329 Best Drama Movies On Netflix Australia (Page 9)

Staff & contributors

In life and cinema, drama is everywhere. You’ll find it in thrillers, animations, romances, you name it. For entertainment that explores the human experience with sensitivity and sincerity, here’s a mixed bag of the best dramas to stream now.

Your Name Engraved Herein is a melancholy and emotional film set in 1987 just as martial law ends in Taiwan. The film explores the relationship between Jia-han and Birdy, two boys in a Catholic school who are in a romantic relationship. The movie tackles homophobia and social stigma in society which evokes a bleak and rather depressing atmosphere, emphasised by the movie's earthy aesthetic. There is a rawness in the film’s narrative and dialogue, topped off by the lead actors’ successfully raw performances. Your Name Engraved Herein is tender as well as heartbreaking, occasionally depicting the joy of youth.

Genre: Drama, Family, History, Romance

Actor: Barry Qu, Cheng-Yang Wu, Chih-ju Lin, David Chiu, Edward Chen, Erek Lin, Fabio Grangeon, Honduras, Hui-Min Lin, Jason Wang, Jean-François Blanchard, Jing-Hua Tseng, Leon Dai, Lin Chih-ju, Lotus Wang, Lung Shao-Hua, Ma Nien-Hsien, Mimi Shao, Qu Youning, Siu Wa Lung, Soda Voyu, Stone Yang, Tseng Ching-hua, Waa Wei, Wang Shih Sian, Yi-Ruei Chen

Director: Kuang-Hui Liu, Liu Kuang-hui

Rating: N/A

A documentary about two "climbing" friends who attempt to summit Siula Grande in the Peruvian Andes in 1985. I say climbing friends because they are both somewhat egotistical, yuppie risk takers and seem to be the type who are only friends when their interests align. Nevertheless, they are truly ambitious, driven adventurers. A storm hits and one of the climbers gets injured. They both know that this is a death sentence, and events go on from there. The story is epic and nearly unbelievable, but for the fact that it actually happened. I am not a climber, but the plot and story will speak to any adventurer who must accept inherent risks, including death, in their outdoor endeavors.

Genre: Action, Adventure, Documentary, Drama

Actor: Brendan Mackey, Joe Simpson, Nicholas Aaron, Richard Hawking, Simon Yates

Director: Kevin Macdonald

Rating: R

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This Netflix production is based on a case that rocked public opinion in Italy. Stefano Cucchi was arrested for a minor drug charge and died five days later from police brutality. The movie takes its time to expose what Cucchi went through, which might lead some viewers to find On My Skin slow, and rightfully so. Thinking about the issues at hand here, it’s easy to understand why the director made that choice. In fact, Italians’ complex relationship with the Carabinieri, a division of the Italian army that carries out domestic policing, is delicate to explain and requires meticulous unveiling. Nominated to nine David di Donatello Awards (the equivalent of the Academy Awards in Italy), of which it won three.

Genre: Drama

Actor: Aleksandros Memetaj, Alessandro Borghi, Alessio De Persio, Andrea Lattanzi, Andrea Mautone, Antonio Gargiulo, Aurora Casavecchia, Bernardo Casertano, Daniela Amato, Daniele Amendola, Dora Romano, Elisa Casavecchia, Elodie Treccani, Emanuele Cerman, Federico Tocci, Francesca Tomassoni, Gaetano Aronica, Giuseppe Ragone, Italo Amerighi, Jasmine Trinca, Marco Giuliani, Massimiliano Tortora, Mauro Conte, Max Tortora, Michele Botrugno, Milvia Marigliano, Orlando Cinque, Paolo D Bovani, Pietro Faiella, Roberta Sferzi, Roberto Galano, Rodolfo Bigotti, Stefano Miglio, Vincenzo Tanassi, Walter Nestola

Director: Alessio Cremonini

Rating: TV-MA

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, 2023

After winning Oscars for their documentary work, filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin make their narrative feature debut with Nyad. The move to narrative fiction isn’t a monumental jump for the director duo, whose cinematic documentaries (among them Free Solo and The Rescue) play like nerve-shredding action thrillers and intense human dramas. Nor does Nyad’s subject — another extreme feat of human daring and endurance — make this feel a million miles away from their most famous works.

The most obvious departures from the directors’ documentary strengths — Nyad’s flashbacks and hallucination scenes, for example — do sometimes highlight their newness to narrative filmmaking, however. These scenes feel shallow and therefore disconnected from the movie’s otherwise deeper treatment of its subject, just as the performances dip into outsized cliches at times. Mostly, though, Nyad manages to float above the trap of trying too hard to be an inspirational sports drama thanks to its confrontation of Diana’s prickly personality. This flips the film’s perspective onto that of Diana’s team (including her coach and former girlfriend, played by Jodie Foster), who ultimately suffer the consequences of her stubbornness. That refusal to submit to hagiographic impulses gives the film a documentary-like edge of truth, making the rousing moments here feel genuinely earned.

Genre: Drama, History

Actor: Anna Harriette Pittman, Anne Marie Kempf, Annette Bening, Belle Darling, Carolyn McCormick, Diana Nyad, Elizabeth Chahin, Ellen DeGeneres, Eric T. Miller, Erica Cho, Ethan Jones Romero, Garland Scott, Grace Subervi, Harraka Eliana, Iván Oleaga, Jeena Yi, Jodie Foster, John Bartlett, John F. Kennedy, Johnny Solo, Karly Rothenberg, Kate McKinnon, Katherine Klosterman, Lilo Grunwald, Luke Cosgrove, Marcus Young, Melissa R. Stubbs, Nadia Lorencz, Orpha Salimata, Pearl Darling, Rhys Ifans, Samantha Gordon, Sophia Hernandez, Stephen Schnetzer, Tisola Logan, Toussaint Merionne

Director: Elizabeth Chai Vasarhelyi, Jimmy Chin

Rating: PG-13

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It's difficult to portray Cinderella stories nowadays without making them feel cliche and irrelevant, but Mrs. Harris Goes to Paris seems to have achieved the impossible: it tells a well-worn tale without losing any of its charms, and Lesley Manville is the person to thank for this surprising triumph. As the titular Mrs. Harris, Manville is so sweet and likable —thoroughly convincing in her rags-to-riches journey—that it's impossible to watch her without grinning from ear to ear. Sure, the beats are predictable, polished to a fault even, but Manville makes every scene worth it. This is a feel-good movie if ever there was one, made even more enjoyable for fans of earnest performances, beautiful dresses, and clean, straightforward storytelling.

Genre: Comedy, Drama, History

Actor: Alba Baptista, Anna Chancellor, Barnabás Réti, Ben Addis, Bertrand Poncet, Christian McKay, Csémy Balázs, Declan Hannigan, Delroy Atkinson, Ellen Thomas, Freddie Fox, Guilaine Londez, Harry Szovik, Igor Szász, Isabelle Huppert, Jade Lopez, Jason Isaacs, Jeremy Wheeler, Lambert Wilson, Lesley Manville, Lucas Bravo, Panka Murányi, Philippe Bertin, Rose Williams, Roxane Duran, Saruul Delgerbayar, Vincent Martin, Wayne Brett, Zsolt Páll

Director: Anthony Fabian

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Stressed by adolescence, 16-year-old Craig Gilner checks himself into a mental-health clinic. Unfortunately, the youth wing is closed, so he must spend his mandated five-day stay with adults. One of them, Bobby, quickly becomes his mentor -- and him his protege, while Craig finds himself drawn to a fellow teen, Noelle, who just may be the cure he needs to forget an unrequited crush. Starring Keir Gilchrist and Zack Galifianakis, It's kind of a Funny Story is based on a novel of the same name.

Genre: Comedy, Drama

Actor: Aasif Mandvi, Adrian Martinez, Alan Aisenberg, Ato Blankson-Wood, Bernard White, Billy McFadden, Dana DeVestern, Daniel London, Emma Roberts, Jared Goldstein, Jeremy Davies, Jim Gaffigan, Karen Chilton, Keir Gilchrist, Lauren Graham, Leo Allen, Lou Myers, Macintyre Dixon, Matthew Maher, Molly Hager, Morgan Murphy, Roddy Skeaping, Rosalyn Coleman, Stewart Steinberg, Thomas Mann, Viola Davis, Zach Galifianakis, Zoë Kravitz, Zoe Kravitz

Director: Anna Boden, Ryan Fleck

Rating: PG-13

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This Mexican movie set between Queens, New York, and Monterrey, Mexico is a stunning and profound work of art.

Ulises is the leader of a street dancing group that loves Cumbia, an Afro-Colombian style of music. Dancing is an alternative to being sucked in into gang life, which Ulises and his bandmates have ties to.

Ulises is good, and his town starts noticing. But just when his community is flourishing and his dancing is becoming famous, a wrong-time/wrong-place situation has a gang force him to leave everything behind and immigrate to the U.S. He suddenly finds himself lonely and living a life of undocumented existence.

But that is not the progression of I’m no Longer Here, which intertwines scenes of Ulises thriving in Monterrey and alone in New York. The difference is stark and depressing, but the camerawork and great performances are a constant source of cinematic brilliance.

Genre: Drama

Actor: Fanny Tovar, Juan Daniel Garcia Treviño, Luis Leonardo Zapata, Xueming Angelina Chen

Director: Fernando Frias, Luis Fernando Frías de la Parra

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I think it’s safe to say you’ve never seen a Pinocchio adaptation quite like Guillermo del Toro's Pinocchio. It still largely stays true to the source material, which is to stay it’s still about a father grappling with the loss of his son and a boy figuring out where he figures in the world. But the movie departs from it in significant ways too. Instead of a fairy tale setting, for instance, this Pinocchio has 1930s fascist Italy as its background, lending the film a realism and historicism that weren’t there before.

Stars Ewan McGregor, Christoph Waltz, Tilda Swinton, and newcomer Gregory Mann lend their voice in this tender and stellar stop-motion animated movie.

Genre: Animation, Drama, Family, Fantasy, Music

Actor: Alfie Tempest, Ariana Molkara, Benjamin Valic, Burn Gorman, Cate Blanchett, Christoph Waltz, David Bradley, Ewan McGregor, Finn Wolfhard, Francesca Fanti, Gregory Mann, John Turturro, Peter Arpesella, Rio Mangini, Ron Perlman, Roy Halo, Scott Martin Gershin, Sky Alexis, Tilda Swinton, Tim Blake Nelson, Tom Kenny

Director: Guillermo del Toro, Mark Gustafson

Rating: PG

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After two adaptations, with the 1982 version considered a Christmastime classic for Polish families, Forgotten Love can seem like a redundant take on the iconic Polish novel. With twenty more minutes, it seems like the new Netflix adaptation could only improve its take through better production design, and sure, it certainly delivers that pre-war aesthetic through period-accurate costumes, props, and sets. However, Forgotten Love takes a more streamlined approach to the novel’s plot, through changing certain character choices. Without spoiling too much, some choices paint certain characters in a better light, while other changes prove to add an entertaining twist, such as the humorous way the villagers defend Kosiba. Znachor takes the 1937 story into the present, bringing a new generation through the emotional journey of the cherished Polish tale.

Genre: Drama, Romance

Actor: Adam Nawojczyk, Agata Łabno, Alicja Jachiewicz, Anna Szymańczyk, Artur Barciś, Dawid Ściupidro, Ewa Kolasińska-Szramel, Ewa Szykulska, Henryk Niebudek, Ignacy Liss, Izabela Kuna, Jarosław Gruda, Joachim Lamża, Kamil Pardo, Karolina Piechota, Krzysztof Dracz, Leszek Lichota, Maciej Damięcki, Małgorzata Mikołajczak, Maria Kowalska, Mikołaj Grabowski, Mirosław Haniszewski, Patryk Szwichtenberg, Paweł Janyst, Paweł Tomaszewski, Piotr Rogucki, Robert Gonera, Sławomir Holland, Stanisław Brudny, Waleria Gorobets

Director: Michał Gazda

Rating: PG-13

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COVID-19 raised concerns about sanitation and cleanliness, but in a society that just banned discrimination against “impure” castes seventy years ago, these concerns feel reminiscent of previous caste prejudice. Writer-director Anubhav Sinha presents this social inequity through Bheed, a black-and-white drama set in a fictional checkpoint as the lockdown restricted travel between different Indian states. As the people in the checkpoint wait for the updated government regulations, tensions rise between the officers and the travelers, as the stuck migrants worry about hunger, thirst, and infection. While it’s definitely a heavy film to watch, this film doesn’t exploit the pandemic as fodder for drama. Instead, Bheed realistically portrays how a crisis like COVID-19 exacerbates existing social inequity.

Genre: Drama

Actor: Aditya Srivastava, Ashutosh Rana, Bhumi Pednekar, Dia Mirza, Kritika Kamra, Omkar Das Manikpuri, Pankaj Kapur, Rajkummar Rao, Veerendra Saxena

Director: Anubhav Sinha

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An instant classic, Beast of No Nation is a unique and uniquely-paced war drama which ranges in patterns from explosive visual storytelling to calm character studies. A child joins a rebel group consisting almost entirely of children and led by a charismatic leader credited as Commandant. As you get to witness the conflict through the child’s eyes, his own development and his commander’s, the film unfolds as an exploration of the never ending state of war in Africa. It takes you to varying conclusions, most of which you will have trouble admitting you’ve reached. As Commandant, Idris Elba is transfixing, and the whole cast of almost entirely non-actors, as well as the deeply authentic staging by True Detective and Sin Nombre director Cary Fukunaga, are enthralling.

Genre: Drama, War

Actor: Abraham Attah, Ama K. Abebrese, Andrew Adote, Cary Joji Fukunaga, Cornelius Keagon, David Dontoh, Emmanuel 'King Kong' Nii Adom Quaye, Emmanuel Affadzi, Emmanuel Nii Adom Quaye, Francis Weddey, Fred Nii Amugi, Grace Nortey, Idris Elba, John Arthur, Jude Akuwudike, Kobina Amissah Sam, Kurt Egyiawan, Nana Mensah, Nataliah Andoh, Opeyemi Fagbohungbe, Richard Pepple, Ricky Adelayitor

Director: Cary Fukunaga, Cary Joji Fukunaga

Rating: Not Rated

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With its origins as a full-length rock monologue, it's understandable if Tick, Tick... Boom! comes off as overly concerned with its protagonist's personal anxieties and not the larger social and health crises happening right outside his door. But while it really doesn't offer much insight into the AIDS epidemic, or even the art scene of 1990s New York, the helplessness that Jonathan Larson feels in the face of his own inability to save the world comes off as honest expression nonetheless. Andrew Garfield and a strong cast that includes Robin de Jesús and Vanessa Hudgens give purpose and energy to this somewhat messy character study that still manages to land its emotional beats.

Genre: Drama, Music

Actor: Adam Pascal, Alex Lacamoire, Alexandra Shipp, André De Shields, Andrew Garfield, Bebe Neuwirth, Ben Levi Ross, Bernadette Peters, Beth Malone, Bradley Whitford, Brian Stokes Mitchell, Chad Beguelin, Chita Rivera, Christopher Jackson, Chuck Cooper, Danielle Ferland, Danny Burstein, Daphne Rubin-Vega, Eddy Lee, Ehizoje Azeke, Eisa Davis, Elizabeth Chestang, Gizel Jimenez, Howard McGillin, Ilia Jessica Castro, Jeanine Tesori, Jelani Alladin, Joanna Adler, Joel Grey, Joel Perez, Jonathan Larson, Jonathan Marc Sherman, Joshua Henry, Judith Light, Judy Kuhn, Ken Holmes, Laura Benanti, Lin-Manuel Miranda, Marc Shaiman, Mason Versaw, Micaela Diamond, Michaela Jaé Rodriguez, Nick Blaemire, Phillipa Soo, Phylicia Rashād, Renée Elise Goldsberry, Ricardo Zayas, Richard Kind, Robin de Jesús, Roger Bart, Ryan Vasquez, Sheila Tapia, Stephen Schwartz, Stephen Sondheim, Steven Levenson, Tariq Trotter, Tom Kitt, Utkarsh Ambudkar, Vanessa Hudgens, Wilson Jermaine Heredia

Director: Lin-Manuel Miranda

Rating: PG-13

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Surprisingly heartwarming and enjoyable, The Unbearable Weight of Massive Talent turns its over-the-top premise into a tribute to the one and only Nicolas Cage. Playing an unfulfilled and broke version of himself, Cage’s next gig is an appearance at eccentric billionaire Javi Gutierrez’s (Pedro Pascal) birthday party. They strike up an instant bond over their love of film. However, the CIA suspects Gutierrez’s involvement in a political kidnapping, forcing Cage to investigate his friend. The film brilliantly employs those 90s-esque action tropes that Cage’s movies are known for - the car chases, the sunglasses, and the eccentric characters. Cage himself fully commits to the premise, but Pedro Pascal adeptly matches his energy with his easy-going charm. Their moments together and their shared love for cinema makes this a great watch.

Genre: Action, Comedy, Crime, Drama

Actor: Alessandra Mastronardi, Björn Freiberg, Caroline Boulton, Cesare Taurasi, David Gordon Green, Demi Moore, Eli Jane, Enrique Martínez, Ike Barinholtz, Jacob Scipio, Jaime Ordóñez, Joanna Bobin, Katrin Vankova, Kristian Flores, Kristian Ventura, Lily Mo Sheen, Manuel Tallafé, Mario Perez, Neil Patrick Harris, Nicholas Wittman, Nicolas Cage, Paco León, Pedro Pascal, Rebecca Finch, Ricard Balada, Sharon Horgan, Tiffany Haddish

Director: Tom Gormican

Rating: R

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Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.

Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.

This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.

Genre: Drama

Actor: Andy Roy, Daewon Song, Danny Glover, Finn Wittrock, Isiain Lalime, Jamal Trulove, Jello Biafra, Jimmie Fails, John Ozuna, Jonathan Majors, Mari Kearney, Mike Epps, Rob Morgan, Thora Birch, Tichina Arnold, Tonya Glanz

Director: Joe Talbot

Rating: R

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In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Genre: Drama, Horror

Actor: Adam Morgan, Barbara West, Ben Winspear, Benjamin Winspear, Carmel Johnson, Cathy Adamek, Chloe Hurn, Craig Behenna, Daniel Henshall, Essie Davis, Hayley McElhinney, Jacquy Phillips, Michael Gilmour, Michelle Nightingale, Noah Wiseman, Peta Shannon, Pippa Wanganeen, Stephen Sheehan, Terence Crawford, Tiffany Lyndall-Knight, Tim Purcell

Director: Jennifer Kent

Rating: Not Rated

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