555 Best Crime Movies to Watch (Page 34)

Staff & contributors

Pain Hustlers is based on a 2018 New York Times article of the same name exposing a drug company that marketed a fentanyl-based drug. Zanna, the on-screen pharmaceutical start-up, is modelled after Insys: the actual company who pushed a fentanyl-based spray for pain management with the help of sales reps who particularly appeal to a certain male gaze. A DIY scheme of bribing doctors through "speaker programs"—or recurring, debaucherous parties—gets Zanna off the ground, catapulting stripper-turned-manager Liza Drake (Emily Blunt) to a much-yearned financial stability. Together with the coked-up COO (magnificently played by Chris Evans), Liza puts her street smart potential to work; she goes all in, until it all crashes and burns. It's cynical how predictable the plot of such a film can be, mainly because the only character development we see is in Liza's sudden moral spark at the sight of drug abuses and overdoses. Pain Hustlers tries really hard to build a hero, tear her down, and then rehabilitate her status, but to what end? The film ends up using the fentanyl crisis as a narrative drive, a highly dubious move when you're supposed to be spreading awareness. 

 

Genre: Crime, Drama

Actor: Adrian Eppley, Alex Klein, Amit Shah, Andy Garcia, Aubrey Dollar, Avis-Marie Barnes, Becca Breitfeller, Brian d'Arcy James, Britt Rentschler, Cara Mantella, Catherine O'Hara, Chapel Oaks, Chloe Coleman, Chris Evans, Cliff Lanning, Desmond Phillips, Donna DuPlantier, Dustin Lewis, Emily Blunt, Erin Ownbey, Greyson Chadwick, Jay Duplass, Josefina Boneo, Josh Ventura, Mandi Christine Kerr, Mary Ann Hagan, Michael Kosta, Michael Lowry, Nicholas Christopher McNeil, Nick Arapoglou, Omer Mughal, Pat Dortch, Quinn Bozza, Rowan Joseph, Samantha Kacho, Selena Anduze, Sharon Conley, Shelley Jane, Tris Marie, Valerie LeBlanc, Willie Raysor

Director: David Yates

Rating: R

Read also:
With an urgent subject and plenty of that trademark Netflix polish, Bhakshak is nothing if not watchable and consistently engaging. However, for all of its motivated performances and high production values, there actually doesn't seem to be much that happens in the film by way of investigation or character development. Much of the plot seems to progress solely on inertia, or through conversations that only ever repeat the film's themes. And with every new, intense scene of young girls being threatened or hurt at the hands of abusive men, it becomes harder to understand what these scenes are trying to tell us, especially when they keep the victims as voiceless as they are from the beginning.

Genre: Crime, Drama

Actor: Aditya Srivastava, Bhumi Pednekar, Brij Bhushan Shukla, Chittaranjan Tripathy, Durgesh Kumar, Murari Kumar, Pubali Sanyal, Sai Tamhankar, Sanjay Mishra, Satyakam Anand, Surya Sharma, Tanisha Mehta, Umesh Shukla, Vibha Chibber

Director: Pulkit

Rating: R

Read also:

This film lays its foundation nicely: it’s got slapstick romance and an absurdly wholesome motivation, and juxtaposes it with a murder plot, telling you right away the kind of movie you’re going to get. Its mystery aspect is intertwined with comedy, and its comedy stems from an avoidance of direct confrontation, while being so casual with death. The combinations give the movie an exciting and comforting feeling, even with the awkward wrinkles and vaguely ominous pop of red and warm colors throughout. Still, it suffers from a lot of uneventful fluff and underwhelming payoffs. It's a good thing it's funny, then.

Genre: Comedy, Crime

Actor: Angela Finocchiaro, Antonino Bruschetta, Christian De Sica, Claudio Colica, Darko Peric, Dharma Mangia Woods, Fioretta Mari

Director: Giovanni Bognetti

Read also:

The beginning instantly captures Kodama’s essence, and quickly sets lofty expectations with the regal intro sequence and the clean narration and reenactments. But it’s basically a feature length interview of the subject, who shares her screen time with the supporting cast to her action drama life (assistants, love interests, the usual), tackling the big scandals that brought trouble to Kodama. It’s a worthy watch, if only for the deep Nelma Kodama and laundering iceberg; however, it does get very long and redundant in feel, which may be necessary to paint the whole picture, but at some point it’s a bunch of branches that lead to other branches and the tree is big.

Genre: Crime, Documentary

Actor: Anzu Lawson, Nelma Kodama

Director: João Wainer

Rating: R

Read also:
You don’t come into a Tyler Perry movie expecting to be dazzled, but you do expect to be entertained. Mea Culpa evokes neither of those feelings, at least not in the first half of the film. Between the predictable plot and Rhodes’ bewilderingly flat performance, it’s a mighty challenge to stay awake. Rhodes is, of course, the lead in the award-winning film Moonlight, where he gave a soulful and lived-in performance. So it doesn’t make sense why, in Mea Culpa, despite playing a perennially horny man, he’s as exciting to watch as paint dry. We’re supposed to believe that his charisma (or lack thereof) seduces Rowland’s character, but there’s no chemistry to be found. For her part, Rowland is a delight to watch. The many turns she experiences fit her range, and she is effectively the heart of the film. Mea Culpa, to be fair, revs up and gets thrilling by the second half, when the chips start to fall and the twists unfold. But it’s too little too late, and they barely shock you at that point, that is if you’re still awake.

Genre: Crime, Drama, Thriller

Actor: Angela Robinson, Connor Weil, Cory Hardin, Kelly Rowland, Kerry O'Malley, Nick Sagar, RonReaco Lee, Sean Sagar, Shannon Thornton, Trevante Rhodes

Director: Tyler Perry

Rating: R

Read also:

A fascinating kernel of certainty is padded out with giddy speculation in this documentary about a pair of unlikely art thieves. The facts are as such: 32 years after a $160 million painting by abstract artist Willem de Kooning was crudely cut from its frame in an Arizona gallery, a trio of small-town antique dealers discovered it in Jerry and Rita Alter’s estate sale. The Thief Collector is less interested in the painting itself  — in fact, it's openly dismissive about its artistic value — and more curious about how it fell into the hands of the mysterious couple, who frequently took exotic trips around the world despite their modest teacher incomes.

There are certainly intriguing questions raised by the Alters’ possession of the painting and compelling evidence that places them as the thieves, but this documentary can’t offer any convincing original theses of its own. It does try, by suggesting that the short stories Jerry wrote — about more thefts and gorier crimes — were thinly disguised autobiographical recollections, but it finds nothing to back these theories up except for a few loosely relevant anecdotes from relatives. With too many what-ifs to go on, it all makes for an intriguing but ultimately unsatisfying deep dive.

Genre: Crime, Documentary, Drama

Actor: Glenn Howerton, Matt Pittenger, Sarah Minnich, Scott Takeda

Director: Allison Otto

Read also: