84 Best Documentary Movies On Netflix (Page 5)

King of Clones tells the story of Hwang Woo-suk, a South Korean scientist once praised as a national hero for his pioneering work in cloning. However, Hwang's reputation was shattered in 2006 when it was revealed that he had falsified data in his research. The documentary follows Hwang's rise and fall, and it provides a fascinating glimpse into the world of scientific research and the ethical challenges that it raises. Through simplified explanations and testimonies from beneficiaries and journalists that exposed his fraudulent activities, the film remains accessible without losing its narrative. It also opens the conversation on the progress of cloning technology and the implications of not having ethics that can be agreed upon among the scientific community and the general public. 

Genre: Documentary

Actor: George W. Bush, Hwang Woo-suk, Jung Ho-seok, Kim Dae-jung, Kim Jong-il, Kim Tae-hyung, Park Ji-sung, Roh Moo-hyun, Son Heung-min

Director: Aditya Thayi

Rating: PG-13

A deep dive into African-American cinema in the 1970s, Is That Black Enough for You?!? may at times feel like an extended audiovisual Wikipedia article, but it convincingly sets up its ideas in breezy, entertaining fashion. And it successfully argues that Hollywood today just hasn't cashed in on the wealth of innovative Black art that already existed 50 years ago. At the center of this talking heads documentary is director and narrator Elvis Mitchell, who elevates the assembled footage with frank commentary that isn't afraid to make things personal or to throw shade at other filmmakers who've made a career out of appropriating Black film traditions.

Genre: Documentary

Actor: Antonio Fargas, Billy Dee Williams, Charles Burnett, Elvis Mitchell, Glynn Turman, Harry Belafonte, James Signorelli, Laurence Fishburne, Louise Archambault, Margaret Avery, Mario Van Peebles, Roscoe Orman, Samuel L. Jackson, Sheila Frazier, Stan Lathan, Suzanne de Passe, Whoopi Goldberg, Zendaya

Director: Elvis Mitchell

Director Rachel Mason’s first documentary is an amusing study of accidental allies. Her mother Karen insists that there are better subjects for the film, but what would be better than the mom-and-pop bookstore that sells sex toys and gay pornography? The subject alone is inherently interesting, as these mild-mannered Jewish parents describe their unintentional journey through day-to-day selling and distribution. However, Mason is able to expand her discussion by contrasting her parents’ actions against the wider conservative moves done by the US government in the 1980s. Amidst censorship and epidemics, Circus of Books stood as a safe haven for the LGBTQ+ community, made possible by her parents. In learning about the store, we (and Mason) learn more about her parents. While their job choice was unplanned, the journey of accepting those other than themselves is one that we all should take.

Genre: Documentary, Drama, History

Actor: Alaska Thunderfuck, Jeff Stryker, Larry Flynt

Director: Rachel Mason

Rating: Not Rated

Call Me Kate isn’t as much of a revelation as the star it’s portraying, but of course, it’s still lovely to talk about the incredible Katharine Hepburn. Revealing new footage from one of Hepburn’s close friends, and contextualized with interviews with some of the few remaining people that were close with her, the documentary goes through her life, with a focus more on what she felt about it. Certain letters are read by a voice impressionist, which creates a bit of an uncanny valley, and the way the footage was arranged and organized can be strange. However, Call Me Kate is still able to capture what makes Katharine Hepburn so captivating.

Genre: Documentary

Actor: Katharine Hepburn

Director: Lorna Tucker

As the value of ivory appreciated by the Chinese middle-class, the demand for it has skyrocketed. This brought elephants to a dire outlook: extinction in as early as the next 15 years. “Traders in ivory actually want extension in elephants, the less elephants there are the more the price rises” as one of the commentators in the film says. To bring awareness to this threat, filmmakers went undercover for 16 months and followed the ivory from where it was stolen to where it hits the shelves of Hong Kong. The result is a genuine thriller, far more gripping than you’d expect from a documentary. It portrays the brave and hopeful men and women trying to combat these atrocities, the battle they may be losing, and all the obstacles they face. An extremely important watch.

Genre: Documentary

Actor: Andrea Crosta, Ian Stevenson, Kief Davidson, Prince William, Richard Ladkani

Director: Kief Davidson, Richard Ladkani

Rating: N/A, Not Rated

Straight to the point and without any overly elaborate set-ups or personal anecdotes, Shane Gillis' Beautiful Dogs is a sort of back-to-basics approach to stand-up comedy that proves surprisingly effective. Over the course of about 50 minutes, Gillis' jokes move smoothly and freely—loose in structure but still clearly centering around very American notions of authority and masculinity (revolving around the military and U.S. history), which the comedian is quick to poke holes in. Gillis' humor is definitely of the lowbrow variety though, and while this in itself isn't a bad thing, a number of his jokes begin to repeat their point to no additional effect, usually relying on low-hanging fruit. Gillis skirts and occasionally dips into offensive territory, which he fully acknowledges. And while some of the stuff in this special is a little tasteless, at least Gillis is sheepishly honest about it.

Genre: Comedy, Documentary

Actor: Shane Gillis

Director: John McKeever

The story of how Dave Kroupa excitedly joined online dating sites only to meet a murderous stalker is both distressing and fascinating. You feel for the guy and wonder how a person could commit such heinous crimes. That in itself is a feat: to be genuinely shocked despite the prevalence of true crime documentaries. But Lover, Stalker, Killer takes way too long to get to the point. For a good chunk of the documentary, you’re left wondering how the pieces will fall into place, all while the interviewees are hyping it up to be something truly horrific as if it were a movie or a game, and not an actually traumatic moment that forever altered the course of Kroupa and his family’s life. It’s good that we get a first-hand account of the case from Kroupa himself because otherwise, this would be another case of desensitized, sensationalized fare. The central story is interesting to be sure, but a lack of technical flare and in-depth questioning makes it, overall, flimsy and overlong.

Genre: Crime, Documentary

Actor: Cari Farver, Chris Maher, Dave Kroupa, Ryan Avis

Director: Sam Hobkinson

Rating: R

As a documentary, The Darkness Within doesn't dig as deep as it probably could have. It doesn't offer a particularly specific account of how La Luz del Mundo has achieved its popularity and what exactly keeps it in power today. However, due to the fact that many church members seem to remain loyal to its corrupt, criminal leaders, a straightforward testimony is also exactly what this film needs to be. In direct, uncompromising detail—but always edited with a solemn respect for the survivors, who get to make their statements without the camera in their face—it lays out the mountain of damning personal experiences that too many La Luz del Mundo have suffered, as the rest of the church has turned a blind eye towards them.

Genre: Crime, Documentary

Director: Carlos Pérez Osorio

Hipgnosis’s body of work is so rich, brilliant, and recognizable, that it’s hard not to at least sit in awe as they flash by you in this documentary. The accompanying stories behind their creation, sometimes told by Thorgerson and Powell, other times by their musician clients like Jimmy Page and Paul McCartney, are also pleasant and informative enough to paint, in whole, an interesting picture. But apart from the covers themselves, Squaring the Circle doesn’t have much else going for it. The co-founders’ history is too brief and plain to render drama, and their upbringing too upper-class and male to be relatable. A more broad, ambitious goal would’ve been to parallel the history of these artworks with the history of rock music itself, but this niche documentary seems uninterested in explaining itself to outsiders and newcomers. That said, it still serves as a precious account for those familiar with Hipgnosis’ pieces. 

Genre: Documentary, Music

Actor: David Gilmour, Glen Matlock, Graham Gouldman, Jimmy Page, Nick Mason, Noel Gallagher, Paul McCartney, Peter Gabriel, Peter Saville, Robert Plant, Roger Waters

Director: Anton Corbijn

Depressingly, Scout's Honor isn't necessarily an exposé about the crimes of the Boy Scouts of America because—as the documentary reminds us—this institution has been caught red-handed many times over since its inception, and yet it evades real accountability. The film is more like a renewed call for justice, with its approach being one of blunt force. This means that the documentary can be sloppy, piling on one case after another without much synthesis, and taking out its anger on one current representative of the Boy Scouts, whom the filmmakers constantly interrupt and interrogate during his interview, That said, it's also hard to object to this kind of approach, as the patterns of abuse become too damning to ignore. Maybe a different film will be able to unpack the systems that allow the Boy Scouts to get away with this, but for now this cry of rage is enough.

Genre: Crime, Documentary

Director: Brian Knappenberger

Pushing an already extreme activity even further beyond its limits, Ueli Steck and Dani Arnold have became the world champions of speed climbing—a variation of the sport that places much greater importance on direct competition over communing with nature. It's fascinating to hear what drives Steck and Arnold to courting death like this, and to see how their vastly different backgrounds and processes have still made them equals in the field. The documentary eventually runs out of ideas, however, as it clumsily shifts tones leading into its last third, and concludes abruptly without much synthesis of everything that had come before. It's still a worthwhile adventure whether or not one is into climbing; it's just disappointing that this story of such a unique rivalry settles into a more generic rhythm by the end.

Genre: Action, Adventure, Documentary

Actor: Dani Arnold, Ueli Steck

Director: Götz Werner, Nicholas de Taranto

Rating: PG-13

If you’re expecting a twisty and thrilling look at a dangerous group of hackers who hide deep within a military bunker in Europe, and who refer to their entire operation as “straight from a James Bond movie,” then you might be disappointed with Cyberbunker, a dragging documentary that relies too heavily on talking heads for momentum. It takes 30 minutes to establish the relevance of these figures, and a full hour before it finally explains the actual crime and wrongdoings they’re complicit in. The most interesting parts of the case, like the FBI’s involvement, Cyberbunker’s links to the propagation of child pornography, and the group’s advocacy on internet privacy, are completely buried beneath a stack of unnecessary tidbits. I appreciate the effort of the filmmakers and the interviewees coming together to make something decently informative, but by the end of it, you’re left wondering whether all this was better off as a Wikipedia article.

Genre: Crime, Documentary

Director: Kilian Lieb, Max Rainer

Rating: PG-13

Third dates usually feel more casual than that depicted in Longest Third Date, but with 2020 shifting everyone’s plans, it’s not surprising it shifted romantic relationships too. The documentary doesn’t feel like a factual and organized documentary, cobbled up together from the couple’s vlog and filmed interviews once they got back to the States, but it’s definitely a unique story, one that’s only been saved because of Matt’s influencer aspirations. It’s certainly watchable, with a spry 75-minute runtime, and with understandable conflicts, like flight cancellations and tipped over cars. The film does feel like it glosses things over, and Khani seems to be the private type of person, uncomfortable with the camera, but Longest Third Date, even with all its reality TV style, also feels somewhat like a cultural artifact. It’s not deep, but it does feel like opening a time capsule.

Genre: Documentary

Actor: Khani Le, Matt Robertson

Director: Brent Hodge

Rating: R