555 Best Crime Movies to Watch (Page 26)

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376. Just Another Love Story, 2007

This Danish thriller is about a man who gets into a car accident with a woman and, upon visiting her at the hospital, gets mistaken for her boyfriend by her wealthy family.

The man in question is Jonas, a family guy with two cheerful children who is also going through a text-book case of mid-life crisis. So when he realizes that Julia lost her memory and that she shows interest in him, he steps into the role of her boyfriend.

Things escalate very quickly, both as Julia starts to get some of her memory back and her actual boyfriend arrives. If you like Scandinavian noirs like Headhunters, you will love this.

Genre: Crime, Drama, Thriller

Actor: Anders W. Berthelsen, Bent Mejding, Charlotte Fich, Dejan Cukic, Ditte Hansen, Ewa Fröling, Fanny Leander Bornedal, Flemming Enevold, Jannie Faurschou, Josephine Raahauge, Karin Jagd, Karsten Jansfort, Lin Kun Wu, Niels Anders Thorn, Nikolaj Lie Kaas, Rebecka Hemse, Rolf Rasmussen, Rune Klan, Thomas Chaanhing, Timm Vladimir

Director: Ole Bornedal

Rating: Not Rated

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377. Elle, 2016

Arch-provocateur Paul Verhoeven received widespread acclaim for his assured and darkly funny adaptation of Philippe Dijan’s award-winning novel, his first film in the French language.

It’s a controversial revenge thriller about a domineering businesswoman who is raped in her home by a masked man. Refusing to let the attack affect her life, she refuses to report the incident and tracks down the assailant herself.

Verhoeven directs the material with confidence and a troubling lightness of touch, while fearless Isabelle Huppert gives one of the best performances of her long and illustrious career. Some people found Elle empowering while others felt it perpetuated misogynistic attitudes. Either way, it makes for a passionate post-viewing discussion.

Genre: Crime, Drama, Thriller

Actor: Alice Isaaz, Anne Consigny, Anne Loiret, Arthur Mazet, Caroline Breton, Charles Berling, Christian Berkel, David Léotard, Eric Savin, Fleur Geffrier, François Nambot, Hugo Conzelmann, Hugues Martel, Isabelle Huppert, Jean Douchet, Jean-Noël Martin, Jean-Yves Freyburger, Jina Djemba, Jonas Bloquet, Judith Magre, Laurent Lafitte, Laurent Orry, Loïc Legendre, Lucas Prisor, Marie Berto, Nicolas Beaucaire, Nicolas Ullmann, Oury Milshtein, Raphaël Kahn, Raphaël Lenglet, Stéphane Bak, Vimala Pons, Virginie Efira, Zohar Wexler

Director: Paul Verhoeven

Rating: R

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378. Deep Crimson, 1996

	
While love and longing can transform people into their best selves, it has famously transformed couples into their worst selves too, and this change captivates our imaginations of how the relationship was formed. Deep Crimson revisits the Lonely Hearts Killers, dramatizing their exploits with a darkly comic flair. As Mexican auteur Arturo Ripstein brings their tale to Mexico, he and his screenwriter wife Paz Alicia Garciadiego dive deep into these undeniably evil characters, spotting the ways their jagged edges fit and make them whole, which creates a twisted bond that isn’t easily torn apart. Profundo Carmesí is an unforgettable take on an unforgettable crime duo.Genre: Crime, Drama
Actor: Álvaro Carcaño, Daniel Giménez Cacho, Esteban Soberanes, Gastón Melo, Julieta Egurrola, Marisa Paredes, Paco Mauri, Patricia Reyes Spíndola, Regina Orozco, René Pereyra, Rosa Furman, Sherlyn, Verónica Merchant
Director: Arturo Ripstein

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379. Catch Me A Killer, 2024

It’s not easy to stand out in the crime genre, but Catch Me a Killer does a pretty good job of it. It’s set in South Africa, where dynamics like race and gender are slightly different than in the US or UK. It’s also based on actual crimes solved by Micki Pistorius (Charlotte Hope), a chain-smoking read-headed profiler who helps develop the South African police’s investigation processes. But setting and character quirks aside, what makes the show unique is its hero’s philosophy: Pistorius believes that each killer, no matter how demented and harmful, deserves to be understood. “Is there something wrong with me, that I don’t hate them?” she asks in an early episode. Do murderers deserve empathy? It’s a question that follows her in every case she takes, in every corner of the country, and it’s also one that she finds increasingly hard to answer. Catch Me a Killer is a mostly straightforward procedural, but it often dabbles in the existential, making it a thought-provoking and soul-stirring watch.

Genre: Crime, Drama

Actor: Charlotte Hope, Donna Cormack Thomson, Ivan Zimmermann, Lemogang Tsipa, Sean Cameron Michael, Steven John Ward, Waldemar Schultz

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380. Bronson, 2009

From the director of Drive comes Bronson, the true story of a man who was sentenced to seven years in prison but ends up spending three decades in solitary confinement. Tom Hardy is phenomenal in this dark comedy. His character is so likable and you quickly feel sorry for what he is going through. No one can help him no matter how much he asks for it. Bronson has class, great acting, hilarious comedy, and a true story backing it up. There is nothing not to love about this film.

Genre: Action, Crime, Drama

Actor: Amanda Burton, Andrew Forbes, Hugh Ross, James Lance, Joe Tucker, Jon House, Jonny Phillips, Juliet Oldfield, Katy Barker, Kelly Adams, Luing Andrews, Mark Powley, Matt King, Neil Broome, Tom Hardy, Tracy Wiles

Director: Nicolas Winding Refn

Rating: R

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381. Bad Monkey, 2024

	
You’d think a caper set in Florida starring Vince Vaughn would be wild, but Bad Monkey is surprisingly chill. The stakes are low, the mystery is revealed quite early, and everyone moves at a languid pace that feels right for the summer season. And yet it’s still fun to watch. It has the right amount of intrigue and it looks enviably nice. Half the time you’ll just be wishing you too could sit back and down a beer while watching the warm Florida waves rock by. Admittedly, the plot lines don’t always mesh and Vaughn could be more dynamic in his performance, but overall, this makes for a perfectly fine summer watch.Genre: Comedy, Crime
Actor: Alex Moffat, Jodie Turner-Smith, L. Scott Caldwell, Meredith Hagner, Michelle Monaghan, Natalie Martinez, Rob Delaney, Ronald Peet, Vince Vaughn
Rating: TV-MA

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382. 7 Prisoners, 2021

	
For many coming-of-age stories, there’s the dream of growing up, getting out of your comfort zone, and finding purpose, success, or maybe, just the simple case to earn enough money for a better life. It’s this dream that makes 7 Prisoners such a harrowing coming-of-age drama. The plot feels reminiscent of something Charles Dickens would have written, but writer-director Alexandre Moratto focuses more on the characters with the lever in their respective trolley problems, which male lead Christian Malheiros takes with such a dynamic performance, and which Moratto takes to a more depressing end. 7 Prisoners is much more bleak compared to many coming-of-age stories, but it’s one that works as a necessary exposé of a real life social issue that the world should have solved long long before.Genre: Crime, Drama
Actor: Bruno Rocha, Christian Malheiros, Lucas Oranmian, Rodrigo Santoro, Vitor Julian
Director: Alexandre Moratto

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383. Why Women Kill, 2021

	
There are two seasons of Why Women Kill, and though the first—an anthology set in three different decades—is fun and soapy, the second is what solidifies it as a good show to watch. The latter is set in a single decade, the ‘60s, and follows a soft-spoken housewife named Alma (Allison Tolman) as she tries to join the ranks of the sophisticated ladies in her suburb. Tolman is effortlessly likable, so to see her strive to do all sorts of (often questionable) things feels like a treat. Opposite Nick Frost, who plays her husband, she’s even better. The only downside to both seasons of Why Women Kill is it’s riddled with weaker storylines. In season two, it’s the one that involves a stereotypical golddigger plotting her frail husband’s death. If you’ve seen one, you’ve seen them all. But the show’s eye for period-accurate details, plot twists (at least in some of its storylines), and fun performances more than makes up for its weaker links.Genre: Comedy, Crime, Drama
Actor: Allison Tolman, B.K. Cannon, Jack Davenport, Jordane Christie, Lana Parrilla, Matthew Daddario, Nick Frost, Veronica Falcón, Virginia Williams
Rating: TV-MA

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384. Who killed him?, 2024

The show has an easy to follow format with the curated version of events, especially with the premise always guiding the experience. The sudden changes in footage quality and music both service the atmosphere by turning the mundane uncomfortable and chilling (though I am generally ambivalent to films with a lot of gimmicks). Still, the show seems more interesting as a whole than in its tiny details. It’s effective at high tension developments and confrontations, utilizing the drama from various power dynamics, but it’s also passable in other regards. In the grand scheme of things, it can be a tedious, overwhelming watch.

Genre: Crime, Drama, Mystery

Actor: Anahí Allue, Bárbara López, Belinda, Costanza Andrade, Diego Boneta, Fernando Cuautle, Jorge Zárate, Luis Gerardo Méndez, Roberto Duarte, Zuria Vega

Director: Humberto Hinojosa

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385. Unseen, 2023

Based on the 2021 Turkish series Fatma, Unseen takes the same premise and sets it in Cape Town. Fatma is now Zenzi Mwale, a house cleaner looking for her missing husband, despite how everyone else already wrote him out as a deadbeat convict. Mwale, portrayed by Gail Mabalane, is a sympathetic character, and Mabalane’s restrained performance earns empathy each time her search leads to certain dead ends (pun intended). Even as the show goes into generic territory, the house cleaner’s journey still feels compelling, as the series has a great grasp as to how this thriller’s tropes work, especially for a character whose work and worries mostly remain unseen.

Genre: Crime, Drama

Actor: Abduragman Adams, Gail Mabalane, Ilse Klink, Mothusi Magano, Vuyo Dabula

Rating: TV-MA

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386. Tulsa King, 2022

After loyally covering up for his mafia bosses and serving 25 years of jail time, Dwight Manfredi (Sylvester Stallone) is surprised to discover he’s been kicked out of his New York turf and transferred to Tulsa “middle of nowhere” Oklahoma. It takes a while, but Dwight eventually (and funnily) finds his footing in town, establishing a base at the local dispensary and following the money from there.

It's a well-known face that Stallone can command an action scene like no other, but it’s refreshing to see him crack jokes for a change, even if they don’t always land. At once familiar and new, Tulsa King proves Stallone still has the chops to engage an audience while revealing new tricks he keeps up his sleeves.

Genre: Crime, Drama

Actor: Alan C. Peterson, Andrea Savage, Dana Delany, Domenick Lombardozzi, Garrett Hedlund, Jay Will, Martin Starr, Max Casella, Sylvester Stallone, Vincent Piazza

Rating: TV-MA

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387. Tsotsi, 2005

Tsotsi, a delinquent from Johannesburg, South Africa, realizes after shooting a woman and stealing her car, that her baby is on the back seat. A movie with very few words but which manages to be extremely touching. As you witness the transformation of Tsotsi, through his increasing affection for the baby, you will be astonished by the amazing actor, who manages to communicate so many feelings through his sight. This film won the 2006 Academy Award for Best Foreign Language Film.

Genre: Crime, Drama

Actor: Ian Roberts, Israel Makoe, Jerry Mofokeng, Kenneth Nkosi, Lennox Mathabathe, Mothusi Magano, Nambitha Mpumlwana, Owen Sejake, Percy Matsemela, Presley Chweneyagae, Rapulana Seiphemo, Terry Pheto, Thembi Nyandeni, Zenzo Ngqobe, Zola

Director: Gavin Hood

Rating: R

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388. Tokyo Swindlers, 2024

It wants to be a big sleek show. It gives you lots of backstories to explain how things work and set up precedents, and a lot of its runtime is allotted to the process. There are tense and cathartic bits you may not expect, but once you realize it's essentially a heist show albeit more refreshing and gritty than others, what more do you really expect? Character dynamics can feel like a bonus to what you're really here for if you like the heist show format, so unless the hope for a grand ending is enough, it might be a tough sell to see it through the end.

Genre: Crime, Drama

Actor: Eiko Koike, Etsushi Toyokawa, Go Ayano, Izumi Matsuoka, Kazuki Kitamura, Kōji Yamamoto, Pierre Taki, Shota Sometani, Takayuki Yamada

Rating: TV-MA

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389. The Yara Gambirasio Case: Beyond Reasonable Doubt, 2024

Many in this docuseries acknowledge that the developments to this case feel very much “like a movie.” Maybe that’s why the filmmakers leaned into that presentation style with the twists, phone conversation voiceovers, and jumping timelines. It’s a decent storytelling choice, but it also feels like the shock factor and media hullabaloo is the focus of the film sometimes. Much of the runtime is dedicated to the role of the media, which served as a tremendously unhelpful distraction to the investigation; thus giving the series a sense of focus on the one hand, but also weighing the series down with too much details and fluff cinema.

Genre: Crime, Documentary

Actor: Massimo Bossetti

Rating: TV-MA

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390. The Outlaws, 2017

	
While the police haven't been getting a good rep in recent years, there were times when cops actually got the job done, and went after the gangs that we individuals can’t. Kang Yun-seong’s narrative feature debut is based on the real-life Yanbian Heuksapa Incident, and what’s interesting is that along with having Ma Dong-seok deliver some of the finest and most entertaining fight scenes, there’s a sense that these cops actually care about people, like when Seok-do urges his boss to be gentle towards their team after having to stay in the office longer, or when he reaches out and works directly with the community. The Outlaws doesn’t transform the genre, but it’s well-written, well-choreographed, and held together through the strength of Ma Dong-seok’s charisma (and arms). It’s no wonder director Kang and Don Lee managed to transform this into a sprawling franchise, something to be akin to Korea’s Fast & Furious.Genre: Action, Crime, Thriller
Actor: Bae Jin-ah, Cho Jin-woong, Choi Guy-hwa, Choi Gwi-hwa, Geum Gwang-san, Ha Jun, Heo Dong-won, Heo Sung-tae, Hong Gi-jun, Hong Ki-joon, Jeong In-gi, Jeong In-kyeom, Jin Seon-kyu, Jin Sun-kyu, Jo Jae-yun, Kim Koo-taek, Kim Sung-kyu, Lee Kyu-ho, Lim Hyung-jun, Ma Dong-seok, Min Kyung-jin, Min Moo-je, Park Ji-hwan, Uhm Ji-sung, Ye Jung-hwa, Yoo Ji-yeon, Yoon Byung-hee, Yoon Joo, Yoon Kye-sang
Director: Kang Yoon-sung, Kang Yun-sung
Rating: Not Rated

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