Genre: Action & Adventure, Comedy, Crime, Drama
Actor: Alfonso Dosal, Andres Baida, Bruno Bichir, Ester Exposito, Juan Pablo Medina, Luis Gerardo Méndez, Mabel Cadena, Nicolás Furtado
Need a chuckle? We know comedy gold can be hard to come by, so we’ve scoured the depths of the streaming landscape to dig it out. From dark humor to laugh-out-loud misadventures, these are the best comedies to stream now.
Genre: Action & Adventure, Comedy, Crime, Drama
Actor: Alfonso Dosal, Andres Baida, Bruno Bichir, Ester Exposito, Juan Pablo Medina, Luis Gerardo Méndez, Mabel Cadena, Nicolás Furtado
It isn't even just because it's a sequel, but every bit of Your Christmas or Mine 2 seems like it was sourced from other films with more personality, resulting in a stew of holiday tropes driven entirely by contrivances and conflicts that should be more easily resolved. And yet there's something that keeps the film far more tolerable than insufferable, as both Asa Butterfield and Cora Kirk compensate for the artificiality of the drama with authentic emotion. There are funny moments throughout and a decent supporting cast (who are given precious little to do), but all this adds up to a film that still feels like it was meant to be played in the background.
Genre: Comedy, Drama, Romance
Actor: Alex Jennings, Angela Griffin, Anna Behne, Asa Butterfield, Christopher Sherwood, Cora Kirk, Daniel Mays, David Bradley, Jane Krakowski, Karl Markovics, Natalie Gumede, Ram John Holder, Rhea Norwood, Simon Hatzl
Director: Jim O'Hanlon
More a clip show than a real stand-up special—and certainly not a documentary about the New York-based comedy club—The Improv: 60 and Still Standing only really seems to be for the most hardcore devotees of American stand-up. But even if you are familiar with all the comics who make an appearance here, the film doesn't give their already brief routines enough time to breathe. They've ostensibly been instructed to prepare their best stuff or to just riff, and the resulting performances are very half-baked, with none of the comedians able to dive into any particularly funny or challenging material. They're all still lightly amusing in different ways, but this movie really could've just been a series of YouTube videos to commemorate The Improv's 60th anniversary.
Genre: Comedy, Documentary
Actor: Anjelah Johnson-Reyes, Bert Kreischer, Craig Robinson, Deon Cole, Fortune Feimster, Jeff Dunham, Jo Koy, Kevin Nealon, Mark Normand, Whitney Cummings
Director: Jeff Tomsic
Genre: Comedy, Drama, Romance, Science Fiction
Actor: Andrew Farrier, Anthony Mackie, Bernard Hocke, Geoff Stults, Jason Bayle, Kaleka, Langston Fishburne, Missi Pyle, Natalie Morales, Sarah Voigt, Taylor Shurte, Zoë Chao
Director: Kristian Mercado Figueroa
Genre: Action, Comedy
Actor: Adam Collins, Adewale Akinnuoye-Agbaje, Alex Brightman, Alice Lee, Andrei Lenart, Anthony Thomas, Cain Aiden, Christian Yeung, Claire Ashton, Dana Delany, Daniel Joseph Woolf, Fahim Fazli, Guy Robbins, Halle Berry, J.K. Simmons, Jackie Earle Haley, Jag Patel, James McMenamin, Jen Jacob, Jeśka Pike, Jessica De Gouw, Juan Carlos Hernández, Julianna Kurokawa, Lorraine Bracco, Lucy Cork, Mark Wahlberg, Mike Colter, Nathan Hall, Obie Matthew, Patch Darragh, Riley Neldam, Robert John Gallagher, Robert Ryan, Stephane Fichet, Stephen Campbell Moore, Susan Fordham, Tommy Bayiokos
Director: Julian Farino
The Perfect Find follows Jenna (Gabrielle Union), a fashion editor trying to make a comeback after a public breakup and a high-profile firing. She lands a job at a new fashion magazine, but this is complicated when she falls for her charming and much younger coworker, Eric (Keith Powers), who just so happens to be the son of her boss. Admittedly, the plot is as cliche as can be, with a few shenanigans, quirky best friends, and an ex or two popping up in the third act. But it's also easy to fall for, especially with Union as the charismatic lead. The jokes about her character and Eric's age gap land well most times, and many parts of the film are beautiful enough, most notably: the talent, the color grading, and the eye-catching New York landscape.
Genre: Comedy, Romance
Actor: Aisha Hinds, D.B. Woodside, Gabrielle Union, Gina Torres, Godfrey, Janet Hubert, Keith Powers, La La Anthony, Leigh Davenport, Numa Perrier, Remy Ma, Shayna McHayle, Sterling 'Steelo' Brim, Ts Madison, Winnie Harlow, Yrsa Daley-Ward
Director: Numa Perrier
You ought to know what you’re getting into with a movie like The Out-Laws, a production from the Adam Sandler-founded Happy Madison banner that’s behind such lofty cinematic heights as Grown Ups and Paul Blart: Mall Cop. Even in that charitable frame of reference, though, The Out-Laws feels, even more than usual, like a tax write-off for its creators and a sweet solely-for-the-paycheck gig for its starry cast, who don’t have to do much by way of actual dramatic work here. The perfunctory editing and bland direction often seem disinterested in (or, perhaps, embarrassed by) most of the script’s attempts to be funny, and so the film rushes through its scenario, which is only mildly amusing to begin with. In a movie like this, that’s more of a blessing than a curse, even if it does mean some of its better moments get short shrift from the whistlestop treatment. All in all, even as Happy Madison vehicles go, this is an utterly forgettable 95 minutes — the kind you’ll barely even be able to recall by the time the credits roll.
Genre: Action, Comedy, Romance
Actor: Adam Devine, Anthony Belevtsov, Betsy Sodaro, Blake Anderson, Cale Schultz, Dean Winters, Derek Russo, Ellen Barkin, Gigi Bermingham, Haley Leary, Jackie Sandler, Jackson Beals, John Winscher, Josh Bolla, Julie Hagerty, Laci Mosley, Lauren Lapkus, Lil Rel Howery, Lynne Ashe, Michael Rooker, Mo Gallini, Montrel Miller, Nina Dobrev, Orelon Sidney, Otis Winston, Paul Eliopoulos, Peggy Walton-Walker, Pierce Brosnan, Poorna Jagannathan, Rebecca Covert, Reyn Doi, Richard Kind, Sunny Sandler, Tywayne Wheatt, Zele Avradopoulos
Director: Tyler Spindel
Genre: Comedy, Reality
Actor: Justin Willman, Kimberly Congdon, Kyle Marlett, Simon Taylor
The Machine wants us to assume many unlikely things, with Bert Kreischer’s global fame being the most improbable. It also wants to be both high stakes as we follow Bert and his father (Mark Hamill) being chased by the mafia and comedic as they make lighthearted jokes along the way. But it never really achieves that balance. Though it looks sleek and high-budgeted, its contents are lopsided and messy, not once hitting the mark on its many targets. Moreover, it's based on a premise so thin, that it loses all credibility midway through the film. After that, it simply becomes a parody of itself. To be sure, there are some noteworthy moments in between, like when Kreischer and Hamill share genuine father-and-son moments, but for the most part, it’s just too overbearing to warrant anyone’s attention.
Genre: Action, Comedy, Crime
Actor: Aleksandar Srećković 'Kubura', Amelie Child-Villiers, Bert Kreischer, Brian Caspe, Dobrila Stojnic, Đorđe Simić, Iva Babić, Jess Gabor, Jimmy Tatro, Mark Hamill, Marko Nedeljković, Martyn Ford, Mercedes De La Cruz, Milena Predić, Miodrag Dragičević, Nikola Đuričko, Oleg Taktarov, Rita Bernard-Shaw, Robert Maaser, Set Sjöstrand, Stephanie Kurtzuba, Tea Wagner, Vladimir Gvojić
Director: Peter Atencio
The suggestion that life gets better if only you stand up for yourself is a helpful one. After all, self-confidence is something young kids could use a lot more of. But it’s also not true, and for Sid to instantly get his dream life once he starts applying himself just doesn’t ring true. Things unfold a little too smoothly and conveniently in this movie, making it less of an actual coming-of-age journey (which is complicated and messy) and more of a young boy’s simpleminded fantasy (that is, idealistic and egotistic). I just don’t buy that Sid, a kid who has been shy and avoidant all his life, gains all the wisdom, courage, and charisma of a hero overnight. And it certainly doesn’t help that everyone in his high school looks like they’ve long graduated from college. Ultimately, Sid is Dead lacks the authenticity to stand out from the wealth of excellent teen dramas we’ve been spoiled with in recent years.
Genre: Comedy, Drama
Actor: Anjelica Bette Fellini, Aubrey Cleland, Audrey Whitby, Belissa Escobedo, Carla Gallo, Denisea Wilson, Eileen Galindo, Genevieve Hannelius, Helen Hong, Jack Griffo, Joey Bragg, Justin Matthews, Luke Massy, Mary Stuart Masterson, Suraj Partha, Tyler Alvarez
Director: Eli Gonda
Genre: Action, Comedy, Crime
Actor: Alice Taglioni, Antoine Duléry, Baptiste Lecaplain, Benjamin Baroche, Franz Lang, Jess Liaudin, Katrina Durden, Lucien Jean-Baptiste, Noémie Lvovsky, Stefi Celma
Director: Noémie Saglio
Seemingly engineered in a lab to appeal strictly to romantic comedy enthusiasts who are familiar with every trope, Make Me Believe is charming and enjoyable in the moment, but ultimately does little with its ingredients. The things that it gets right are pretty foolproof: beautiful Turkish locales, steamy PG-rated romance, and a good dose of humor from supporting characters who can see the spark of love even before the couple does. Unfortunately this is all window dressing for a story built on flimsy foundations. The protagonist's assignment to book an interview doesn't actually carry that much weight, which makes the risk of pursuing and/or seemingly betraying her childhood neighbor feel inconsequential. And when these two characters inevitably meet in the middle, their connection is unconvincing, draining the excitement out of everything that follows.
Genre: Comedy, Romance
Actor: Ayça Ayşin Turan, Çağrı Çıtanak, Ekin Koç, Naz Çağla Irmak, Yıldız Kültür, Zerrin Sümer
Director: Evren Karabıyık Günaydın, Murat Saraçoğlu
Unsatisfying as the marriage depicted, Let’s Get Divorced had a promising premise but its approach to its themes betray its message. The couple, actress Kurosawa Yui (Naka Riisa) and incompetent political heir Shoji Taishi (Matsuzaka Tori), wants to split, much to the disapproval of Kurosawa’s agent and Shoji’s mother. At its most interesting, the show attempts to critique Japan’s attitudes towards divorce and the expectations surrounding famous couples, but it mostly shies away from the root of these views. However, what doesn’t help is how uninterested the show is in making us root for either character. Shoji is so incompetent that it’s downright infuriating. But it’s mostly the show’s treatment of Kurosawa that makes this comedy deeply unfunny. Gags about her (actually reasonable) anger reveal an underlying misogyny rooted in the show’s approach.
Genre: Comedy, Drama
Actor: Arata Furuta, Fuju Kamio, Kōji Yamamoto, Lisa Oda, Reiko Takashima, Riisa Naka, Ryo Nishikido, Shin Yazawa, Tori Matsuzaka, Yuka Itaya
The series does a lot to place you in its time period of the late ‘70s—the strikes, the space obsession, the whole world halting when a blackout hits. Director Bharat Nalluri can say it’s not just a period piece as their collective worries still look a lot like ours today, but the time setting seems to be the most interesting aspect of this whole ordeal. The web of families we follow are no Dunphys and Pritchetts, but the drama doesn’t jump and the dialogue doesn’t bite at all. It just doesn’t ever come together into a dynamic engine of stories, just mere suggestions of tension 40 minutes at a time.
Genre: Comedy, Drama
Actor: Deborah Mailman, Iain Glen, Jacek Koman, Jesse Spencer, Linh Dan Pham, Radha Mitchell, Thomas Weatherall, Vico Thai
Director: Bharat Nalluri
Amid energetic lights and obnoxious airhorns, Katt Williams makes his way to the stage and quickly greets you with the gospel of crass. His descriptions and premises aren’t anything to write home about as his style is more a boisterous NSFW style that resembles a night of gossip. But for most of this set, you’ll just be thinking about how his performer voice sounds like a cartoon grandma, a southern Spongebob, and “Macho Man” Randy Savage preaching to you all at once. The set had a touchy mental health bit that sucked the life out the room for a moment, but would take an empowering turn in its final third as Williams talks about racism in 2024. It’s a mess, but it finishes strong, at least.
Genre: Comedy, Documentary, TV Movie
Actor: Katt Williams
Director: Troy Miller