307 Best Comedy Movies On Itunes Canada (Page 16)

It’s kind of amazing how Johnson, who writes, directs, and stars in this feature, narrowly escapes narrative holes by being so darn self-effacing and likable. The female lead Maddy (Anna Kendrick) should be denounced as a Manic Pixie Girl, but because of Johnson and Kendrick’s overflowing charm, you don’t question the flimsiness of her character until much later on. The game itself should not make sense, but because Johnson is so committed in his physical performance, and so arresting in his charisma, all is forgiven. Self Reliance is like a tasty souffle that looks great at the moment, but left for longer, poofs and deflates. As long as you don't take it too seriously, the film should be a fun if forgettable ride.

Genre: Comedy, Thriller

Actor: Andy Samberg, Anna Kendrick, Biff Wiff, Bjorn Johnson, Boban Marjanović, Christopher Lloyd, Daryl J. Johnson, Eduardo Franco, Ely Henry, Emily Hampshire, Eric Edelstein, GaTa, Gloria Sandoval, Ilia Volok, Jake Johnson, Jeff Kober, John Hans Tester, John Ponzio, Karen Maruyama, Mary Holland, Miriam Flynn, Nancy Lenehan, Natalie Morales, Sky Elobar, Steven Littles, Theo Wilson, Wayne Brady

Director: Jake Johnson

Rating: R

Taking the Frankenstein story to its low-budget '80s extremes, Re-Animator finds lots of dry humor and gory thrills in the simple story of a mad scientist in medical school. But instead of any Frankenstein's monster terrorizing the university, it's the hubris of man and their arrogance in denying the inevitability of death that constantly threatens every other innocent person in the film. The scare to minute ratio here is refreshingly low, meaning Re-Animator isn't driven by a need to manipulate audiences, but by the primal thrills of fake guts and blood—and a sharp, snarky performance from Jeffrey Combs.

Genre: Comedy, Drama, Horror, Science Fiction

Actor: Al Berry, Barbara Crampton, Bruce Abbott, Bunny Summers, Carolyn Purdy-Gordon, David Gale, Gene Scherer, Gerry Black, Ian Patrick Williams, Jeffrey Combs, Peter Kent, Robert Sampson

Director: Stuart Gordon

After a long life lived in a home one chose, it can be hard to uproot your entire life, especially in a country that seems diametrically opposed in manners and values. Before his American produced hits like Brokeback Mountain and Life of Pi, Ang Lee made his debut through Pushing Hands, a film entirely shot in America but produced from Taiwan, exploring from the Chinese perspective the generational conflict between Asian immigrants and the mainlander parents that they brought to have a good life. It’s humorous at certain moments, with the steady demeanor of Chu contrasted to everyone around him, but Pushing Hands stems from the understanding of someone who’s directly lived through it, unfolding into a thoughtful, sentimental drama that quickly established Lee’s directorial voice.

Genre: Comedy, Drama

Actor: Chit-Man Chan, Deb Snyder, Fanny De Luz, Sihung Lung, Wang Bozhao, Wang Hung-Chang, Wang Lai

Director: Ang Lee

The entirety of Pieces of April takes place on Thanksgiving Day, a busy holiday meant to bring loved ones together. Sure enough, April, the eldest Burns daughter, takes great pains to prepare a nice dinner for her visiting family. But we soon learn that she is motivated less by excitement than by dread: she's long been estranged, disowned even, by her uptight mother, Joy, who is only agreeing to come because she's sick with cancer. April seems to be on a reluctant mission to fix their fraught relationship, but pesky (albeit funny) mishaps, both on her and Joy's end, keep getting in the way. 

Shot digitally and very closely with hand-held cameras, Pieces of April looks as intimate as it feels. It's a snapshot of an era and of a particular family dynamic, one that relatably relies on both love and scorn to keep going. It's an excellent, honest, and underrated gem of a movie.

Genre: Comedy, Drama, Family

Actor: Adrian Martinez, Alice Drummond, Alison Pill, Anney Giobbe, Armando Riesco, Birdie M. Hale, Derek Luke, Isiah Whitlock Jr., Jamari Richardson, John Gallagher Jr., Katie Holmes, Leila Danette, Lillias White, Oliver Platt, Patricia Clarkson, Rusty De Wees, Sally Leung Bayer, Sean Hayes, Sisqó, Stephen Chen, Susan Bruce, Vitali Baganov

Director: Peter Hedges

Rating: PG-13

While painfully accurate, Lost in America is a cutting satire of the white-collar mid-life crisis that’s so hilarious, but in a depressing sort of way. When denied his expected promotion and then fired, David Howard (director Albert Brooks) convinces his wife Linda (Julie Haggerty) that they should “drop out of society”, pursuing a freewheeling lifestyle to travel across the country. Brooks and Haggerty lead the film – their back-and-forth dynamic feels compelling, whether they’re arguing, pouting, or tenderly reconciling. And while the couple stays compatible with each other, the film reveals them (and us) at our most shallow.

Genre: Comedy, Drama

Actor: Albert Brooks, Art Frankel, Bob Hughes, Candy Ann Brown, Charles Boswell, Donald Gibb, Garry Marshall, Herb Nanas, James L. Brooks, Julie Hagerty, Larry King, Maggie Roswell, Michael Cornelison, Michael Greene, Priscilla Cory, Radu Gavor, Raynold Gideon, Rex Reed, Tom Tarpey

Director: Albert Brooks

Rating: R

Most computer screen films take the horror film route as a cautionary tale about technology and how we use it. However, when the world was on lockdown, one screenlife film takes a look at its positive side. Simple, straightforward, and comforting, Language Lessons celebrates technology as a means for connection. Through surprise Spanish lessons purchased by his husband, Adam (Mark Duplass) forms a friendship with his instructor Cariño (Natalie Morales). At times, watching the film feels like listening into someone else’s Zoom call, however, their back-and-forth feels engaging because of Morales and Duplass’ chemistry. And when loss hits, on both sides, it’s only natural that their relationship deepens as they console each other. Expressive without being melodramatic and intimate without being too pushy, Language Lessons is a rare optimistic take towards the way we connect to each other through technology.

Genre: Comedy, Drama, Romance

Actor: Desean Terry, Mark Duplass, Natalie Morales

Director: Natalie Morales

Rating: Not Rated

Romantically pairing up AI with humans is hardly new, and I'm Your Man is aware of that. Instead of spending way too much time explaining the advanced tech that makes the perfect mate possible, the movie zeroes in on its charismatic leads Tom the robot (Dan Stevens) and Alma the indifferent academic (Maren Eggert). Tom is the curious, humanoid automaton who is designed to worship Alma, and Alma is the disillusioned human who is conflicted with the authenticity of her growing feelings for Tom. I'm Your Man is smart and empathetic enough to stay afloat amidst its swirling genres and ethical dilemmas, but it is mostly the chemistry between Tom and Alma that anchors it to the love story that it actually is. 

Genre: Comedy, Drama, Romance, Science Fiction

Actor: Annika Meier, Christoph Glaubacker, Dan Stevens, Falilou Seck, Hans Löw, Henriette Richter-Röhl, Inga Busch, Jürgen Tarrach, Karolin Oesterling, Maren Eggert, Mignon Remé, Monika Oschek, Sandra Hüller, Sebastian Schwarz, Victor Pape-Thies, Wolfgang Hübsch

Director: Maria Schrader

Rating: R

As southern movies go, Fried Green Tomatoes is inoffensively sweet and realistic—it’s not afraid to touch on the genuine issues that plagued America in the 1930s while also cushioning some blows, as feel-good movies are wont to do. But the film seems less interested in presenting a clear picture of the past than it is in telling a specific tale: that of outsiders forming bonds and making it together in an unforgiving society. 

The main narrator is Ninny, an 83-year-old woman seemingly forgotten by everyone except Evelyn, an unhappy housewife who is “too young to be old and too old to be young.” Ninny recalls the stories of Sipsey and Big George, Black laborers who dared to succeed in their deeply racist community; of Smokey, the town outcast, who still helped people even if he was denied it himself; of Ruth, the domestic abuse victim; and of Idgie, the tomboy who spat on the face of all decorum. Then, of course, there’s the unspoken relationship between Ruth and Idgie, which hint at something quite radical for its time. 

These are all the people conventionally denied happy endings, and in period films, you’d expect to be abandoned in tragedy. But here they sing; they win and lose in equal measure, and even though it might seem like light and familiar fare to some, it still goes down heartily and unforgettably—funnily enough, like a plate of fried green tomatoes.

Genre: Comedy, Drama

Actor: Afton Smith, Bob Hannah, Carol Mitchell-Leon, Chris O'Donnell, Chris O'Donnell, Cicely Tyson, Constance Shulman, Danny Nelson, David Dwyer, Evan Lockwood, Fannie Flagg, Gailard Sartain, Gary Basaraba, Grace Zabriskie, Grayson Fricke, Haynes Brooke, Jessica Tandy, Jo Harvey Allen, Kathy Bates, Kathy Larson, LaTanya Richardson Jackson, Lois Smith, Macon McCalman, Mary Stuart Masterson, Mary-Louise Parker, Nancy Moore Atchison, Nick Searcy, Raynor Scheine, Reid Binion, Richard Riehle, Stan Shaw, Suzi Bass, Ted Manson, Tim Scott, Timothy Scott, Tom Even, Wallace Merck

Director: Jon Avnet

Rating: PG-13

As the 1970s brought about the civil rights movement, as well as the abandonment of the American Hays Code, the blaxploitation genre (portmanteau of “Black” and “exploitation”) became popular, with black artists reclaiming their image, albeit with B-films centered around themes of violence, drugs, and sex. Black Dynamite is an homage and parody to the genre, with low budget mistakes, over-the-top dialogue, and Super 16 shooting all combining in the most hilarious of ways through the smooth timing of leading man (and co-writer) Michael Jai White. It’s silly, and stereotypical, but all the jokes poke fun from a clear love and nostalgia of the genre.

Genre: Action, Comedy

Actor: Arsenio Hall, Baron Vaughn, Bokeem Woodbine, Buddy Lewis, Byron Minns, Cedric Yarbrough, Charlotte Stokely, Charmane Star, Chris Spencer, Damion Poitier, Darrel Heath, Irwin Keyes, John Salley, JR, Kevin Chapman, Kym Whitley, Michael Jai White, Miguel A. Núñez, Miguel A. Núñez, Jr., Mike Starr, Mykelti Williamson, Nicole Ari Parker, Nicole Sullivan, Obba Babatundé, Phil Morris, Richard Edson, Roger Yuan, Salli Richardson-Whitfield, Stacy Adams, Tommy Davidson, Tucker Smallwood, William Bassett

Director: Scott Sanders

Rating: R

Is this the most thrilling head-scratcher we’ve seen in a while? No. Is it a rousing take on the feminist cause? Not really. But what Wicked Little Letters lacks in intrigue and relevance, it more than makes up for in entertainment value. Not that anyone needs convincing, but here Colman and Buckley further prove why they’re some of the most in-demand actors right now. They’re raw and fiery and hilarious, energizing every scene with their limitless energy. They make the film a breeze to watch, so if you’re looking to pass the time with enjoyable performances, Wicked Little Letters makes for a solidly entertaining watch.

Genre: Comedy, Drama, Mystery

Actor: Anjana Vasan, Gemma Jones, Jessie Buckley, Olivia Colman, Timothy Spall

Director: Thea Sharrock

Rating: R

We Are the Best! is one movie that may be overlooked largely by viewers, though it perfectly captures counterculture, and relates to the misfit young and old. The movie is an adaptation of Moodysson's wife Coco's graphic novel "Never Goodnight". Set in Stockholm, Sweden in 1982, Klara (Mira Grosin) and her best friend Bobo (Mira Barkhammar) are junior high teenage girls who believe in their heart that punk rock is alive and well. With both of their home lives not so pleasant, the girls spend their time at the local youth center while taking up the time slot in the band room to get revenge on the local metal band. That's when they find themselves starting a punk band without even knowing how to play an instrument. We Are the Best! is a fun and deeply sincere exploration of adventure, friendship, love, and betrayal in adolescence.

Genre: Comedy, Drama, Music

Actor: Ann-Sofie Rase, David Dencik, Emrik Ekholm, Felix Sandman, Johan Liljemark, Lena Carlsson, Liv LeMoyne, Mira Barkhammar, Mira Grosin, Peter Eriksson, Sofi Ahlström Helleday

Director: Lukas Moodysson

Rating: Not Rated

With a particularly empowering tenderness and resilience, The Divine Order explores a glossed-over chapter in history wherein Swiss women could not vote until 1971. The hillside Swiss farming village in which Nora Ruckstuhl lives seems picture-perfect. But under the village’s close-knit and idyllic surface, change is stirring. When an emerging sense of autonomy pushes Nora to question her identity beyond being a complacent housewife, she publicly declares herself in favor of women’s suffrage and draws attention from both outspoken opponents and quiet supporters.

As Nora discovers herself—what she does and doesn’t like; what her body looks like; what pleasure feels like—she also uncovers a yearning for better, for more: who is she not just as a spouse and mother, but also as a friend, a member of a greater community, an independent woman?

Genre: Comedy, Drama

Actor: Bettina Stucky, Ella Rumpf, Finn Sutter, Ingo Ospelt, Marie Leuenberger, Marietta Jemmi, Marta Zoffoli, Maximilian Simonischek, Nicholas Ofczarek, Noe Krejcí, Peter Freiburghaus, Rachel Braunschweig, Sibylle Brunner, Sofia Helin, Steffi Friis, Therese Affolter, Urs Bosshardt, Walter Leonardi

Director: Petra Biondina Volpe

The Cabin in the Woods came to be as Buffy The Vampire Slayer writers Drew Goddard and and Joss Whedon set themselves on a mission to upgrade the slasher genre. With this film, they wanted to satirize the way it slips into torture porn. In other words, they aspired to make a clever, punchy new classic. Amassing a 30 million dollar budget attests to their hopes: a massive backend of VFX work provided an elaborate film world, where different levels of 'reality' are at play. As six college students head into the woods to spend a debaucherous weekend undisturbed, a whole underground laboratory monitors their every move. It appears that a big operation is underway to trap the unsuspecting crowd into a curated murder scenario, straight out of a horror movie. Among the victims, we see Chris Hemsworth at the time his career was just taking off, so that's history in the making for you.

Unfortunately, in its devotion to provocatively render some horror tropes irrelevant, The Cabin in the Woods cannot help but reinforce others. It still carries the whiff of the late 2000s' misogyny in the way it portrays women and it certainly doesn't try hard enough to disrupt the genre's opposition to female sexuality. The characters of Dana (the virgin) and Jules (the experienced one) are sure to make you wince, as they're written as flat as a piece of paper. So you say no to torture porn, but embrace misogyny...?

Genre: Comedy, Fantasy, Horror, Mystery, Science Fiction, Thriller

Actor: Adrian Holmes, Amy Acker, Anna Hutchison, Aya Furukawa, Brad Dryborough, Bradley Whitford, Brian J. White, Chelah Horsdal, Chris Hemsworth, Dan Payne, Dan Shea, Ellie Harvie, Fran Kranz, Greg Zach, Heather Doerksen, Jesse Williams, Jodelle Ferland, Kristen Connolly, Lori Stewart, Matt Drake, Matt Phillips, Maya Massar, Nels Lennarson, Patrick Gilmore, Patrick Sabongui, Peter Kelamis, Phillip Mitchell, Richard Cetrone, Richard Jenkins, Rukiya Bernard, Sigourney Weaver, Terry Chen, Terry Notary, Tim DeZarn, Tom Lenk

Director: Drew Goddard

Rating: R