177 Best Comedy Movies On Cineplex Canada (Page 9)

At first glance, The Madness of King George seemed like a history lesson about King George III. Like plenty of British royalty dramas, the film has all the opulent trappings in its sets and costumes, as well as some of the best actors from the British isles. However, unlike other depictions of the monarchy, the film depicts the king not as a benevolent ruler or oppressive tyrant– instead, King George III is terribly human, with his memory failing, being unsettled by loss, and concern over his health, which involves having to look at his urine. But the historical satire, based on the 1991 stage play, still manages to have the same mockery towards the opportunistic court, while still retaining sympathy for the very nobility it mocks, through original playwright Alan Bennett’s adept writing, as well as the excellent performance of the stacked ensemble cast.

Genre: Comedy, Drama, History

Actor: Adrian Scarborough, Alan Bennett, Amanda Donohoe, Anthony Calf, Barry Stanton, Caroline Harker, Charlotte Curley, Clive Brunt, Colin McPhillamy, Cyril Shaps, David Leon, Dermot Keaney, Geoffrey Palmer, Helen Mirren, Iain Mitchell, Ian Holm, Janine Duvitski, Jeremy Child, Jim Carter, Joanna Hall, John Wood, Julian Rhind-Tutt, Julian Wadham, Michael Grandage, Nicholas Irons, Nicholas Selby, Nick Sampson, Nigel Hawthorne, Paul Corrigan, Peter Woodthorpe, Robert Swann, Roger Ashton-Griffiths, Roger Hammond, Rupert Everett, Rupert Graves, Selina Cadell, Struan Rodger

Director: Nicholas Hytner

Rating: PG-13

Before “burnout,” “bullshit jobs,” and “quiet quitting” became part of our everyday lexicon, there was a film in the ‘90s that prophesied the rise of these workplace problems. Office Space follows three co-workers who, having had enough of their dreary low-paying jobs, fight back against their company via an embezzlement scheme. 

Office Space makes the most out of its indie budget as it mostly takes place in the cramped quarters of a company, effectively bottling us into the cubicled windowless world of the characters. But the real beauty of the film is in the details, from its quick zingers and thoughtful takes on the essence of work down to its elaborate “planning to plan” scheme in the background and the employees’ forced politeness singing happy birthday to their boss. Modern viewers will notice that Office Space sits right in between the dystopian thriller Severance and the beloved sitcom The Office—a dark comedy that highlights the necessity of humanity in everyday work. 

Genre: Comedy, Drama

Actor: Ajay Naidu, Alexandra Wentworth, Ali Wentworth, Barbara George-Reiss, Cassie Townsend, Charissa Allen, David Herman, Diedrich Bader, Gabriel Folse, Gary Cole, Greg Pitts, Heath Young, Jack Betts, Jackie Belvin, Jennifer Aniston, Jennifer Jane Emerson, Jesse De Luna, Joe Bays, John C. McGinley, Josh Bond, Justin Possenti, K. Todd Lytle, Kinna McInroe, Kyle Scott Jackson, Linda Wakeman, Michael McShane, Mike Judge, Orlando Jones, Paul Willson, R.C. Keene, Richard Riehle, Ron Livingston, Rupert Reyes, Samantha Inoue Harte, Spencer Kayden, Stephen Root, Todd Duffey, Tom Schuster

Director: Mike Judge

Rating: R

With the powerful duo of queer aesthetics and rock n roll, Hedwig and the Angry Inch questions the duality between genders, lovers, and everything in between. Like the 1998 stage musical, the film follows the titular Hedwig and her band as they navigate the music scene for fame and love. The adaptation gives justice to their performances, giving the vibe of 70s glam rock music videos. The film is not without its flaws. Hedwig’s relationship with the younger Tommy Gnosis remains controversial. However, while Hedwig may not be a perfect representation of the trans experience– after all, she only chooses gender reassignment purely to leave East Germany– this cult film still remains a landmark for queer representation.

Genre: Comedy, Drama, Music

Actor: Alan Mandell, Alberta Watson, Andrea Martin, Ben Mayer-Goodman, Ermes Blarasin, Gene Pyrz, John Cameron Mitchell, Karen Hines, Maggie Moore, Mary Krohnert, Maurice Dean Wint, Michael Aronov, Michael Pitt, Michael Stevens, Miriam Shor, Rob Campbell, Rosie O'Donnell, Sook-Yin Lee, Stephen Trask, Taylor Abrahamse, Thérèse DePrez

Director: John Cameron Mitchell

Richard Linklater’s spiritual successor to Dazed and Confused invites you back to 1980 with a group of college freshmen discovering and navigating their first taste of young adulthood. Linklater is best known for balancing authentic dialogue and earnest performances, both of which shine in this movie. Notable performances are given by all in this ensemble cast, whose chemistry is electric and infectiously light-hearted. Everybody Wants Some!! is as fun, loud, and wild as any good night you don’t want to forget.

Genre: Comedy

Actor: Adriene Mishler, Alexandria Payne, Anna Vanston, Asjha Cooper, Austin Amelio, Beau Smith, Blake Jenner, Bonnie Gayle, Christina Burdette, Courtney Tailor, Cyndy Powell, Devin Bonnée, Diane Selken, Dora Madison, Forrest Vickery, Glen Powell, J. Quinton Johnson, Jason Liebrecht, Jenna Saab, Jessi Mechler, Jonathan Breck, Justin Alexio, Juston Street, Kaleb King, Kay Epperson, Laura Ritz, Lizzy Pop Muro, Lynden Orr, Michael Monsour, Olivia Griswald, Paula Marcenaro Solinger, Rene Rhi, Ryan Guzman, Sadie Brook, Shailaun Manning, Sophia Ali, Tanner Kalina, Taylor Ashley Murphy, Temple Baker, Tess Cline, Tory Taranova, Tyler Hoechlin, Vanessa Amaya, Will Brittain, Wyatt Russell, Zoey Deutch

Director: Richard Linklater

Rating: R

A non-comedic Melissa McCarthy stars in this movie based on a true story. She plays author Lee Israel who after struggling to pay her bills starts forging letters from famous writers. Being a great writer herself, she's able to skillfully mimic some of the greatest American novelists. But how far can she take it? With only her cat and an ex-convict friend at her side, this movie takes you through her desperation and anxiety as she turns into a full-blown criminal. Nominated to three Oscars, including Best Actress for McCarthy.

Genre: Comedy, Crime, Drama, Mystery

Actor: Alice Kremelberg, Anna Deavere Smith, Anne Hollister, Antoine Drye, Armando Riesco, Barbara Ann Davison, Ben Falcone, Ben Rauch, Bill Walters, Bonita Hamilton, Brandon Scott Jones, Charlotte Mary Wen, Chris Lamberth, Christian Navarro, Dan McCabe, Dann Fink, Dolly Wells, Doris McCarthy, Erik LaRay Harvey, Ethel Fisher, George Aloi, Gregory Korostishevsky, Havilah Brewster, Jane Curtin, Joanna Adler, Josh Evans, Justin Vivian Bond, Katie Kocik, Kevin Carolan, Linwood Brown, Liz Eng, Lori Prince, Lucy DeVito, Marc Evan Jackson, Marcella Lowery, Marcus Choi, Mary B. McCann, Melissa McCarthy, Michael Cyril Creighton, Michael Laurence, Moisés Acevedo, Peter Donovan, Pun Bandhu, Richard E. Grant, Ricky Garcia, Roberta Wallach, Ron Maestri, Rosal Colon, Sandy Rosenberg, Sandy Rustin, Sean Oliver, Shae D'Lyn, Stephen Spinella, Tiffany Blair, Tim Cummings, Tina Benko, Wayne J. Miller, Zabryna Guevara

Director: Marielle Heller

Rating: R

John C. Reilly and Steve Coogan are fantastic in this biopic of a comedy double that governed turn-of-the-century Hollywood. The movie stars with a snippet of their success but is mostly focused on their later years. With their big hits behind them, Stan Laurel and Ollie Hardy embark on a disappointing tour across Britain while trying to get one last movie made. Their story is about how the creative bond between two lifetime performers evolves through time, successes, and failures. It's a cute tribute to a duo whose lives weren't so different from their comedic act.

Genre: Comedy

Actor: John C. Reilly, Shirley Henderson, Steve Coogan

Director: Jon S. Baird

Rating: PG

It’s kind of amazing how Johnson, who writes, directs, and stars in this feature, narrowly escapes narrative holes by being so darn self-effacing and likable. The female lead Maddy (Anna Kendrick) should be denounced as a Manic Pixie Girl, but because of Johnson and Kendrick’s overflowing charm, you don’t question the flimsiness of her character until much later on. The game itself should not make sense, but because Johnson is so committed in his physical performance, and so arresting in his charisma, all is forgiven. Self Reliance is like a tasty souffle that looks great at the moment, but left for longer, poofs and deflates. As long as you don't take it too seriously, the film should be a fun if forgettable ride.

Genre: Comedy, Thriller

Actor: Andy Samberg, Anna Kendrick, Biff Wiff, Bjorn Johnson, Boban Marjanović, Christopher Lloyd, Daryl J. Johnson, Eduardo Franco, Ely Henry, Emily Hampshire, Eric Edelstein, GaTa, Gloria Sandoval, Ilia Volok, Jake Johnson, Jeff Kober, John Hans Tester, John Ponzio, Karen Maruyama, Mary Holland, Miriam Flynn, Nancy Lenehan, Natalie Morales, Sky Elobar, Steven Littles, Theo Wilson, Wayne Brady

Director: Jake Johnson

Rating: R

Romantically pairing up AI with humans is hardly new, and I'm Your Man is aware of that. Instead of spending way too much time explaining the advanced tech that makes the perfect mate possible, the movie zeroes in on its charismatic leads Tom the robot (Dan Stevens) and Alma the indifferent academic (Maren Eggert). Tom is the curious, humanoid automaton who is designed to worship Alma, and Alma is the disillusioned human who is conflicted with the authenticity of her growing feelings for Tom. I'm Your Man is smart and empathetic enough to stay afloat amidst its swirling genres and ethical dilemmas, but it is mostly the chemistry between Tom and Alma that anchors it to the love story that it actually is. 

Genre: Comedy, Drama, Romance, Science Fiction

Actor: Annika Meier, Christoph Glaubacker, Dan Stevens, Falilou Seck, Hans Löw, Henriette Richter-Röhl, Inga Busch, Jürgen Tarrach, Karolin Oesterling, Maren Eggert, Mignon Remé, Monika Oschek, Sandra Hüller, Sebastian Schwarz, Victor Pape-Thies, Wolfgang Hübsch

Director: Maria Schrader

Rating: R

As southern movies go, Fried Green Tomatoes is inoffensively sweet and realistic—it’s not afraid to touch on the genuine issues that plagued America in the 1930s while also cushioning some blows, as feel-good movies are wont to do. But the film seems less interested in presenting a clear picture of the past than it is in telling a specific tale: that of outsiders forming bonds and making it together in an unforgiving society. 

The main narrator is Ninny, an 83-year-old woman seemingly forgotten by everyone except Evelyn, an unhappy housewife who is “too young to be old and too old to be young.” Ninny recalls the stories of Sipsey and Big George, Black laborers who dared to succeed in their deeply racist community; of Smokey, the town outcast, who still helped people even if he was denied it himself; of Ruth, the domestic abuse victim; and of Idgie, the tomboy who spat on the face of all decorum. Then, of course, there’s the unspoken relationship between Ruth and Idgie, which hint at something quite radical for its time. 

These are all the people conventionally denied happy endings, and in period films, you’d expect to be abandoned in tragedy. But here they sing; they win and lose in equal measure, and even though it might seem like light and familiar fare to some, it still goes down heartily and unforgettably—funnily enough, like a plate of fried green tomatoes.

Genre: Comedy, Drama

Actor: Afton Smith, Bob Hannah, Carol Mitchell-Leon, Chris O'Donnell, Chris O'Donnell, Cicely Tyson, Constance Shulman, Danny Nelson, David Dwyer, Evan Lockwood, Fannie Flagg, Gailard Sartain, Gary Basaraba, Grace Zabriskie, Grayson Fricke, Haynes Brooke, Jessica Tandy, Jo Harvey Allen, Kathy Bates, Kathy Larson, LaTanya Richardson Jackson, Lois Smith, Macon McCalman, Mary Stuart Masterson, Mary-Louise Parker, Nancy Moore Atchison, Nick Searcy, Raynor Scheine, Reid Binion, Richard Riehle, Stan Shaw, Suzi Bass, Ted Manson, Tim Scott, Timothy Scott, Tom Even, Wallace Merck

Director: Jon Avnet

Rating: PG-13

As the 1970s brought about the civil rights movement, as well as the abandonment of the American Hays Code, the blaxploitation genre (portmanteau of “Black” and “exploitation”) became popular, with black artists reclaiming their image, albeit with B-films centered around themes of violence, drugs, and sex. Black Dynamite is an homage and parody to the genre, with low budget mistakes, over-the-top dialogue, and Super 16 shooting all combining in the most hilarious of ways through the smooth timing of leading man (and co-writer) Michael Jai White. It’s silly, and stereotypical, but all the jokes poke fun from a clear love and nostalgia of the genre.

Genre: Action, Comedy

Actor: Arsenio Hall, Baron Vaughn, Bokeem Woodbine, Buddy Lewis, Byron Minns, Cedric Yarbrough, Charlotte Stokely, Charmane Star, Chris Spencer, Damion Poitier, Darrel Heath, Irwin Keyes, John Salley, JR, Kevin Chapman, Kym Whitley, Michael Jai White, Miguel A. Núñez, Miguel A. Núñez, Jr., Mike Starr, Mykelti Williamson, Nicole Ari Parker, Nicole Sullivan, Obba Babatundé, Phil Morris, Richard Edson, Roger Yuan, Salli Richardson-Whitfield, Stacy Adams, Tommy Davidson, Tucker Smallwood, William Bassett

Director: Scott Sanders

Rating: R