431 Best Drama Movies On Cineplex Canada (Page 5)

Staff & contributors

In life and cinema, drama is everywhere. You’ll find it in thrillers, animations, romances, you name it. For entertainment that explores the human experience with sensitivity and sincerity, here’s a mixed bag of the best dramas to stream now.

An absolutely beautiful film about superficiality, arrogance, and heartbreak. It focuses on the life of Aydin, a retired actor who now lives very comfortably managing a small hotel and a number of other small properties. Throughout the film Aydin's image shifts as he tackles the problems of his rather typical life. Having said this, there is nothing else typical about this film. It captures human relationships with an almost frightening precision. It almost feels as though you have an inside view into someone's actual life as Aydin battles it out with his sister Necla and his young wife Nihal. To me this is easily one of the best dramas of the decade, and if you so much as like movies that focus on humans and their interactions, it will be that for you too.  Nuri Bilge Ceylan will make 3 hours pass more quickly than they ever have before.

Genre: Drama

Actor: Ayberk Pekcan, Demet Akbag, Ekrem İlhan, Emirhan Doruktutan, Haluk Bilginer, Mehmet Ali Nuroğlu, Mehmet Ali Nuroğlu, Melisa Sözen, Nadir Sarıbacak, Nadir Sarıbacak, Nejat İşler, Nejat İşler, Serhat Kılıç, Serhat Mustafa Kılıç, Serhat Mustafa Kılıç, Tamer Levent

Director: Nuri Bilge Ceylan

Rating: Not Rated, Unrated

The bare bones of The Limey’s story — vengeful Cockney ex-con Wilson (Terence Stamp) flies to LA to investigate the suspicious death of his daughter Jenny — are gripping enough, but what Steven Soderbergh does with them elevates this neo-noir thriller into something utterly singular and stacked with layers upon layers of meaning. An icon of London’s Swinging ‘60s scene, Stamp is pitted against laidback symbol of ‘60s American counterculture Peter Fonda (as Jenny’s sleazy older boyfriend), giving their face-off grander cultural stakes. The extra-textual significance of the casting is deepened by Soderbergh’s ingenious references to the actors’ heyday: in flashbacks to Wilson’s happier past, for example, we’re shown the actual Stamp in his younger years (courtesy of scenes borrowed from 1967’s Poor Cow).

The Limey is also a brilliant showcase for editor Sarah Flack’s technical inventiveness: though the narrative is largely linear, the film cuts to and from scenes and sounds at unexpected points, giving the film an almost David Lynch-like sense of eerie fragmentation. Conjuring up a nightmare LA atmosphere isn’t all the editing does, either, as the film’s puzzle pieces are expertly reassembled to reveal an emotional gut-punch of an ending. In short, this high point in Soderbergh’s filmography is a must-see for any fan of cinema.

Genre: Crime, Drama, Mystery

Actor: Allan Graf, Amelia Heinle, Barry Newman, Bill Duke, Brandon Keener, Brooke Marie Bridges, Carl Ciarfalio, Carol White, Clement Blake, Dwayne McGee, George Clooney, Jim Jenkins, Joe Dallesandro, John Cothran, John Robotham, Johnny Sanchez, Lesley Ann Warren, Luis Guzman, Matthew Kimbrough, Melissa George, Michaela Gallo, Nancy Lenehan, Nicky Katt, Ousaun Elam, Peter Fonda, Rainbow Borden, Randy Lowell, Steve Heinze, Terence Stamp, Wayne Pére, William Lucking

Director: Steven Soderbergh

Rating: R

Before Turning Red and Crazy Rich Asians, there was The Joy Luck Club. Based on the bestselling novel, the film adaptation centers around the four Chinese-American women and their relationships with their mainland-born mothers. Explaining that the club isn’t particularly joyful or lucky, the film starts from June’s perspective, a perspective of a Chinese-American woman who’s lived all her life in America. However, through strategic screenplay structure and effective sequence arrangement, we learn the struggles of the founding club members, the struggles that brought them to another country, which forms the dynamics between them and their American daughters. Because of how comprehensive and layered the film is, this underrated film adaptation is a phenomenal take on the immigrant experience. Tears are inevitable with how they deal with difficulties, but so is hope.

Genre: Drama

Actor: Andrew McCarthy, Chao Li Chi, Christopher Rich, Diane Baker, Fen Tian, France Nuyen, Irene Ng, Kiều Chinh, Lauren Tom, Lisa Lu, Michael Paul Chan, Ming-Na Wen, Philip Moon, Rosalind Chao, Russell Wong, Tamlyn Tomita, Tsai Chin, Victor Wong, Vivian Wu, Yu Feihong

Director: Wayne Wang

Rating: R

Of all the Christmas-set films to have come out over the last couple of months that were, inexplicably, about grief and regret (you'd be surprised by how many there are), The Holdovers easily outdoes its contemporaries by being confident enough to just sit with its characters. Like the best of director Alexander Payne's other films, there are no melodramatic crescendos or overcomplicated metaphors; there are only flawed individuals going about their lives, occasionally noticing the things that bind them together. Payne's gentle touch means the characters (and the audience) aren't forced to "solve" their grief, but allowed to come to terms with it in their own way, with each other.

Payne evokes the film's 1970s setting through a muted color palette and analog—almost tactile—sound design, giving warmth to this New England despite all its snow and chilly interiors. It's understandable that these characters are similarly cold to each other on the surface at first, but they manage to thaw the ice simply by taking the chance to listen to each other's pain. It's the kind of film in which relationships develop so gradually, that you hardly notice until the end how much mutual respect has formed between them when they return from their dark nights of the soul back to their status quo.

Genre: Comedy, Drama

Actor: Alexander Cook, Andrew Garman, Bill Mootos, Brady Hepner, Carrie Preston, Carter Shimp, Cole Tristan Murphy, Colleen Clinton, Da'Vine Joy Randolph, Dakota Lustick, Dan Aid, Darby Lee-Stack, David J. Curtis, Dominic Sessa, Dustin Tucker, Gillian Vigman, Ian Dolley, Ian Lyons, Jim Kaplan, Joe Howell, Jonathan von Mering, Kelly AuCoin, Kevin Daigneault, Kevin Fennessy, Melissa McMeekin, Michael Malvesti, Michael Provost, Naheem Garcia, Oscar Wahlberg, Osmani Rodriguez, Pamela Jayne Morgan, Paul Giamatti, Rena Maliszewski, Stephen Thorne, Tate Donovan

Director: Alexander Payne

Rating: R

A hilarious and smart comedy that is almost impossible to hate. It doesn’t matter if you liked The Room or not; or if you’ve even heard of it, you will find The Disaster Artist extremely enjoyable. Same applies for James Franco, it’s irrelevant if you think he’s the hottest man walking or a complete waste of screen-time - this movie is better approached without any preconceived ideas. It follows the true events surrounding Tommy Wiseau’s making of The Room, a movie so bad it actually became a worldwide hit. Tommy’s character, played by Franco, is 100% mystery. He pops out of nowhere and does and says things that contain little to no logic. Capitalizing on this, the movie is both absolutely hilarious and intriguing from beginning to end.

Genre: Comedy, Drama

Actor: Adam Scott, Adwin Brown, Alison Brie, Amechi Okocha, Andrew Santino, Angelyne, Ari Graynor, Bob Odenkirk, Brett Gelman, Brian Huskey, Bryan Cranston, Cameron Brinkman, Casey Wilson, Cate Freedman, Charlyne Yi, Christopher Mintz-Plasse, Corey Weber, Danny McBride, Dave Franco, David DeCoteau, Dree Hemingway, Dylan Minnette, Eliza Coupe, Eloho Josephine Okujeni, Erin Cummings, Frankie Ponce, Frederick Keeve, Greg Sestero, Hannibal Buress, Ike Barinholtz, J.J. Abrams, Jacki Weaver, James Franco, Jason Mantzoukas, Jason Mitchell, Javi Sánchez-Blanco Boyer, Jenna Curtis, Jerrod Carmichael, Jessie Ennis, Joe Mande, John Early, Jolie Mitnick Salter, Josh Hutcherson, Judd Apatow, June Diane Raphael, Kara Gibson, Kate Upton, Katherine Neff, Keegan-Michael Key, Kelly Oxford, Kether Donohue, Kevin Smith, Krista West, Kristen Bell, Lauren Ash, Lizzy Caplan, Megan Ferguson, Megan Mullally, Melanie Griffith, Nathan Fielder, Nicole Gordon-Levitt, Paul Scheer, Peter Gilroy, Phillip E. Walker, Ramona Tibrin, Randall Park, Ricky Mabe, Ron Saylor, Seth Rogen, Shane Ryan-Reid, Sharon Stone, Slim Khezri, Steven Liu, Sugar Lyn Beard, Tamzin Brown, Taylor DeVoe, Tom Franco, Tommy Wiseau, Tudor Munteanu, Vincent Marinelli, Xosha Roquemore, Zac Efron, Zach Braff, Zhubin Rahbar, Zoey Deutch

Director: James Franco

Rating: R

Summer of Soul would already be remarkable if it was just a collection of some of the greatest live performances ever put to film. Boasting a roster that includes Stevie Wonder, Nina Simone, Gladys Knight, and Sly and the Family Stone, the nearly-forgotten 1969 Harlem Cultural Festival featured in the documentary was an all-star catalog of some of the biggest names in popular music, all at pivotal moments in their careers. Seeing them at the height of their powers, in front of a Black audience that meant so much to them, makes for an unexpectedly emotional experience.

But Summer of Soul also expands beyond the actual concert, using the Harlem Cultural Festival to represent a turning point in Black culture and history, especially after the death of Martin Luther King Jr. Through the film's pristine, electric editing and gorgeous archival restoration, music becomes a communal act of mourning, a rallying cry to face the uncertain future, and a celebration of a people and a heritage continuing to fight against erasure and persecution.

Genre: Documentary, Drama, History, Music

Actor: Abbey Lincoln, B. B. King, Chris Rock, David Ruffin, Fidel Castro, Herbie Mann, Hugh Masekela, Jesse Jackson, John F. Kennedy, John V. Lindsay, Lin-Manuel Miranda, Mahalia Jackson, Malcolm X, Martin Luther King Jr., Mavis Staples, Max Roach, Moms Mabley, Nina Simone, Questlove, Redd Foxx, Richard Nixon, Robert F. Kennedy, Sly Stone, Stevie Wonder, Tony Lawrence, Walter Cronkite

Director: Questlove

A young bisexual woman attends a shiva, caught between her parents and their expectations, her ex, and her sugar daddy. Rachel Sennott’s Danielle is yet to find her path in life and everyone is determined to remind her of that. Taking place almost entirely in real-time, the film’s sharp wit is contrasted with constant anxiety, complemented by Ariel Marx’s horror-like score, full of discordant pizzicato that sounds like every last bit of sanity snapping. 

It’s a sex-positive take on 20-something life, treating bisexuality as wholly unremarkable and passing no judgment on Danielle’s sugar daddy income. Its specificities about Jewish customs and traditions are non-exclusionary, while its social claustrophobia is achingly universal. It’s comforting in the way it portrays the social horrors we all face, the feeling that everyone but you has life figured out, and that – ultimately – those who matter will pull through, eventually. One of 2021’s best.

Genre: Comedy, Drama

Actor: Ariel Eliaz, Cilda Shaur, Danny Deferrari, Deborah Offner, Dianna Agron, Fred Melamed, Glynis Bell, Jackie Hoffman, Molly Gordon, Polly Draper, Rachel Sennott, Richard Brundage, Rita Gardner, Sondra James, Ted Seligman

Director: Emma Seligman

Rating: Unrated

, 2007

Once is about a vacuum cleaner/repairman/street musician and a florist in a boy-meets-girl-then-makes-music tale of love, friendship, family, and freaking great music. You can just feel the passion from this simple but charming low-budget movie capturing the chemistry of music making. The film's music will make your skin tingle and hair stand on end. How good is it? In addition to the film winning an Oscar for its music, the Broadway musical version has won 8 Tonys. In short - get ready for a sonic masterpiece!

Genre: Drama, Music, Romance

Actor: Darren Healy, Geoff Minogue, Gerard Hendrick, Glen Hansard, Hugh Walsh, Mal Whyte, Marcella Plunkett, Markéta Irglová

Director: John Carney

Rating: R

The film stars Jake Gyllenhaal as Lou Bloom, an impromptu freelance videographer who begins covering the crime world in LA for a local TV station. Almost as dark as a mystery can get, it is disturbing, and plays out as a combination of "Drive" and "The Network". The film is visually stunning as well as immensely suspenseful. It then becomes almost impossible to look away, even when you're the most horrified by just how far Bloom is willing to go to reach success. Gyllenhaal's performance is widely compared to that of Robert De Niro in Taxi Driver, which should give you an idea of its caliber.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alex Ortiz, Ann Cusack, Bill Blair, Bill Paxton, Bill Seward, Carolyn Gilroy, Chris Wolfe, Christina De Leon, Dale Shane, Dan Gilroy, Dig Wayne, Eric Lange, Holly Hannula, Jake Gyllenhaal, James Huang, Jamie McShane, Jonny Coyne, Kathleen York, Kent Shocknek, Kevin Dunigan, Kevin Rahm, Kiff VandenHeuvel, Leah Fredkin, Marco Rodriguez, Merritt Bailey, Michael Hyatt, Michael Papajohn, Myra Turley, Pat Harvey, Price Carson, Rene Russo, Rick Chambers, Rick Garcia, Riz Ahmed, Sharon Tay, Stephanie D'Abruzzo, Viviana Chavez

Director: Dan Gilroy

Rating: R

A thoughtful drama about the financial crisis, Margin Call is gripping. Seriously, even something as convoluted as the 2008 global economic meltdown is not only accessible and understandable, but it's gripping. Margin Call transports you to the heart of Wall Street, both the financial institutions and the street, literally. It is exciting, well-acted and informative. Uh, also: Kevin Spacey.

Genre: Drama, Thriller

Actor: Aasif Mandvi, Al Sapienza, Ashley Williams, Demi Moore, Grace Gummer, Jeremy Irons, Jimmy Palumbo, Kevin Spacey, Maria Dizzia, Mary McDonnell, Oberon K.A. Adjepong, Paul Bettany, Penn Badgley, Peter Y. Kim, Simon Baker, Stanley Tucci, Susan Blackwell, Zachary Quinto

Director: J. C. Chandor

Rating: R

Leave No Trace is the amazing new movie from the director of Winter's Bone, Debra Granik. It's the story of a father and his daughter who live completely off the grid in a national park in Portland, and their quiet quest to not be separated and remain off the grid. It's not the sensational, tear-jerker story that you'd expect something with this premise to be. Rather, and like Winter's Bone, it chooses a humane and realistic approach to the subject matter. The decision to live outside society is almost irrelevant to this movie. More so, its inevitability for certain people with certain mindsets is what is interesting. A stunningly quiet movie, really well-acted too.

Genre: Drama, Mystery

Actor: Alyssa McKay, Art Hickman, Ayanna Berkshire, Ben Foster, Dale Dickey, Dana Millican, Debra Granik, Derek John Drescher, Isaiah Stone, Jeff Kober, Jeffery Rifflard, Michael Draper, Michael J. Prosser, Spencer S. Hanley, Thomasin Harcourt McKenzie, Thomasin McKenzie

Director: Debra Granik

Rating: PG

Kimberly Peirce's first–out of only three—film was a smashing success, mostly due to her dedication to the subject matter. Peirce spent years researching the life and tragic death of Brandon Teena after reading an article about him in The Village Voice. She felt a particular kind of kinship as a queer person herself, and wanted to construct a story out of real facts that would put the spotlight on love and the desire for connection, and not that much on the violence which dominated the public discourse. In Falls City, Nebraska, the director conducted interviews with Lana Tisdale (Brandon's girlfriend) and her mother, while attending the ongoing trial. She took years to cast the lead and from hundreds of cis women, lesbians, and trans people, she chose the unknown actress Hilary Swank, who went on to win the Best Actress Academy Award (and the irony of that is not lost on us). The film features fantastic performances aplenty and very raw storytelling, visualized by neorealist style and low lighting. Direct references were the films of Martin Scorcese and John Cassavetes, but Boys Don't Cry has its own blend of beauty and cruelty to take pride in.

Genre: Crime, Drama

Actor: Alicia Goranson, Alison Folland, Brendan Sexton III, Caitlin Wehrle, Cheyenne Rushing, Chloe Sevigny, Craig Erickson, Gabriel Horn, Gail Cronauer, Guilford Adams, Hilary Swank, Jackson D. Kane, Jeannetta Arnette, Jerry Haynes, Josh Ridgway, Libby Villari, Lisa Renee Wilson, Lou Perryman, Matt McGrath, Paige Carl Griggs, Peter Sarsgaard, Rob Campbell, Robert Prentiss, Shana McClendon

Director: Kimberly Peirce

Rating: R

, 1996

Three years before the Wachowskis released The Matrix, their debut, Bound, was already one of the most visually stunning crime thrillers of the 1990s. If you look at the film as a straightforward genre piece, it's as thrilling as the best of the genre: vulnerable heroines, suspenseful sequences taking place mostly in one enclosed location, and a plot driven by mind games and careful manipulation. Every scene is marked by one breathtaking image after another, from the atmospheric use of lighting and color to intelligently placed cuts linking the two protagonists together no matter how much they've been kept apart.

But Bound only takes on more meaning when you look at it through the queer and trans perspective that the Wachowskis undoubtedly placed over the film years and years before their own coming out. By focusing on how Violet and Corky (a captivating Jennifer Tilly, and a sensual Gina Gershon, respectively) use their femininity and their gender as tools to break free from these patriarchal gangster narratives, Bound becomes a timeless expression of queer yearning and freedom.

Genre: Crime, Drama, Thriller

Actor: Barry Kivel, Christopher Meloni, Gene Borkan, Gina Gershon, Ivan Kane, Jennifer Tilly, Joe Pantoliano, John P. Ryan, Kevin Michael Richardson, Margaret Smith, Mary Mara, Peter Spellos, Richard C. Sarafian

Director: Lana Wachowski, Lilly Wachowski

To Leslie follows the eponymous Leslie (Andrea Riseborough), a Southern woman who finds herself at the bottom of the barrel after finally using up every penny of her $190k lottery win. Out of work, friends, and family, she drowns herself in alcohol—that is until a kind soul in the form of motel owner Sweeney (Marc Maron) takes her in and gives her a shot.

To Leslie starts off a bit slow, and its premise may seem like it’ll give way to weepiness, but it’s worth sticking by till the end. The film only gets better, especially with the arrival of Maron, whose presence lends the film a much-needed buoyancy. It's also worth noting that unlike many of its kind, To Leslie avoids the poverty porn trap by depicting issues like addiction and indigence with nuance, honesty, and humanity.

Genre: Crime, Drama

Actor: Alan Trong, Alan Wells, Allison Janney, Andre Royo, Andrea Riseborough, Arabella Grant, Blake Robbins, Brandee Steger, Catfish Jean, Chris Coy, Derek Phillips, Drew Youngblood, Jack O'Connor, James Landry Hébert, Jeanette O'Connor, John Gilbert, Juan Carlos Cantu, Lauren Letherer, Mac Brandt, Maggie Carney, Marc Maron, Matt Lauria, Micah Fitzgerald, Owen Teague, Paula Rhodes, Pramod Kumar, Scott Peat, Scott Subiono, Sewell Whitney, Stephanie Wong, Stephen Root, Tom Virtue

Director: Michael Morris

Rating: R

This is quite the movie. It’s based on the true story of Brady Jandereau, an ex-rodeo star who suffered from an injury that took him away from riding horses. This is the best part, in the movie, he actually plays himself. His friends in the movie are his real-life friends. And the horse taming scenes are real wild horses being trained (by him). The line between reality and the filmmaking process is so thin here. An absolutely mesmerizing movie, directed by Chinese filmmaker Chloe Zhao. The Rider. Don’t miss it.

Genre: Drama, Western

Actor: Brady Jandreau, Derrick Janis, Greg Barber, Mooney, Tanner Langdeau, Terri Dawn Pourier, Tim Jandreau

Director: Chloé Zhao

Rating: R