73 Best Crime Movies On Cineplex Canada (Page 2)

Bad Lieutenant is no misnomer: Harvey Keitel’s policeman really is one of NYPD’s worst. Already corrupt, abrasive, and abusive at the film’s outset, the movie chronicles his coked-out descent into total depravity after he’s called to investigate a heinous crime amid rapidly worsening personal circumstances. The brilliance of Bad Lieutenant is therefore a counterintuitive one: as awful as the Lieutenant is, we can’t help but feel emotionally involved because, in Keitel’s bravura performance, we can see the glint of pain — and thus of a person — within.

Always one for provocation, director Abel Ferrara pushes our empathy to — and maybe even beyond — its natural limits, only to break with the film’s hitherto unrelenting grit and dangle the glinting possibility of transcendent redemption in front of us. Anyone familiar with Catholic guilt cinema (movies like Martin Scorsese’s Who’s That Knocking At My Door and Mean Streets) will instantly recognize the same undercurrent running through Bad Lieutenant — even if Ferrara takes the idea of juxtaposing the profane with the sacred to the extreme here.

Genre: Crime, Drama

Actor: Bianca Hunter, Bo Dietl, Brian McElroy, Dana Dee, Darryl Strawberry, Ed Kovens, Eddie Daniels, Frank Adonis, Frankie Acciarito, Frankie Thorn, G. Elvis Phillips, Gene Canfield, Harvey Keitel, Heather Bracken, Iraida Polanco, Jaime Sánchez, John Steven Jones, Leonard L. Thomas, Minnie Gentry, Paul Calderon, Paul Hipp, Peggy Gormley, Penelope Allen, Phil Neilson, Stella Keitel, Stephen Chen, Victor Argo, Victoria Bastel, Vincent Laresca, Zoë Lund

Director: Abel Ferrara

You would expect a courtroom drama to be built around damning pieces of evidence, passionate speeches, or certain social issues lending weight to the investigation. But what makes Justine Triet's Palme d'Or-winning Anatomy of a Fall so remarkable is how direct it is. Triet doesn't treat this case like a puzzle for the audience to participate in solving; instead she fashions this trial into a portrait of a family being eroded by even just the suggestion of distrust. It ultimately has far less to do with who's responsible for the death of a man, and more to do with the challenge of facing the reality that the people we love are capable of being cruel and callous to others.

Which isn't to say that Anatomy of a Fall doesn't still possess qualities that make it a great courtroom drama—doubt only continues to pile up with every new piece of information that's revealed to the audience, until we begin to interpret characters' expressions and actions in a contradictory ways. But the way Triet executes these reveals is just so skillful, choosing precisely how to let details slip and obscuring everything behind faulty memory, intentional dishonesty, or any other obstacles that usually come up during an investigation.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexandre Bertrand, Anne Rotger, Anne-Lise Heimburger, Antoine Bueno, Antoine Reinartz, Arthur Harari, Camille Rutherford, Christophe Devaux, Cyril Karenine, Emmanuelle Jourdan, Florent Chasseloup, Iliès Kadri, Isaac Abballah, Jean-Pierre Bertrand, Jehnny Beth, Judicaël Ajorque, Kareen Guiock, Laura Balasuriya, Maud Martin, Milo Machado-Graner, Nesrine Slaoui, Nicholas Angelo, Nola Jolly, Pierre-François Garel, Saadia Bentaïeb, Sacha Wolff, Samuel Theis, Sandra Hüller, Sandrine Chastagnol, Savannah Rol, Sophie Fillières, Swann Arlaud, Wajdi Mouawad

Director: Justine Triet

Rating: R

Not much happens in Women Talking, but what it lacks in action it more than makes up for in message. As the wronged women of an insular Christian colony decide whether they should leave or stay in their community, valuable points on each side are raised and debated fiercely. Are the men at fault or is there a bigger problem at hand? Is it sacrilegious to refuse forgiveness? Will leaving really solve anything? 

The women of this ultraconservative and anti-modern community may not know how to read or write, but years of toiling away on land, family, and faith have made them wise beyond their years, which makes their discussion all the more captivating and powerful. Relevant themes, coupled with director Sarah Polley’s poetic shots and the cast’s all-around stellar performances, make Women Talking a uniquely compelling and timeless watch.

Genre: Crime, Drama

Actor: August Winter, Ben Whishaw, Caroline Gillis, Claire Foy, Eli Ham, Emily Mitchell, Frances McDormand, Jessie Buckley, Judith Ivey, Kate Hallett, Kira Guloien, Liv McNeil, Marcus Craig, Michelle McLeod, Nathaniel McParland, Rooney Mara, Shannon Widdis, Shayla Brown, Sheila McCarthy, Vivien Endicott Douglas, Will Bowes

Director: Sarah Polley

Rating: PG-13

In the sexy, slick, and sharp-witted Out of Sight, a never-better George Clooney plays Jack Foley, a career bank robber who pulls off heists based on pure charm alone. His charisma is so powerful it even turns the cat-and-mouse game he plays with federal marshal Karen Sisco (Jennifer Lopez) into a seductive dance. Karen is no easy mark, though: she’s a tough agent who’s used to being underestimated by the men she works with. The sizzling connection that sparks between her and Jack is gripping precisely because it threatens to break the basic logic both live their lives by: he a slippery criminal, she a no-nonsense professional. Clooney and Lopez’s naturally electric chemistry is supercharged by the fact that the film never slips into sentimentality, always keeping their will-they-won’t-they amour at a tantalizing distance until the decisive moment. A crime caper with many strings to its bow — among them sizzling romance and brilliant dialogue brought to life by a dazzling supporting ensemble — this is a masterfully entertaining ride from director Steven Soderbergh.

Genre: Comedy, Crime, Romance

Actor: Albert Brooks, Betsy Monroe, Brad Martin, Catherine Keener, Chic Daniel, Connie Sawyer, Deborah Smith Ford, Dennis Farina, Don Cheadle, George Clooney, Isaiah Washington, James Black, Jennifer Dorogi, Jennifer Lopez, Joe Chrest, Joe Coyle, Joe Hess, Keith Hudson, Keith Loneker, Luis Guzman, Manny Suárez, Mark Brown, Michael Keaton, Mike Gerzevitz, Mike Malone, Nancy Allen, Paul Calderon, Philip Perlman, Samuel L. Jackson, Sandra Ives, Steve Zahn, Thelma Gutiérrez, Ving Rhames, Viola Davis, Wayne Pére, Wayne V. Johnson

Director: Steven Soderbergh

Rating: R

Martin Scorsese’s Killers of the Flower Moon isn’t a whodunnit; in fact, it’s closer to a who-didn’t-do-it. We know from the very beginning who is responsible for committing the brutal serial murders of wealthy Osage Native Americans in 1920s Oklahoma that the film chronicles: pretty much every single one of their white neighbors, spearheaded by William Hale (a skin-crawling Robert De Niro). Scorsese, most often associated with mafia stories, stealthily suggests here that the most dangerous gang of all is the one into which all these perpetrators have been born. That’s an idea he investigates through the confused loyalties of Leonardo DiCaprio’s Ernest Burkhart, the Judas-like husband of Mollie (movie-stealer Lily Gladstone), an Osage woman who owns lucrative oil headrights that William wants to fatten his own pockets with. This searing epic — based on a harrowing chapter of real American history — is an unsparing and self-implicating look at complicity and greed in the eye, a monumental movie that cements its maker as one of the greatest to ever do it.

Genre: Crime, Drama, History

Actor: Adam Washington, Addie Roanhorse, Alexandria Toineeta, Alexis Ann, Alexis Waller, Barry Corbin, Beau Smith, Ben Hall, Bravery Nowlin, Brendan Fraser, Brent Langdon, Brian Shoop, Bronson Redeagle, Candice Costello, Cara Jade Myers, Carl Palmer, Chance Rush, Charisse Satepauhoodle, Charlie Musselwhite, Chase Parker, Christopher Cote, Clint Rohr, Dana Daylight, Danny Frost, David Born, David Fields, Delani Chambers, DJ Whited, Dolan Wilson, Ed Yellowfish, Elden Henson, Elisha Pratt, Elizabeth Waller, Eric Parkinson, Everett Waller, Gabriel Casdorph, Garrison Panzer, Gary Basaraba, Gene Jones, Gregory Fallis, Harrison Shackelford, J. C. MacKenzie, Jack White, Jackie Wyatt, Jacob Johnson, Jacob Lux, James Carroll, James Healy Jr., JaNae Collins, Jarad Looper, Jason Isbell, Jay Paulson, Jeffrey Stevenson, Jennifer Moses, Jennifer Rader, Jeremy Goodvoice, Jerry Logsdon, Jerry Wolf, Jesse Plemons, Jessica Harjo, Jezy Gray, Jillian Dion, Jo Harvey Allen, Joe Chrest, Joey Oglesby, John Gibbs, John Lithgow, Johnny Baier, Joseph Spinelli, Joshua Close, Julia Lookout, Justin France, Karen Garlitz, Katherine Willis, Kristin Keith, Kyle Dillingham, Larry Fessenden, Larry Jack Dotson, Larry Sellers, Lee Eddy, Leland Prater, Leonardo DiCaprio, Lily Gladstone, Louis Cancelmi, Lucas Ross, Lynette Satepauhoodle, Mahada Sanders, Mamie Cozad, Marc Phaneuf, Margaret Gray, Mark Landon Smith, Mark Lopeman, Marko Costanzo, Martin Scorsese, Mary Buss, Mason Bighorse, Mason Cunningham, Matt Tolentino, Melissa Tiger, Michael Abbott Jr., Mike Cook, Moe Headrick, Moira Redcorn, Nathalie Standingcloud, Nathaniel Arcand, Nicholas White, Nick W. Nicholson, Nokosee Fields, Norma Jean, Norris Bighorse, Pat Healy, Patrick Bubert, Paul Woodiel, Penny Potts, Pete Yorn, Peter Yarin, Randy Houser, Rayna Gellert, Reignen Yellowfish, River Rhoades, Robert De Niro, Ron McMahan, Sam Bardfeld, Samuel French, Samuel Gray, Sarah Spurger, Scott George, Scott Shepherd, Seth Buckminster, Shonagh Smith, Silas Satepauhoodle, Stephen Berkman, Steve Eastin, Steve Routman, Steve Witting, Sturgill Simpson, Tahlee Redcorn, Tanner Brantley, Tantoo Cardinal, Tatanka Means, Ted Welch, Terry Allen, Tom Ashmore, Tommy Schultz, Ty Mitchell, Vann Bighorse, Victor McCay, Vince Giordano, Vinny Raniolo, Wally Welch, Welker White, William Belleau, Xavier Toehay, Zachary Hokeah

Director: Martin Scorsese

Rating: R

The movie starts with Luke (Ryan Gosling) as a stunt driver who learns he has a newborn child. Luke wants to properly provide for him, so he turns to robbing banks. That causes conflict with the mother (Eva Mendes) and a police officer (Bradley Cooper), which ends up spanning two generations. The Place Beyond the Pines is gritty and emotional, and at the heart of it, a good take on father-son relationships and long-term consequences.

Genre: Crime, Drama

Actor: Angelo Anthony Pizza, Anthony Angelo Pizza, Anthony Angelo Pizza, Jr., Ben Mendelsohn, Bradley Cooper, Brian Smyj, Bruce Greenwood, Craig Van Hook, Dane DeHaan, Derek Cianfrance, Emory Cohen, Ephraim Benton, Eva Mendes, Gabe Fazio, Greta Seacat, Harris Yulin, Jennifer Sober, Luca Pierucci, Lynette Howell Taylor, Mahershala Ali, Mark McCracken, Michael Cullen, Olga Merediz, Patrick Husted, Ray Liotta, Robert Clohessy, Rose Byrne, Ryan Gosling, Shannon Plumb

Director: Derek Cianfrance

Rating: R

A film written by screenwriter Charlie Kaufman, about screenwriter Charlie Kaufman as he struggles to adapt a book about poaching a rare plant into a successful movie. Through Kaufman's clever writing and Spike Jones' unique style of directing, the film unfolds using "mise en abîme" as the viewer sees the lessons the writer in film comes across to improve his script more or less subtly influence the events he encounters as the narrative advances. Nicolas Cage's performance is also particularly good as a highly intelligent and self-obsessed screen writer with low self-esteem.

Genre: Comedy, Crime, Drama

Actor: Bob Stephenson, Bob Yerkes, Brian Cox, Cara Seymour, Caron Colvett, Catherine Keener, Chris Cooper, Curt Clendenin, Curtis Hanson, David O. Russell, Donald Dowd, Doug Jones, Gary Farmer, Gregory Itzin, Jay Tavare, Jim Beaver, John Cusack, John Malkovich, Judy Greer, Larry Krask, Lisa Love, Litefoot, Maggie Gyllenhaal, Meryl Streep, Nancy Lenehan, Nicolas Cage, Peter Jason, Roger E. Fanter, Roger Willie, Ron Livingston, Sandra Lee Gimpel, Stephen Tobolowsky, Tilda Swinton

Director: Spike Jonze

Rating: R

On the one hand, How to Blow Up a Pipeline is a tense thriller—an excellently set-up heist that makes you wonder, until the end, whether the low-budget operation succeeds or not. On the other hand, it’s a thoughtful rumination on the evil and influence of Big Oil, which despite its relentless destruction of environments and communities, continues to run scot-free. 

Together, these parts make for a powerful, nerve-racking film about both the danger and necessity of eco-terrorism—a radical act that is impressively humanized and spared from caricature here. How to Blow Up a Pipeline's themes may be big and its means explosive, but its rich characterizations of the young activists ground it into a relatable reality. One is dying due to toxins released by the nearby plant, another is forced to give up his property to make way for the construction of a pipeline. All are tired of the fruitlessness of government promises and peaceful protests. Rousing and relevant, there's never been a more timelier film than this. 

Genre: Crime, Drama, Thriller

Actor: Ariela Barer, Calhoun Koenig, Christopher Hagen, Clint Obenchain, Forrest Goodluck, Grayson Berry, Irene Bedard, Jake Weary, Jayme Lawson, Kristine Froseth, Lukas Gage, Marcus Scribner, Mark Dalton, Mike Miller, Sam Quinn, Sarah Minnich, Sasha Lane, Travis Hammer

Director: Daniel Goldhaber

Rating: R

As a crime thriller, Holy Spider is taut and terrifying, a modern noir that manages to unnerve despite the familiar moves it employs. The cat and mouse chase between serial killer and investigative reporter, for instance, is a classic tale, but that doesn’t make Holy Spider any less gripping. The film benefits from artful camerawork, considered acting (as the daring journalist Rahimi, Zar Amir Ebrahimi nabbed the Best Actress award at Cannes), and most of all a nuanced take on the situation in Iran. 

Despite having a clear stance against violence and corruption, nothing in Holy Spider is black and white. Contradictions abound, and even when presented with brief moments of justice, we’re left scratching our heads looking for more. Such is the case when the system, and not just an individual, is the true pest. 

Genre: Crime, Drama, Horror, Thriller

Actor: Ariane Naziri, Majd Eid, Mehdi Bajestani, Nima Akbarpour, Sara Fazilat, Sina Parvaneh, Zar Amir Ebrahimi

Director: Ali Abbasi

It’s hard to pin point exactly what makes this movie so good. It’s an all-around “movie” movie. I think it can be called a buddy comedy because it is about two best friends who are also movers. It’s about their day-to-day, their families and their relationships. They’re both from the underclass of Oakland, and one of them is black, the other is white. And that’s where it stops being a comedy and becomes a more hard-hitting film. It illustrates gentrification better than any other movie I’ve ever seen. It has relevant and striking commentary on the main characters’ race, upbringing, and identity. But at the end of the day, it has a great plot, and for the most part it’s an easy-flowing movie. It’s half entertainment, half social commentary, and both parts are equally well-done. It’s like movie unicorn, and it’s perfection. One of the two friends is played by Daveed Diggs, who you might know from Hamilton.

Genre: Comedy, Crime, Drama

Actor: Aviel Ayoung, Carlos López Estrada, Casey Adams, Cassie Hendry, Charles Johnson, Chris Harding, Daveed Diggs, Dawayne Jordan, Eduardo Ambriz DeColosio, Emmy Raver-Lampman, Ethan Embry, Geoffrey Quan, George Watsky, Janina Gavankar, Jasmine Cephas-Jones, John Lobato, Jon Chaffin, Jonathan Groff, Justin Chu Cary, Ke'Mari Moore, Kelli McCrann, Kendra Andrews, Kevin Carroll, Leland Orser, Margo Hall, Matt McAbee, Molly Shaiken, Nyambi Nyambi, Peter Fitzsimmons, Rafael Casal, Rashida Clendening, Rayna Angélique, Sean Michael McGrory, Steven Wiig, Tina Gilton, Tisha Campbell, Tisha Campbell-Martin, Travis Parker, Utkarsh Ambudkar, Wayne Knight, Zack Duhame

Director: Carlos López Estrada

Rating: R

At once intimate and sweeping, A Thousand and One seamlessly weaves Inez's personal turmoil and familial troubles with the systemic inequality that was rampant in '90s New York. The hideous faces of gentrification, poverty, and police brutality are constantly appearing in the film, not merely because they lend weight to the story, but because they are inevitable for people like Inez. People who, despite their best efforts at achieving upward mobility are continually pushed down by self-serving institutions. 

It's easy for social issue dramas like this to buckle under the weight of their lofty goals, but nothing about A Thousand and One feels forced. Just the opposite, the film has an authentic quality to it—almost documentary-like in its precise depiction of Harlem throughout the years. It's deeply personal and achingly tender, and everything else—the social commentary and the political beats—stems from that specificity. 

Genre: Crime, Drama

Actor: Adriane Lenox, Amelia Workman, Aven Courtney, Bianca LaVerne Jones, Delissa Reynolds, Emmy Harrington, Jennean Farmer, Josiah Cross, Naya Desir-Johnson, Rudolph Giuliani, Terri Abney, Teyana Taylor, William Catlett

Director: A.V. Rockwell

Rating: R

Jessica Chastain and Oscar Isaac star in this slow-burning but impeccable crime thriller.

Abel Morales (Isaac) owns a fuel distribution company in 1980s New York. His competitors are violent and corrupt, and the feds are after him. The temptation to resort to unlawful methods is high, especially that his wife (Chastain) is the daughter of a mobster.

A Most Violent Year is about how this temptation of corruption unfolds and whether Abel will surrender to it or not.

Genre: Crime, Drama, Thriller

Actor: Albert Brooks, Alessandro Nivola, Annie Funke, Ashley Williams, Ben Rosenfield, Bill Walters, Catalina Sandino Moreno, Chester Jones III, Chris Cardona, Christopher Abbott, Daisy Tahan, David Margulies, David Oyelowo, Elizabeth Marvel, Elyes Gabel, Giselle Eisenberg, Glenn Fleshler, Jason Ralph, Jerry Adler, Jessica Chastain, Jimmy Palumbo, John Dinello, John Douglas Thompson, John Procaccino, Kathleen Doyle, Linda Marie Larson, Lorna Guity Pruce, Lorna Pruce, Matthew Maher, Myrna Cabello, Nat DeWolf, Nick Bailey, Oscar Isaac, Patrick Breen, Peter Gerety, Pico Alexander, Quinn Meyers, Robert Clohessy, Russell G. Jones, Stephen Reich, Susan Blackwell, Suzanne Cerreta, Taylor Richardson, Teddy Coluca, William Hill

Director: J. C. Chandor

Rating: R

If Steven Spielberg had just decided to do a straightforward cover version of West Side Story, it still would have been a wonder of music, movement, and color. But more than the lush camerawork and impassioned performances from Rachel Zegler, Mike Faist, and Oscar winner Ariana DeBose, this adaptation is most memorable for its renewed focus on the senselessness of its central turf war. Here, New York City exercises absolute power over the Jets and the Sharks, rendering all this gang violence as a futile attempt to hold on to outdated values in the face of economic desolation. Spielberg might not be able to do much about the story's weaker Romeo and Juliet-inspired parts, but he still finds a way to let this often ridiculed tragic romance serve a greater purpose.

Genre: Crime, Drama, Music, Romance

Actor: Ana Isabelle, Andrea Burns, Andy Powers, Annelise Cepero, Ansel Elgort, Ariana DeBose, Ben Cook, Bert Michaels, Brian d'Arcy James, Chryssie Whitehead, Corey Stoll, Curtiss Cook, David Alvarez, David Guzman, Denia Brache, Doreen Montalvo, Feiga Martinez, Gaby Diaz, Harrison Coll, Ilda Mason, iris menas, Jamie Harris, Jamila Velazquez, Jeff Ward, Jess LeProtto, Joe Lanza, José Ramón Rosario, Josh Andrés Rivera, Kevin Csolak, Kyle Allen, Kyle Coffman, Maddie Ziegler, Mike Faist, Mike Iveson, Mike Massimino, Myles Erlick, Nadia Quinn, Natalie Toro, Paloma Garcia-Lee, Patrick Noonan, Paul Niebanck, Rachel Zegler, Reginald L. Barnes, Rene Ojeda, Ricardo Zayas, Ricky Garcia, Rita Moreno, Ryan Woodle, Sean Harrison Jones, Shade Rupe, Skye Mattox, Talia Ryder, Tanairi Sade Vazquez, Victor Cruz, Yassmin Alers

Director: Steven Spielberg