79 Best Drama Movies On Mubi India (Page 2)

Staff & contributors

In life and cinema, drama is everywhere. You’ll find it in thrillers, animations, romances, you name it. For entertainment that explores the human experience with sensitivity and sincerity, here’s a mixed bag of the best dramas to stream now.

A young bisexual woman attends a shiva, caught between her parents and their expectations, her ex, and her sugar daddy. Rachel Sennott’s Danielle is yet to find her path in life and everyone is determined to remind her of that. Taking place almost entirely in real-time, the film’s sharp wit is contrasted with constant anxiety, complemented by Ariel Marx’s horror-like score, full of discordant pizzicato that sounds like every last bit of sanity snapping. 

It’s a sex-positive take on 20-something life, treating bisexuality as wholly unremarkable and passing no judgment on Danielle’s sugar daddy income. Its specificities about Jewish customs and traditions are non-exclusionary, while its social claustrophobia is achingly universal. It’s comforting in the way it portrays the social horrors we all face, the feeling that everyone but you has life figured out, and that – ultimately – those who matter will pull through, eventually. One of 2021’s best.

Genre: Comedy, Drama

Actor: Ariel Eliaz, Cilda Shaur, Danny Deferrari, Deborah Offner, Dianna Agron, Fred Melamed, Glynis Bell, Jackie Hoffman, Molly Gordon, Polly Draper, Rachel Sennott, Richard Brundage, Rita Gardner, Sondra James, Ted Seligman

Director: Emma Seligman

Rating: Unrated

Two angels wander the streets of a monochrome Berlin, invisible to the colorful world that bustles around them. When one of them falls in love, he begins to question his place and yearns to give up immortality to join the ranks of the living. Wim Wender’s exceptional film is a poetic meditation on faith, cinema, and a mournful tour of a city in the grip of the Cold War. 

Wings of Desire is bursting with poetry and heartbreaking humanism emphasized by the tender performances by Bruno Ganz, Otto Sander, and Peter Falk, while serving as a beautiful love letter to a city yearning for change. If you’ve only seen City of Angels, the loose American remake, then you owe it to yourself to experience the raw poetic power of the real deal.

Genre: Drama, Fantasy, Romance

Actor: Annelinde Gerstl, Beartice Manowski, Beatrice Manowski, Bernard Eisenschitz, Blixa Bargeld, Bruno Ganz, Chick Ortega, Curt Bois, Didier Flamand, Elmar Wilms, Erika Rabau, Hans Martin Stier, Harry Howard, Johanna Penski, Jürgen Heinrich, Kid Congo Powers, Mick Harvey, Nick Cave, Olivier Picot, Otto Sander, Patric Kreuzer, Paul Busch, Peter Falk, Roland Wolf, Rowland S. Howard, Scott Kirby, Sigurd Rachman, Simon Bonney, Solveig Dommartin, Teresa Harder, Thomas Wydler, Ulrike Schirm, Wolf-Dirk Vogeley

Director: Wim Wenders

Rating: PG-13

Abbas Kiarostami delivers a tale of towering simplicity. A young boy mistakenly takes his friend’s notebook home and, knowing the friend faces expulsion without it, goes on a journey to bring it back. He visits the neighboring town but without a clue where his friend lives must rely on the kindness of strangers and overcome the stubbornness of adults who get in his way.

This adventure is both a loose moral parable as well as a striking portrait of life in rural Iran. More than this, it’s a testament to the capacity of children’s films to communicate depth when the filmmaker respects a child’s intelligence. The earnest young actors at its heart add an emotional immediacy that underscores Kiarostami’s empathetic direction.

Genre: Drama, Family

Actor: Ahmed Ahmed Poor, Biman Mouafi, Mohamed Hocine Rouhi, Mohammad Reza Nematzadeh

Director: Abbas Kiarostami

French director Mia Hansen-Løve is a master at gently capturing the full bittersweetness of life, and that’s no more evident than in One Fine Morning. Léa Seydoux gives a quietly powerful performance as Sandra, a mother-of-one who is grappling with the slow, devastating decline of her philosophy professor father at the hands of a neurodegenerative disease. As she deals with the crushing trauma of watching her father deteriorate — and the logistical stress of getting him the care he needs — life grants her an oasis through a chance meeting with an old acquaintance (Clément, played by Melvil Poupaud). Despite Clément being married, the two are hurled into a passionate romance, one that re-ignites something in Sandra she thought she’d lost forever.

What’s so remarkable about One Fine Morning is its gentle empathy: Hansen-Løve appreciates that, in the context of Sandra’s life, her affair with Clément is something life-affirming and vital, worthy of sensitive consideration rather than easy judgment or melodrama. What’s more, One Fine Morning extends that thoughtful attention to the other people around Sandra, with digressions that recognize the fullness and complexity of their lives, too. This is a film that overflows with compassion and curiosity for everyone in its frame, and one that has a contagiously heart-expanding effect on its audiences. 

Genre: Drama, Romance

Actor: Elsa Guedj, Fejria Deliba, Léa Seydoux, Masha Kondakova, Melvil Poupaud, Nicole Garcia, Pascal Greggory, Sarah Le Picard

Director: Mia Hansen-Løve

An early gem from Finnish maestro Aki Kaurismäki, Drifting Clouds is a deceptively simple story. The aftermath of job losses for wife Ilona (Kati Outinen) and husband Lauri (Kari Väänänen) holds a series of misfortunes, all of them tests to their marital bond. But this is only the beginning: as with Kaurismäki's endearing use of flat irony and detached performances by regular actors of his, things can only get worse before they get better. Humanism has always shined through the director's films, and this first part of a "Finland" trilogy makes no exception to the rule: the fact that labor and closeness are the two main themes (and are equally important for one's survival) already elevates the absurdist comedy to something way more caring, engaged, and ultimately, tender.

Genre: Comedy, Drama

Actor: Aarre Karén, Antti Reini, Clas-Ove Bruun, Elina Salo, Esko Nikkari, Kaija Pakarinen, Kari Väänänen, Kati Outinen, Markku Peltola, Mato Valtonen, Matti Onnismaa, Ona Kamu, Outi Mäenpää, Pentti Auer, Rose-Marie Precht, Sakari Kuosmanen, Silu Seppälä, Sulevi Peltola, Tero Jartti, Vesa Mäkelä

Director: Aki Kaurismäki

Everything about This Is Not a Film revolves around state censorship. Documentarian Mojtaba Mirtahmasb records Iranian cinema giant Jafar Panahi’s life under house arrest, maneuvering through the legal loopholes on Panahi’s 20-year ban on filmmaking and screenwriting. Here Panahi describes one of his unmade films that was rejected by the Iranian ministry, creating makeshift sets out of tape and his apartment’s living room, further emphasizing the ridiculousness of the state-imposed limitations on his artistic freedom. The result is a quasi-documentary that functions paradoxically, its un-cinematic quality essential for aesthetics as well as narrative. That this film had to be smuggled from Iran to Cannes on a flash drive hidden inside a birthday cake is a testament to political cinema’s power to be a vessel of pro-democracy sentiments, a fist raised proudly against state censors.

Genre: Documentary, Drama

Actor: Jafar Panahi

Director: Jafar Panahi, Mojtaba Mirtahmasb

This is a gorgeous French-Canadian movie with out-of-this-world sound work.

Laurence is deeply in love with his girlfriend, Fred. On his birthday, he announces to her that he wants to restart his life as a woman, having always hated his male body. Fred doesn't know how to take the news: “everything I love about you is everything you hate about yourself”.

Laurence Anyways is about how their romance continues after this revelation. There are so many reasons to watch this movie: the story, the acting, the cinematography; but trust me, the soundtrack alone is reason enough.

Genre: Drama, Romance

Actor: Alexandre Goyette, Alexis Lefebvre, Anne Dorval, Anne-Élisabeth Bossé, Antoine-Olivier Pilon, Bronwen Mantel, Catherine Bégin, Claude Gasse, David Savard, Denise Filiatrault, Denys Paris, Emily Hampshire, Emmanuel Schwartz, Éric Bruneau, François Sasseville, Gilles Renaud, Jacob Tierney, Jacques Lavallée, Magalie Lepine Blondeau, Manuel Tadros, Melvil Poupaud, Monia Chokri, Monique Spaziani, Mylène Jampanoï, Nathalie Baye, Patrice Coquereau, Patricia Tulasne, Perrette Souplex, Pierre Chagnon, Sophie Faucher, Susan Almgren, Suzanne Clément, Vincent Davy, Violette Chauveau, Xavier Dolan, Yves Jacques

Director: Xavier Dolan

Rating: Not Rated

There are a striking number of similarities between Priscilla and director Sofia Coppola’s earlier offering, Marie Antoinette: both revolve around 14-year-old girls hand-picked to be partners to more powerful men in long-unconsummated relationships, and both girls are emotionally cut adrift and forced to live in gilded cages. But where Coppola’s Barbie-pink historical biopic is punkily anachronistic and riotous, Priscilla is a far more muted affair. There are no wild parties at Graceland as there were at Versailles; instead, Priscilla’s emotional isolation, thousands of miles away from her family, is made disconcertingly clear in shots of the infatuated teenager (played by Cailee Spaeny) anxiously ruminating alone in endless lavish rooms while the decade-older King (Jacob Elordi) plays away. Elvis’ emotional manipulation of Priscilla is conveyed subtly but inescapably — and the full sickening, insidious effect comes to the fore thanks to Spaeny’s astonishing performance. Based on Priscilla Presley’s own memoir, this is a bubble-bursting biopic, and it’s so compelling and painfully immersive that we never feel, even for a moment, like we’re watching the B side — instead, Spaeny and Coppola convincingly assert that this was the real story all along.

Genre: Drama, Romance

Actor: Alanis Peart, Ari Cohen, Cailee Spaeny, Conni Miu, Dagmara Domińczyk, Dan Abramovici, Dan Beirne, Deanna Jarvis, E. Fegan DeCordova, Gwynne Phillips, Jacob Elordi, Jorja Cadence, Josette Halpert, Kamilla Kowal, Kelaiah Guiel, Kelly Penner, Luke Humphrey, Lynne Griffin, Mary Kelly, Olivia Barrett, R Austin Ball, Rodrigo Fernandez-Stoll, Sarah Dodd, Stephanie Moore, Stephanie Moran, Tim Dowler-Coltman, Tim Post

Director: Sofia Coppola

Rating: R

For public toilet cleaner Hirayama, “enjoy the little things in life” is more than just an adage: it’s a philosophy. Every day, he follows a strict routine of watering his plants, going to work, taking a break at a nearby shrine, and having dinner at his favorite stalls. It seems unexceptional, and yet Hirayama manages to find small, meaningful joys in between (and at) those very moments. A tree branch dancing in the breeze and shadows making funny shapes are enough to make him chuckle, while it seems like a good book and a trusty cassette are all he needs to be at peace. Hirayama’s mundane miracles are life-affirming, but make no mistake: this isn’t one of those cheesy films that push you to be happy no matter what. Director Wim Wenders (Paris, Texas, Wings of Desire) infuses the film with a certain gloom so that the overall tone is one of deep, poignant melancholy. Through vague clues about Hirayama’s past, we learn that his attempts at capturing joy might also be bids to escape a traumatic life. All this builds to a powerful ending that speaks to the complexity of human emotion. We can be happy and sad, peaceful and troubled, lonely and content all at the same time, and it’s okay. At the end of the day, we’ll still have our favorite book passage, our favorite singer, a great artwork, or a beautiful park to return to, and sometimes that’s all the reminder you need that life can be worth living.

Genre: Drama

Actor: Aoi Iwasaki, Aoi Yamada, Arisa Nakano, Atsushi Fukazawa, Bunmei Harada, Daigo Matsui, Gan Furukawa, Hairi Katagiri, Hiroto Oshita, Inuko Inuyama, Kōji Yakusho, Makiko Okamoto, Masahiro Koumoto, Mijika Nagai, Min Tanaka, Miyako Tanaka, Morio Agata, Morooka Moro, Motomi Makiguchi, Nao Takahashi, Naoko Ken, Nari Saitô, Nijika Tonouchi, Sayuri Ishikawa, Soraji Shibuya, Taijirō Tamura, Tamae Ando, Tateto Serizawa, Tokio Emoto, Tomokazu Miura, Tomoyuki Shibata, Yoneko Matsukane, Yumi Asou, Yuriko Kawasaki

Director: Wim Wenders

Rating: PG

Quaint and quirky, Le Havre is a beautiful and heartwarming story about the power of compassion and the importance of community. It tells the story of a shoeshiner who tries to save an immigrant child in the French port city of Le Havre. The charming characters are easy to root for as this community of everyday people bands together to help this young boy reunite with his mother. Even as the film rejects the unempathetic responses to the refugee crisis, it utilizes gentle humor and a light cadence to invoke empathy for others that should exist.

Genre: Comedy, Drama

Actor: André Wilms, Corinne Belet, Elina Salo, Evelyne Didi, Ilkka Koivula, Jean-Pierre Darroussin, Jean-Pierre Léaud, Kati Outinen, Patrick Bonnel, Pierre Étaix

Director: Aki Kaurismäki

Simple but lovely movies like Fallen Leaves are hard to come by these days. While others rely on complicated dialogue or overly ambitious premises to be deemed deep or important, Director Aki Kaurismäki trusts that his material is strong enough. After all, its silence speaks volumes; the characters don’t say much but when they do, you can be sure it’s something hard-hitting or funny. The plot doesn’t contain a lot of surprises, but when it makes a turn, it moves you instantly. And the leads, Ansa (Alma Pöysti) and Holappa (Jussi Vatanen) barely move their features, but their eyes convey more emotion, more longing and ache and joy, than one can hope for. Some movies can be challenging, exhilarating, or exhausting to watch. This one is simply delightful. 

Genre: Comedy, Drama, Romance

Actor: Alina Tomnikov, Alma Pöysti, Anna Karjalainen, Eero Ritala, Erkki Astala, Evi Salmelin, Janne Hyytiäinen, Juho Kuosmanen, Jussi Vatanen, Lauri Untamo, Maria Heiskanen, Martti Suosalo, Matti Onnismaa, Misha Jaari, Nuppu Koivu, Olli Varja, Sakari Kuosmanen, Sherwan Haji, Simon Al-Bazoon

Director: Aki Kaurismäki

Rating: NR

Known for his horror films, Kiyoshi Kurosawa shifts gears and presents a family drama in Tokyo Sonata. In the film, father Ryuhei, who’s expected to be the breadwinner, loses his prestigious job and chooses to hide his firing from his family. While this premise isn't overtly scary, the film understands the terror of being unable to maintain the current comforts of your family. And the consequences: lose your status (at best) or your life (at worst). Teruyuki Kagawa’s performance crystallizes that sense of losing control, as each expression on his face betrays how secretly afraid Ryuhei feels. The disasters that this family faces threaten to never stop, and Kurosawa executes them perfectly through excellent story structure and performance.

Genre: Drama

Actor: Ayako Sugiyama, Denden, Hajime Inoue, Haruka Igawa, Kai Inowaki, Kanji Tsuda, Kazuki Namioka, Kazuya Kojima, Kenji Kawahara, Kōji Yakusho, Kyoko Koizumi, Masayuki Itô, Takashi Kodama, Tao Tsuchiya, Teruyuki Kagawa, Toshiyuki Kitami, Yū Koyanagi

Director: Kiyoshi Kurosawa

Rating: PG-13

We’ve heard of films within a film, but it’s crazy how many layers Through the Olive Trees operates in. Writer-director Abbas Kiarostami completes his metanarrative journey in the Koker trilogy through a slice-of-life comedy about a couple in the periphery of the previous installment And Life Goes On. As the young man Hossein repeats his plea for marriage to Tahereh, casted as his wife, the insistence can be slightly grating, but in doing so, the everyday dealings of the Iranian village hint at what’s underneath– the earthquake from four years ago that still shapes their lives, the socioeconomic and culture barriers, and the mirrored struggle of creating the artistic vision of the film within the film.

Genre: Drama

Actor: Abbas Kiarostami, Farhad Kheradmand, Hossein Rezai, Jafar Panahi, Mohammadali Keshavarz, Tahereh Ladanian, Zarifeh Shiva

Director: Abbas Kiarostami

From the director of Moneyball, Foxcatcher is a true-story-based thriller centered around Olympic wrestlers and brothers Mark Schultz (Channing Tatum) and Dave Schultz (Mark Ruffalo) and multimillionaire John du Pont (Steve Carell). When the latter invites both brothers to move to his estate and train there, with seemingly patriotic motives, only Mark accepts. As training for the 1988 Olympic Games starts, and Du Pont's motives become clearer, tragedy hits. This film is a slow-burning celebration of the exceptional talent it features, both Ruffalo and Carell received Oscar nominations for their roles.

Genre: Drama, Mystery, Thriller

Actor: Alan Oppenheimer, Anthony Michael Hall, Brett Rice, Brian Baumgartner, Channing Tatum, Dan Anders, Daniel Hilt, Guy Boyd, Jackson Frazer, Jake Herbert, Jane Mowder, Joe Fishel, Lee Perkins, Mark Ruffalo, Mark Schultz, Richard E. Chapla Jr., Roger Callard, Samara Lee, Sienna Miller, Steve Carell, Tiffany Sander McKenzie, Vanessa Redgrave

Director: Bennett Miller

Rating: R

“It is better to live miserable than to die happy,” or so says one of the characters in Jia Zhangke’s anthology film A Touch of Sin. On its surface, the “sin” referenced in the title might pertain to the acts of murder that the four protagonists commit, but in the context of China’s rapidly changing capitalist landscape (a theme explored in the director’s other pictures), it reveals itself as a malady shared by Chinese laborers treated as dispensable resources by the powers-that-be. Murder, then, is explored as an extremity, the effectual breaking point of people no longer able to contain the injustice within themselves. Beneath the splatters of blood is a plea for empathy and understanding, at once remorseful and full of conviction.

Genre: Action, Crime, Drama

Actor: Baoqiang Wang, Han Dong, Jiang Wu, Jin Zhang, Li Meng, Lu Liu, Luo Lanshan, Qiang Wang, Wang Baoqiang, Wang Hongwei, Wang Qiang, Zhang Jiayi, Zhang Jin, Zhao Tao

Director: Jia Zhangke