevitable revelations without giving itself time to let the consequences breathe. When it's all over, it actually feels like we don't know many of these individual characters any better than the overall situation they're in.

Genre: Comedy, Crime, Drama, Mystery, Thriller

Actor: Aashim Gulati, Brijendra Kala, Deven Bhojani, Dimple Kapadia, Grusha Kapoor, Karisma Kapoor, Pankaj Tripathi, Purnendu Bhattacharya, Sanjay Kapoor, Sara Ali Khan, Suhail Nayyar, Tara Alisha Berry, Tisca Chopra, Varun Mitra, Vijay Varma

Director: Homi Adajania

In depictions of organized crime, we’re used to the stone-cold crime boss, and the conflicted, unwilling crime lord, but Miss Shampoo presents a new version of the gangster– one that’s fallen head over heels in love. The film plays out in hilarious ways, with the humor expected from writer-director Giddens Ko, and Daniel Hong and Vivian Sung are able to inject some heart into their performances with surprising chemistry. That being said, the film is clearly more interested in mocking organized crime, so the film feels more skewed towards Tai rather than Fen. It’s still really entertaining, though Miss Shampoo had so much more it could have shown, had it focused equally on Fen’s perspective.

Genre: Comedy, Crime, Drama, Romance

Actor: Bai Jing Yi, Bruce He, Chih-ju Lin, Chu Chung-heng, Duan Chun-hao, Duncan Lai, Honduras, Hong Yu Hong, Hsin-Ling Chung, Kai Ko, Ke-Li Miao, Kent Tsai, Mei-Man Jin, Teng-Hung Hsia, Tsai Chang-Hsien, Vivian Sung, Wei-min Ying

Director: Giddens Ko

Stories like Il Mare and Your Name/Kimi no Na Wa work because, unlike other romances, the conflict is understandably difficult. After all, how the heck can anyone fight against time and space? Love You Long Time takes a stab at the unique time-bending premise, with one main difference: the movie’s main lovers can talk to each other directly through an old pair of two-way radios. There’s no need for the two to depend on physical letters or texts. This difference is interesting – immediately, it allows Director JP Habac to play with cinematography, editing, and acting, to make us fall in love with the couple. Split between 2018 and 2022, the film makes meaningful points about the past and present, the years lost to the pandemic, and separation. However, without spoiling anything, the film’s third-act plot twists don’t land as well as they could have. Having them back to back made the plot nearly incomprehensible, and sadly, doesn’t resolve the conflict driving the film.

Genre: Drama, Romance

Actor: Ana Abad-Santos, Arlene Muhlach, Carlo Aquino, Meanne Espinosa, Patrick Quiroz

Director: Jaime P. Habac Jr.

Two people with different thoughts on love discover a common ground: they’re both anti-romantics. Realizing they got off on the wrong foot, they spend more time with each other and bond over realistic ideas of modern love. At one point, Maria (Rosalie Thomass) and Karl (Laurence Rupp) even diss romantic comedies for their cheesy music and naive understanding of fate and destiny. Their conversations are engaging and thoughtful, even and especially when they oppose one another. But just when you think you’re watching something smart and novel, Maria and Karl fall into the same implausible trappings they claim to hate. Suddenly, the film turns soft and transforms into the romantic comedy it once criticized. If only it had pushed into anti-romance territory even further and allowed Maria and Karl to truly hash out their differences, thorns and tension and all, then this could have been a truly interesting romantic film. Instead, it’s a standard romantic comedy that’s worse off for pretending to be above the genre, even though it’s really not.

Genre: Comedy, Drama, Romance

Actor: Arash Marandi, Charleen Deetz, Cora Trube, Denise M'Baye, Jakob Schreier, Jerry Hoffmann, Laurence Rupp, Margarethe Tiesel, Maria Hofstätter, Özgür Karadeniz, Paula Schramm, Rosalie Thomass

Director: Shirel Peleg

Rating: PG-13

The Beautiful Game starts off with a hilarious, brilliantly written opening sequence that should have set the tone for the film. Then almost immediately, we're met with some shoddy writing, and in a strange way, that is what sets the tone for the film, instead. This film presents the story of the Homeless World Cup and how it empowers those who feel they have no direction, and so naturally we want to feel their triumph. But the film seems to want to cross over the jovial and wholesome line and deeper into the characters' struggles, and while some characters only need a glimpse of it, it generally comes across like a jarring lack of commitment. The film isn't carrying home any writing gold, but it's not really about winning, is it?

Genre: Drama

Actor: Anna Maria Everett, Aoi Okuyama, Bill Nighy, Callum Scott Howells, Colin Azzopardi, Cristina Rodlo, Daniel Attwell, Gabriel Akuwudike, James McNicholas, Jessye Romeo, Kazuhiro Muroyama, Kit Young, Layo-Christina Akinlude, Massimo Scola, Micheal Ward, Robin Nazari, Shane Casey, Sheyi Cole, Sian Reese-Williams, Susan Wokoma, Tom Vaughan-Lawlor, Valeria Golino

Director: Thea Sharrock

Rating: PG-13

Nostalgia is a powerful emotion, and it’s the main reason why filmmakers keep cashing in with old media franchises. Archie has been reimagined before, with the bewildering twists and turns of the CW’s Riverdale, but this time, it’s India’s turn with the franchise, and Graphic India and Tiger Baby Films partnered with the original publication to reimagine the town as an Anglo-Indian community in The Archies. The production design is undoubtedly stunning, with the maximalist Bollywood spectacle borrowing from 60’s Americana, and the musical numbers aren't half bad either. However, it’s the story and characterization that falters, as it feels like the leads are just going through the motions of the familiar love triangles. The film is still fun to watch, but ultimately, it feels like The Archies relies on spectacle to make up for its shortcomings.

Genre: Comedy, Drama, Music, Romance

Actor: Aditi Saigal, Agastya Nanda, Alyy Khan, Ankur Tewari, Ashok Banthia, Avan Contractor, Delnaaz Irani, Deven Khote, Dianne Commissariat, Dot., Farhan Akhtar, Kamal Sidhu, Khushi Kapoor, Koel Purie, Lovely Sharma, Luke Kenny, Mihir Ahuja, Nikos Andritsakis, Prerana Poddar, Puja Sarup, Satyajit Sharma, Sheena Khalid, Suhaas Ahuja, Suhana Khan, Tara Sharma, Vedang Raina, Vikram Kapadia, Vinay Pathak, Yuvraj Menda

Director: Zoya Akhtar

Parenting is hard by itself, but it’s moreso hard when done alone, especially if there was supposed to be a partner alongside the journey. Thank You, I’m Sorry depicts this through Sara, who has to deal with her husband’s absence and difficulties in connecting with her husband’s family in his stead, on top of her pregnancy, but it’s her connection with her estranged sister Linda that can make or break her journey. The dynamic between the sisters is what drives the film. Sanna Sundqvist and Charlotta Björck manage to depict the strained yet clearly loving relationships naturally, and it’s lovely to see the mundane ways they reestablish their bond. It’s a unique story, though it does feel rushed and some of the humor can be totally off-putting.

Genre: Comedy, Drama

Actor: Charlotta Björck, Ia Langhammer, Jonatan Rodriguez, Sanna Sundqvist, Ville Virtanen

Director: Lisa Aschan

Rating: PG-13