98 Best Crime Movies On Itunes Australia (Page 2)

Three years before the Wachowskis released The Matrix, their debut, Bound, was already one of the most visually stunning crime thrillers of the 1990s. If you look at the film as a straightforward genre piece, it's as thrilling as the best of the genre: vulnerable heroines, suspenseful sequences taking place mostly in one enclosed location, and a plot driven by mind games and careful manipulation. Every scene is marked by one breathtaking image after another, from the atmospheric use of lighting and color to intelligently placed cuts linking the two protagonists together no matter how much they've been kept apart.

But Bound only takes on more meaning when you look at it through the queer and trans perspective that the Wachowskis undoubtedly placed over the film years and years before their own coming out. By focusing on how Violet and Corky (a captivating Jennifer Tilly, and a sensual Gina Gershon, respectively) use their femininity and their gender as tools to break free from these patriarchal gangster narratives, Bound becomes a timeless expression of queer yearning and freedom.

Genre: Crime, Drama, Thriller

Actor: Barry Kivel, Christopher Meloni, Gene Borkan, Gina Gershon, Ivan Kane, Jennifer Tilly, Joe Pantoliano, John P. Ryan, Kevin Michael Richardson, Margaret Smith, Mary Mara, Peter Spellos, Richard C. Sarafian

Director: Lana Wachowski, Lilly Wachowski

To Leslie follows the eponymous Leslie (Andrea Riseborough), a Southern woman who finds herself at the bottom of the barrel after finally using up every penny of her $190k lottery win. Out of work, friends, and family, she drowns herself in alcohol—that is until a kind soul in the form of motel owner Sweeney (Marc Maron) takes her in and gives her a shot.

To Leslie starts off a bit slow, and its premise may seem like it’ll give way to weepiness, but it’s worth sticking by till the end. The film only gets better, especially with the arrival of Maron, whose presence lends the film a much-needed buoyancy. It's also worth noting that unlike many of its kind, To Leslie avoids the poverty porn trap by depicting issues like addiction and indigence with nuance, honesty, and humanity.

Genre: Crime, Drama

Actor: Alan Trong, Alan Wells, Allison Janney, Andre Royo, Andrea Riseborough, Arabella Grant, Blake Robbins, Brandee Steger, Catfish Jean, Chris Coy, Derek Phillips, Drew Youngblood, Jack O'Connor, James Landry Hébert, Jeanette O'Connor, John Gilbert, Juan Carlos Cantu, Lauren Letherer, Mac Brandt, Maggie Carney, Marc Maron, Matt Lauria, Micah Fitzgerald, Owen Teague, Paula Rhodes, Pramod Kumar, Scott Peat, Scott Subiono, Sewell Whitney, Stephanie Wong, Stephen Root, Tom Virtue

Director: Michael Morris

Rating: R

Like so many pictures about the pictures, The Player is a biting satire of the biz. Tim Robbins plays Griffin Mill, a Hollywood executive who gives dinner speeches about movies being art but works at a studio where endings are unceremoniously tweaked for maximum audience approval ratings — and therefore maximum profits. The greedy corporate Tinseltown of The Player feels very close to the franchise-pumping Tinseltown of today, but there’s enough wit and irony here to keep it from feeling too depressing.

Legendary New Hollywood director Robert Altman packages his critique in familiar clothing: that of a film noir. After receiving threatening postcards from a disgruntled writer he never called back, Griffin takes matters into his own hands and soon finds himself living out the plot of a taut thriller. The Player gets even more deliciously meta than this: nearly every scene contains a winking reference to the movies, and it’d probably be easier to count which stars of past and present don’t show up for a cameo here. What’s more, Altman gives The Player the kind of “happy ending” that Griffin’s studio is always demanding from writers — only here, it’s spun into a bitter commentary on the whole industry. Simply masterful.

Genre: Comedy, Crime, Drama, Mystery

Actor: Adam Simon, Alan Rudolph, Alexandra Powers, Althea Gibson, Andie MacDowell, Angela Hall, Anjelica Huston, Annie Ross, Bert Remsen, Brad Davis, Brian Brophy, Brian Tochi, Brion James, Bruce Willis, Buck Henry, Burt Reynolds, Cathy Lee Crosby, Charles Champlin, Cher, Cynthia Stevenson, David Alan Grier, Dean Stockwell, Dennis Franz, Derek Raser, Dina Merrill, Elliott Gould, Felicia Farr, Frank Barhydt, Fred Ward, Gary Busey, Gina Gershon, Greta Scacchi, Harry Belafonte, Jack Jason, Jack Kney, Jack Lemmon, Jack Riley, James Coburn, Jayne Meadows, Jeff Celentano, Jeff Goldblum, Jeremy Piven, Jill St. John, Joan Tewkesbury, Joel Grey, John Cusack, Julia Roberts, Karen Black, Katarzyna Figura, Kathy Ireland, Kevin Scannell, Leah Ayres, Leeza Gibbons, Lily Tomlin, Louise Fletcher, Lyle Lovett, Malcolm McDowell, Marina Zenovich, Marlee Matlin, Martin Mull, Michael Bowen, Michael Tolkin, Mike Kaplan, Mimi Rogers, Natalie Strong, Ned Bellamy, Nick Nolte, Pamela Bowen, Patricia Resnick, Patrick Swayze, Paul Dooley, Paul Hewitt, Peter Falk, Peter Gallagher, Peter Koch, Randall Batinkoff, Ray Walston, Rene Auberjonois, Richard Anderson, Richard E. Grant, Ritchie Montgomery, Robert Carradine, Robert Wagner, Rod Steiger, Sally Kellerman, Sally Kirkland, Scott Glenn, Scott Shaw, Shari Belafonte, Stephen Tolkin, Steve Allen, Steve James, Susan Emshwiller, Susan Sarandon, Sydney Pollack, Ted Hartley, Teri Garr, Tim Robbins, Vincent D'Onofrio, Whoopi Goldberg

Director: Robert Altman

In his debut feature, Jonathan Glazer masterfully subverts our expectations of heist movies to thrilling effect: what should be a perfunctory moment — the classic recruitment scene — is stretched out into nearly an entire film of its own here, and we’re not off the edge of our seat for even a second of it.

All retired Cockney gangster Gal (Ray Winstone) wants to do is lounge around the pool of his Spanish villa with beloved wife Deedee (Amanda Redman). But now there’s a spanner in the works: an unhinged old acquaintance, Don Logan (Ben Kingsley, never better), has unexpectedly rocked up at Gal's hacienda to enlist him for a big job on behalf of the London underworld’s top brass. Don is the type of man you just don’t say “no” to, but the pull of Gal’s idyllic retirement is so powerful that he does just that, a narrative swerve that spins this film off the well-worn (but still enjoyable) track we expected it to follow. Directed with cool assurance, full of unforgettable set-pieces, overflowing with style, and even further distinguished by some surreal touches that really get under the skin, this is one of the slickest, funniest, and most exhilarating crime movies ever.

Genre: Comedy, Crime, Drama, Thriller

Actor: Álvaro Monje, Amanda Redman, Andy Lucas, Ben Kingsley, Cavan Kendall, Chris Webb, Desirée Erasmus, Eddie O'Connell, Gérard Barray, Ian McShane, James Fox, Julianne White, Ray Winstone, Rocky Taylor, Terence Plummer

Director: Jonathan Glazer

Featuring a Pre-Bond Daniel Craig, Layer cake can be described as a mix between Lock Stock, Two Smoking Barrels and Scarface—a darkly funny and incredibly violent film. It features great acting from Craig and the rest of the cast, action that will keep you on the edge of your seat once it gets moving and a complex and deep theme that can make you reconsider your worldview. This is a true action movie for the thinking man (or woman).

Genre: Crime, Drama, Mystery, Thriller

Actor: Ben Brazier, Ben Whishaw, Brinley Green, Burn Gorman, Colm Meaney, Daniel Craig, Daniel Moorehead, Darren Healy, Darren Sean Enright, Dexter Fletcher, Dimitri Andreas, Don McCorkindale, Dragan Mićanović, Francis Magee, George Harris, Ivan Kaye, James Dodd, Jamie Foreman, Jason Flemyng, Kelly-Marie Kerr, Kenneth Cranham, Kerri Kravin, Louis Emerick, Marcel Iures, Matt Ryan, Matthew Vaughn, Michael Gambon, Nathalie Lunghi, Neil Finnighan, Nick Thomas-Webster, Peter Rnic, Rab Affleck, Sally Hawkins, Sienna Miller, Stephen Walters, Steve John Shepherd, Tamer Hassan, Tom Hardy

Director: Matthew Vaughn

Rating: R

Four Lions is as black and as dark as a movie can ever get, mixing cultural relevancy with humor and ridiculousness. It is insensitive to Islam, insensitive to terrorism and insensitive to the viewer. But it is hilarious. The director spent three years talking to Imams, terrorism experts and basically everyone. The result? A legit 97 minutes that will dazzle even extremists with its knowledge of Islam and the accuracy of its lines. Needless to say that it will upset quite a few people, but that is always a good sign for black comedy movies, right?

Genre: Comedy, Crime, Drama

Actor: Adeel Akhtar, Adil Mohammed Javed, Alex MacQueen, Arsher Ali, Benedict Cumberbatch, Craig Parkinson, Darren Boyd, Jonathan Maitland, Julia Davis, Kayvan Novak, Kevin Eldon, Marcus Garvey, Nigel Lindsay, Preeya Kalidas, Riz Ahmed, Shameem Ahmad, Waleed Elgadi, Wasim Zakir, Will Adamsdale

Director: Chris Morris, Christopher Morris

Rating: R

One of The Drop's many strengths is its dark, clever, yet compassionate script. It will take you into the heart of the Brooklyn crime scene through the characters and their respective more or less fragile lifestyles. The extremely good performances, however, soon become the focus and attire of the film. James Gandolfini couldn't be more at home in this context and excels with his usual menace, yet somehow relatable presence. Tom Hardy, however, surprises in unfamiliar grounds, sharply portraying a vulnerable character, whose vulnerability you will keep doubting. The Drop is consistent from start to finish, and with jaw-dropping moments here and there, it is both an interesting and enjoyable film.

Genre: Crime, Drama, Mystery

Actor: Alex Ziwak, Ann Dowd, Chris Sullivan, Danny McCarthy, Elizabeth Rodriguez, Erin Darke, Jack Dimich, James Colby, James Frecheville, James Gandolfini, Jeremy Bobb, Jessica Tate, John Di Benedetto, John Ortiz, Khan Baykal, Lucas Caleb Rooney, Matthias Schoenaerts, Michaël R. Roskam, Michael Aronov, Michael Esper, Michael O'Hara, Mike Houston, Morgan Spector, Noomi Rapace, Patricia Squire, Robert Turano, Ross Bickell, Scott Johnsen, Tobias Segal, Tom Hardy

Director: Michael R. Roskam, Michael Roskam

Rating: R